Young is invited to accompany President Ulysses S. Grant on Grant’s famous 1877-79 world tour, chronicled in Young’s book Around the World with General Grant. He impresses Grant, especially in China where he strikes up a friendship with Li Hongzhang. Grant persuades President Chester A. Arthur to appoint Young minister to China in 1882. In this position he distinguishes himself by mediating and settling disputes between the United States and China and France and China. Unlike many other diplomats, he opposes the policy of removing Korea from Chinese suzerainty.
In 1885 Young resumes working for the New York Herald in Europe. In 1890 he returns to Philadelphia. In 1897 President William McKinley appoints him Librarian of Congress, the first librarian confirmed by Congress. During his tenure, the library begins moving from its original home in the United States Capitol building to its own structure, an accomplishment largely the responsibility of his predecessor, Ainsworth Rand Spofford. Spofford serves as Chief Assistant Librarian under Young. Young holds the post of librarian until his death.
Young’s brother is Congressman James Rankin Young. His son is Brigadier General Gordon Russell Young, who is Engineer Commission of the District of Columbia from 1945-51 and a recipient of the Distinguished Service Medal and the Legion of Merit.
Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.
At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839 and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.
In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.
In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.
At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finances the project himself.
His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.
Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.
This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.
In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”
Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.
Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.
During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.
Depressed by his financial situation and loss of eyesight and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.
Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.
(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)
Although Mulholland later claims that at the Battle of Gettysburg on July 2, 1863, he personally took command of the 140th Pennsylvania Infantry and led it into action, this fact is mentioned in neither his own official report of the battle, nor that of the lieutenant colonel commanding the 140th. When the 116th is returned to full strength in early 1864, he is promoted to colonel. He is wounded a second time at the Battle of the Wilderness on May 5, 1864. At the Battle of Spotsylvania Court House, he is wounded a third time but remains in the hospital only ten days. Resuming his command, he is dangerously wounded again at the Battle of Totopotomoy Creek. He recovers rapidly and commands his brigade in all the actions around the Siege of Petersburg, particularly distinguishing himself by storming a fort on the Boydton Plank Road. He is mustered out of the volunteer service on June 3, 1865.
On May 4, 1866, PresidentAndrew Johnson nominates Mulholland for the brevet grade of brigadier general of volunteers to rank from March 13, 1865, for his conduct at the Battle of the Wilderness and the U.S. Senate confirms the appointment on May 18, 1866. On January 13, 1869, President Johnson nominates Mulholland for appointment to the brevet grade of major general of volunteers, to rank from March 13, 1865, for his actions on the Boydton Plank Road and the Senate confirms the appointment on February 16, 1869. The brevet is issued February 20, 1869. It is the last brevet of major general issued for service during the Civil War.
Returning to civilian life after the war, Mulholland is appointed Chief of Police in Philadelphia in 1868 and signalizes his administration by the good order in which he keeps both the force and the city. President Grover Cleveland appoints him United States Pension Agent, in which office he is continued by Presidents William McKinley and Theodore Roosevelt. He is considered an authority on the science of penology and also devotes much of his leisure time to art studies, and as a lecturer and writer on the Civil War and its records. He compiles a history of the 116th Regiment, and another of those to whom Congress voted the Medal of Honor. In the Catholic affairs of Philadelphia, he is always active and a leader among the best-known laymen.
St. Clair Augustin Mulholland dies on February 17, 1910, in Philadelphia, Pennsylvania. He is buried at Old Cathedral Cemetery, Philadelphia.
McKinley is born on January 29, 1843, in Niles, Ohio, the seventh child of William McKinley Sr. and Nancy (née Allison) McKinley. The McKinleys are of English and Scots Irish descent and settled in western Pennsylvania in the 18th century, tracing back to a David McKinley who is born in Dervock, County Antrim, in present-day Northern Ireland.
McKinley is the last president to serve in the American Civil War and the only one to start the war as an enlisted soldier, beginning as a private in the Union Army and ending as a brevet major. After the war, he settles in Canton, Ohio, where he practices law and marries Ida Saxton. In 1876, he is elected to the United States Congress, where he becomes the Republican Party‘s expert on the protective tariff, which he promises will bring prosperity. His 1890 McKinley Tariff is highly controversial which, together with a Democratic redistricting aimed at gerrymandering him out of office, leads to his defeat in the Democratic landslide of 1890.
McKinley is elected Ohio’s governor in 1891 and 1893, steering a moderate course between capital and labor interests. With the aid of his close adviser Mark Hanna, he secures the Republican nomination for president in 1896, amid a deep economic depression. He defeats his Democratic rival, William Jennings Bryan, after a front porch campaign in which he advocates “sound money” and promises that high tariffs will restore prosperity.
Rapid economic growth marks McKinley’s presidency. He promotes the 1897 Dingley Act to protect manufacturers and factory workers from foreign competition, and in 1900, he secures the passage of the Gold Standard Act. He hopes to persuade Spain to grant independence to rebellious Cuba without conflict, but when negotiation fails, he leads the nation into the Spanish American War of 1898. The U.S. victory is quick and decisive. As part of the Treaty of Paris (1898), Spain turns over to the United States its main overseas colonies of Puerto Rico, Guam, and the Philippines. Cuba is promised independence, but at that time remains under the control of the U.S. Army. The United States annexes the independent Republic of Hawaii in 1898, and it became a U.S. territory.
As an innovator of American interventionism and pro-business sentiment, McKinley’s presidency is generally considered above average, though his highly positive public perception is soon overshadowed by Roosevelt.
Ireland is known for his progressive stance on education, immigration and relations between church and state, as well as his opposition to saloons and political corruption. He promotes the Americanization of Catholicism, especially in the furtherance of progressive social ideals. He is a leader of the modernizing element in the Roman Catholic Church during the Progressive Era. He creates or helps to create many religious and educational institutions in Minnesota. He is also remembered for his acrimonious relations with Eastern Catholics.
Ireland is appointed pastor at Saint Paul’s cathedral in 1867, a position which he holds until 1875. In 1875, he is made coadjutor bishop of St. Paul and in 1884 he becomes bishop ordinary. In 1888 he becomes archbishop with the elevation of his diocese and the erection of the ecclesiastical province of Saint Paul. Ireland retains this title for thirty years until his death in 1918. Before Ireland dies, he burns all of his personal papers.
Ireland is awarded an honorary doctorate (LL.D.) by Yale University in October 1901, during celebrations for the bicentenary of the university.
Ireland is personal friends with Presidents William McKinley and Theodore Roosevelt. At a time when most Irish Catholics are staunch Democrats, Ireland is known for being close to the Republican party. He opposes racial inequality and calls for “equal rights and equal privileges, political, civil, and social.” Ireland’s funeral is attended by eight archbishops, thirty bishops, twelve monsignors, seven hundred priests and two hundred seminarians.
A friend of James J. Hill, Archbishop Ireland has his portrait painted in 1895 by the Swiss-born American portrait painter Adolfo Müller-Ury almost certainly on Hill’s behalf, which is exhibited at M. Knoedler & Co., New York, January 1895 and again in 1897.
seamus dubhghaill 