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Tag Archives: Muriel MacDonagh


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Birth of Sidney Czira, Journalist, Broadcaster, Writer & Revolutionary

Sidney Sarah Madge Czira (née Gifford), journalist, broadcaster, writer and revolutionary, known by her pen name John Brennan, is born in Rathmines, Dublin, on August 3, 1889. She is an active member of the revolutionary group Inghinidhe na hÉireann (Daughters of Ireland) and writes articles for its newspaper, Bean na h-Éireann, and for Arthur Griffith‘s newspaper Sinn Féin.

Gifford is the youngest of twelve children of Frederick and Isabella Gifford. Isabella Gifford (née Burton), is a niece of the artist Frederic William Burton, and is raised with her siblings in his household after the death of her father, Robert Nathaniel Burton, a rector, during the Great Famine.

Gifford’s parents—her father is Catholic and her mother Anglican—are married in St. George’s Church, a Church of Ireland church on the north side of Dublin, on April 27, 1872. She grows up in Rathmines and is raised as a Protestant, as are her siblings.

Like her sisters, the socialist Nellie Gifford, Grace Gifford, who marries Joseph Plunkett, and Muriel Gifford, who marries Thomas MacDonagh, she becomes interested and involved in the suffrage movement and the burgeoning Irish revolution.

Gifford is educated in Alexandra College in Earlsfort Terrace. After leaving school she studies music at the Leinster House School of Music. It is her music teacher, in her teens, who first gives her her first Irish national newspaper, The Leader. She begins reading this secretly and then starts reading Arthur Griffith’s newspaper, Sinn Féin.

Gifford is a member of Inghinidhe na hÉireann, a women’s political organisation active from the 1900s. It is founded by Maud Gonne and a group of working-class and middle-class women to promote Irish culture and help to alleviate the shocking poverty of Dublin and other cities at a time when Dublin’s slums are unfavourably compared with Calcutta‘s. Gifford, who is already writing under the name “John Brennan” for Sinn Féin, is asked to write for its newspaper Bean na h-Éireann. Her articles vary from those highlighting poor treatment of women in the workplace to fashion and gardening columns, some written under the pseudonym Sorcha Ní hAnlúan.

She also works, along with her sisters, in Maud Gonne’s and Constance Markievicz‘s dinner system in St. Audoen’s Church, providing good solid dinners for children in three Dublin schools – poor Dublin schoolchildren often arrive at school without breakfast, go without a meal for the day, and if their father has been given his dinner when they arrive home, might not eat or might only have a crust of bread that night.

In 1911, Gifford is elected (as John Brennan) to the executive of the political group Sinn Féin.

Gifford is a member of Cumann na mBan (The Irish Women’s Council) from its foundation in Dublin on April 2, 1914. Its members learn first aid, drilling and signalling and rifle shooting, and serve as an unofficial messenger and backup service for the Irish Volunteers. During the fight for Irish Independence the women carry messages, store and deliver guns and run safe houses where men on the run can eat, sleep and pick up supplies.

In 1914, Gifford moves to the United States to work as a journalist. Through her connection with Padraic Colum and Mary Colum, whom she had met through her brother-in-law Thomas MacDonagh, she meets influential Irish Americans such as Thomas Addis Emmet and Irish exiles like John Devoy, and marries a Hungarian lawyer, Arpad Czira, a former prisoner of war who is said to have escaped and fled to America. Their son, Finian, is born in 1922.

Czira writes both for traditional American newspapers and for Devoy’s newspaper, The Gaelic American. She and her sister Nellie found the American branch of Cumann na mBan, and she acts as its secretary. Both sisters tour and speak about the Easter Rising and those involved. She is an active campaigner for Irish independence and against the United States joining the war against Germany, seen as a war for profit and expansion of the British Empire, and so to the disadvantage of the work for Irish independence. She helps Nora Connolly O’Brien to contact German diplomats in the United States.

In 1922, Czira returns to Ireland with her son. As a member of the Women’s Prisoners’ Defence League, she is an activist against the ill-treatment of Republican prisoners during the Irish Civil War. She continues to work as a journalist, though she is stymied in her work, as are the women of her family and many of those who had taken the anti-Free State side. In the 1950s her memoirs are published in The Irish Times, and she moves into work as a broadcaster and produces a series of historical programmes.

Czira dies in Dublin on September 15, 1974, and is buried in Dean’s Grange Cemetery.


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Birth of Nannie Dryhurst, Writer, Translator, Activist & Nationalist

Nannie Florence Dryhurst, Irish writer, translator, activist and nationalist, is born Hannah Anne Robinson in Dublin on June 17, 1856.

Dryhurst is born to Alexander Robinson and Emily Egan. Her father is a dyer. She is known as Nannie to her sisters and she decides to change her name to Nannie Florence in honour of a young friend who had died. As a result she is known variously (and following her marriage) as N.F. Dryhurst, Nannie, Nora and Florence Dryhurst.

After the death of her father, Dryhurst takes a position as a governess as she speaks fluent French, German and Irish, as well as having considerable skill as an artist. She works first in Ireland and then in London. She looks after a doctor’s daughter, Nellie Tenison, and through them she meets the Dryhurst family. In 1882, she becomes engaged to British Museum official Alfred Robert Dryhurst and marries him in August 1884. Their first daughter, Norah, is born in 1885 and the second, Sylvia, in 1888.

Dryhurst soon gets involved with an anarchist group and writes regularly for the Freedom newspaper. She is friends with Charlotte Wilson and acts as editor when Wilson is away. In the early 1890s she takes over as editor completely for a period of time. She also works as a translator for Peter Kropotkin‘s works. She spends time teaching with Wilson, Agnes Henry, and Cyril Bell at the International Anarchist School set up in Fitzroy Square in London by Louise Michel. She gives active support to Spanish refugees fleeing repression and gives money to support the colony at Clousden Hill from 1895 to 1902.

Dryhurst supports a number of different countries attempting to gain independence. She becomes secretary of the Nationalities and Subject Races Committee and uses her writing in working toward Irish independence. She writes for various Irish newspapers and assists with the creation of The Irish Citizen. A friend of W. B. Yeats, she appears in his play The Land of Heart’s Desire in June 1904. She speaks Georgian, having learned it from Varlam Cherkezishvili, a close associate of Kropotkin. In 1906, she is a member of the Georgian Relief Committee and travels to the country. She speaks at an international conference at The Hague in support of Georgia. She is also a supporter of Indian independence.

It was through Dryhurst that the Gifford sisters get their connection to the Irish independence movement. She introduces Muriel Gifford to Thomas McDonagh and Grace Gifford to James Plunkett. After the executions of fifteen leaders of the Easter Rising in Dublin, she spends her time campaigning unsuccessfully for the reprieve of Roger Casement. Not all her activities are purely political. She is a neighbour of Martin Shaw and on her suggestion he founds the Purcell Operatic Society in 1899. She becomes the Society’s secretary. He rents accommodation near her and through her friends they find talented amateurs to put on their productions.

Dryhurst has a long affair with Henry Nevinson, a journalist she meets in 1892. The affair ends in 1912. She dies in 1930. Her papers are kept in the National Library of Ireland.


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Ceremony Marks the Centennial of First Easter Rising Executions

On Tuesday, May 3, 2016, ceremonies to mark the 100th anniversary of the executions of Tom Clarke, Patrick Pearse and Thomas MacDonagh are held in the Stonebreakers’ Yard in Kilmainham Gaol, the first executions of the leaders of the Easter Rising. Pearse, Clarke and MacDonagh are remembered in similar but distinct commemorations which take place on the spot where they died on May 3, 1916.

The transcripts of the short courts-martial are read aloud. In the case of Tom Clarke, who offered no defence and made no statement prior to his execution, the proceedings take only a few minutes to recount.

The presence of Capuchin friars from Church Street lends a sense of continuity to proceedings. Their predecessors had been there for the men in their final hours and their testimony is read aloud by their contemporaries.

The Government is represented by Minister for the Environment Alan Kelly, Minister for Foreign Affairs Charles Flanagan and Minister of State at the Department of Heritage Joe McHugh. Kelly speaks of living up to the ideals of the Proclamation of the Irish Republic, namely a nation that “cherishes all of the children equally.” He says Pearse was well aware of the effect on his family of his pending execution and had written his poem “The Mother” foreseeing his death.

Capuchin friar Adrian Kearns recalls the testimony of Fr. Columbus Murphy, who ministered to Pearse in his final hours. He did not “quail before the possibility of death . . . but faced his last moments with dignity and with grace.” Fr. Murphy remembered Pearse being a “sad, forlorn figure weighed down by the sense of responsibility” who lamented the loss of life and hoped it would not be in vain.

A wreath is laid on behalf of the Pearse family by his namesake Patrick Pearse, a great grandnephew.

Brother Peter Rogers recalls that Clarke was defiant rather than melancholic in his last hours. Fr. Murphy visited him as well. Clarke, the friar recalls, was “relieved that he was to be executed. His one dread was that he would be sent to prison again.” There is no member of Clarke’s family present to represent him at the commemorations, so a wreath is laid on behalf of the family by the staff of Kilmainham Gaol.

Several of MacDonagh’s surviving grandchildren are present. His granddaughter, Barbara Cashin, lays a wreath on behalf of the family. Her father Donagh and her aunt Barbara are left orphans a year after the Easter Rising when MacDonagh’s wife Muriel drowns off the coast of Skerries in July 1917. Cashin says her father had mixed feelings about the Rising, given the double tragedy that befell him and his sister a short time afterwards. “He had a horrendous childhood. He had a strange upbringing and hated to talk about it,” she says. “He had a split mind about it. I remember asking him as a child about it and saying he must be proud. Weren’t they wonderful. He said, ‘they may have been fools as well.’”

The ceremony takes place with full military honours. The “Last Post” and “Reveille” are played, and the service concludes with the national anthem of Ireland, “Amhrán na bhFiann.”

The commemorations are repeated the following day for the next four to have been executed: Joseph Plunkett, Edward Daly, Michael O’Hanrahan and Willie Pearse. Similar events are scheduled through May 12 to mark the exact centenary of the executions of the remaining eight men killed by a British Army firing squad at the Stonebreakers’ Yard.

Meanwhile, President Michael D. Higgins formally renames the East-Link Toll Bridge in Dublin the Tom Clarke Bridge.

(From: “Executed Rising rebels honoured at Kilmainham Gaol” by Ronan McGreevy, The Irish Times, http://www.irishtimes.com, May 3, 2016)


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Thomas MacDonagh’s Letter to Family at End of Easter Week 1916

In a letter to his family written on April 30, 1916, Thomas MacDonagh recalls “I was astonished to receive by a messenger from P.H. Pearse, Commandant General of the Army of the Irish Republic, an order to surrender unconditionality to the British General. I did not obey the order as it came from a prisoner. I as then in supreme command of the Irish Army, consulted with my second in command and decided to confirm the order. I knew that it would involve my death and the deaths of other leaders. I hoped that it would save many true men among our followers, good lives for Ireland. God grant it has done so and God approve our deed. For my self I have no regret. The one bitterness that death has for me is the separation it brings from my beloved wife Muriel, and my beloved children, Donagh and Barbara. My country will then treat them as wards, I hope. I have devoted myself too much to National work and too little to the making of money to leave them a competence. God help them and support them, and give them a happy and prosperous life. Never was there a better, truer, purer woman than my wife Muriel, or more adorable children than Don and Barbara. It breaks my heart that I shall never see my children again, but I have not wept or murmured. I counted the cost of this and am ready to pay it. Muriel has been sent for here. I do not know if she can come. She may have no one to take the children while she is coming. If she does.”

MacDonagh and Pearse are contemporaries of one another: poets, progressive educators, Gaelic revivalists. They are men who gird for battle “with a revolver in one hand and a copy of Sophocles in the other.” Each man commands a unit of Irish Volunteers during the Easter Rising, which takes place the week of April 24-30,1916. MacDonagh occupies Jacob’s biscuit factory and Pearse the General Post Office (GPO), from which he issues the surrender at the end of the week.

McDonagh and Pearse are signatories of the Proclamation of the Irish Republic, a document issued by the Irish Volunteers and the Irish Citizen Army at the beginning of the Easter Rising, proclaiming Ireland’s independence from the United Kingdom. The reading of the proclamation by Pearse outside the General Post Office (GPO) on Sackville Street (now O’Connell Street), Dublin‘s main thoroughfare, marks the beginning of the Rising.

Pearse’s and MacDonagh’s signatures on the Proclamation are a fatal endorsement for them and for each of the other five men to lend it their signatures. After being court-martialed, both Pearse and MacDonagh, along with Thomas Clarke, are executed by firing squad at Kilmainham Gaol in Dublin on May 3, 1916, the first of the rebels to be executed.

(Pictured: Thomas McDonagh (left) and Patrick Pearse)


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Death of Character Actor Liam Redmond

Liam Redmond, Irish character actor known for his stage, film and television roles, dies in Dublin on October 28, 1989, following a lengthy illness.

Redmond is born in Limerick, County Limerick, on July 27, 1913, one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin (UCD) and initially reads medicine before moving into drama.

While Director of the Dramatic Society, Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.


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Death of Muriel Gifford MacDonagh

Muriel MacDonagh (née Gifford), Irish nationalist and member of Inghinidhe na hÉireann, dies in Skerries, Dublin, on July 9, 1917. Her husband, Thomas MacDonagh, is one of the signees of the Proclamation of the Irish Republic, which leads to the Easter Rising of 1916.

Muriel Enid Gifford is born at 12 Cowper Road, Rathmines, on December 18, 1884. She is the fourth daughter and eighth child of twelve of Frederick and Isabella Gifford. As a child, she suffers at different times from rheumatic fever and phlebitis. She attends Alexandra College and spends a brief time in England training to as a poultry instructor. Returning to Ireland, she trains at Sir Patrick Dun’s Hospital, Dublin, as a student nurse, but her health suffers from the work.

Along with her sisters, MacDonagh is active in the Irish Women’s Franchise League and Inghinidhe na hÉireann, a nationalist organisation. She is involved in the school meals programme of 1910 to 1911, takes part in a 1914 Women’s Franchise League fundraiser, appearing in a tableau vivant as Maeve, the Warrior Queen. Less ardently feminist than her sisters, she takes delight in inviting home activists and artists for a “proper meal.” In an outgoing family, she is shy and reserved, known for her gentle manner. In 1908, she is introduced to Thomas MacDonagh by suffragette journalist Nannie Dryhurst along with her sisters, Grace and Sidney, on a visit to St. Enda’s School. Dryhurst advises Thomas to “fall in love with one of these girls and marry her,” to which he replies laughingly, “That would be easy; the only difficulty would be to decide which one.” The Gifford sisters remain acquaintances with Thomas until the autumn of 1911, when the couple has a short and intense courtship. They meet secretly in galleries and museums and have copious correspondence. When he is appointed assistant lecturer to University College Dublin (UCD) in December 1911, they marry on January 3, 1912. They have one son, Donagh MacDonagh, and one daughter, Barbara MacDonagh Redmond. The family lives first at 32 Baggot Street, and later at 29 Oakley Road, Rathmines.

MacDonagh suffers with poor health and depression, which leads to periods of convalescence and confinement. When her husband is arrested after the Easter Rising, she is unable to see him before his execution on May 3, 1916, which heightens the intensity of her bereavement. Devastated by his death and estranged from her parents due to their disapproval of his involvement in the Rising, she briefly lives with the Plunketts at Larkfield, Kimmage, and then with relatives of her husband in Thurles, County Tipperary. She later returns to Dublin to rent rooms in a Plunkett family property, 50 Marlborough Road. With two young children to support, she is nearly destitute, but like the other widows and orphans of the executed leaders of the Rising, they are aided by the Irish Volunteers Dependents’ Fund, in her case with £250. She also serves as an officer and committee member on this aid association. Her husband had named her as his literary executor, and she prepares a collected edition of his poetry that is published in October 1916. The success of this volume, and his bestselling Literature in Ireland, published at the time he is executed, ease her financial difficulties somewhat.

MacDonagh converts to Catholicism on May 3, 1917.

MacDonagh dies while swimming in the sea during a holiday with other 1916 widows and orphans in Skerries, County Dublin, on July 9, 1917. She almost does not attend the holiday, as her son is in hospital having been injured in a fall. It is believed that she is attempting to swim to Shenick Island from Skerries, possibly to place a tricolour flag on the island’s Martello tower. Her body is found near Loughshinny Beach and, as there is no water in her lungs, it is concluded that she died of heart failure and not drowning. As there is great interest in the 1916 widows and their families, her funeral at Glasnevin Cemetery attracts a large crowd of mourners estimated at 5,000 in the funeral procession.

Following MacDonagh’s death, there is a legal custody battle between the Giffords and the MacDonaghs over Donagh and Barbara. Their aunt Mary MacDonagh, a nun known as Sister Francesca and with whom MacDonagh had grown close, wins custody. Even though several of her siblings offer to take the children, she places them in a foster home.

On the centenary of MacDonagh’s death, a festival takes place in Skerries in her memory.


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Birth of Liam Redmond, Stage, Film & Television Character Actor

Liam Redmond, Irish character actor known for his stage, film and television roles, is born in Limerick, County Limerick, on July 27, 1913.

Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.

While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.