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Death of John McCormack, Renowned Irish Tenor

Papal Count John Francis McCormack, KSG, KSS, KHS, Irish tenor celebrated for his performances of the operatic and popular song repertoires, and renowned for his diction and breath control, dies in Booterstown, Dublin, on September 16, 1945.

McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.

McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.

In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.

Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.

In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.

In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after Dame Nellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.

By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.

McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.

McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”

In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.

By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.

In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.

McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.

McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.

McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.

Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.


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Dom Columba Marmion Beatified by Pope John Paul II

Dom Columba Marmion, a Dublin priest who is credited with curing an American woman of cancer, is beatified by Pope John Paul II on September 3, 2000.

Marmion is born April 1, 1858, in Dublin, the seventh of nine children of William Marmion and Herminie Marmion (née Cordier). He attends St. Laurence O’Toole’s, a primary school run by the Augustinian Fathers of John’s Lane. On January 11, 1869, he transfers to Belvedere College, where he receives an excellent grounding in Greek and Latin from the Jesuit Fathers. From there, he proceeded in January 1874 to Clonliffe College, where he remains until December 1879, when the new Archbishop of Dublin, Dr. Edward MacCabe, selects him for further theological studies in Rome.

Marmion is in Rome at the Pontifical Irish College, studying theology at the Propaganda College, for eighteen months (December 1879 – July 1881). Although invited by the authorities at Propaganda to present himself for the doctorate degree, he turns down the offer for health reasons, on account of the necessary extra year in Rome which this would entail. On returning to Dublin he spends the first year as curate in Dundrum parish. This is followed by four years (1882–86) as professor of philosophy at Clonliffe. On October 25, 1886, he receives from the newly appointed Archbishop of Dublin, Dr. William Walsh, his dimissorial letters, granting him permission to join the Benedictine order. On November 21, 1886, he enters the newly founded Belgian Maredsous Abbey, with which, by virtue of the Benedictine vow of stability, he is to be associated for the rest of his life.

The first thirteen years of his monastic life (1886–99) are spent at Maredsous Abbey itself. After an unsuccessful start in the abbey school as a kind of housemaster to the junior boys, he finds his feet within the community through congenial work, notably the teaching of Thomistic philosophy to the junior monks. He also gradually builds up a reputation as a spiritual guide through the exercise of ministry on a small scale in the surrounding area. The next decade (1899–1909) finds him in Louvain as prior and professor of dogmatic theology at Mont César Abbey, which is founded and staffed by Maredsous. This decade provides a wide outlet for his matured spiritual doctrine through his lectures on dogmatic theology in Mont César, his retreats to priests and religious, and his private correspondence. The third and final phase of his monastic life begins when the chapter of Maredsous elects him as its third abbot in 1909.

An invitation is received from the Belgian government from December 1909 to April 1910 to undertake a Benedictine foundation in Katanga, part of the Belgian Congo. In spite of pressure from government quarters the chapter of Maredsous refuses the offer, and Marmion accepts this negative decision. In 1913 the entire community of Anglican Benedictines of Caldey Island, Wales, transfer their allegiance from Canterbury to Rome. Marmion becomes deeply involved in the spiritual and canonical process of the reception of the community into the Catholic church.

The outbreak of World War I ushers in four years of grave anxiety for Marmion. Belgium is not completely occupied, but retains sovereignty over an area extending inland about twenty miles to the Ypres Salient. This enables the young monks of Maredsous, for whom Marmion had found a temporary home in Edermine, County Wexford, to travel to and from the Western Front, where they are being called up to serve as stretcher bearers in the Belgian army. He does his utmost to maintain the unity of his community between those who had remained in Maredsous and the Edermine group.

The first of Marmion’s great spiritual books, Christ, the Life of the Soul, appears in 1916, and its phenomenal success has been described as a silent plebiscite. This is followed by Christ in His Mysteries (1919), Christ the Ideal of the Monk (1922), and Sponsa Verbi (1923). The books are able to appear in rapid succession since they are compiled from his existing conference notes.

One final piece of important monastic and ecclesiastical and even political business absorbs much of Marmion’s energies, although strictly speaking it is not of his remit. His strenuous efforts to install Belgian monks in the Abbey of the Dormition on Mount Zion in Jerusalem following the internment (November 1918) of the original German Benedictine community by the victorious British forces are of no avail, the question being finally settled by the reinstallation of the German (Beuronese) monks in 1921.

Marmion dies at Maredsous on January 30, 1923, following a brief illness which originates in a chill and is aggravated by influenza.

Marmion is beatified by Pope John Paul II on September 3, 2000. This is the outcome of a popular reputation for holiness which had increased steadily since his death and the procedures for beatification prompted in 1954 by Mgr. Montini, the future Pope Paul VI. The canonical steps are: diocesan process at Namur (1957–61); examination at Rome of Marmion’s writings (1960–73); a critical biography (1987–94), written by Mark Tierney, OSB, for the Roman process on the ‘heroicity’ of Marmion’s virtues which concluded in June 1999; and finally an inexplicable cure of cancer through Marmion’s intercession, judged as miraculous by Rome on January 25, 2000.

The originality of Marmion’s spiritual doctrine lay in his truly central emphasis on the doctrine of our adoption as the children of God in baptism. Many of his predecessors had also emphasised this doctrine, but few had made it the focus from which everything radiated and to which everything returned. The second characteristic of Marmion’s teaching, a much more personal trait, is the conviction of authenticity communicated by his writings, of the greatness of our sharing in the sonship of the Word. This makes a deep and lasting impression on the reader, and gives an infinitely sacred meaning to the title ‘children of God’ and thereby to the whole of life. The third characteristic of Marmion’s teaching is the simplicity with which the deepest theological truths are presented – truths which preachers often feel their people cannot ‘take,’ and hence are left unsaid. Marmion presents these truths directly from St. John and St. Paul, and not merely in familiar extracts but in the whole sweep of their texts.

(From: “Marmion, Dom Columba” by Placid Murray, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Anne Brontë, Poet & Novelist

anne-bronteAnne Brontë, English poet and novelist, is born on January 17, 1820 in Thornton, West Riding of Yorkshire, England. She is the sister of Charlotte and Emily Brontë and author of Agnes Grey, A Novel (1847) and The Tenant of Wildfell Hall (1848).

Brontë is the youngest of six children of Patrick Brontë, a poor Irish clergyman in the Church of England, and Marie Brontë. She lives most of her life with her family at the parish of Haworth on the Yorkshire moors and is taught in the family’s Haworth home and at Roe Head School. With her sister Emily, she invents the imaginary kingdom of Gondal, about which they write verse and prose, the latter now lost, from the early 1830s until 1845.

Brontë takes a position as governess briefly in 1839 and then again for four years, 1841–45, with the Robinsons, the family of a clergyman, at Thorpe Green, near York. There her irresponsible brother, Branwell, joins her in 1843, intending to serve as a tutor. Anne returns home in 1845 and is followed shortly by her brother, who has been dismissed, charged with making love to his employer’s wife.

In 1846 Brontë contributes 21 poems to Poems by Currer, Ellis and Acton Bell, a joint work with her sisters Charlotte and Emily. Her first novel, Agnes Grey, is published together with Emily’s Wuthering Heights in three volumes, of which Agnes Grey is the third, in December 1847. The reception to these volumes, associated in the public mind with the immense popularity of Charlotte’s Jane Eyre (October 1847), lead to quick publication of Anne’s second novel, again as Acton Bell, The Tenant of Wildfell Hall, published in three volumes in June 1848. It sells well.

Emily’s death in December 1848 deeply affects Brontë and her grief undermines her physical health. Over Christmas, she comes down with influenza. Her symptoms intensify and her father sends for a Leeds physician in early January. The doctor diagnoses her condition as consumption (tuberculosis) and intimates that it is quite advanced, leaving little hope of recovery. Anne meets the news with characteristic determination and self-control.

In February 1849, Brontë seems somewhat better and decides to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. On May 24, 1849, she sets off for Scarborough with Charlotte and Ellen Nussey. However, it is clear that Anne has little strength left.

On Sunday, May 27, Brontë asks Charlotte whether it would be easier if she returned home to die instead of remaining in Scarborough. A doctor, consulted the next day, indicates that death is close. Conscious and calm, she dies in the afternoon of Monday, May 28, 1849 at the age of 29. She is buried in Scarborough in St. Mary’s churchyard, beneath the castle walls, overlooking the bay.

Her novel Agnes Grey, probably begun at Thorpe Green, records with limpidity and some humour the life of a governess. George Moore calls it “simple and beautiful as a muslin dress.” The Tenant of Wildfell Hall presents an unsoftened picture of the debauchery and degradation of the heroine’s first husband and sets against it the Arminian belief, opposed to Calvinist predestination, that no soul shall be ultimately lost. Her outspokenness raised some scandal, and Charlotte deplored the subject as morbid and out of keeping with her sister’s nature, but the vigorous writing indicates that Brontë found in it not only a moral obligation but also an opportunity of artistic development.

(Pictured: A sketch of Anne Brontë by sister Charlotte, circa 1834)


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Birth of Actress Sara Ellen Allgood

sara-allgoodSara Ellen Allgood, Irish American actress,is born to a Catholic mother and Protestant father in Dublin on October 31, 1879.

Allgood joins Inghinidhe na hÉireann (“Daughters of Ireland”), where she first begins to study drama under the direction of Maud Gonne and William Fay. She begins her acting career at the Abbey Theatre and is in the opening of the Irish National Theatre Society. Her first big role is in December 1904 at the opening of Lady Gregory‘s Spreading the News. By 1905 she is a full-time actress, touring England and North America.

In 1915 Allgood is cast as the lead in Peg o’ My Heart which tours Australia and New Zealand in 1916. She marries her leading man, Gerald Henson, in September 1916 in Melbourne, however, her happiness is short lived. She gives birth to a daughter named Mary in January 1918, who dies just a day later. Her husband dies of influenza during an outbreak in November 1918. After her return to Ireland she continues to perform at the Abbey Theatre. Her most memorable performance is in Seán O’Casey‘s Juno and the Paycock in 1923. She wins acclaim in London when she plays Bessie Burgess in O’Casey’s The Plough and the Stars in 1926.

Allgood is frequently featured in early Alfred Hitchcock films, such as Blackmail (1929), Juno and the Paycock (1930), and Sabotage (1936). She also has a significant role in Storm in a Teacup (1937).

After many successful theatre tours in the United States, she settles in Hollywood in 1940 to pursue an acting career. She is nominated for the Academy Award for Best Supporting Actress for her role as Beth Morgan in the 1941 film How Green Was My Valley. She also has memorable roles in the 1941 retelling of Dr. Jekyll and Mr. Hyde, It Happened in Flatbush (1942), Jane Eyre (1943), The Lodger (1944), The Keys of the Kingdom (1944), The Spiral Staircase (1946), The Fabulous Dorseys (1947), and the original Cheaper by the Dozen (1950).

Allgood becomes a United States citizen in 1945 and dies of a heart attack on September 13, 1950 in Woodland Hills, California.

(Note: Many accounts give October 31, 1879 as her date of birth. Her headstone also gives 1879 as her year of birth. However, her sister Margaret is born on August 1, 1879, meaning she could not have been born in that year. Sara Allgood may have been born on October 31, 1880 but her parents may have been late registering her.)


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Birth of James Bernard Fagan, Producer & Playwright

james-bernard-faganJames Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, is born in Belfast on May 18, 1873.

Fagan is the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan, née Hughes. He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913 he returns to the stage touring as the Rt Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933 at the age of 59 of a heart attack following a bout of influenza.