Harry Aaron Kernoff, Irish artist in oils and woodcuts, dies in Dublin on December 25, 1974. Of London/Russian extraction, he is primarily remembered for his sympathetic interest in Dublin and its people. He depicts street and pub scenes, as well as Dublin landmarks with sympathy and understanding. This is particularly evident in his woodcuts.
Born in London on January 10, 1900 to a Russian Jewish father and Spanish mother, Kernoff moves to Dublin in 1914 and becomes a leading figure in Irish modernism. While working as an apprentice in his father’s furniture business, which leads to his woodcuts, he takes night classes at the Dublin Metropolitan School of Art. There, in 1923, he wins the Taylor scholarship and goes on to exhibit at the Royal Hibernian Academy (RHA) every year from 1926. He is elected RHA in 1936.
Kernoff is famously associated with Davy Byrne’s pub. His paintings and woodcuts of Davy Byrne’s pub are documents of his friendship with the original owner. While living in his adopted Dublin Jewish community he produces picture illustrations of his local scenes for a neighbourhood writer and friend, Nick Harris, for his book called Dublin’s Little Jerusalem.
Outside Kernoff’s home in Dublin, where he lives with two unmarried sisters, there is a long-standing sign in the front garden which says “Descendants of the Abravanels.” The Abravanel (or Abrabanel) family is one of the most famous Sephardic Jewish families in history, noted for their large quotas of rabbis, scholars, and members of a variety of scientific and artistic fields, dating from about the 13th century in Lisbon. The emergence of the famous philosopher and scholar Don Isaac Abravanel in the middle of the 16th century brings his works to greater universal recognition.
Kernoff spends the vast majority of his life unappreciated and makes little or nothing from his paintings until a few years before his death, when he begins to be appreciated by contemporary critics. He never marries.
Harry Aaron Kernoff, Irish painter of London/Russian extraction, is born in London on January 10, 1900. He is primarily remembered for his sympathetic interest in Dublin and its people.
Kernoff’s family moves to Dublin when he is 14 years old where he ultimately becomes a leading figure in Irish modernism. He studies drawing and painting during night classes at the Metropolitan School of Art. In 1923, he wins the Taylor Scholarship and becomes a full-time art student. During his studies he meets and is encouraged by fellow artists Patrick Tuohy (1894-1930), Seán Keating (1889-1977), and Maurice MacGonigal (1900-79).
Influenced by Keating, he paints the Irish landscape, genre scenes, portraits, street and pub scenes, as well as Dublin landmarks with sympathy and understanding. This is particularly evident in his woodcuts. While living in his adopted Dublin Jewish community he produces picture illustrations of his local scenes for a neighbourhood writer and friend Nick Harris for his book entitled Dublin’s Little Jerusalem.
Kernoff spends the vast majority of his life unappreciated, and makes little or nothing from his paintings until a few years before his death, when he begins to be appreciated by contemporary critics. He never marries.
Outside his home in Dublin, where he lives with two unmarried sisters, there is a long-standing sign in the front garden which says “… Descendants of the Abravanels…” The Abravanel (or Abrabanel) family is one of the most famous Sephardic Jewish families in history, noted for their large quotas of Rabbis, scholars, and members of a variety of scientific and artistic fields, dating from about the 13th century in Lisbon. The emergence of the famous philosopher and scholar Don Isaac Abravanel in the middle of the 16th century brings his works to greater universal recognition.
Kernoff dies in Dublin on December 25, 1974.
(Pictured: Portrait of Harry Aaron Kernoff, Oil on Canvas by John F. Kelly)
In June 1912, after a meeting of a number of women’s organisations, Hanna Sheehy-Skeffington and Margaret Cousins with six other members of the IWFL smash government windows in the General Post Office (GPO) and other government buildings. They are arrested, charged, and jailed. The following month Asquith makes a visit to Dublin to address a meeting in the Theatre Royal. Frank Sheehy-Skeffington manages to gain entrance and demands votes for women before being thrown out. Meanwhile Asquith’s carriage is attacked by British suffragists Mary Leigh and Gladys Evans. In that attack John Redmond is injured. Leigh and Evans go on hunger strike in Mountjoy Gaol, and are joined by the imprisoned Irish IWFL members in solidarity.
In March 1913 a bust of John Redmond in the Royal Hibernian Academy is defaced by a suffragist protesting against the failure of the Irish Parliamentary Party to support a Women’s Franchise Bill in the House of Commons. In contrast, as a mark of solidarity with the women, James Connolly travels from Belfast to Dublin to speak at one of the IWFL’s weekly meetings which is held in the Phoenix Park, and members of the Irish Transport and General Workers’ Union (ITGWU) provide protection and offer escorts to women as they leave the meetings.
Hanna Sheehy-Skeffington loses her teaching job in 1913 when she is arrested and put in prison for three months after throwing stones at Dublin Castle. While in jail she starts a hunger strike but is released under the Prisoners (Temporary Discharge of Ill Health) Act 1913 and is soon rearrested.
The league keeps a neutral stance on Home Rule, but is opposed to World War I. After the killing of Francis Sheehy-Skeffington by a British officer in 1916, it supports Sinn Féin.
The Irish Women’s Franchise League publishes a paper, The Irish Citizen, from 1912 to 1920. The paper is edited originally by James H. Cousins.
Gillespie is educated locally and in Derry. She studies music at the Royal University of Ireland in Dublin, graduating in 1902, and becomes a teacher. As a student she meets the poet and literary critic James Cousins. They are married in 1903. The pair explore socialism, vegetarianism, and parapsychology together. In 1906, after attending a National Conference of Women (NCW) meeting in Manchester, Cousins joins the Irish branch of the NCW. In 1907 she and her husband attend the London convention of the Theosophical Society, and she makes contact with suffragettes, vegetarians, anti-vivisectionists, and occultists in London.
Cousins co-founds the Irish Women’s Franchise League with Hanna Sheehy-Skeffington in 1908, serving as its first treasurer. In 1910 she is one of six Dublin women attending the Parliament of Women, which attempt to march to the House of Commons to hand a resolution to the Prime Minister. After 119 women marching to the House of Commons have been arrested, fifty requiring medical treatment, the women decide to break the windows of the houses of Cabinet Ministers. Cousins is arrested and sentenced to a month in Holloway Prison.
In 1913, she and her husband move to Liverpool, where James Cousins works in a vegetarian food factory. In 1915 they move to India. James Cousins initially works for New India, the newspaper founded by Annie Besant. After Besant is forced to dismiss him for an article praising the 1916 Easter Rising, she appoints him Vice-Principal of the new Besant Theosophical College, where Margaret teaches English.
In 1916, Cousins becomes the first non-Indian member of the SNDT Women’s University at Poona. In 1917, Cousins co-founds the Women’s Indian Association (WIA) with Annie Besant and Dorothy Jinarajadasa. She edits the WIA’s journal, Stri Dharma. In 1919 Cousins becomes the first Head of the National Girls’ School at Mangalore. She is credited with composing the tune for the Indian national anthem Jana Gana Mana in February 1919, during Rabindranath Tagore’s visit to Besant Theosophical College. In 1922, she becomes the first woman magistrate in India. In 1927, she co-founds the All India Women’s Conference, serving as its President in 1936.
In 1932, she is arrested and jailed for speaking against the Emergency Measures. By the late 1930s she feels conscious of the need to give way to indigenous Indian feminists:
“I longed to be in the struggle, but I had the feeling that direct participation by me was no longer required, or even desired by the leaders of India womanhood who were now coming to the front.”
A stroke leaves Cousins paralysed from 1944 onwards. She receives financial support from the Madras government, and later Jawaharlal Nehru, in recognition of her services to India. She dies on March 11, 1954. Her manuscripts are dispersed in various collections across the world.
Sheehy is educated at the Dominican Convent on Eccles Street, where she is a prize-winning pupil. She then enrolls at St. Mary’s University College, a third level college for women established by the Dominicans in 1893, to study modern French and German. She sits for examinations at Royal University of Ireland and receives a Bachelor of Arts degree in 1899, and a Master of Arts Degree with first-class honours in 1902. This leads to a career as a teacher in Eccles Street and an examiner in the Intermediate Certificate examination.
Sheehy marries Francis Skeffington in 1903, and they both take the surname Sheehy Skeffington, which they do not hyphenate but use as a double name. In 1908, they found the Irish Women’s Franchise League, a group aiming for women’s voting rights.
Sheehy-Skeffington gets into numerous scuffles with the law. She is jailed in 1912 for breaking windows of government buildings in support of suffrage as part of an IWFL campaign. That same year she also throws a hatchet at visiting British Prime Minister Herbert Asquith. She loses her teaching job in 1913 when she is arrested and imprisoned for three months after throwing stones at Dublin Castle and assaulting a police officer in a feminist action. While in jail she goes on hunger strike and is released under the Prisoner’s Temporary Discharge of Ill Health Act but is soon rearrested.
Being free from her teaching job enables Sheehy-Skeffington to devote more time to the fight for suffrage. She is influenced by James Connolly and during the 1913 lock-out works with other suffragists in Liberty Hall, providing food for the families of the strikers.
She strongly opposes participation in World War I which breaks out in August 1914, and is prevented by the British government from attending the International Congress of Women held in The Hague in April 1915. The following June her husband is imprisoned for anti-recruiting activities. He is later shot dead during the 1916 Easter Rising after having been arrested by British soldiers.
Sheehy-Skeffington refuses compensation for her husband’s death, which is offered on condition of her ceasing to speak and write about the murder. Rather, she travels to the United States to publicise the political situation in Ireland. In October 1917, she is the sole Irish representative to League for Small and Subject Nationalities where, along with several other contributors, she is accused of pro-German sympathies. She publishes British Militarism as I Have Known It, which is banned in the United Kingdom until after the World War I. Upon her return to Britain she is once again imprisoned, this time in Holloway prison. After release, Sheehy-Skeffington attends the 1918 Irish Race Convention in New York City and later supports the anti-Treaty Irish Republican Army (IRA) during the Irish Civil War.
In 1926, Sheehy-Skeffington becomes a founding member of Fianna Fáil and is elected to the party’s Ard Comhairle. During the 1930s, she is assistant editor of An Phoblacht. In January 1933, she is arrested in Newry for breaching an exclusion order banning her from Northern Ireland. At her trial she says, “I recognize no partition. I recognize it as no crime to be in my own country. I would be ashamed of my own name and my murdered husband’s name if I did…Long live the Republic!” She is sentenced to a month’s imprisonment.
The Gore-Booths are known as model landlords in County Sligo as they provide free food for the tenants on their estate. Perhaps being raised in this atmosphere of concern for the common man has something to do with the way Constance and her younger sister, Eva, conduct their later lives.
Gore-Booth decides to train as a painter and, in 1892, she enters the Slade School of Art in London because, at the time, only one art school in Dublin accepts female students. While in school in London Gore-Booth first becomes politically active and joins the National Union of Women’s Suffrage Societies.
She later moves to Paris and enrolls at the prestigious Académie Julian where she meets her future husband, Count Casimir Markievicz. They are married in London on September 29, 1900 making her Countess Markievicz. The Markieviczes relocate to Dublin in 1903 and move in artistic and literary circles, with Constance being instrumental in founding the United Artists Club.
In 1908, Markievicz becomes actively involved in nationalist politics in Ireland and joins Sinn Féin and Inghinidhe na hÉireann (Daughters of Ireland), a revolutionary women’s movement founded by Maud Gonne. In the same year, Markievicz plays a dramatic role in the women’s suffrage campaigners’ tactic of opposing Winston Churchill‘s election to Parliament during the Manchester North West by-election. Churchill ultimately loses the election to Conservative candidate William Joynson-Hicks.
In 1909, Markievicz founds Fianna Éireann, a para-military nationalist scouts organisation that instructs teenage boys and girls in the use of firearms. Patrick Pearse says that the creation of Fianna Éireann is as important as the creation of the Irish Volunteers in 1913. She is jailed for the first time in 1911 for speaking at an Irish Republican Brotherhood demonstration organised to protest against George V’s visit to Ireland.
Markievicz joins James Connolly‘s socialist Irish Citizen Army, a small volunteer force formed in response to the lock-out of 1913, to defend the demonstrating workers from the police. During the Howth gun-running on July 26, 1914, Irish Citizen Army members led by Markievicz, and including Thomas MacDonagh, Bulmer Hobson, Douglas Hyde and Darrell Figgis, unload arms from Erskine Childers‘ yacht Asgard in Howth harbour with hand carts and wheelbarrows.
As a member of the Irish Citizen Army, Markievicz takes part in the 1916 Easter Rising. Under Michael Mallin and Christopher Poole, she supervises the erection of barricades as the Rising begins and is in the middle of the fighting all around Stephen’s Green. Mallin and Poole and their men and women, including Markievicz, hold out for six days, ending the engagement when the British bring them a copy of Patrick Pearse’s surrender order.
They are taken to Dublin Castle and Markievicz is transported to Kilmainham Gaol, where she is the only one of 70 women prisoners who is put into solitary confinement. At her court martial on May 4, 1916, Markievicz is sentenced to death, but General Maxwell commutes this to life in prison on “account of the prisoner’s sex.” It is widely reported that she tells the court, “I do wish your lot had the decency to shoot me.” Markievicz is transferred to Mountjoy Prison and then to Aylesbury Prison in England in July 1916. She is released from prison in 1917, along with others involved in the Rising.
In the 1918 general election, Markievicz is elected for the constituency of Dublin St Patrick’s, making her the first woman elected to the British House of Commons. However, in line with Sinn Féin abstentionist policy, she does not take her seat in the House of Commons. She is re-elected to the Second Dáil in the elections of 1921. Markievicz serves as Minister for Labour from April 1919 to January 1922, holding cabinet rank from April to August 1919, becoming both the first Irish female Cabinet Minister and only the second female government minister in Europe.
Markievicz leaves government in January 1922 along with Éamon de Valera and others in opposition to the Anglo-Irish Treaty. She fights actively for the Republican cause in the Irish Civil War. She is returned in the 1923 general election for the Dublin South constituency but again, in common with other Republican candidates, she does not take her seat.
She joins Fianna Fáil on its foundation in 1926, chairing the inaugural meeting of the new party in La Scala Theatre. In the June 1927 general election, she is re-elected to the 5th Dáil as a candidate for the new Fianna Fáil party, which is pledged to return to Dáil Éireann.
Before she can take up her seat, Markievicz dies at the age of 59 on July 15, 1927, in a public ward “among the poor where she wanted to be” of complications related to appendicitis. One of the doctors attending her is her revolutionary colleague, Kathleen Lynn. Also at her bedside are Casimir and Stanislas Markievicz, Éamon de Valera, and Hanna Sheehy-Skeffington. Refused a state funeral by the Free State government, Markievicz is buried at Glasnevin Cemetery, Dublin, and de Valera gives the funeral oration.
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