seamus dubhghaill

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Tag Archives: Lambeg (County Antrim)


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Birth of Padraig Marrinan, Figure- & Portrait-Painter

Padraig H. Marrinan, figure and portrait painter, is born Patrick Hamilton Marrinan in Belfast on December 10, 1906, the son of James Marrinan, a member of the Royal Irish Constabulary (RIC), originally from County Louth, and Emily Marrinan (née O’Neill).

Marrinan becomes ill with infantile paralysis at the age of five, and as a result is tutored privately. He has no formal training in art but is largely influenced by his reading matter, particularly the American comic strips of Bud Fisher. The variety of facial expressions that Fisher can achieve, with only a pencil, intrigues and inspires him. Likewise, the images evoked by Celtic mythology and religious art also contributes to his visual language, and many hours are spent in the Belfast Museum and Art Gallery studying the paintings in their collection.

Marrinan exhibits with the Ulster Academy of Arts from an address at 524 Donegall Road, Belfast, entering “The Wee Gate, Earl Street, Belfast” (1931) and “The Painter’s Father” and the “Apache” (1934), which is judged “picture of the year.” He last exhibits with a landscape, “Connemara,” along with four other works in 1949.

Marrinan paints and sketches portraits of many notable Irish figures, among which is the charcoal drawing of northern Fenian Robert Johnston (1934; National Gallery of Ireland) and a sketch of the Donegal storyteller Niall Duffy (University College Dublin). His literary portraits include one of Brian Friel. He holds a one-man show in 1951 at 55a Donegall Place, Belfast, where he exhibits a bust of John McLaverty. He takes an interest in sculpture although painting and drawing remain his preferred form of expression. Important commissions are for a memorial portrait (completed 1952) of Éamonn Ceannt for Ceannt Barracks officers’ mess, Curragh Camp, County Kildare, and for a portrait of Vice-brigadier Peadar Clancy for Clancy Barracks, Dublin. He paints two memorial portraits of President John F. Kennedy, one of which is in the Irish Club, London.

Examples of his religious art are in Dublin and Northern Ireland, with a Stations of the Cross in the Church of the Good Shepherd, Churchtown, Dublin, and another Stations in St. Colman’s Church, Lambeg, County Antrim. He paints “Our Lady of Belfast” for the Holy Cross church, Ardoyne, Belfast, a church regularly targeted in the northern troubles. His “Madonna and Child of Loreto” (1969) is in the Loreto Grammar School, Omagh, County Tyrone.

Marrinan is an honorary member of the Royal Ulster Academy and exhibits with them every year from 1950 onward, showing a portrait of Mrs. Padraig Marrinan in 1967 (no other details of his marriage are known). He is preparing for an exhibition to be held at the Irish Club, London, in 1974, but dies on October 25, 1973, at Tyrone County Hospital in Omagh. He is then living at James Street, Omagh.

(From: “Marrinan, Padraig H.” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “The River Lee, Cork City, Ireland” by Padraig Marrinan, oil on canvas)


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Death of RIC Detective Oswald Ross Swanzy

Royal Irish Constabulary (RIC) Detective Oswald Ross Swanzy is shot dead by Cork Irish Republican Army (IRA) volunteers while leaving church in Lisburn, County Antrim, on August 22, 1920.

Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.

A 39-year-old single man from County Monaghan, he had been a member of the police for 15 years. His funeral takes place at Mount Jerome Cemetery, Harold’s Cross, Dublin three days later.

In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:

“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”

In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.

With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.

Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.

The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.

A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.

The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.

Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.

A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.

(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)


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Birth of Neil Shawcross, Post-Impressionist Artist

Neil Shawcross MBE, RHA, HRUA, Post-Impressionist artist, is born in Kearsley, Lancashire, England, on March 15, 1940. He has been a resident of Northern Ireland since 1962.

Shawcross studies at Bolton College of Art from 1955 to 1958, and Lancaster College of Art from 1958 to 1960, before moving to Belfast in 1962 to take up a part-time lecturer’s post at the Belfast College of Art, becoming full-time in 1968. He continues to lecture there until his retirement in 2004.

Primarily a portrait painter, his subjects include Nobel Prize winning poet Seamus Heaney, novelist Francis Stuart (for the Ulster Museum), former Lord Mayor of Belfast David Cook (for Belfast City Council), footballer Derek Dougan and fellow artists Colin Middleton and Terry Frost. He also paints the figure and still life, taking a self-consciously childlike approach to composition and colour. His work also include printmaking, and he has designed stained glass for the Ulster Museum and St. Colman’s Church, Lambeg, County Antrim.

Shawcross’s academic career includes a residency at Virginia Center for the Creative Arts in Amherst, Virginia in 1987, a residency at Vermont Studio Center in Johnson, Vermont in 1991, and a visiting assistant professorship at Pennsylvania State University in 1993.

Shawcross has exhibited nationally, with one-man shows in London, Manchester, Dublin and Belfast, and internationally in Hong Kong and the United States, and his work is found in many private and corporate collections.

Shawcross is elected an Associate of the Royal Ulster Academy of Art in 1975, and is made a full Academician in 1977. He wins the Academy’s Conor Award in 1975, its gold medal in 1978, 1982, 1987, 1994, 1997 and 2001, and its James Adam Prize in 1998. He is also a member of the Royal Hibernian Academy (RHA). He is awarded the Gallaher Portrait Prize in 1966.

Shawcross is conferred an honorary doctorate by Queen’s University Belfast in 2007. He is appointed Member of the Order of the British Empire (MBE) in the 2014 New Year Honours for services to arts in Northern Ireland.

In 2010, the Merrion Hotel, Dublin, hosts a private collection of the works of Shawcross. In 2015, he exhibits a collection of six foot tall book covers inspired by original Penguin paperbacks at the National Opera House in Wexford, County Wexford. In 2018, he donates to Belfast City Council a collection of 36 paintings dedicated to ‘Writers of Belfast’ in a show of appreciation to his adopted home city. A major retrospective of his works are exhibited at the F. E. McWilliam Gallery and Studio, Banbridge, County Down, in the same year.

Shawcross is a Patron of the charity YouthAction Northern Ireland. He lives in Hillsborough, County Down, Northern Ireland.