seamus dubhghaill

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Category Archives: Arts & Music


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Death of Irish American Painter William Harnett

william-harnett

William Michael Harnett, Irish American painter known for his trompe-l’œil still lifes of ordinary objects, dies at New York Hospital on October 29, 1892.

Harnett is born in Clonakilty, County Cork, on August 10, 1848, during the time of the Great Famine. Shortly after his birth his family emigrates to America, settling in Philadelphia. Becoming a United States citizen in 1868, he makes a living as a young man by engraving designs on table silver, while also taking night classes at the Pennsylvania Academy of the Fine Arts and later, in New York City, at Cooper Union and at the National Academy of Design. His first known oil painting, a still life, dates from 1874.

The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of 17th century Dutch painters, Pieter Claesz for instance, specialize in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

Harnett paints musical instruments, hanging game, and tankards, but also painted the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.

Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. Harnett’s best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

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Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one string broken. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.

Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He seeks relief in the waters at Karlsbad and Wiesbaden, Germany and later at Hot Springs, Arkansas. But he continues to worsen and is hospitalized several times. He dies in New York City in 1892.


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Birth of Pianist Charles Lynch

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Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.

Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.

Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.

A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.

In February 1971 at Trinity College, Dublin, he plays the entire set of Franz Liszt‘s transcriptions of Beethoven’s symphonies over four successive Saturday evenings.

Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.

Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.

Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarrs Cemetery, Glasheen Road, Cork.


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Free State Government Purchases Copyright to “The Soldiers Song”

amhran-na-bhfiann

The Irish Free State government purchases the copyright of Peadar Kearney‘s The Soldiers Song on October 20, 1933, which becomes the Irish national anthem Amhrán na bhFiann. The song has three verses, but only the choral refrain is officially designated the national anthem.

A Soldiers’ Song is composed in 1907, with words by Peadar Kearney and music by Kearney and Patrick Heeney. The text is first published in Irish Freedom by Bulmer Hobson in 1912. It is used as a marching song by the Irish Volunteers and is sung by rebels in the General Post Office (GPO) during the Easter Rising of 1916. Its popularity increases among rebels held in Frongoch internment camp after the Rising, and the Irish Republican Army (IRA) in the Irish War of Independence (1919–21). After the establishment of the Irish Free State in 1922, a large proportion of the IRA’s men and apparatus become the National Army. The Soldiers’ Song remains popular as an Army tune and is played at many military functions.

The Free State does not initially adopt any official anthem. The delicate political state in the aftermath of the Irish Civil War provokes a desire to avoid controversy. Ex-Unionists continue to regard God Save the King as the national anthem, as it has been for the rest of the British Empire. W. T. Cosgrave, President of the Executive Council of the Irish Free State expresses opposition to replacing The Soldiers’ Song, which is provisionally used within the State.

There is concern that the lack of an official anthem is giving Unionists an opportunity to persist with God Save the King. The Soldiers’ Song is widely if unofficially sung by nationalists. On July 12, 1926, the Executive Council of the Irish Free State decides to adopt it as the National Anthem, with Cosgrave the driving force in the decision. However, this decision is not publicised.

In 1928, the Army band establishes the practice of playing only the chorus of the song as the Anthem, because the longer version is discouraging audiences from singing along.

The anthem is played by Radio Éireann at close down from its inception in 1926. Cinemas and theatres do so from 1932 until 1972. Peadar Kearney, who has received royalties from publishers of the text and music, issues legal proceedings for royalties from those now performing the anthem. He is joined by Michael Heeney, brother of Patrick Heeney, who had died in 1911. In 1934, the Department of Finance acquires the copyright of the song for the sum of £1,200. Copyright law changes in 1959, such that the government has to reacquire copyright in 1965, for £2,500. As per copyright law, the copyright expires in December 2012, following the 70th anniversary of Kearney’s death. In 2016, three Fianna Fáil senators introduce a private member’s bill intended to restore the state’s copyright in the anthem.


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Birth of Singer & Political Activist Bob Geldof

Robert Frederick Zenon “Bob” Geldof, singer, songwriter, author, occasional actor, and political activist, is born in Dún Laoghaire, County Dublin, on October 5, 1951.

Geldof attends Blackrock College, though he later says he did not enjoy his time there because of its Catholic ethos and bullying for his lack of rugby prowess and for his middle name, Zenon. After leaving school he gains certain odd jobs but is not inspired by any of them. He then goes to Vancouver, British Columbia, Canada to work as a music journalist.

Returning to Ireland in 1975, Bob Geldof becomes the lead singer of The Boomtown Rats, a rock group closely linked with the punk movement. He famously states the reason for joining a pop band is “to get rich, to get famous, and to get laid.”

By 1978, The Boomtown Rats achieve their first U.K. hit single with Rat Trap and later achieve a second hit with I Don’t Like Mondays.

In 1981, Geldof is invited to take part in a concert for Amnesty International and this sows a seed of future ideas.

In 1984, Geldof moves from being a rock start to international celebrity for raising awareness of humanitarian charities. During that year, Ethiopia and other African countries experience a severe famine which leads to death by starvation for thousands of people. The plight of starving children is widely seen on television and Geldof, along with Midge Ure, decide to do something about it, releasing the single Do They Know It’s Christmas?. It is a spontaneous event with many of the best-known names in pop music invited. It becomes an instant best seller selling a record 3 million copies.

In the summer of 1985, Geldof is one of the main organisers behind the Live Aid concert at Wembley Stadium. It is a sixteen-hour rock extravaganza aimed at raising money and awareness for Africa. It is a unique musical event capturing the imagination and attention of the world. Following this concert, he becomes more involved in work for non-governmental organisations in Africa and becomes one of the leading spokespersons on Third World debt and relief.

In 2005, he organises a Live 8 concert, coinciding with the Make Poverty History campaign. He seeks the co-operation of leading G8 leaders such as Tony Blair to write off Third World debt. Some criticise him for becoming too close to politicians and some argue his presence in the Third World campaign issue does more harm than good.

However, Geldof remains a powerful figurehead for motivating Western attitudes to pay more attention to the problems and challenges of the poorest parts of the world. He feels a passion for improving conditions in Africa.

Geldof is knighted in 1986 and is often affectionately known as “Sir Bob.”


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Birth of Playwright & Poet Lennox Robinson

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Esmé Stuart Lennox Robinson, playwright, poet, theatre producer, and director who is involved with the Abbey Theatre, is born in Westgrove, Douglas, County Cork, on October 4, 1886.

Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.

As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).

Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.

He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonagh The Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.

Melancholic and alcoholic in later years, Lennox Robinson dies in Monkstown, County Dublin, on October 15, 1958. He is buried St. Patrick’s Cathedral.


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Birth of Maria Josephine Doyle Kennedy, Singer & Actress

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Maria Josephine Doyle Kennedy, singer, songwriter, and television/film actress, is born in Clontarf, Dublin, on September 25, 1964. With a singing career that has spanned nearly thirty years and an acting career that has spanned twenty-five, she has established herself as one of Ireland’s most prolific artists and entertainers.

Although Doyle Kennedy exhibits a love for singing at an early age, she never considers a formal career in singing until after she graduates from Trinity College, Dublin with a joint honours degree in political science and business. She never considers becoming an actress until after she establishes herself as a singer.

Doyle Kennedy joins a band while still in college in the mid-80s, performing with Hothouse Flowers during the band’s early years. She leaves the band in order to join The Black Velvet Band with her future husband, Kieran Kennedy. The band releases their first album, When Justice Came, in 1989 which reaches number 4 on the Irish charts and is ranked among the best Irish albums of the late 1980s. Doyle Kennedy leaves the group to pursue a career in solo music and, in 2001, releases music on Mermaid Records, a label she founds herself in 2000.

After the release of her alternative folk album Mütter in 2007, Hot Press states that Doyle Kennedy “is one of the finest voices this country has ever produced.” She is subsequently nominated in the Best Irish Female category at the 2008 Meteor Awards.

Doyle Kennedy’s first experience with acting comes in 1991 when she plays Natalie Murphy in The Commitments. She continues to expand her acting platform with roles in John Boorman‘s 1998 film, The General, Alan Bleasdale‘s 1999 miniseries Oliver Twist, and the 1999 British television series Queer as Folk.

In 2007 and 2008, Doyle Kennedy receives widespread recognition for her role as Catherine of Aragon on the British historical fiction television series The Tudors. In 2011 she joins the cast of ITV‘s period drama Downton Abbey, appearing as Vera Bates, estranged wife of the Earl of Grantham’s valet, one of her most recognizable roles within the United Kingdom. In the same year, she also plays a small role as a maid in the film Albert Nobbs, alongside American actress Glenn Close.

In 2012, she plays a leading role in the ITV mini-series Titanic and also appears beside fellow Irish actress Saoirse Ronan in Neil Jordan‘s horror fantasy film Byzantium, which premieres at the 2012 Toronto International Film Festival. She appears in The Conjuring 2, the 2016 sequel to the supernatural horror film The Conjuring.


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Death of Patrick Sarsfield Gilmore, Composer & Bandmaster

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Patrick Sarsfield Gilmore, Irish-born American composer and bandmaster, dies in St. Louis, Missouri, on September 24, 1892. He lives and works in the United States after 1848. While serving in the Union Army during the American Civil War, Gilmore writes the lyrics to the song When Johnny Comes Marching Home, the tune taken from the old Irish antiwar folk song, Johnny I Hardly Knew Ye. This is published under the name Louis Lambert.

Gilmore is born in Ballygar, County Galway, on December 25, 1829. He starts his music career at age fifteen and spends time in Canada with an English band. Already a fine cornet player, he settles in Boston, Massachusetts in 1848, becoming leader of the Suffolk, Boston Brigade, and Salem bands in swift succession. He also works in the Boston music store of John P. Ordway and founds Ordway’s Aeolians, a group of blackface minstrels. With the Salem Band, Gilmore performs at the 1857 inauguration of President James Buchanan.

In 1858, Gilmore founds “Gilmore’s Band,” and at the outset of the American Civil War the band enlists with the 24th Massachusetts Volunteers, accompanying General Ambrose Burnside to North Carolina. After the temporary discharge of bands from the field, Governor John Albion Andrew of Massachusetts entrusts Gilmore with the task of re-organizing military music-making. General Nathaniel P. Banks creates him Bandmaster-general.

When the war ends, Gilmore is asked to organize a celebration, which takes place in New Orleans. That success emboldens him to undertake two major music festivals in Boston, the National Peace Jubilee in 1869 and the World’s Peace Jubilee and International Musical Festival in 1872. These feature monster orchestras of massed bands with the finest singers and instrumentalists, including the only American appearance by “waltz king” Johann Strauss II, and cements Gilmore’s reputation as the leading musical figure of the age. Coliseums are erected for the occasions, holding 60- and 120,000 persons. Grateful Bostonians present Gilmore with medals and cash, but in 1873 he moves to New York City, as bandmaster of the 22nd Regiment. Gilmore takes this band on acclaimed tours of Europe.

On September 24, 1892, back in the United States preparing an 1892 musical celebration of the quadricentennial anniversary of Christopher Columbus‘ voyage of discovery, Gilmore collapses and dies in St. Louis. He is buried in Calvary Cemetery, Queens, New York, where his wife is later interred.

In many ways Gilmore can be seen as the principal figure in 19th-century American music. He holds the first “Promenade Concert in America” in 1855, the forerunner to today’s Boston Pops. He sets up “Gilmore’s Concert Garden,” which becomes Madison Square Garden. He is the Musical Director of the Nation in effect, leading the festivities for the 1876 Centennial celebrations in Philadelphia and the dedication of the Statue of Liberty in 1886. In 1888 he starts the tradition of seeing in the New Year in Times Square.

Patrick Sarsfield Gilmore is inducted into the Songwriters Hall of Fame in 1970.


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Death of Irish Dramatist Seán O’Casey

Seán O’Casey, Irish dramatist and memoirist, dies of a heart attack in Torquay, Devon, England on September 18, 1964. A committed socialist, he is the first Irish playwright of note to write about the Dublin working classes.

O’Casey is born John Casey at 85 Upper Dorset Street, in the northern inner-city area of Dublin on March 30, 1880. He is a member of the Church of Ireland, baptised on July 28, 1880 in St. Mary’s parish and confirmed at St. John the Baptist Church in Clontarf. He is an active member of Saint Barnabas until his mid-twenties, when he drifts away from the church.

As O’Casey’s interest in Irish nationalism grows, he joins the Gaelic League in 1906 and learns the Irish language. At this time, he Gaelicises his name from John Casey to Seán Ó Cathasaigh. He also learns to play the Uilleann pipes and is a founder and secretary of the St. Laurence O’Toole Pipe Band. He joins the Irish Republican Brotherhood, and becomes involved in the Irish Transport and General Workers Union, established by James Larkin to represent the interests of the unskilled labourers who inhabit the Dublin tenements. In March 1914 he becomes General Secretary of Larkin’s Irish Citizen Army. On July 24, 1914 he resigns from the ICA, after his proposal to deny dual membership to both the ICA and the Irish Volunteers is rejected.

In 1917, his friend Thomas Ashe dies in a hunger strike and it inspires him to write. He spends the next five years writing plays. O’Casey’s first accepted play, The Shadow of a Gunman, is performed at the Abbey Theatre in 1923. This is the beginning of a relationship that is to be fruitful for both theatre and dramatist but which ends in some bitterness. It is followed by Juno and the Paycock (1924) and The Plough and the Stars (1926).

The Plough and the Stars is not well received by the Abbey audience. There is a riot reported on the fourth night of the show. His depiction of sex and religion offends some of the actors who refused to speak their lines. W.B. Yeats intervenes and describes the audience as “shaming themselves.”

In 1928, Yeats rejects O’Casey’s fourth play, The Silver Tassie, for the Abbey. It is an attack on imperialist wars and the suffering they cause. The Abbey refuses to perform it. The plays O’Casey writes after this include the darkly allegorical and highly controversial Within the Gates (1934), which is set within the gates of a busy city park based on London’s Hyde Park. It closes not long after opening and is another box office failure.

Over the next twenty years, O’Casey writes The Star Turns Red (1940), Purple Dust (1943), Red Roses for Me (1943), Oak Leaves and Lavender (1945), Cock-a-Doodle Dandy (1949), The Bishop’s Bonfire (1955), and The Drums of Father Ned (1958). In 1959, O’Casey gives his blessing to a musical adaptation of Juno and the Paycock by American composer Marc Blitzstein. The musical, retitled Juno, is a commercial failure, closing after only 16 Broadway performances. Also in 1959, George Devine produces Cock-a-Doodle Dandy at the Royal Court Theatre and it is also successful at the Edinburgh International Festival and has a West End run.

On September 18, 1964, at the age of 84, O’Casey dies of a heart attack, in Torquay, Devon. He is cremated at the Golders Green Crematorium.


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The Death of Bobby Clancy of The Clancy Brothers

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Robert Joseph “Bobby” Clancy, Jr., singer and musician best known as a member of The Clancy Brothers, one of the most successful and influential Irish folk groups, dies on September 6, 2002, in Carrick-on-Suir, County Tipperary. He plays the five-string banjo, guitar, bodhrán, and harmonica.

Bobby Clancy is born on May 11, 1927, in Carrick-on-Suir. He leaves home in the late 1940s to join the Royal Air Force (RAF) where he travels all over Europe, including Greece and Egypt where he learns many folk songs. He later joins his older brothers Paddy Clancy and Tom Clancy in New York City, where they work as actors. The trio sometimes sing, informally beginning the group later known as The Clancy Brothers.

In 1955, Bobby returns to Ireland to settle down and run his father’s insurance business. His youngest brother Liam Clancy takes his place in America and officially forms The Clancy Brothers and Tommy Makem with Paddy, Tom Clancy, and friend Tommy Makem. Bobby forges his own solo career, as well as performing the other half of two duos with sister Peg Clancy and an American folk singer named Sharon Collen. As a solo artist, Bobby brings his show to the small screen with his own TV series, When Bobby Clancy Sings, on Irish television.

When Tommy Makem leaves in 1969, Bobby takes his place and becomes a member of The Clancy Brothers. The four brothers, Paddy, Tom, Bobby, and Liam release three studio albums, Clancy Brothers Christmas, Flowers in the Valley, and Welcome to Our House.

Bobby’s initial tenure with The Clancy Brothers was short-lived. Bobby resumes his solo work, releasing a solo album Good Times When Bobby Clancy Sings and appearing live on a compilation album from a 1974 German Folk Festival, both in 1974.

In 1976, The Clancy Brothers disband for a few months. Liam Clancy and Louis Killen leave the group and remaining brothers Paddy and Tom decide to go on a hiatus. In 1977, plans are set into motion to regroup and Paddy and Tom ask Bobby to join. The three brothers recruit their nephew, singer-songwriter Robbie O’Connell.

The quartet tours part-time, performing three-month-long tours each year in March, August, and November only in the United States. They release two live albums, one in 1982 and the other in 1988. During the remaining part of the year, Bobby continues running the insurance business in Carrick-on-Suir and continues his solo career in Ireland.

Youngest brother Liam Clancy rejoins Bobby, Paddy, and Robbie in 1990 when brother Tom is diagnosed with stomach cancer and dies in November 1990. The Clancy Brothers now perform more frequently than they had in the 1970s and 1980s, appearing on numerous TV shows in America and Ireland. The quartet releases the group’s first studio album in over 20 years, Older But No Wiser, in late 1995, an title coined by Bobby’s wife Moira. Soon after the album’s release, Liam Clancy and Robbie O’Connell leave the group. Bobby and Paddy continue performing with Bobby’s son Finbarr Clancy and friend Eddie Dillon from Boston. This new line-up tours until November 1998 when Paddy dies from lung cancer. Now as a trio, the Clancys and Eddie Dillon record two live albums and Bobby Clancy releases an additional two solo albums.

In 1999 Bobby is diagnosed with pulmonary fibrosis and by 2000 he is unable to perform on his feet and the trio performs while sitting down. By March 2002, Bobby is unable to perform and has to quit a scheduled tour. On September 6, 2002, Bobby Clancy dies at the age of 75. At the time of his death he is back home in Ireland, long since living at the home of his parents on William Street in Carrick-on-Suir, the home where he was born.


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Final Concert by Phil Lynott & Thin Lizzy

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Although a version of the band still tours today, the definitive Thin Lizzy lineup, according to the official Thin Lizzy website, plays its last concert at the Monsters Of Rock festival in Nuremburg, Germany, on September 4, 1983. Afterwards the band members go their separate ways.

Formed in 1969 featuring bass guitarist and lead vocalist Phil Lynott and drummer Brian Downey, the band goes through various members including Gary Moore before Scott Gorham and Brian Robertson join the band in the mid-1970s. Thin Lizzy’s big breakthrough comes with the Jailbreak album in 1976 featuring the hit single The Boys Are Back In Town.

After the success of the Jailbreak album, Thin Lizzy’s popularity begins to subside in the United States, with each successive album finding less success. They manage, however, to maintain a presence in the United Kingdom. Another problem contributing to the band’s demise is Lynott’s drug use, which begins to escalate around this time and eventually ruins his marriage.

Two more Thin Lizzy albums, Renegade and Thunder and Lightning, follow over the next two and half years, as does a second solo offering by Lynott, The Phillip Lynott Album. Despite this, things continue to unravel for Lynott and company.

They plan a farewell tour to coincide with the March 1983 release of Thunder and Lightning, which features a heavier approach and proves to be their most popular album in some time. This ends up being a year-long adventure whose high point is a special performance at the legendary Hammersmith Odeon. For the show, Lynott brings in former band members Brian Robertson, Eric Bell, and Gary Moore as special guests.

The final concert in the United Kingdom takes place on August 28, 1983, at the Reading Festival, while their final concert with Lynott in the lineup finds them in Nuremberg on a bill that includes Whitesnake, Ozzy Osbourne, Blue Öyster Cult, Motörhead, and others. Lizzy’s set features old favorites along with a few new songs.

Lynott dies on January 4, 1986, of heart failure and pneumonia. Although the band eventually regroups with various ex-members trying to sail the ship, it never rekindles its past success without their leader.