Osborne (née Meikle) is born on February 21, 1926 in Larne, County Antrim, the daughter of William Meikle who is a fitter at Harland & Wolff. She displays artistic talent from a young age, recognized at 20 by painter Paul Nietsche, and earns a scholarship from the Ministry of Education to pursue further studies. She trains at the Camberwell School of Arts & Crafts in London and later completes her National Diploma in Art and Design at the Belfast School of Art.
Osborne’s early career includes exhibitions in Belfast, London, and prominent Canadian galleries after she emigrates to Canada with her husband, fellow artist Dennis H. Osborne, in 1953. She exhibits works such as The Harmonica Player, a portrait of poet Barbara Hunter, and other pieces across Canada, gaining recognition for her skill in landscapes, portraits, and abstract forms.
Declining health due to a brain tumour forces Osborne to return to Northern Ireland in 1959. She settles first in Portadown and later in Lisburn, where she continues to paint despite her illness. She participates in exhibitions, including those of the Royal Ulster Academy of Arts and local art societies, maintaining her influence on the Northern Irish art scene.
Osborne dies at the age of 39 on July 9, 1965, in Lisburn Hospital due to complications from a brain tumour, which had been a long-standing health struggle. She leaves behind her husband, Dennis, and their daughter, Moya. Posthumously, her work is celebrated in memorial exhibitions, including those organized by the Arts Council of Northern Ireland and the Ulster Society of Women Artists, and several of her paintings, like Roots and Grief, are preserved in the Ulster Museum and Armagh County Museum.
Osborne is remembered as a gifted painter whose contributions to mid-20th-century art in both the United Kingdom and Canada reflect emotional depth, modernist abstraction, and a commitment to capturing natural forms, despite her life and career being cut tragically short.
On June 15, 1988, an unmarked military van carrying six British Army soldiers is blown up by the Provisional Irish Republican Army (IRA) at Market Place in Lisburn, County Antrim, Northern Ireland. The explosion takes place at the end of a charity marathon run in which the soldiers had participated. All six soldiers are killed in the attack – four outright, one on his way to hospital and another later on in hospital.
Lisburn is the headquarters of the British Army in Northern Ireland. Four of the dead are from the Royal Corps of Signals while the other two are from the Green Howards and the Royal Army Ordnance Corps. A booby trap bomb is hidden under the Ford Transit van in which the soldiers are traveling, and is designed in such a way that the blast goes upward to cause maximum damage to the vehicle. Eleven civilian bystanders are injured, including a two-year-old child and 80-year-old man. The bombing is sometimes referred to as the Lisburn “Fun Run” bombing.
On Wednesday, June 15, 1988, at 8:50 p.m., an unmarked blue Ford Transit van carrying six off-duty British soldiers in civilian clothes drives off from a leisure centre carpark in Lisburn. The soldiers have just taken part in the “Lisburn Fun Run”, a 13-mile (21 km) charity half marathon held in the town. They leave the van unattended in the car park, which is the start and finish point for the run. It is there that an IRA active service unit (ASU), who has been following the van, hides a bomb underneath the vehicle. The half marathon and shorter “fun runs” are organised by Lisburn Borough Council, together with the YMCA, to raise funds for the disabled. There are 4,500 participants that day and at least 200 British Army personnel have been given leave to participate in the event.
Nine minutes later, the van stops at traffic lights at Market Place, in Lisburn’s town centre. As the van moves on, the seven-pound (3.2 kg) bomb detonates, turning the van into a massive fireball and instantly killing four of the soldiers as the vehicle disintegrates with the force of the blast. The Semtex device has been designed in a cone shape to channel the blast upward, thereby causing maximum damage to the vehicle and the soldiers inside. The area around Market Place is crowded with onlookers, including many teenagers and families with young children, although the biggest crowd is at the carpark. In all, about 10,000 onlookers have attended the charity run. There is pandemonium as frightened parents search for their children, while others rush to give aid to the dead and dying soldiers before fire engines and ambulances arrive.
Eleven civilian bystanders are injured in the attack, including a two-year-old child and an 80-year-old man. Another soldier dies on the way to hospital while a sixth soldier dies later that night after undergoing surgery for severe head injuries. The dead soldiers are stationed at Ebrington Barracks in Derry and are returning to base when the bomb goes off. Four of the men – Sergeant Michael Winkler (31), Signalman Mark Clavey (24), Lance Corporal Graham Lambie (22), and Corporal William Patterson (22) – are from the Royal Corps of Signals, while the other two – Corporal Ian Metcalf (36) and Lance Corporal Derek Green (20) – are from the Green Howards and Royal Army Ordnance Corps respectively.
Lisburn is a mainly Ulster Protestant town, 14 miles (23 km) southwest of Belfast. It serves as the garrison headquarters of the British Army in Northern Ireland. Six months before the van bombing, a booby trap bomb planted by the IRA kills Ulster Defence Association (UDA) leader John McMichael in the town.
The van bombing results in the greatest loss of life suffered by the British Army since eleven soldiers were killed in the Droppin Well Disco bombing on December 6, 1982.
On June 16, the Provisional IRA Belfast Brigade claims responsibility for the bombing, promising to wage “unceasing war” against the British security forces in Northern Ireland. Sinn Féin president Gerry Adams allegedly says that the IRA’s killing of the six soldiers is “vastly preferable” to killing members of the (locally recruited) Ulster Defence Regiment (UDR) or Royal Ulster Constabulary (RUC). The leisure centre is forced to remain shut for a time after the loyalistProtestant Action Force (a cover-name of the UVF) issues a warning that they regard Catholic staff working there as “legitimate targets,” inferring that they may have had a hand in the bombing. Lisburn mayor Councillor William Bleakes condemns the threats by the PAF.
That same day, Tom King, then Secretary of State for Northern Ireland, travels to Lisburn where he holds a meeting with Lieutenant General Sir John Waters, the British Army Commander in Northern Ireland, and senior RUC officers. They discuss the attack and proposals for heightened security. The soldiers had failed to follow proper security procedures, as they had left their vehicle unguarded for over two hours and had then driven off without having checked under it beforehand. After the Lisburn meeting, King flies to London where he reports directly to British Prime MinisterMargaret Thatcher, who describes the attack as a “terrible atrocity.” However, she rejects demands from Conservative members of Parliament to bring back internment, regarding the proposal as “a very serious step.”
In his statement to the House of Commons, Tom King suggests that there would have been a much higher death toll had the bomb exploded in the carpark, where thousands of people had gathered after the run.
The Republic of Ireland‘s government also strongly condemns the killings and extends its sympathy to the families of the dead soldiers. The bombing is a topic of debate in the Seanad Éireann on June 16, 1988. Bishop Cahal Daly of the Roman Catholic Diocese of Down and Connor denounces the bombers and the killings in the “strongest possible terms.”
Questions are raised as to how the IRA knew the soldiers were attending the charity run in Lisburn, how they recognised their unmarked van, and how the unit was able to plant a bomb in the predominantly loyalist town without being spotted, despite the number of people in the carpark. The RUC believes that the bombers may have been wearing sports gear as they mingled with the crowd that evening. They appeal to onlookers who had attended the event to hand over any film they may have taken of the “fun run” in an attempt to identify the IRA bombers.
The following Saturday, between 1,000 and 2,000 people gather in Lisburn town centre to attend a remembrance service for the six soldiers. A book of condolences is also opened.
Colin MiddletonMBE, Northern Irishlandscape artist, figure painter, and surrealist, is born on January 29, 1910, in Victoria Gardens in north Belfast. Hus prolific output in an eclectic variety of modernist styles is characterised by an intense inner vision, augmented by his lifelong interest in documenting the lives of ordinary people. He has been described as “Ireland’s greatest surrealist.”
Middleton is the only child of damask designer Charles Middleton. He attends the nearby Belfast Royal Academy until 1927 and then continues his studies with night classes at Belfast School of Art where he trains in design under the Cornish artist Newton Penprase. However, he finds the college too traditional in outlook, as his first influence, his father, had been a follower of European Modernism, particularly the Impressionists.
Middleton shows his first works with the Ulster Academy of Arts in 1931, where he exhibits frequently until the late nineteen-forties. He first comes to public attention with the inclusion of his works in the groundbreaking inaugural exhibition of the Ulster Unit at Locksley Hall, Belfast, in December 1933. The Ulster Unit is a short-lived grouping of Ulster artists who take their inspiration from Paul Nash’s Unit One formed earlier in the same year. Just two years thereafter in the same year, he marries Maye McLain, also an artist and a domestic science teacher, who unfortunately dies four years later. He is also a poet and writer, whom along with his wife, is an active member of the Northern Drama League in the 1930s, with whom he designs sets. After the death of his first wife he destroys all of his early paintings and enters a period of seclusion at his mother’s home outside Belfast. He becomes a follower of Vincent van Gogh and James Ensor after viewing exhibitions in London and Belgium respectively. On his return to Ulster he begins to experiment with styles derived from European Modernism, the antithesis to traditional academism. Throughout the 1930s he is also a keen follower of Paul Nash, Tristam Hillier and Edward Wadsworth. After exposure to the works of Salvador Dalí, he declares himself “the only surrealist painter working in Ireland.”
Middleton’s work first appears at the Royal Hibernian Academy in 1938 where he shows intermittently until the final year of his life. He participates in an exhibition at 36 Arthur Street, Belfast, with the Czech artist Otakar Gregor, Joan Loewenthal and Sidney Smith in aid of the war effort at the end of 1940. He completes three paintings immediately after the Belfast Blitz and the trauma of the events prevent him from working for six months before his work is included in a portfolio of lithographs published by the Ulster Academy in December 1941 to raise money for rebuilding the Ulster Children’s and Women’s Hospital which had been destroyed in the Blitz earlier in the year.
Middleton’s first solo exhibition is given by the Belfast Municipal Museum and Art Gallery in 1943. It is the first exhibition staged at the gallery when it re-opens after the Belfast Blitz. At the time it is the largest one-person show the gallery has staged comprising one hundred fifteen works and it is also the first solo exhibition accorded to a local contemporary artist by the gallery. In an interview with Patrick Murphy in 1980, he says that the paintings represent “a first endeavour to harmonize the seemingly opposed and conflicting tendencies in human nature.” Dickon Hall says of this period that “Middleton’s painting is dominated by the female form; it is only rarely that men appear in his work. In part these women reflect his experience of Belfast and the difficult conditions that so many lived through.” This can be seen in the three female figures of The Poet’s Garden (1943), and even more so in The Conspirators (1942), both of which are featured in the 1943 exhibition. “The female form, pictorially and symbolically, becomes the landscape and the life force.”
The Belfast exhibition is followed by his first one-man show at the Grafton Galleries, Dublin, in 1944. In the following year he debuts at the Irish Exhibition of Living Art where he returns on a number of occasions, particularly in the periods 1949–55 and 1963–71. In 1945, he is married for the second time, to Kate Giddens, after both are named co-respondents at the Belfast High Court a few months earlier, in civil servant Lionel P. Barr’s application for a decree nisi. The suit is undefended and the couple has costs awarded against them. In the same year Middleton returns to the Belfast Museum for a solo exhibition arranged by the Council for the Encouragement of Music and the Arts. He is a founding member of the Northern Ireland branch of the Artists’ International Association, who show at the Belfast Municipal Gallery in spring 1945. Other members include Joan Loewenthal, Kathleen Crozier, Pat Hicking, Trude Neu, Sidney Smith, Nevill Johnston, George Campbell and Gerard Dillon.
Middleton’s work is displayed in New York‘s Associated American Artists gallery in 1947 with a selection of works chosen by Dublin art critic Theodore Goodman that includes paintings by his Northern contemporaries Daniel O’Neill, George Campbell, Gerard Dillon and Patrick Scott. He also retires from the family business that year to devote his time to painting, having worked at the business since his father’s death in 1933. He then takes his wife and child to live and work on John Middleton Murry’sSuffolk commune for a short period, before returning to Belfast in 1948. Their life in Suffolk is not a success as the family suffers from ill health, but the experience of working the land is to prove a profound influence on his future work.
In 1949, Middleton shows his first works at the Oireachtas na Gaeilge, where he returns periodically until 1977. Upon their return from Suffolk, his wife sends Victor Waddington photos of his work whereupon Waddington comes to represent him for a period of five years, until the Waddington Galleries face financial hardship in 1958. It is Waddington’s patronage that enables the Middleton family to live and work in Ardglass, County Down, for four years from 1949, which Middleton later describes as the happiest time of his life. When his works are displayed at Victor Waddington’s Dublin gallery in that same year, it acts as a springboard that opens Middleton’s work to an international audience. Group exhibitions in Boston and London follow in 1950 and 1951 respectively.
Middleton’s first solo show at London’s Tooth Gallery takes place in 1952, where his work had been shown in the previous year.
In 1953, Middleton moves to Bangor, County Down, where he designs for Marjery Mason‘s The Repertory Theatre. He later designs sets for the Circle Theatre and the Lyric Theatre, including the sets for a series of W. B. Yeats’s plays in 1970, and Seán O’Casey‘s Red Roses for Me in 1972, both at the latter. In 1952, he exhibits alongside Daniel O’Neill, Nevill Johnson, Gerard Dillon and Thurloe Connolly at the Tooth Galleries in London. He begins his career as an art teacher by the invitation of James Warwick who offers him a one year part-time post at the Belfast College of Art in 1954. That year he shows forty-two works at the Belfast Municipal Gallery under the auspices of the Council for the Encouragement of Music and the Arts. In the following year he delivers full-time classes at the Coleraine Technical School, before becoming head of art at Friends’ School, Lisburn in 1961 where he remains until 1970. He lives on Plantation Avenue in Lisburn for nine years next door to fellow artist and pedagogueDennis Osborne, who presents a portrait of Middleton at the annual exhibition of the Royal Ulster Academy in 1965.
A poet and musician, Middleton also produces murals, mosaics and posters. One such mural is commissioned for a house in Ballymena designed by the architect Noel Campbell in an international modernist style in 1951, and other works include a mosaic for a school in Lisburn, and a mural in a health clinic. He shows in many group shows throughout the fifties including the Royal Academy of Arts in 1955, in addition to more solo exhibitions at the Waddington Galleries in 1955, and his first showing at the Richie Hendricks Gallery in 1958. Of the Waddington exhibition TheDublin Magazine writes: “Apart from the brilliance of his paint, he has one rare quality in his inexhaustible capacity for wonder.”
Middleton shows in the Arts Council of Northern Ireland‘s gallery in 1965 with additional works at the Bell Gallery and his Bruges Series is shown at Alice Berger Hammerschlag’s New Gallery upon his return from a Belgian trip in 1966. The Arts Council of Northern Ireland suffers an extensive fire at their storage facility in south Belfast in autumn 1967 which decimates their collection of contemporary art and theatre costumes. Losses include several of Middleton’s paintings, in addition to the works of many other leading Ulster artists such as William Conor and T. P. Flanagan. He Is among the prizewinners at the Arts Council of Northern Ireland’s 4th Open Painting Exhibition in 1968. In the same year, John Hewitt curatea a joint exhibition of his paintings with T. P. Flanagan at the Herbert Art Gallery and Museum in Coventry.
The Arts Council hosts a joint retrospective of Middleton’s work in co-operation with the Scottish Arts Council in 1970. A major retrospective is to follow at the Ulster Museum and the Hugh Lane Municipal Gallery of Modern Art in Dublin in 1976. Comprising almost three hundred exhibits, the show is accompanied by a monograph written by Middleton’s lifelong friend, the patron and poet John Hewitt. Hewitt later bequeaths his art collection, including several of Middleton’s paintings to the Ulster Museum.
The Royal Mail uses Middleton’s painting of Slieve na Brock in the Mourne Mountains to commemorate the Ulster ’71 exhibition in a series of postage stamps that also feature the work of Thomas Carr and T. P. Flanagan. In 1972, Middleton tours extensively with his wife visiting Australia for two months and shows his works from the trip at the McClelland International Galleries on Belfast’s Lisburn Road the following year. In 1973 he also visits Barcelona and later shows a series of surrealist works inspired by the two trips at the Tom Caldwell Gallery in Belfast.
Middleton lives the last twelve years of his life in Bangor, County Down.
Middleton dies of leukemia in Belfast City Hospital on December 23, 1983. He is survived by his wife Kate, their daughter and a step-daughter. His son predeceases him by a year. Christie’s of London is entrusted with the sale of his studio works in 1985. The works are displayed before auction in both Dublin and Belfast during August 1985. In 2005, the Ulster History Circle unveils a commemorative blue plaque at his former home on Victoria Road in Bangor.
In September 2023, eighty years since the ground-breaking exhibition Middleton held at the Belfast Museum and Art Gallery, now the Ulster Museum, and forty years after his death, the Ulster Museum holds a new exhibition of his works, celebrating his association with Belfast, the city of which he says, “I belong here as I never belonged anywhere else in the country.” This exhibition brings together works held in the public collection with those from private lenders to provide a full picture of the artist’s talent and life.
Middleton wins the Royal Dublin Society‘s Taylor Scholarship worth £50 in 1932, and two further awards of £10 in 1933. In 1935, he is elected associate of the Ulster Academy, inducted alongside Helen Brett, Kathleen Bridle, Patrick Marrinan, Maurice Wilks, Romeo Toogood and William St. John Glenn,and in 1948 he becomes an elected Academician at the same.
In 1968, Middleton is appointed MBE in the Queen’s birthday honours list, and in 1969 he is elected an associate at the Royal Hibernian Academy with full membership conferred just a year later. He is awarded an honoraryMaster of Arts degree from Queen’s University Belfast in 1972. The Arts Council of Northern Ireland grants him a substantial subsistence award in 1970 which covers two years enabling him to retire from teaching to concentrate on painting full-time. In the same year, the Arts Council of Northern Ireland also commissions him to paint a portrait of their director, Kenneth Jamison.
Craig, known as Jim, grows up in an Ulster Protestant family on the Shankill Road. In the early 1970s, he, a former boxer, is sent to the HM Prison Maze for a criminal offence unrelated to paramilitary activities. While serving his sentence at the Maze he joins the Ulster Defence Association (UDA), and is asked by the organisation’s commander at the time, Charles Harding Smith, to take control of the UDA prisoners inside, on account of his reputation as a “hard man.”
After his release in 1976, Craig sets up a large protection racket and becomes the UDA’s chief fundraiser. By 1985, he has managed to blackmail and extort money from a number of construction firms, building sites, as well as pubs, clubs, and shops in Belfast and elsewhere in Northern Ireland, whose intimidated owners pay protection money out of fear of Craig and his associates. It is alleged that the UDA receives hundreds of thousands of pounds, some of which also find their way inside Craig’s pockets as part of his “commission.” He is acquitted on a firearm charge and Ulster Freedom Fighters (a cover name for the UDA) membership on March 18, 1982. In 1985, he is brought to court after a number of businessmen decide to testify against him, with the condition that their identities remained hidden. The case falls apart when Craig’s defence argues that his client’s rights were violated by the concealment of the witnesses’ identities.
Craig allegedly is involved in the double killing of a Catholic man and a Protestant man on the Shankill Road in 1977. The men, both colleagues, had entered a loyalist club and were later stabbed, shot and put into a car which was set on fire. By this time the UDA West Belfast Brigade no longer wants him in their ranks, as they claim they can no longer “afford him.” Craig, who is ordered to leave the Shankill Road, goes on to join forces with John McMichael’sSouth Belfast Brigade. In addition to being the principal fundraiser, he also sits on the UDA’s Inner Council. He usually travels in the company of his bodyguard, Artie Fee, a UDA member from the Shankill Road.
The rival Ulster Volunteer Force (UVF) carries out an investigation after it is rumoured Craig has been involved in the death of UVF major William Marchant, who is gunned down by Provisional Irish Republican Army gunmen from a passing car on the Shankill Road on April 28, 1987. Marchant is the third high-ranking UVF man to be killed by the IRA during the 1980s. Although their inquiries reveal that Craig had quarrelled with Marchant as well as Lenny Murphy and John Bingham prior to their killings, the UVF feel that there is not enough evidence to warrant an attack on such a powerful UDA figure as Craig.
In December 1987, when UDA South Belfast brigadier John McMichael is blown up by an IRA booby-trap car bomb outside his home in Lisburn‘s Hilden estate, it is believed that Craig had organised his death with the IRA. Allegedly Craig fears McMichael is about to expose his racketeering business, thus putting an end to his lucrative operation. McMichael reportedly sets up an inquiry and discovers that Craig is spending money on a lavish scale, going on holidays at least twice a year and indulging in a “champagne lifestyle.” At the same time, it is suggested that Craig has made certain deals with Irish republican paramilitary groups, dividing up the rackets in west Belfast, and he would be doing the IRA a favour by helping them to eliminate a high-profile loyalist such as McMichael. Craig has established links with republicans during his time in prison, and the profitable deals and exchanges of information between them ensures he will most likely not be a target for IRA assassination.
Craig is named as an extortionist in Central Television’s 1987 programme The Cook Report. He plans to sue the programme’s producers for libel. In January 1988, Jack Kielty (father of future television presenter Patrick Kielty), a building contractor from County Down who had promised to testify as a key witness against Craig, is murdered by the UDA. This killing is attributed to Craig, although it is never proven.
Craig is shot dead by two gunmen from the UDA in “The Castle Inn” (later called “The Bunch of Grapes”), a pub in Beersbridge Road, east Belfast on October 15, 1988, where he has been lured in the belief that there is to be a UDA meeting. He is playing pool in the pub at the time of his fatal shooting by the two men, both of whom are wearing boilersuits and ski masks and carrying automatic weapons. Upon spotting Craig they open fire, spraying the room with gunfire. Craig dies instantly. A bystander pensioner is also murdered in the attack, and four other bystanders are wounded by stray bullets. The UDA claims the killing is carried out due to Craig’s “treason” and involvement in John McMichael’s murder as they know he had provided the IRA with information to successfully carry out the assassination. They apologise for the unintentional death of the pensioner. Craig is not given a paramilitary funeral, and none of the UDA’s command attend it.
Born on March 13, 1831, in Lisburn, County Antrim, McCloy is the youngest of five children, born to Peter McCloy, a painter, and his wife Martha Phelan. He studies at the School of Design in Belfast from 1850 to 1851 while serving an apprenticeship in engraving, with J and T Smyth. He then spende a year at the Central School, Somerset House in London before being appointed Master at the Waterford School of Art around 1853, when he also becomes a visiting instructor to several other institutions. In the spring of 1865 he marries his student, the Waterford artist Ellen Lucy Harris, the fourth daughter of a banker named Richard Harris. The dismembered corpse of McCloy’s mother is recovered from the River Suir in September of the same year. She had been missing since the previous November.
McCloy shows just once at the Royal Academy of Arts with a work entitled The Haunt of Meditation in 1859. He exhibits infrequently at the Royal Hibernian Academy between 1862 and 1882, where he displays sixteen works in that time. He displays eleven works in the 1876 Industrial Exhibition at Belfast’s Ulster Hall. In 1880, he shows at Rodman and Company in London where the writer in the Belfast Telegraph indicates that McCloy is becoming a popular artist and is receiving extensive patronage.
After a year-long illness that prevents him from working, McCloy dies in Balham, South London, on October 4, 1904. He is survived by his wife, Ellen, and nine daughters. The Lisburn Museum in his hometown offers a belated retrospective of his work in 1981 to mark the one-hundred fiftieth anniversary of his birth. The exhibition is the first known solo display of McCloy’s work and consists of 58 works. The catalogue for this show is written by Eileen Black and funded by the Arts Council of Northern Ireland.
Swanzy lives at 31 Railway Street and attends Morning Service at the Cathedral. At 1:06 p.m. as he is walking past the entrance to the Northern Bank (now Shannon’s Jewelers), he is shot by the IRA and dies at the scene.
In February 1921, a memorial is erected in the north wall of the Cathedral by his mother and sister. The brass tablet mounted in Irish Oak bears the following inscription:
“In proud and loving memory of Oswald Ross Swanzy DI Royal Irish Constabulary who gave his life in Lisburn on Sunday, August 22, 1920, and his gallant comrades who, like him, have been killed in the unfaltering discharge of their duty and in the service of their country. Be thou faithful unto death and I will give you a crown of life.”
In his book, Police Casualties in Ireland 1919 to 1922, Royal Ulster Constabulary (RUC) Inspector Richard Abbott says the decision to kill Swanzy is taken by Michael Collins himself who believes the officer had been the leader of the party of unidentified men who killed Tomás Mac Curtain, the Lord Mayor of Cork and Commandant of Cork Number One Brigade of the IRA.
With the help of RIC Sergeant Matt McCarthy, who had provided Collins with information in the past, Swanzy is traced to Lisburn. The Intelligence Officer of B Company of the IRA’s First Cork Battalion, Sean Culhane, is then sent to Belfast to link up with local IRA activists. On the day of the attack, Culhane and a number of Belfast IRA men leave the city in a taxi and make their way to Lisburn.
Culhane and Roger McCorley, a Belfast member of the IRA, walk up to Swanzy and shoot him at close range. They, along with their accomplices, then run in pairs along Castle Street with another man in the middle of the road. They continue to fire as they make their way to the taxi which is waiting outside the Technical College.
The vehicle starts to move off before McCorley reaches it and he is forced to throw himself into the car. As he does so he lands in a heap on the back floor of the car and accidentally fires a round from his revolver inside the taxi.
A member of the public notes the taxi’s number as it leaves Lisburn and the driver is arrested later that afternoon. He tells police he works for the Belfast Motor Cab and Engineering Co. at Upper Library Street. At 11:45 a.m., he says he had been sent to the Great Northern Railway Station in Great Victoria Street to collect a fare who wanted to “take a run along the County Down coast.” The taxi driver is later tried for the killing of Swanzy but is found not guilty.
The IRA killing of Detective Inspector Swanzy leads to bitter sectarian rioting in Lisburn. A number of Catholics are murdered and others assaulted and terrorised as their homes and businesses are burned by mobs on the rampage. Journals kept at the time recall how groups of people wait at Lambeg to attack Catholics fleeing the town on the main Belfast Road. This forces many to leave Lisburn by way of the mountain route into the city as columns of smoke rise into the air above the town.
Workers at local mills are also called upon to sign the following declaration: “I…. …hereby declare I am not a Sinn Féiner nor have any sympathy with Sinn Féin and do declare I am loyal to king and country.” Violence also sweeps across Belfast in the wake of the Market Square attack.
A total of 22 people are killed in one week and on August 24 the authorities swear in a number of special constables to try to regain control of the situation. This is the first time since the start of the IRA campaign in 1919 that Special Constables have to be used.
(From: “Assassination of Detective Inspector Oswald Ross Swanzy,” Lisburn.com)
The Irish Times reports that “This stretch of road has been a favourite ambush spot for successive generations of IRA men since the 1920s.” The Provisional IRA has been attacking British Army patrols and convoys with roadside bombs regularly since the beginning of the Troubles in the early 1970s. Most of these attacks take place in rural parts of Northern Ireland, especially eastern and southern County Tyrone (where the IRA’s Tyrone Brigade is active) and southern County Armagh (heartland of the South Armagh Brigade). In August 1979, the IRA ambushes a British Army convoy with two large roadside bombs near Warrenpoint, killing eighteen soldiers. This is the deadliest attack on the British Army in Northern Ireland during the Troubles. In December 1979, four more British soldiers are killed on Ballygawley Road in the Dungannon land mine attack. In May 1981, five British soldiers are killed when their Saracen APC is ripped apart by a roadside bomb at Altnaveigh, County Armagh. In July 1983, four Ulster Defence Regiment (UDR) soldiers are killed when their vehicle strikes an IRA land mine near Ballygawley, County Tyrone. In December 1985, the Tyrone IRA launches an assault on the police barracks in Ballygawley, shooting dead two officers and destroying the barracks with a bomb.
On the night of August 19/20, 1988, an unmarked 52-seater bus is transporting 36 soldiers of The Light Infantry from Aldergrove Flying Station to a military base near Omagh. The soldiers, who came from England, have just finished 18 months of a two-year tour of duty in Northern Ireland and are returning to the base after a short holiday.
As it is driving along the main road from Ballygawley to Omagh, at about 12:30 a.m., IRA members remotely detonate a roadside bomb containing 200 pounds (91 kg) of Semtex. According to police, the bomb had been planted in a vehicle by the roadside and had been detonated by command wire from 330 yards (300 m) away. A statement by one of the survivors claims instead that the roadside bomb was made of “two fertilizer bags filled with Semtex.” The blast hurls the bus 30 metres down the road and throws the soldiers into neighbouring hedges and fields. It leaves a crater 6 feet deep and scatters body parts and twisted metal over a wide area. Witnesses describe finding dead, dying and wounded soldiers strewn on the road and caught in the wreckage of the bus. Others are walking around “stunned.” Some of the first to arrive on the scene and offer help are loyalist bandsmen of the Omagh Protestant Boy’s Band returning from a parade in Portadown, who have also been traveling in buses.
Eight of the soldiers are killed and the remaining 28 are wounded. The soldiers killed are: Jayson Burfitt (aged 19), Richard Greener (aged 21), Mark Norsworthy (aged 18), Stephen Wilkinson (aged 18), Jason Winter (aged 19), Blair Bishop (aged 19), Alexander Lewis (aged 18) and Peter Bullock (aged 21). This is the single biggest loss of life for the British Army from an IRA attack in Northern Ireland since the Warrenpoint ambush in 1979, although eleven off-duty British soldiers had been killed in the Droppin Well bombing in 1982, carried out by the Irish National Liberation Army (INLA). An account from one of the survivors is published in Ken Wharton‘s book A Long Long War: Voices from the British Army in Northern Ireland, 1969–98 (2008).
An inquest into the attack is told that the road is usually off-limits to military vehicles, due to the threat from the IRA. The driver of the bus, who is also a soldier, claims he had been directed on to the road by diversion signs. The inquest hears that signs had not been placed by the police or the roads service. The IRA denies placing any signs and says that military buses often use the road. The mother of one of those killed accuses the British military of negligence and claims it is “trying to conceal the truth.”
Shortly thereafter, the Provisional IRA issues a statement claiming responsibility. It says that the attack had been carried out by its Tyrone Brigade and adds: “We will not lay down our arms until the peace of a British disengagement from Ireland.” The security forces suspect that an informer may have told the IRA of the bus’s route and the time it would pass a specific spot. After the attack, the British military decides to start ferrying their troops to and from East Tyrone by helicopter to avoid any future attacks like this.
Tom King, then Secretary of State for Northern Ireland, says there is “some evidence” that the explosives used are part of a consignment from Libya. He also states that the possibility of reintroducing internment is “under review”. Libyan weaponry enables the IRA to mount some of its biggest operations during its campaign. The Ballygawley bus bombing is believed to be one of these attacks. One former IRA member later suggests that Semtex explosive was not crucial to the outcome of the attack, saying, “we were having plenty of success without Semtex… at Ballygawley we ‘only’ got eight, but it was a bus of about fifty-six. If we’d used a fertiliser bomb, the whole bus would have been destroyed.”
On August 30, 1988, three IRA members are ambushed and killed by the Special Air Service (SAS) at Drumnakilly, County Tyrone. According to author Nick Van der Bijl, the men—Gerard Harte, Martin Harte and Brian Mullin—are identified by British intelligence as the perpetrators of the bombing. Peter Taylor, instead, says that only Mullin is suspected, and that plans for the SAS operation were already underway at the time of the IRA attack.
Two months after the attack, the British Government introduces the broadcasting ban. It means that the voices of Sinn Féin and IRA members are not allowed to be broadcast on television or radio. The Ballygawley bus bombing is believed to have influenced the Government’s decision to introduce the ban.
According to state papers declassified in 2019, the attack sparks “panic” in the British Government, and tension between the Royal Ulster Constabulary (RUC) and the British Army over who is at fault for the security lapse. British Prime MinisterMargaret Thatcher warns RUC chief, John Hermon, that she will no longer send British troops over “in waves to be killed.”
Cunningham is born in 1728 or 1729 at Ballymacilhoyle in the parish of Killead, County Antrim, the youngest son in the large family of John Cunningham and his wife, Jane, daughter of James Waddell of Islandderry, a townland in the parish of Dromore, County Down. The extended families of Cunningham and Waddell have interests in farming, linen, provisioning, and overseas trade. By 1752, no doubt with support from his family, Cunningham is in New York City trading near the meal market. Just as the Seven Years’ War is beginning in May 1757, he becomes the local partner of a Belfast merchant, Thomas Greg. While carrying on a wide range of commercial activities, the firm of Greg & Cunningham specialises in the flaxseed trade with Ireland and becomes “the most successful Irish American transatlantic trading partnership of the colonial period.” He amasses a large fortune from trade, some of it illicit, during the war, and becomes one of the largest shipowners in the American port. This enables the partners to purchase a 150-acre estate, which they rename “Belfast,” on the West Indies island of Dominica, just as it is passing, by the Treaty of Paris (1763), from French to British rule. It is possible that the estate is managed by Greg’s brother, John.
Sometime after suffering imprisonment for assaulting a fellow merchant (July–August 1763), Cunningham returns to Ireland, leaving the firm in the charge of junior partners until its dissolution in 1775. In Belfast he enters into a second partnership with Greg in May 1765 comprising all their business activities other than those in New York. In November 1765, he also marries Greg’s sister-in-law Margaret, second daughter of a Belfast merchant, Samuel Hyde. He lives in a large house in Hercules Street, later renamed Royal Avenue, which serves also as the premises for his many business interests, commercial, financial, industrial, and agricultural. In 1767, he and Greg start the manufacture of vitriol at a factory by the River Lagan at Lisburn, 12 km from Belfast. They open up fisheries in Donegal and Sligo, exporting herring to the West Indies as food for slaves. They also trade Irish horses and mules for West Indian sugar and American tobacco, the sugar being processed by them at the New Sugar House in Waring Street, Belfast. During the American Revolutionary War (1775–83), he illegally ships linen uniforms to the insurgent colonists. He becomes a middleman on the estate of Arthur Chichester, 5th Earl of Donegall, by obtaining leases of land in the Templepatrick district of County Antrim, a venture that involves him in disputes with tenant farmers resulting in an attack by the Hearts of Steel on Belfast and the destruction by fire of his home on December 23, 1771.
Despite this setback, Cunningham becomes the foremost Belfast merchant. As well as those mentioned, he has interests in shipping, brewing, glass manufacture and flour milling. When a chamber of commerce is set up in 1783, he is elected president, a position he holds until 1790. In the 1780s, in partnership with William Brown, John Campbell and Charles Ranken, he opens a bank. Known as Cunningham’s Bank, it closes on December 31, 1793, likely as a result of the recession brought on by the outbreak of war between England and France.
A prominent Volunteer, Cunningham joins the movement as a lieutenant in 1778 and is captain of the 1st Belfast company from 1780 until the dissolution of the Volunteers in 1793. Entering politics, he fails to be nominated as a parliamentary candidate for Belfast by its patron, Lord Donegall, at the general election of 1783, but stands for Carrickfergus at a February 1784 by-election on a platform of parliamentary reform and is returned – a rare distinction for a Presbyterian – by 474 votes to 289. A petition against his return is lodged successfully, but he remains an MP until March 1785, when he is defeated in a new election. It is during this period that he, probably the wealthiest, most enterprising merchant in Belfast and having, as he does, Caribbean interests, proposes in December 1784 fitting out a ship to engage in the Atlantic slave trade. The proposal comes to nothing but is the subject of intense debate in the 1920s between two rival Belfast local historians, Francis Joseph Bigger and Samuel Shannon Millin.
Cunningham plays a prominent role on several Belfast boards – those of White Linen Hall, the harbour, poorhouse, and dispensary. He gives money to the first Catholic chapel, St. Mary’s, opened in the town in 1784, and to the First Belfast Presbyterian congregation, as well as providing a site for a meeting house for his own congregation, Second Belfast, in 1767. Staunch in his advocacy of the reform of parliament, he becomes a member of the Northern Whig Club in 1790. He is cautious, however, about Catholic relief, for he fears its possible consequences. On July 14, 1792, an organiser of a Volunteer display to mark the third anniversary of the fall of the Bastille, he balks even at a very moderately worded resolution in favour of the Catholics. Thereafter he becomes increasingly ill-disposed toward reform and when the Belfast yeoman infantry is formed in 1797, he becomes captain of the 4th company.
Cunningham dies on December 15, 1797, at his restored house in Hercules Street. He and his wife have no children. His property in Ireland (worth £60,000) passes to James Douglas, youngest son of his sister Jane, who had married their first cousin, Cunningham’s personal clerk Robert Douglas. His name had already passed to Thomas Greg’s son, Cunningham Greg, who takes over Greg’s business after his death. Cunningham’s portrait is painted by Robert Home. A mausoleum is built over the Cunningham vault at Knockbreda Church cemetery overlooking Belfast.
(From: “Cunningham, Waddell” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
McCorley is born into a Roman Catholic family at 67 Hillman Street in Belfast on September 6, 1901. He is one of three children born to Roger Edmund McCorley, a meat carver in a hotel, and Agnes Liggett. He has two elder brothers, Vincent and Felix. He joins the Fianna in his teens. His family has a very strong republican tradition, and he claims to be the great-grandson of the United Irishmen folk hero Roddy McCorley, who was executed for his part in the Irish Rebellion of 1798.
McCorley is noted for his militancy, as he is in favour of armed attacks on British forces in Belfast. The Brigade’s leaders, by contrast, in particular, Joe McKelvey, are wary of sanctioning attacks for fear of loyalist reprisals on republicans and the Catholic population in general. In addition, McCorley is in favour of conducting an armed defense of Catholic areas, whereas McKelvey does not want the IRA to get involved in what he considers to be sectarian violence. McCorley writes later that in the end, “the issue settled itself within a very short space of time, when the Orange mob was given uniforms, paid for by the British, and called the Ulster Special Constabulary (USC).” The role of the USC, a temporary police force raised for counter-insurgency purposes, in the conflict is still debated, but republicans maintain that the organization was responsible for the indiscriminate killings of Catholics and nationalists.
On January 26, 1921, McCorley, is involved in the fatal shooting of three Auxiliary Division officers in their beds in the Railway View hotel in central Belfast. Shortly afterwards, he and another IRA man, Seamus Woods, organize an active service unit (ASU) within the first battalion of the Belfast Brigade, with the intention of carrying out attacks, with or without the approval of the Brigade leadership. The unit consists of 32 men. McCorley later writes, “I issued a general order that, where reprisal gangs [State forces] were cornered, no prisoners were to be taken.” In March 1921, he personally leads the ASU in the killing of three Black and Tans in Victoria Street in central Belfast. He is responsible for the deaths of two more Auxiliaries in Donegall Place in April. In reprisal for these shootings, members of the RIC assassinate two republican activists, the Duffin brothers in Clonard Gardens in west Belfast. On June 10, 1921, both and Woods and McCorley units are involved in the killing a RIC man who is suspected in the revenge killings of the Duffin brothers. Two RIC men and a civilian are also wounded in that attack.
Thereafter, there is what historian Robert Lynch has described as a “savage underground war” between McCorley’s ASU and RIC personnel based in Springfield Road barracks and led by an Inspector Ferris. Ferris is accused of murdering the Lord Mayor of Cork Thomas Mac Curtain and had been posted to Lisburn for his safety. Ferris himself is among the casualties, being shot in the chest and neck, but surviving. McCorley claims to have been one of the four IRA men who shot Ferris. In addition, his men bomb and burn a number of businesses including several cinemas and a Reform Club. In May 1921, however, thirteen of his best men are arrested when surrounded by British troops during an operation in County Cavan. They are held in Crumlin Road Gaol and sentenced to death.
On June 3, McCorley organizes an attack on Crumlin Road Gaol in an attempt to rescue the IRA men held there before they are executed. The operation is not a success; however, the condemned men are reprieved after a truce is agreed between the IRA and British forces in July 1921. On Bloody Sunday (July 10, 1921), he is a major leader in the defense of nationalist areas from attacks by both the police and loyalists. On that day twenty people are killed before he negotiates a truce beginning at noon on July 11. At least 100 people are wounded, about 200 houses are destroyed or badly damaged – most of them Catholic homes, leaving 1,000 people homeless.
In April 1922, McCorley becomes leader of the IRA Belfast Brigade after Joe McKelvey goes south to Dublin to join other IRA members who are against the Anglo-Irish Treaty. With McKelvey’s departure, Seamus Woods becomes Officer Commanding of the IRA’s 3rd Northern Division, which has up to 1,000 members, with McCorley designated as Vice Officer Commanding. McCorley for his part, supports the Treaty, despite the fact that it provides for the partition of Ireland and the continued British rule in Northern Ireland. The reason for this is that Michael Collins and Eoin O’Duffy have assured him that this is only a tactical move and indeed, Collins sends men, money and weapons to the IRA in the North throughout 1922.
However, McCorley’s command sees the collapse of the Belfast IRA. In May 1922, the IRA launches an offensive with attacks all across Northern Ireland. In Belfast, he carries out an assault on Musgrave Street RIC barracks. He also conducts an arson campaign on businesses in Belfast. His men also carry out a number of assassinations, including that of Ulster Unionist PartyMPWilliam J. Twaddell, which causes the internment of over 200 Belfast IRA men.
To escape from the subsequent repression, McCorley and over 900 Northern IRA men flee south, to the Irish Free State, where they are housed in the Curragh. McCorley is put in command of these men. In June 1922, the Irish Civil War breaks out between Pro and Anti-Treaty elements of the IRA. He takes the side of the Free State and Michael Collins. After Collins is killed in August 1922, his men are stood down. About 300 of them join the National Army and are sent to County Kerry to put down anti-Treaty guerrillas there. In the Spring of 1923, bitterly disillusioned by the brutal counterinsurgency against fellow republicans, he resigns his command.
McCorley later asserts that he “hated the Treaty” and only supported it because it allowed Ireland to have its own armed forces. Both he and Seamus Woods are severe critics of the Irish Free State inertia towards Northern Ireland after the death of Michael Collins. He comments that when Collins was killed “the Northern element gave up all hope.”
In 1936 McCorley is instrumental in the establishment of the All-Ireland Old IRA Men’s Organization, serving as Vice-President with President Liam Deasy (Cork No. 3 Brigade) and Secretary George Lennon (Waterford No. 2 Brigade).
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
seamus dubhghaill 