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Birth of Máire Nic Shiubhlaigh, Actress & Republican Activist

Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.

Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.

Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.

In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.

Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.

In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.

Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.

At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.

Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.

Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.

Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.

Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.

On July 23, 1966, a plaque bearing Nic Shiubhlaigh’s name is unveiled at the Abbey Theatre by the Taoiseach, Seán Lemass. The others named on the plaque are Ellen Bushell, Sean Connolly, Helena Molony, Arthur Shields, Peadar Kearney and Barney Murphy.

(Pictured: 1904 portrait of Máire Nic Shiubhlaigh, as painted by John Butler Yeats)


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Birth of Margaret “Gretta” Cousins, Educationist & Suffragist

Margaret Elizabeth Cousins (née Gillespie), also known as Gretta Cousins, Irish Indian educationist, suffragist and Theosophist, is born into an Irish Protestant family in Boyle, County Roscommon, on October 7, 1878.

Gillespie is educated locally and in Derry. She studies music at the Royal University of Ireland in Dublin, graduating in 1902, and becomes a teacher. As a student she meets the poet and literary critic James Cousins. They are married in 1903. The pair explore socialism, vegetarianism, and parapsychology together. In 1906, after attending a National Conference of Women (NCW) meeting in Manchester, Cousins joins the Irish branch of the NCW. In 1907 she and her husband attend the London convention of the Theosophical Society, and she makes contact with suffragettes, vegetarians, anti-vivisectionists, and occultists in London.

Cousins co-founds the Irish Women’s Franchise League with Hanna Sheehy-Skeffington in 1908, serving as its first treasurer. In 1910 she is one of six Dublin women attending the Parliament of Women, which attempt to march to the House of Commons to hand a resolution to the Prime Minister. After 119 women marching to the House of Commons have been arrested, fifty requiring medical treatment, the women decide to break the windows of the houses of Cabinet Ministers. Cousins is arrested and sentenced to a month in Holloway Prison.

Vacationing with William Butler Yeats in 1912, Cousins and her husband hear Yeats read translations of poems by Rabindranath Tagore. In 1913, breaking the windows of Dublin Castle on the reading of the Second Home Rule Bill, Cousins and other suffragists are arrested and sentenced to one month in Tullamore Jail. The women demand to be treated as political prisoners and go on hunger strike to achieve release.

In 1913, she and her husband move to Liverpool, where James Cousins works in a vegetarian food factory. In 1915 they move to India. James Cousins initially works for New India, the newspaper founded by Annie Besant. After Besant is forced to dismiss him for an article praising the 1916 Easter Rising, she appoints him Vice-Principal of the new Besant Theosophical College, where Margaret teaches English.

In 1916, Cousins becomes the first non-Indian member of the SNDT Women’s University at Poona. In 1917, Cousins co-founds the Women’s Indian Association (WIA) with Annie Besant and Dorothy Jinarajadasa. She edits the WIA’s journal, Stri Dharma. In 1919 Cousins becomes the first Head of the National Girls’ School at Mangalore. She is credited with composing the tune for the Indian national anthem Jana Gana Mana in February 1919, during Rabindranath Tagore’s visit to Besant Theosophical College. In 1922, she becomes the first woman magistrate in India. In 1927, she co-founds the All India Women’s Conference, serving as its President in 1936.

In 1932, she is arrested and jailed for speaking against the Emergency Measures. By the late 1930s she feels conscious of the need to give way to indigenous Indian feminists:

“I longed to be in the struggle, but I had the feeling that direct participation by me was no longer required, or even desired by the leaders of India womanhood who were now coming to the front.”

A stroke leaves Cousins paralysed from 1944 onwards. She receives financial support from the Madras government, and later Jawaharlal Nehru, in recognition of her services to India. She dies on March 11, 1954. Her manuscripts are dispersed in various collections across the world.