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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Frank O’Connor, Poet & Novelist

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, dies of a heart attack in Dublin on March 10, 1966. The Frank O’Connor International Short Story Award is named in his honour.

O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army (IRA) and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork city. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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The Murder of IRA Volunteer Eamon Collins

Eamon Collins, member of the Provisional Irish Republican Army (IRA) in the late 1970s and early 1980s, is beaten and stabbed to death by an unidentified assailant(s) in the early morning hours of January 27, 1999, in Newry, County Down, Northern Ireland.

Collins is born in 1954 in Camlough, County Armagh, Northern Ireland, the son of Brian Collins, a farmer, livestock trader, and cattle smuggler, and Kathleen Collins (née Cumiskey). His extended family has no history of political involvement, though his upbringing is fervently Catholic and nationalist. He leaves secondary school at age 16 and briefly works as a clerk in the Ministry of Defence in London. He returns home for family reasons and resumes his education in 1971 through a scholarship to St. Colman’s College, Newry, County Down. In 1973 he goes to Queen’s University Belfast (QUB) to study law.

Collins develops ultra-leftist political beliefs in his late teens and supports the Northern Ireland civil rights movement but retains reservations about the use of violence. He is further radicalised by being beaten up by soldiers searching his family’s farm at Easter 1974 and by the downfall of the power sharing executive. He loses interest in his studies, leaves QUB in 1976 without completing his degree, and drifts for two years, joining an anarchist collective in Belfast. He comes back into contact with the republican movement through the blanket protest by Long Kesh inmates; he had known hunger striker Raymond McCreesh as a teenager. In 1978 he joins the customs service in Newry and begins to pass information to the IRA, which he joins in 1979. He is central to IRA recruitment and intelligence in Newry and south Down. Without firing a shot himself he facilitates at least five murders, including that of a customs colleague.

In 1982 Collins marries and the couple has four children. By 1984 he has developed doubts about his activities. He antagonises the Belfast leadership, which is moving towards political engagement and away from the all-out revolutionary violence that he favours, and while he admires the hardline South Armagh IRA for its military professionalism, he regards its members as political primitives. On February 28, 1985, he is arrested after an IRA mortar attack in which nine Royal Ulster Constabulary (RUC) members are killed. He breaks down after six days of interrogation and is recruited as a “supergrass,” but retracts his evidence a fortnight later and is held on remand on the basis of his confessions.

In January–February 1987 Collins is tried for murder but acquitted after the judge rules his statements inadmissible. He completes an Open University degree while awaiting trial. After his release he is ostracised and is interrogated by the IRA, which in July 1987 orders him to leave Northern Ireland. He engages in youth work in Dublin from 1987 to 1990, taking a diploma in community work at Maynooth. His wife and children remain in Newry and he visits them regularly in defiance of the expulsion order. In 1990 he returns to live in Newry and teaches at the Ulster People’s College in Belfast. From 1992–94 he is a community worker in Edinburgh. His wife and children continue to live on the Barcroft Park estate in Newry.

In 1994 Collins returns permanently to Northern Ireland after securing a job at a youth club in Armagh. In April 1995 he describes his career in a television documentary, admitting the murders for which he had been tried. In 1997 he publishes a memoir, Killing Rage, a powerful account of life as a paramilitary, although it is not entirely reliable. After the 1995 documentary he experiences verbal and physical harassment. This intensifies after May 1998 when he testifies for The Sunday Times in a libel action by Thomas Murphy, whom the paper accuses of being a leading IRA member. Four months after Murphy loses the case, the family farmhouse in Camlough, which Collins is renovating, is burned down. After the Omagh bombing he publishes several articles denouncing the Real IRA, several of whose activists he had recruited into the IRA from the Irish National Liberation Army (INLA) in the early 1980s. Graffiti regularly appears outside his home in Newry denouncing him as a British agent.

Early in the morning of January 27, 1999, Collins paints out the latest graffiti, and is walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill, just within sight of Sliabh gCuircin (Camlough Mountain). His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comments upon the extremity of weaponed violence to Collins’ head and face used during the attack.

Rumoured reasons behind the murder are that Collins had returned to Northern Ireland in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish Republican paramilitary splinter groups that had appeared after the Provisional IRA’s 1994 ceasefire, and that he had testified in court against Murphy. Gerry Adams states the murder was “regrettable,” but adds that Collins had “many enemies in many places.”

After a traditional Irish wake, with a closed coffin necessitated due to the damage to his face, and a funeral service at St. Catherine’s Dominican Church in Newry, Collins’ body is buried at the city’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he helped to organise in 1982.

In January 2014 the Police Service of Northern Ireland (PSNI) releases a statement that a re-examination of the evidence from the scene of the 1999 murder had revealed new DNA material of a potential perpetrator’s presence, and makes a public appeal for information, detailing the involvement of a specific car model, a white coloured Hyundai Pony, and a compass pommel that had broken off a hunting knife during the attack and had been left behind at the scene. In February 2014 detectives from the Serious Crime Branch arrest a 59-year-old man at an address in Newry in relation to the murder, but he is subsequently released without charge. In September 2014 the police arrest three men, aged 56, 55 and 42, in County Armagh in relation to inquiries into the murder, all of whom are subsequently released without charges after questioning. In January 2019 the police release a statement regarding the murder that one of the assailants had been seriously injured by an accidentally sustained knife wound during the attack, and had left traces of his own blood at the scene, and that recent scientific advances in DNA evidence had increased the possibility of his identification. In May 2019, three men aged 60 to 62 are arrested and questioned, but then released unconditionally.


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Death of George Moore, Novelist, Poet & Critic

George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, dies at his home in London on January 21, 1933. He is considered an innovator in fiction in his day.

Moore is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Birth of Irish Writer Frank O’Connor

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The Frank O’Connor International Short Story Award is named in his honour.

Raised in Cork, the only child of Minnie (née O’Connor) and Michael O’Donovan, O’Connor attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of Irish, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of O’Connor’s writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Birth of Irish Author Maurice O’Sullivan

maurice-osullivan-houseMaurice O’Sullivan (Irish: Muiris Ó Súilleabháin), Irish author famous for his memoir of growing up on the Great Blasket Island and in Dingle, County Kerry, off the western coast of Ireland, is born on February 19, 1904.

Following the death of his mother when he is six months old, O’Sullivan is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to Great Blasket Island to live with his father, grandfather, and the rest of his siblings, and learns the native language. He joins the Garda Síochána in Dublin in 1927 and is stationed in the Gaeltacht area of Connemara.

O’Sullivan is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who has come to the island to hear and learn the Irish language. It is Thomson who encourages him to go into the Guards, rather than emigrate to America as do most of the young people. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn-Davies.

Fiche Blian ag Fás (in English, Twenty Years a-Growing) is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture have continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives.

While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E.M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when O’Sullivan tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.

In 1934, O’Sullivan leaves the Guards and settles in Connemara. He drowns on June 25, 1950, while swimming off the Connemara coast. Dylan Thomas commences, but does not finish, a screenplay of Fiche Blian ag Fás.

(Pictured: The ruins of the house in which Maurice O’Sullivan grew up on the Great Blasket Island)