seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: The Merchant of Venice (play)


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Birth of Irish Actress Sinéad Cusack

Sinéad Moira Cusack, award winning Irish actress, is born Jane Moira Cusack in Dalkey, County Dublin, on February 18, 1948.

Cusack is the daughter of actress Maureen Cusack and actor Cyril Cusack. She is the sister of actresses Sorcha Cusack, Niamh Cusack, and half-sister to Catherine Cusack. Her father is born in South Africa, to an Irish father and an English mother, and had worked with Micheál Mac Liammóir at Dublin‘s Gate Theatre.

Cusack’s first acting roles are at the Abbey Theatre in Dublin. In 1975, she moves to London and joins the Royal Shakespeare Company (RSC) starring in Dion Boucicault‘s London Assurance in the West End. Her work with the RSC continues with an award-winning performance as Celia in As You Like It which includes the Clarence Derwent Award and her first Laurence Olivier Award nomination. She secures a second Olivier Award nomination for her performance in The Maid’s Tragedy by Francis Beaumont and John Fletcher in 1981, followed two years later with a third Olivier Award nomination as Kate in The Taming of the Shrew.

Cusack makes her Broadway debut in 1984 performing in repertory with the Royal Shakespeare Company. Starring opposite Derek Jacobi, she plays Roxane in Anthony Burgess‘s translation of Edmond Rostand‘s Cyrano de Bergerac and Beatrice in William Shakespeare‘s Much Ado About Nothing, directed by Terry Hands. Much Ado is first produced at the Royal Shakespeare Theatre in Stratford-upon-Avon in 1982–83, then moves to London’s Barbican Centre for the 1983–1984 season where it is joined by Cyrano, before both plays transfer to New York‘s Gershwin Theatre from October 1984 to January 1985, for which Cusack received a Tony Awards nomination for her performance as Beatrice, and costar Derek Jacobi wins the award for his Benedick. The production of Cyrano de Bergerac is later filmed in 1985.

During this period, Cusack and her husband, Jeremy Irons, appear in a Shakespeare Winter’s Eve, a major fundraiser for the Riverside Shakespeare Company in New York, along with other members of the Royal Shakespeare Company. Following the Broadway run, the plays tour the United States, making stops in Washington, D.C. and Los Angeles. Her connection with the Royal Shakespeare Company continues with a series of leading roles include Portia in The Merchant of Venice opposite David Suchet, Lady Macbeth opposite Jonathan Pryce in Macbeth and Cleopatra in Antony and Cleopatra in Stratford-upon-Avon and at London’s Theatre Royal Haymarket in the West End.

In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.

One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.

In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.

Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.

Cusack and her husband appear together in the film Waterland (1992), in a television adaptation of Christopher Hampton‘s Tales from Hollywood (also 1992), and again in Bernardo Bertolucci‘s Stealing Beauty (1996). Further film work includes Passion of Mind (2000), V for Vendetta (2005), and Eastern Promises (2007), a thriller directed by David Cronenberg. Her performance in The Tiger’s Tail (2007) wins her a first Irish Film & Television Academy (IFTA) Award nomination for Best Actress in a Supporting Role. She wins the IFTA Award for her performance in The Sea (2013), adapted from the novel by John Banville. She is nominated once more for an IFTA Award for her performance in John Boorman‘s drama film Queen and Country (2014), which premières at the Cannes Film Festival.

Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.

Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.

Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.

Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.

(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)


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Death of Anew McMaster, Touring Shakespearean Actor & Manager

Anew McMaster, the last of the touring actor-managers who presents William Shakespeare’s plays throughout the United Kingdom, Ireland, Australia and the United States, dies in Dublin on August 24, 1962. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.

McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


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Death of Annie Horniman, Theatre Patron & Manager

Annie Elizabeth Fredericka Horniman CH, English theatre patron and manager, dies on August 6, 1937, while visiting friends in Shere, Surrey, England. She establishes the Abbey Theatre in Dublin and founds the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encourages the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what become known as the Manchester School of dramatists.

Horniman is born at Surrey Mount, Forest Hill, London, on October 3, 1860, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother Emslie are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their German governess takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.

Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.

Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903 Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.

At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.

As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.

Horniman moves to London where she keeps a flat in Portman Square. In 1933 she is made a Companion of Honour. She and Algernon Blackwood might be the only past or present members of an occult society to receive a United Kingdom honour.

Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.


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Birth of Anew McMaster, Anglo-Irish Stage Actor

Anew McMaster, Anglo-Irish stage actor, is born in Birkenhead, England, on December 24, 1891. During his nearly 45 year acting career he tours Ireland, Britain, Australia and the United States. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster, the son of Liverpool-born Andrew McMaster (1855–1940), a master stevedore, and Alice Maude née Thompson (1865–1895). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland but, according to the Birth Register and the 1901 United Kingdom Census, he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law Micheál Mac Liammóir, who is born in London as Alfred Willmore but claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of nineteen McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre (1920). From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a ‘fit-up‘ company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions he persuades a ‘big name’ to act with his company as a draw for audiences. Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having ‘a great organ voice,’ Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him ‘perhaps the greatest actor-manager of his time,’ later describes McMaster as ‘evasive, proud, affectionate, shrewd, merry.’ In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore (1894–1970), the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster (1925–1995) and Mary-Rose McMaster (1926–2018).

Anew McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Deans Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


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Death of Stage & Film Actor Peter Seamus O’Toole

Peter Seamus O’Toole, British stage and film actor of Irish descent, dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81.

O’Toole is born on August 2, 1932, in Leeds, Yorkshire, England. Some sources give his birthplace as Connemara, County Galway. Records from the General Register Office in Leeds confirm that O’Toole is born in the north England town in 1932. He is educated at the Royal Academy of Dramatic Art in London. He is a reporter for the Yorkshire Evening Post in his teens and makes his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acts with the Bristol Old Vic Company from 1955 to 1958 and makes his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appears with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he plays the lead in Hamlet for the inaugural production of the Royal National Theatre in London in 1963. A prominent film star by this point in his career, he continues to appear on stages throughout the world to great acclaim. He is named associate director of the Old Vic in 1980.

O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.

Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.

O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.

In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).

O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.


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Birth of Peter O’Toole, Stage & Film Actor

peter-o-toole

Peter Seamus O’Toole, British stage and film actor of Irish descent, is born on August 2, 1932, in Leeds, Yorkshire, England. Some sources give his birthplace as Connemara, County Galway. Records from the General Registry Office in Leeds confirm that O’Toole is born in the north England town in 1932.

O’Toole grows up in Leeds and is educated at the Royal Academy of Dramatic Art in London. He is a reporter for the Yorkshire Evening Post in his teens and makes his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acts with the Bristol Old Vic Company from 1955 to 1958 and makes his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appears with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he plays the lead in Hamlet for the inaugural production of the Royal National Theatre in London in 1963. A prominent film star by this point in his career, he continues to appear on stages throughout the world to great acclaim. He is named associate director of the Old Vic in 1980.

O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.

Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.

O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.

In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).

O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are being kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.


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Birth of James Bernard Fagan, Producer & Playwright

james-bernard-faganJames Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, is born in Belfast on May 18, 1873.

Fagan is the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan, née Hughes. He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913 he returns to the stage touring as the Rt Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933 at the age of 59 of a heart attack following a bout of influenza.