Thomson is born on August 19, 1903, in West Dulwich, London, the eldest of a family of three sons and two daughters born to William Henry Thomson, an accountant, and his wife Minnie (née Clements). Inheriting an interest in Ireland from his maternal grandfather, an Ulsterman of Orange stock, and his mother, he attends Irish language classes run by the Gaelic League in London while a pupil at Dulwich College (1916–22).
Thomson moves back to England in 1934, when he returns to King’s College, Cambridge, to lecture in Greek. He becomes a professor at the University of Birmingham in 1936, the year he joins the Communist Party of Great Britain. He pioneers a Marxist interpretation of Greek drama. His Aeschylus and Athens (1941) and Marxism and Poetry (1945) win him international attention. In the latter book he argues a connection between the work song and poetry, and that pre-industrial songs are connected to ritual.
Thomson befriends, and is an important influence on Alfred Sohn-Rethel and his theory of the genesis of occidental thought in Ancient Greece through the invention of coining.
Thomson first visits the Blasket Islands off the west coast of Ireland in 1923. Mac Tomáis, as he quickly becomes known to the islanders, had attended rudimentary Irish classes at a branch of Conradh na Gaeilge in London before he went to Cambridge. When he arrives on the island, he immerses himself in the language. In six weeks of walking around, talking with Muiris Ó Súilleabháin and others, he achieves near complete fluency in the language.
Thomson spends several years with the people of the islands studying their language, history and culture. He maintains a special study of the now extinct community in Ireland, in which he perceives elements of surviving cultural resonances with historical society prior to the development of private property as a means of production. He becomes a champion of the Irish language.
Thomson has a role in the publication of the memoirs of Muiris Ó Súilleabháin, Fiche Bliain Ag Fás (Twenty Years Growing) in 1933. The introduction to Ó Súilleabháin’s autobiography by E. M. Forster can also be attributed to Thomson.
When Thomson applies for the new position of lecturer of Greek at the National University of Ireland, Galway, in 1931 he, in the words of Richard Roche, “astonished the interview board with a flow of Blasket Irish” and is awarded the post.
In 1951, Thomson is the only member of the Communist Party’s Executive Committee to vote against the Party’s programme, The British Road to Socialism, because “the dictatorship of the proletariat was missing.” He also serves on the Party’s Cultural Committee.
The Chinese revolution of 1949 has a profound effect on Thomson and leads to differences with the British Communist Party, from which he eventually drifts. He never loses his political beliefs. He is committed to working class education, including giving lectures to factory workers at Birmingham’s Austin car plant. He also maintains a special affection and support for the Morning Star in his later years.
Thomson authors three popular expositions on Marxism published by the China Policy Study Group in the early 1970s. From Marx to Mao Tse-tung: A study in revolutionary dialectics (1971), Capitalism and After: The rise and fall of commodity production (1973), and The Human Essence: The sources of science and art (1974). He is also the author of Marxism and Poetry (1945).
Guevara is born on June 14, 1928, in Rosario, Santa Fe, Argentina, the eldest of five children in a middle-class family of Spanish-Irish descent and leftist leanings. Although suffering from asthma, he excels as an athlete and a scholar, completing his medical studies in 1953. He spends many of his holidays traveling in Latin America, and his observations of the great poverty of the masses contributes to his eventual conclusion that the only solution lay in violent revolution. He comes to look upon Latin America not as a collection of separate nations but as a cultural and economic entity, the liberation of which would require an intercontinental strategy.
In particular, Guevara’s worldview is changed by a nine-month journey he begins in December 1951, while on hiatus from medical school, with his friend Alberto Granado. That trip, which begins on a motorcycle they call “the Powerful” (which breaks down and is abandoned early in the journey), takes them from Argentina through Chile, Peru, Colombia, and on to Venezuela, from which Guevara travels alone on to Miami, returning to Argentina by plane. During the trip he keeps a journal that is posthumously published under his family’s guidance as The Motorcycle Diaries: Notes on a Latin American Journey (2003) and adapted to film as The Motorcycle Diaries (2004).
In 1953 Guevara goes to Guatemala, where Jacobo Árbenz heads a progressive regime that is attempting to bring about a social revolution. It is about this time he acquires his nickname, from a verbal mannerism of Argentines who punctuate their speech with the interjection “che.” The overthrow of the Árbenz regime in 1954 in a coup supported by the United StatesCentral Intelligence Agency (CIA) persuades him that the United States will always oppose progressive leftist governments. This becomes the cornerstone of his plans to bring about socialism by means of a worldwide revolution. It is in Guatemala that he becomes a dedicated Marxist.
Guevara leaves Guatemala for Mexico, where he meets the Cuban brothers Fidel and Raúl Castro, political exiles who are preparing an attempt to overthrow the dictatorship of Fulgencio Batista in Cuba. He joins Fidel Castro’s 26th of July Movement, which lands a force of 81 men (including Guevara) in the Cuban Oriente Province on December 2, 1956. Immediately detected by Batista’s army, they are almost wiped out. The few survivors, including the wounded Guevara, reach the Sierra Maestra, where they become the nucleus of a guerrilla army. The rebels slowly gain in strength, seizing weapons from Batista’s forces and winning support and new recruits. Guevara had initially come along as the force’s doctor, but he has also trained in weapons use, and he becomes one of Castro’s most-trusted aides. Indeed, the complex Guevara, though trained as a healer, also, on occasion, acts as the executioner (or orders the execution) of suspected traitors and deserters.
After Castro’s victorious troops enter Havana on January 8, 1959, Guevara serves for several months at La Cabaña prison, where he oversees the executions of individuals deemed to be enemies of the revolution. He becomes a Cuban citizen, as prominent in the newly established Marxist government as he had been in the revolutionary army, representing Cuba on many commercial missions. He also becomes well known in the West for his opposition to all forms of imperialism and neocolonialism and for his attacks on U.S. foreign policy. He serves as chief of the Industrial Department of the National Institute of Agrarian Reform, president of the National Bank of Cuba (famously demonstrating his disdain for capitalism by signing currency simply “Che”), and Minister of Industries.
During the early 1960s, Guevara defines Cuba’s policies and his own views in many speeches and writings, notably “El socialismo y el hombre en Cuba” (1965; “Man and Socialism in Cuba,” 1967), an examination of Cuba’s new brand of communism, and a highly influential manual, La guerra de guerrillas (1960; Guerrilla Warfare, 1961). The last book includes his delineation of his foco theory (foquismo), a doctrine of revolution in Latin America drawn from the experience of the Cuban Revolution and predicated on three main tenets: 1) guerrilla forces are capable of defeating the army; 2) all the conditions for making a revolution do not have to be in place to begin a revolution, because the rebellion itself can bring them about; and 3) the countryside of underdeveloped Latin America is suited for armed combat.
Guevara expounds a vision of a new socialist citizen who would work for the good of society rather than for personal profit, a notion he embodies through his own hard work. Often he sleeps in his office, and, in support of the volunteer labour program he had organized, he spends his day off working in a sugarcane field. He grows increasingly disheartened, however, as Cuba becomes a client state of the Soviet Union, and he feels betrayed by the Soviets when they remove their missiles from the island without consulting the Cuban leadership during the Cuban Missile Crisis of 1962. He begins looking to the People’s Republic of China and its leader Mao Zedong for support and as an example.
In December 1964 Guevara travels to New York City, where he condemns U.S. intervention in Cuban affairs and incursions into Cuban airspace in an address to the United Nations General Assembly. Back in Cuba, increasingly disillusioned with the direction of the Cuban social experiment and its reliance on the Soviets, he begins focusing his attention on fostering revolution elsewhere. After April 1965 he drops out of public life. His movements and whereabouts for the next two years remain secret. It is later learned that he had traveled to what is now the Democratic Republic of the Congo with other Cuban guerrilla fighters in what proved to be a futile attempt to help the Patrice Lumumba battalion, which was fighting a civil war there. During that period he resigns his ministerial position in the Cuban government and renounces his Cuban citizenship. After the failure of his efforts in the Congo, he flees first to Tanzania and then to a safe house in a village near Prague.
In the autumn of 1966 Guevara goes to Bolivia, incognito (beardless and bald), to create and lead a guerrilla group in the region of Santa Cruz. After some initial combat successes, he and his guerrilla band find themselves constantly on the run from the Bolivian army. On October 9, 1967, the group is almost annihilated by a special detachment of the Bolivian army aided by CIA advisers. Guevara, who is wounded in the attack, is captured and shot. Before his body disappears to be secretly buried, his hands are cut off. They are preserved in formaldehyde so that his fingerprints can be used to confirm his identity.
In 1995 one of Guevara’s biographers, Jon Lee Anderson, announces that he had learned that Guevara and several of his comrades had been buried in a mass grave near the town of Vallegrande in central Bolivia. In 1997 a skeleton that is believed be that of the revolutionary and the remains of his six comrades are disinterred and transported to Cuba to be interred in a massive memorial and monument in Santa Clara on the 30th anniversary of Guevara’s death. In 2007 a French and a Spanish journalist make a case that the body brought to Cuba is not actually Guevara’s. The Cuban government refutes the claim, citing scientific evidence from 1997 that, it says, proves that the remains are those of Guevara.
Guevara would live on as a powerful symbol, bigger in some ways in death than in life. He is almost always referenced simply as Che — like Elvis Presley, so popular an icon that his first name alone is identifier enough. Many on the political right condemn him as brutal, cruel, murderous, and all too willing to employ violence to reach revolutionary ends. On the other hand, his romanticized image as a revolutionary looms especially large for the generation of young leftist radicals in Western Europe and North America in the turbulent 1960s. Almost from the time of his death, his whiskered face adorns T-shirts and posters. Framed by a red-star-studded beret and long hair, his face frozen in a resolute expression, the iconic image is derived from a photo taken by Cuban photographer Alberto Korda on March 5, 1960, at a ceremony for those killed when a ship that had brought arms to Havana exploded. At first the image of Che is worn as a statement of rebellion, then as the epitome of radical chic, and, with the passage of time, as a kind of abstract logo whose original significance may even have been lost on its wearer, though for some he remains an enduring inspiration for revolutionary action.
Kennedy meets his future wife, Jacqueline Lee “Jackie” Bouvier (1929–1994), while he is a congressman. Charles L. Bartlett, a journalist, introduces the pair at a dinner party. They are married a year after he is elected senator, on September 12, 1953. Following a miscarriage in 1955 and a stillbirth in 1956, they produce three children, Caroline, John, Jr., and Patrick, who dies of complications two days after birth.
In the 1960 presidential election, Kennedy narrowly defeats Republican opponent Richard Nixon, who is the incumbent vice president. His humor, charm, and youth in addition to his father’s money and contacts are great assets in the campaign. His campaign gains momentum after the first televised presidential debates in American history. He is the first Catholic elected president of the United States.
Kennedy’s administration includes high tensions with communist states in the Cold War. As a result, he increases the number of American military advisors in South Vietnam. The Strategic Hamlet Program begins in Vietnam during his presidency. In April 1961, he authorizes an attempt to overthrow the Cuban government of Fidel Castro in the failed Bay of Pigs Invasion. He authorizes the Cuban Project, also known as Operation Mongoose, in November 1961. He rejects Operation Northwoods, plans for false flag attacks to gain approval for a war against Cuba, in March 1962. However, his administration continues to plan for an invasion of Cuba in the summer of 1962.
In October 1962, U.S. spy planes discover Soviet missile bases have been deployed in Cuba. The resulting period of tensions, termed the Cuban Missile Crisis, nearly results in the breakout of a global thermonuclear conflict. He also signs the first nuclear weapons treaty in October 1963.
After Kennedy’s death, Congress enacts many of his proposals, including the Civil Rights Act of 1964 and the Revenue Act of 1964. Despite his truncated presidency, he ranks highly in polls of U.S. presidents with historians and the general public. His personal life has also been the focus of considerable sustained interest following public revelations in the 1970s of his chronic health ailments and extramarital affairs. He is the last U.S. President to have been assassinated as well as the last U.S. president to die in office.
(Pictured: John F. Kennedy, photograph in the Oval Office, July 11, 1963)
Yeats’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo, County Sligo. His work contains elements of Romanticism.
Yeats is the youngest son of Irish portraitist John Butler Yeats and the brother of William Butler Yeats, the 1923 Nobel Prize in Literature recipient. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior, and resides in Wicklow according to the 1911 Census of Ireland.
From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”
Yeats’s favourite subjects included the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century (and the first to sell for over £1m), he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.
Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. Yeats’s paintings usually bear poetic and evocative titles. Indeed, his father recognizes that Jack is a far better painter than he, and also believes that “some day I will be remembered as the father of a great poet, and the poet is Jack.” He is elected a member of the Royal Hibernian Academy in 1916. He dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.
Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.
(Pictured: Photo of Jack Butler Yeats by Alice Boughton)
Noonan is the illegitimate son of Samuel Croker, a senior member of the Royal Irish Constabulary. He is baptised and raised a Roman Catholic by his mother Mary Noonan. His father, who is not Catholic, has his own family, but attempts to provide for Robert until his death in 1875.
By 1875 Noonan is living in London. When he is sixteen, he shows signs of a radical political consciousness. He leaves his family declaring he “would not live on the family income derived largely from absentee landlordism.” It is around this time he changes his surname to his mother’s maiden name.
In 1890, Noonan is a sign writer living in Queen’s Road, Everton, Liverpool. On June 10, 1890 he appears at Liverpool County Intermediate Sessions court at County Sessions House, Islington, Liverpool on charges of housebreaking and larceny. He is found guilty and given a six-month prison sentence.
By 1891, Noonan has moved to Cape Town, South Africa, where he is a painter and decorator. He marries in 1891, but the marriage is an unhappy one, with his wife having numerous affairs after the birth of their daughter, Kathleen. They divorce in 1895 and Noonan acquires all the property, including their house in an affluent suburb of Cape Town.
Noonan and his daughter move to Johannesburg, where he secures a well-paying job with a construction company. It is here that he learns the ways of the industry he would later write about in his novel, although Noonan’s actual circumstances vary greatly from the proletarian characters of the book. After becoming Secretary of the Transvaal Federated Building Trades Council, he is able to send his daughter to an exclusive convent school and also to employ a black manservant called Sixpence.
In 1897, Noonan leads a successful protest against the employment of black skilled labour. During 1898, he becomes a member of the Transvaal Executive Committee of the Centennial of 1798 Association, which commemorates the revolutionary nationalistSociety of United Irishmen. As a 1798 Association member, he helps form the Irish Brigades, an anti-British force that fights alongside the Boers in the Second Boer War. At this point, accounts of his life differ. Some assert he takes up arms and is interned by the British until the end of the war, when he returns to Britain. Others say he leaves South Africa just before hostilities began in October 1899.
In any event, around the turn of the century, Noonan ends up in Hastings, Sussex. Here, he finds work as a sign writer, but at much lower wages and in far poorer conditions than he had experienced in South Africa. He has to take part-time jobs in addition to his full-time position.
Influenced by the Marxist-influenced ideas of designer and socialist William Morris, he joins the Social Democratic Federation in 1906. The next year, after a dispute with his employer, he loses his job. Despite the demand for his skills, his health begins to deteriorate and he eventually develops tuberculosis. Unemployed and unable to remain politically active, he starts writing, something he hopes will earn enough money to keep him from the workhouse.
He writes under the pen name Robert Tressell as he fears the socialist views expressed in the book will have him blacklisted. He completes The Ragged-Trousered Philanthropists in 1910, but the 1,600-page hand-written manuscript is rejected by three publishing houses. The rejections severely depress him, and his daughter has to save the manuscript from being burned.
Unhappy with his life in Britain, Noonan decides that he and Kathleen should emigrate to Canada. However, he only reaches Liverpool when he is admitted to the Royal Liverpool Infirmary, where he dies of pulmonary tuberculosis on February 3, 1911, at the age of 40. He is buried in a pauper’s grave at Liverpool Parochial Cemetery, later known as Walton Park Cemetery. The location of the grave is not rediscovered until 1970. Twelve other people are buried in the same plot. The plot is now marked although the land is no longer used as a cemetery and is now used by Rice Lane City Farm.
Kathleen mentions her father’s novel to a friend, writer Jessie Pope, who recommends it to her publisher. In April 1914, the publisher purchases the rights to the book for £25, and it appears in Britain, Canada and the United States later that year, in the Soviet Union in 1920, and in Germany in 1925. The version as originally published is heavily abridged by Pope, with much of the socialist ideology removed.
The original manuscript is subsequently located by F. C. Ball and, after he raises funds to acquire and reassemble the original version, an unabridged edition is published in 1955.
Luke Kelly, singer, folk musician and actor, is born into a working-class family in Lattimore Cottages at 1 Sheriff Street, Dublin on November 17, 1940. He is noted as a founding member of the band The Dubliners.
After Dublin Corporation demolished Lattimore Cottages in 1942, the Kellys become the first family to move into the St. Laurence O’Toole flats, where Luke spends the bulk of his childhood, although the family is forced to move by a fire in 1953 and settles in the Whitehall area.
Kelly is interested in music during his teenage years and regularly attends cèilidh with his sister Mona and listens to American vocalists including Fats Domino, Al Jolson, Frank Sinatra and Perry Como. He also has an interest in theatre and musicals, being involved with the staging of plays by Dublin’s Marian Arts Society. The first folk club he comes across is in the Bridge Hotel, Newcastle upon Tyne in early 1960. Having already acquired the use of a banjo, he starts memorising songs.
Kelly befriends Sean Mulready in Birmingham and lives in his home for a period. Mulready is a teacher who is forced from his job in Dublin because of his communist beliefs. Mulready’s brother-in-law, Ned Stapleton, teaches Kelly “Rocky Road to Dublin.” During this period he studies literature and politics under the tutelage of Mulready, his wife Mollie, and Marxist classicist George Derwent Thomson.
In 1961 there is a folk music revival or “ballad boom,” as it is later termed, in waiting in Ireland. Kelly returns to Dublin in 1962. A concert John Molloy organises in the Hibernian Hotel leads to his “Ballad Tour of Ireland” with the Ronnie Drew Ballad Group. This tour leads to the Abbey Tavern and the Royal Marine Hotel and then to jam-packed sessions in the Embankment, Tallaght. Ciarán Bourke joins the group, followed later by John Sheahan. They rename themselves The Dubliners at Kelly’s suggestion, as he is reading James Joyce‘s book of short stories, entitled Dubliners, at the time. Kelly is the leading vocalist for the group’s eponymous debut album in 1964, which includes his rendition of “Rocky Road to Dublin.”
In 1964 Kelly leaves the group for nearly two years and is replaced by Bob Lynch and John Sheahan. Kelly goes with Deirdre O’Connell, founder of the Focus Theatre, to whom he marries the following year, back to London and becomes involved in Ewan MacColl‘s “gathering.”
When Bob Lynch leaves The Dubliners, John Sheahan and Kelly rejoin. The ballad boom in Ireland is becoming increasingly commercialised with bar and pub owners building ever larger venues for pay-in performances. Ewan MacColl and Peggy Seeger on a visit to Dublin express concern to Kelly about his drinking.
Kelly’s health deteriorates in the 1970s. During a concert in the Cork Opera House on June 30, 1980 he collapses on the stage. He had already suffered for some time from migraines and forgetfulness which had been ascribed to his intense schedule, alcohol consumption, and “party lifestyle.” A brain tumor is diagnosed. Although he tours with the Dubliners after enduring an operation, his health deteriorates further. He forgets lyrics, has to take longer breaks in concerts due to weakness and becomes more withdrawn. In the autumn of 1983 he has to leave the stage in Traun, Austria and again in Mannheim, Germany. Shortly after this, he has to cancel the tour of southern Germany and, after a short stay in hospital in Heidelberg, he is flown back to Dublin.
After another operation Kelly spends Christmas with his family but is taken to hospital again in the New Year, where he dies on January 30, 1984. His funeral in Whitehall attracts thousands of mourners from across Ireland. His gravestone in Glasnevin Cemetery, Dublin, bears the inscription: Luke Kelly – Dubliner.
Noonan is born in Dublin on April 18, 1870, the illegitimate son of Samuel Croker, a senior member of the Royal Irish Constabulary. He is baptised and raised a Roman Catholic by his mother Mary Noonan. His father, who is not Catholic, has his own family, but attempts to provide for Robert until his death in 1875.
By 1875 Noonan is living in London. When he is sixteen, he shows signs of a radical political consciousness. He leaves his family declaring he “would not live on the family income derived largely from absentee landlordism.” It is around this time he changes his surname to his mother’s maiden name.
In 1890, Noonan is a sign writer living in Queen’s Road, Everton, Liverpool. On June 10, 1890 he appears at Liverpool County Intermediate Sessions court at Sessions House, Islington, Liverpool on charges of housebreaking and larceny. He is found guilty and given a six-month prison sentence.
By 1891, Noonan has moved to Cape Town, South Africa, where he is a painter and decorator. He marries in 1891, but the marriage is an unhappy one, with his wife having numerous affairs after the birth of their daughter, Kathleen. They divorce in 1895 and Noonan acquires all the property, including their house in an affluent suburb of Cape Town.
Noonan and his daughter move to Johannesburg, where he secures a well-paying job with a construction company. It is here that he learns the ways of the industry he would later write about in his novel, although Noonan’s actual circumstances vary greatly from the proletarian characters of the book. After becoming Secretary of the Transvaal Federated Building Trades Council, he is able to send his daughter to an exclusive convent school and also to employ a black manservant called Sixpence.
In 1897, Noonan leads a successful protest against the employment of black skilled labour. During 1898, he becomes a member of the Transvaal Executive Committee of the Centennial of 1798 Association, which commemorates the revolutionary nationalistSociety of United Irishmen. As a 1798 Association member, he helps form the Irish Brigades, an anti-British force that fights alongside the Boers in the Second Boer War. At this point, accounts of his life differ. Some assert he takes up arms and is interned by the British until the end of the war, when he returns to Britain. Others say he leaves South Africa just before hostilities began in October 1899.
In any event, around the turn of the century, Noonan ends up in Hastings, Sussex. Here, he finds work as a sign writer, but at much lower wages and in far poorer conditions than he had experienced in South Africa. He has to take part-time jobs in addition to his full-time position.
Influenced by the Marxist-influenced ideas of designer and socialist William Morris, he joins the Social Democratic Federation in 1906. The next year, after a dispute with his employer, he loses his job. Despite the demand for his skills, his health begins to deteriorate and he eventually develops tuberculosis. Unemployed and unable to remain politically active, he starts writing, something he hopes will earn enough money to keep him from the workhouse.
He writes under the pen name Robert Tressell as he fears the socialist views expressed in the book will have him blacklisted. He completes The Ragged Trousered Philanthropists in 1910, but the 1,600-page hand-written manuscript is rejected by three publishing houses. The rejections severely depress him, and his daughter has to save the manuscript from being burned.
Unhappy with his life in Britain, Noonan decides that he and Kathleen should emigrate to Canada. However, he only reaches Liverpool when he is admitted to the Royal Liverpool Infirmary, where he dies of pulmonary tuberculosis on February 3, 1911, at the age of 40. He is buried in a pauper’s grave at Liverpool Parochial Cemetery, later known as Walton Park Cemetery. The location of the grave is not rediscovered until 1970. Twelve other people are buried in the same plot. The plot is now marked although the land is no longer used as a cemetery and is now used by Rice Lane City Farm.
Kathleen mentions her father’s novel to a friend, writer Jessie Pope, who recommends it to her publisher. In April 1914, the publisher purchases the rights to the book for £25, and it appears in Britain, Canada and the United States later that year, in the Soviet Union in 1920, and in Germany in 1925. The version as originally published is heavily abridged by Pope, with much of the socialist ideology removed.
The original manuscript is subsequently located by F. C. Ball and, after he raises funds to acquire and reassemble the original version, an unabridged edition is published in 1955.
Collins grows up in a middle-class Irish family in Camlough, a small, staunchly Irish republican town in County Armagh. After completing his schooling, he works for a time in the Ministry of Defence in a clerical capacity in London before studying law at Queen’s University Belfast, where he becomes influenced by Marxist political ideology. He eventually drops out of university and, after working in a pub for a period, joins Her Majesty’s Customs & Excise Service, serving in Newry, and goes on to use this internal position within the administrative machinery of the British Government to support IRA operations against Crown Forces personnel.
Collins joins the Provisional IRA during the blanket protest by Long Kesh inmates in the late 1970s and he becomes involved in street demonstrations. He joins the South Down Brigade of the IRA, based around Newry, and is appointed its intelligence officer.
Collins becomes noted within IRA circles for his hard-line views on the continuance of armed campaign, and later joins its Internal Security Unit. Around this time he has a confrontation with Gerry Adams at the funeral of an IRA man killed in a failed bombing over how to deal with the funeral’s policing, where he accuses Adams a being a “Stick.”
Despite his militarist convictions at this time Collins finds the psychological strain caused by his involvement in the terrorist war increasingly difficult to address. His belief in the martial discipline of the IRA’s campaign is seriously undermined by the March 11, 1982 assassination of Norman Hanna, a 28-year-old Newry man, in front of his wife and young daughter. His uneasy state is further augmented by being arrested on two occasions under anti-terrorism laws, the second including a week of detention and intense interrogation.
Collins subsequently states that the strain of the interrogation merely exacerbates increasing doubts that he has already possessed about the moral justification of the IRA’s terrorist paramilitary campaign and his actions within it. These doubts are made worse by the organization’s senior leadership quietly deciding in the early 1980s that the war has failed and now slowly manoeuvering the movement away from a military campaign to allow its political wing, Sinn Féin, to pursue its purposes by another means in what would become the Northern Ireland peace process.
In 1987, after being charged with several counts of murder and attempted murder, Collins is acquitted as the statement in which he admits to involvement in these acts is ruled legally inadmissible by the court. On release from prison he spends several weeks being counter-interrogated by the IRA’s Internal Security Unit, after which he is exiled by the organization from Ulster, being warned that if he is found north of Drogheda after a certain date he will be executed.
After his exile Collins moves to Dublin and squats for a while in a deserted flat in the impoverished Ballymun area of the city. After several years in Dublin, he subsequently moves to Edinburgh, Scotland for a period, where he runs a youth centre.
In 1995 Collins returns to Newry, a district known for the militancy of its communal support of the IRA, with numerous IRA members in its midst. The IRA order exiling him from Ulster has not been lifted, but with a formal ceasefire from the organization and renunciations of violence by all the paramilitary organizations in the province, he deems it safe to move back in with his wife and children who had never left the town.
Rather than maintaining a low profile Collins decides to take a prominent role in the ongoing transition of Ulster’s post-war society, using his personal history as a platform in the media to analyze the adverse effects of terrorism. In May 1998 he gives evidence against leading republican Thomas “Slab” Murphy in a libel case Murphy has brought against The Sunday Times, over a 1985 article naming him as the IRA’s Northern Commander. Murphy denies IRA membership, but Collins takes the witness stand against him, and testifies that from personal experience he knew that Murphy had been a key military leader in the organization. Murphy subsequently loses the libel case and sustains substantial financial losses in consequence. Collins and his family receive numerous threats after the trial.
Collins is beaten and stabbed to death by one or more unidentified assailants early in the morning of January 27, 1999, while walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill. His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comment upon the extremity of weaponed violence to Collins’ head and face used during the attack.
Rumoured reasons behind the murder are that he had returned to Ulster in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish terrorist paramilitary splinter groups that had appeared after the IRA’s 1994 ceasefire, and that he had testified in court against Murphy.
After a traditional Irish wake, with a closed coffin necessitated by the condition of his face, and a funeral service at St. Catherine’s Church in Newry, Collins’ body is buried at the town’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he had helped to organize in 1982.
Bloody Sunday takes place in London on November 13, 1887, when a march against unemployment and coercion in Ireland, as well as demanding the release of Member of Parliament (MP) William O’Brien, is attacked by the Metropolitan Police Service and the British Army. The demonstration is organised by the Social Democratic Federation (SDF) and the Irish National League. Violent clashes take place between the police and demonstrators, many “armed with iron bars, knives, pokers and gas pipes.” A contemporary report notes that 400 are arrested and 75 persons are badly injured, including many police, two policemen being stabbed and one protester bayonetted.
The Long Depression, starting in 1873 and lasting almost to the end of the century, creates difficult social conditions in Britain, similar to the economic problems that drive rural agitation in Ireland. Falling food prices create rural unemployment, which results in both emigration and internal migration. Workers move to the towns and cities in thousands, eroding employment, wages and working conditions. By November 1887, unemployed workers’ demonstrations from the East End of London have been building up for more than two years. There have already been clashes with the police and with the members of upper class clubs. Trafalgar Square is seen symbolically as the point at which the working-class East End meets the upper-class West End of London, a focus of class conflict and an obvious flashpoint.
This attracts the attention of the small but growing socialist movement – the Marxists of both the Social Democratic Federation and Socialist League, and the reformist socialists of the Fabian Society. Police and government attempts to suppress or divert the demonstrations also bring in the radical wing of the Liberal Party and free speech activists from the National Secular Society.
Some 30,000 persons encircle Trafalgar Square as at least 10,000 protesters march in from several different directions, led by Elizabeth Reynolds, John Burns, William Morris, Annie Besant and Robert Bontine Cunninghame Graham, who are primarily leaders of the Social Democratic Federation. Also marching are the Fabian playwright George Bernard Shaw and Charlotte Wilson. Two thousand police and 400 troops are deployed to halt the demonstration. Burns and Cunninghame Graham are arrested and imprisoned for six weeks. Annie Besant, who is a Marxist, Fabian and secularist, speaks at the rally and offers herself for arrest, but the police decline to do so. Of the 400 arrested, 50 are detained in custody.
In the fighting, many rioters are injured by police truncheons and under the hooves of police horses. There are both infantry and cavalry present. Although the infantry are marched into position with bayonets fixed, they are not ordered to open fire and the cavalry are not ordered to draw their swords.
The following Sunday, November 20, sees another demonstration and more casualties. According to a report in the partisan Socialist Review, among them is a young clerk named Alfred Linnell, who is run down by a police horse, dying in hospital a fortnight later from complications of a shattered thigh.
The funeral of Linnell on December 18 provides another focus for the unemployed and Irish movements. William Morris, leader of the Socialist League, gives the main speech and advocates a holy war to prevent London from being turned into a huge prison. A smaller but similar event marks the burial of another of those killed, W. B. Curner, which takes place in January. The release of those imprisoned is celebrated on February 20, 1888, with a large public meeting. Henry Hyndman, leader of the SDF, violently denounces the Liberal Party and the Radicals who are present.
(Pictured: Bloody Sunday, 1887. This engraving from The Illustrated London News depicts a policeman being clubbed by a demonstrator as he wrests a banner from a female protester.)
Máirtín Ó Cadhain, one of the most prominent Irish language writers of the twentieth century, dies on October 18, 1970. Perhaps best known for his 1949 work Cré na Cille, Ó Cadhain plays a key role in bringing literary modernism to contemporary Irish language literature.
Born in Connemara, County Galway, Ó Cadhain becomes a schoolteacher but is dismissed due to his membership in the Irish Republican Army (IRA). In the 1930s he serves as an IRA recruiting officer, enlisting fellow writer Brendan Behan, and participates in the land campaign of the native speakers, which leads to the establishment of the Ráth Cairn neo-Gaeltacht in County Meath. Subsequently, he is arrested and interned in the Curragh Camp in County Kildare during the Emergency years due to his continued involvement in the violent activities of the IRA.
Ó Cadhain’s politics are a nationalist mix of Marxism and social radicalism tempered with a rhetorical anti-clericalism. In his writings concerning the future of the Irish language he is, however, practical about the position of the Catholic Church as a social and societal institution, craving rather for a wholehearted commitment to the language cause even among Catholic churchmen. It is his view that, as the Church is there anyway, it would be better if it were more willing to address the Faithful in the national idiom.
As a writer, Ó Cadhain is acknowledged to be a pioneer of Irish language modernism. His Irish is the dialect of Connemara but he is happy to cannibalise other dialects, classical literature and even Scots Gaelic for the sake of linguistic and stylistic enrichment of his own writings. Consequently, much of what he writes is reputedly hard to read for a non-native speaker.
Ó Cadhain is a prolific writer of short stories. His collections of short stories include Cois Caoláire, An Braon Broghach, Idir Shúgradh agus Dháiríre, An tSraith Dhá Tógáil, An tSraith Tógtha and An tSraith ar Lár. He also writes three novels, of which only Cré na Cille is published during his lifetime. The other two, Athnuachan and Barbed Wire, appear in print only recently. He translates Charles Kickham‘s novel Sally Kavanagh into Irish as Saile Chaomhánach, nó na hUaigheanna Folmha. He also writes several political or linguo-political pamphlets. His political views can most easily be discerned in a small book about the development of Irish nationalism and extremism since Theobald Wolfe Tone, Tone Inné agus Inniu. In the early 1960s he writes, partly in Irish, partly in English, a comprehensive survey of the social status and actual use of the language in the west of Ireland, published as An Ghaeilge Bheo – Destined to Pass. In August 1969 he delivers a speech, published as Gluaiseacht na Gaeilge: Gluaiseacht ar Strae, in which he speaks of the role Irish speakers should take in ‘Athghabháil na hÉireann’, or the Re-Conquest of Ireland as James Connolly first coins the term.
He and Diarmaid Ó Súilleabháin are considered the two most innovative Gaelic authors to emerge in the 1960s. He has frequent difficulties to get his work edited, but unpublished writings have appeared at least every two years since the publication of Athnuachan in the mid-nineties.
Robert Noonan, Irish writer born Robert Croker and best known by the pen name 
seamus dubhghaill 