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Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: E.M. Forster


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Death of George Derwent Thomson, Philosopher & Scholar of the Irish Language

George Derwent Thomson (Irish: Seoirse Mac Tomáis), English classical scholar, Marxist philosopher, and scholar of the Irish language, dies on February 3, 1987, at his home in Moseley, Birmingham, England.

Thomson is born on August 19, 1903, in West Dulwich, London, the eldest of a family of three sons and two daughters born to William Henry Thomson, an accountant, and his wife Minnie (née Clements). Inheriting an interest in Ireland from his maternal grandfather, an Ulsterman of Orange stock, and his mother, he attends Irish language classes run by the Gaelic League in London while a pupil at Dulwich College (1916–22).

Awarded a scholarship to King’s College, Cambridge, in 1922, Thomson studies classics, where he attains First Class Honours in the Classical Tripos and subsequently wins a scholarship to Trinity College, Dublin (TCD). At TCD he works on his first book, Greek Lyric Metre, and begins visiting the Blasket Islands in the early 1920s. He becomes lecturer and then Professor of Greek at University College Galway.

Thomson moves back to England in 1934, when he returns to King’s College, Cambridge, to lecture in Greek. He becomes a professor at the University of Birmingham in 1936, the year he joins the Communist Party of Great Britain. He pioneers a Marxist interpretation of Greek drama. His Aeschylus and Athens (1941) and Marxism and Poetry (1945) win him international attention. In the latter book he argues a connection between the work song and poetry, and that pre-industrial songs are connected to ritual.

Thomson befriends and is an important influence on Alfred Sohn-Rethel and his theory of the genesis of occidental thought in Ancient Greece through the invention of coining.

Thomson first visits the Blasket Islands off the west coast of Ireland in 1923. Mac Tomáis, as he quickly becomes known to the islanders, had attended rudimentary Irish classes at a branch of Conradh na Gaeilge in London before he went to Cambridge. When he arrives on the island, he immerses himself in the language. In six weeks of walking around, talking with Muiris Ó Súilleabháin and others, he achieves near complete fluency in the language.

Thomson spends several years with the people of the islands studying their language, history and culture. He maintains a special study of the now extinct community in Ireland, in which he perceives elements of surviving cultural resonances with historical society prior to the development of private property as a means of production. He becomes a champion of the Irish language.

Thomson has a role in the publication of the memoirs of Muiris Ó Súilleabháin, Fiche Bliain Ag Fás (Twenty Years Growing) in 1933. The introduction to Ó Súilleabháin’s autobiography by E. M. Forster can also be attributed to Thomson.

When Thomson applies for the new position of lecturer of Greek at the National University of Ireland, Galway, in 1931 he, in the words of Richard Roche, “astonished the interview board with a flow of Blasket Irish” and is awarded the post.

In 1951, Thomson is the only member of the Communist Party’s Executive Committee to vote against the Party’s programme, The British Road to Socialism, because “the dictatorship of the proletariat was missing.” He also serves on the Party’s Cultural Committee.

The Chinese revolution of 1949 has a profound effect on Thomson and leads to differences with the British Communist Party, from which he eventually drifts. He never loses his political beliefs. He is committed to working class education, including giving lectures to factory workers at Birmingham’s Austin car plant. He also maintains a special affection and support for the Morning Star in his later years.

Thomson authors three popular expositions on Marxism published by the China Policy Study Group in the early 1970s. From Marx to Mao Tse-tung: A study in revolutionary dialectics (1971), Capitalism and After: The rise and fall of commodity production (1973), and The Human Essence: The sources of science and art (1974). He is also the author of Marxism and Poetry (1945).


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Birth of Forrest Reid, Novelist & Critic

forrest-reid

Forrest Reid, novelist, literary critic and translator, is born in Belfast on June 24, 1875. He is, along with Hugh Walpole and J. M. Barrie, a leading pre-war novelist of boyhood. He is still acclaimed as the greatest of Ulster novelists and is recognised with the award of the 1944 James Tait Black Memorial Prize for his novel Young Tom.

Reid is the youngest son of a Protestant family of twelve, six of whom survive. His mother, his father’s second wife, comes from an aristocratic Shropshire family. Although proud of this ancestry, he finds the strict Protestant ethics of his immediate family constricting. He is educated at the Royal Belfast Academical Institution, after which he is initially apprenticed into the Belfast tea-trade before going to Christ’s College, Cambridge, where he reads medieval and modern languages, and is influenced by the novelist E. M. Forster. His first book, The Kingdom of Twilight, is published in 1904. Following graduation in 1908, he returns to Belfast to pursue a writing career.

As well as his fiction, Reid also translates poems from the Greek Anthology. His study of the work of W. B. Yeats, W. B. Yeats: A Critical Study, has been acclaimed as one of the best critical studies of that poet. He also writes the definitive work on the English woodcut artists of the 1860s, Illustrators of the Sixties (1928). His collection of original illustrations from that time is housed in the Ashmolean Museum, Oxford.

Reid is a close friend of Walter de la Mare, whom he first meets in 1913, and about whose fiction he publishes a perceptive book in 1929. He is also an influence on novelist Stephen Gilbert and has good connections to the Bloomsbury Group of writers. He is a founding member of the Imperial Art League (later the Artists League of Great Britain) and is also a close friend of Arthur Greeves, the artist known to be C. S. Lewis‘s best friend. Greeves paints several portraits of Reid, now all in the possession of the Royal Belfast Academical Institution.

Reid publishes articles in many magazines, including Uladh, The Westminster Review and the Ulster Review, and he reviews books for The Manchester Guardian. Apostate, an autobiography, is published in 1926, and its sequel, Private Road, is published in 1940. He is a founder member of the Irish Academy of Letters.

Forrest Reid dies on January 4, 1947, in Warrenpoint, County Down, Northern Ireland.

Though Reid’s books are not necessarily well known today, he has been labelled “the first Ulster novelist of European stature,” and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce‘s seminal novel of growing up in Catholic Dublin, A Portrait of the Artist as a Young Man (1914). Reid’s fiction, which often uses submerged narratives to explore male beauty and love, can be placed within the historical context of the emergence of a more explicit expression of homosexuality in English literature in the 20th century.

A ‘Forrest Reid Collection’ is held at the University of Exeter, consisting of first editions of all Reid’s works and books about him. Many of his original manuscripts are in the archives of the Belfast Central Library. In 2008, Queen’s University Belfast catalogues a large collection of Forrest Reid documentary material including many letters from E. M. Forster.

In 1952 Forster travels to Belfast to unveil a plaque commemorating Forrest Reid’s life at 13 Ormiston Crescent.


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Birth of Irish Author Maurice O’Sullivan

maurice-osullivan-houseMaurice O’Sullivan (Irish: Muiris Ó Súilleabháin), Irish author famous for his memoir of growing up on the Great Blasket Island and in Dingle, County Kerry, off the western coast of Ireland, is born on February 19, 1904.

Following the death of his mother when he is six months old, O’Sullivan is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to Great Blasket Island to live with his father, grandfather, and the rest of his siblings, and learns the native language. He joins the Garda Síochána in Dublin in 1927 and is stationed in the Gaeltacht area of Connemara.

O’Sullivan is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who has come to the island to hear and learn the Irish language. It is Thomson who encourages him to go into the Guards, rather than emigrate to America as do most of the young people. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn-Davies.

Fiche Blian ag Fás (in English, Twenty Years a-Growing) is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture have continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives.

While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E.M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when O’Sullivan tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.

In 1934, O’Sullivan leaves the Guards and settles in Connemara. He drowns on June 25, 1950, while swimming off the Connemara coast. Dylan Thomas commences, but does not finish, a screenplay of Fiche Blian ag Fás.

(Pictured: The ruins of the house in which Maurice O’Sullivan grew up on the Great Blasket Island)