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Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Sloane Square


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Death of James Bernard Fagan, Actor, Producer & Playwright

James Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, dies of a heart attack in Hollywood, Los Angeles, California, on February 17, 1933, following a bout of influenza.

Fagan is born in Belfast on May 18, 1873, the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan (née Hughes). He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913, he returns to the stage touring as the Rt. Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Eugène Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough and the Stars follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933, at the age of 59 of a heart attack following a bout of influenza.


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Bombings of King’s Cross and Euston Railway Stations

On September 10, 1973, the Provisional Irish Republican Army (IRA) bombs the King’s Cross railway station and Euston railway station, two mainline railway stations in Central London. The blasts wound 13 civilians, some of whom are seriously injured, and also causes large-scale but superficial damage. This is a second wave of bombing attacks launched by the IRA in England in 1973 after the Old Bailey car bombing earlier in the year which had killed one and injured around 200 civilians.

In 1971, during the Troubles, after two years engaged in violence based on a defensive strategy in Irish communal districts of Northern Ireland, the Provisional IRA launches an offensive against the United Kingdom. At a meeting of the IRA Army Council in June 1972 the organization’s Chief of Staff, Seán Mac Stíofáin, first proposes making bombing attacks in England. The Army Council does not at first agree to the suggestion, but in early 1973 after its negotiations with the British Government for a truce the previous year had failed to advance the political objective of the removal of Northern Ireland from the United Kingdom by the application of the threat of violence, it re-engages its paramilitary campaign and sanctions Mac Stíofáin’s proposal. Mac Stíofáin had put the strategy forward on the basis that extending the urban paramilitary violence of the Northern Ireland state into England would help to relieve pressure being exerted by the British Army on the IRA’s strongholds of Irish communal support in districts in the province, such as west Belfast and Derry, by diverting British security strength from them back into England, while at the same time increasing strategic pressure upon the British Government to resolve the conflict by political concessions to the IRA’s demands. He also believes that a successful bombing campaign in London, as the capital city of the United Kingdom, will offer substantial propaganda value for paramilitary Irish Republicanism, and provide a morale boost to its supporters.

The effects of the previous 1973 Old Bailey bombing appear to give some credence to the idea of the propaganda value of extending violence into London as, although it is considered almost routine in Northern Ireland by the mid-1970s and draws only brief media notice, being carried out instead in London, a global capital city, makes the event world news headlines. However, although the bombing of the Old Bailey is successfully carried out, and gains media attention, increasing political pressure upon the British Government to address the issue of the conflict in Northern Ireland with more urgency, it is costly to the IRA, as 10 out of the 11-man active service unit that carry it out are arrested by the British police while trying to leave England before the bombs they had planted detonate. Drawing the tactical lesson that large teams are a security liability, for the second wave of bombings in England later in 1973, instead of sending a large team to carry it out with orders to withdraw back to Ireland immediately afterwards, smaller detached “cell” units of 3-4 personnel are sent to carry out the operation, with instructions to remain in England afterward and wage a campaign of bombings around England upon a variety of targets.

There are bombings on September 8, 1973, including one at London Victoria station which injures four civilians.

On September 10, 1973, a bomb (with no warning issued beforehand) explodes at King’s Cross railway station in the booking hall at 12:24 p.m. when a youth of around 16 to 17 years of age walks up to the entrance of the station’s old booking hall and throws a bag into it which contains a 3 lb. (1.4 kg) device, which detonates, shattering glass throughout the hall and throwing a baggage trolley several feet into the air. The youth then flees into the station’s crowd and escapes the scene.

Approximately 45 minutes after the attack at King’s Cross, after a telephone call warning to the Press Association five minutes beforehand by a man with an Irish accent, a second bomb detonates in a snack bar at Euston railway station, injuring another eight civilians. One witness at Euston says, “I saw a flash and suddenly people were being thrown through the air – it was a terrible mess, they were bleeding and screaming.” A total of 13 civilians are injured in the two attacks. The Metropolitan Police issue a photofit picture of a 5 ft. 2 in. (157 cm) tall youth they are seeking in regard to the King’s Cross attack.

On September 12, 1973, two more bombs explode, one in Oxford Street and another in Sloane Square, targeting retail shopping centres. Police subsequently announce that they are looking for five people in connection with this second wave of bomb attacks in England.

Judith Ward is later wrongly convicted of having been involved in the late 1973 London bombings, along with the M62 coach bombing. She is later acquitted. No one else is brought to trial for this IRA bombing campaign.


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Birth of James Bernard Fagan, Producer & Playwright

james-bernard-fagan

James Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, is born in Belfast on May 18, 1873.

Fagan is the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan, née Hughes. He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913 he returns to the stage touring as the Rt Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933, at the age of 59 of a heart attack following a bout of influenza.