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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15 The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include, Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919 in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of William Grattan Tyrone Power, Stage Actor, Comedian & Author

William Grattan Tyrone Power, Irish stage actor, comedian, author and theatrical manager known professionally as Tyrone Power, is born in Kilmacthomas, County Waterford, on November 20, 1797. He is an ancestor of actor Tyrone Power and is also referred to as Tyrone Power I.

Power is the son of Tyrone Power, reported to be “a minstrel of sorts,” by his marriage to Maria Maxwell, whose father had been killed while serving in the British Army during the American Revolutionary War. His father is related to the Powers who are of the Anglo-Irish landed gentry and to George de la Poer Beresford, 1st Marquess of Waterford.

The young Power takes to the stage, achieving prominence throughout the world as an actor and manager. He is well known for acting in such Irish-themed plays as Catherine Gore‘s King O’Neil (1835), his own St. Patrick’s Eve (1837), Samuel Lover‘s Rory O’More (1837) and The White Horse of the Peppers (1838), Anna Maria Hall‘s The Groves of Blarney (1838), Eugene Macarthy’s Charles O’Malley (1838), and William Bayle Bernard‘s His Last Legs (1839) and The Irish Attorney (1840). In his discussion of these works, Richard Allen Cave argues that Power, both in his acting as well as his choice of plays, seeks to rehabilitate the Irishman from the derogatory associations with “stage Irishmen.”

Power has a number of notable descendants by his wife Anne, daughter of John Gilbert of the Isle of Wight:

  • Sir William James Tyrone Power (1819–1911), Commissary General in Chief of the British Army and briefly Agent-General for New Zealand
  • Norah Power, who married Dr. Thomas Guthrie
  • Sir Tyrone Guthrie, British theatrical director (1900–1971)
  • Maurice Henry Anthony O’Reilly Power (1821–1849), trained as a barrister but later took up acting
  • Frederick Augustus Dobbyn Nugent Power (1823–1896), civil engineer, left a large estate of £197,000, equivalent to £15.6 million or 28 million US dollars in 2006
  • Clara Elizabeth Murray Power (born 1825)
  • Mary Jane Power (born 1827)
  • Harold Littledale Power (1833–1901), actor, wine merchant, mine agent & engineer
  • Tyrone Power, Sr. (1869–1931), English theatre and silent movie star
  • Tyrone Power (1914–1958), American Hollywood star of the 1930s to 1950s
  • Romina Power (born 1951), American singer and film actress
  • Taryn Power (1953–2020), film actress
  • Tyrone Power, Jr. (born 1959), American film actor

Power is said to have purchased the land that is later occupied by Madison Square Garden, New York, shortly before his death. The lawyer who holds the papers can not be found so the Power family is unable to claim right to the property.

Power is lost at sea on March 17, 1841, when the SS President disappears without trace in the North Atlantic shortly after departing for England. Anne Power is buried in the churchyard of St. Mary The Virgin Church in High Halden, Kent, England.


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Death of Irish Folk Musician Tommy Makem

Thomas “Tommy” Makem, internationally celebrated Irish folk musician, artist, poet and storyteller, dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer.

Makem is born in Keady, County Armagh, on November 4, 1932. He is best known as a member of The Clancy Brothers and Tommy Makem. He plays the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sings in a distinctive baritone. He is sometimes known as “The Bard of Armagh,” taken from a traditional song of the same name, and “The Godfather of Irish Music.”

Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”

Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.

Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.

The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.

Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.

In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.

In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.

Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.


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Birth of Sculptor Augustus Saint-Gaudens

augustus-saint-gaudensAugustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.

Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13 he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.

After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to Admiral David Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.

From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.

Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.

Diagnosed with cancer in 1900, Saint-Gaudens dies at the age of 59 on August 3, 1907 in Cornish, New Hampshire.


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Birth of Thomas Clarke Luby, Irish Revolutionary

thomas-clarke-lubyThomas Clarke Luby, Irish revolutionary, author, journalist and one of the founding members of the Irish Republican Brotherhood, is born in Dublin on January 16, 1822.

Luby is the son of a Church of Ireland clergyman from Templemore, County Tipperary, his mother being a Catholic. He is educated at Trinity College Dublin where he studies law and puts in the necessary number of terms in London and Dublin where he acquires a reputation as a scholar and takes his degree. He goes on to teach at the college for a time.

Luby supports the Repeal Association and contributes to The Nation newspaper. After the breach with Daniel O’Connell he joins the Young Irelanders in the Irish Confederation. He is deeply influenced by James Fintan Lalor at this time. Following the suppression of the Young Irelander Rebellion of 1848, he with Lalor and Philip Gray attempt to revive the fighting in 1849 as members of the secret Irish Democratic Association. This, however, ends in failure.

In 1851 Luby travels to France, where he hopes to join the French Foreign Legion to learn infantry tactics but finds the recruiting temporarily suspended. From France he goes to Australia for a year before returning to Ireland. From the end of 1855 he edits the Tribune newspaper founded by John E. Pigot who had been a member of The Nation group. During this time he remains in touch with the small group of ’49 men including Philip Gray and attempts to start a new revolutionary movement. Luby’s views on social issues grow more conservative after 1848 which he makes clear to James Stephens whom he meets in 1856.

In the autumn of 1857 Owen Considine arrives with a message signed by four Irish exiles in the United States, two of whom are John O’Mahony and Michael Doheny. The message conveys the confidence they have in Stephens and asks him to establish an organisation in Ireland to win national independence. Considine also carries a private letter from O’Mahony to Stephens which is a warning, and which is overlooked by Luby and Stephens at the time. Both believe that there is a strong organisation behind the letter, only later to find it is rather a number of loosely linked groups. On December 23 Stephens dispatches Joseph Denieffe to America with his reply which is disguised as a business letter dated and addressed from Paris. In his reply Stephen’s outlines his conditions and his requirements from the organisation in America.

On March 17, 1858, Denieffe arrives in Dublin with the acceptance of Stephens’s terms by the New York Committee and the eighty pounds. On that very evening the Irish Republican Brotherhood is established in Peter Langan’s timber-yard in Lombard Street.

In mid-1863 Stephens informs his colleagues he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of the Irish People appears on November 28, 1863. The staff of the paper along with Luby are Charles J. Kickham and Denis Dowling Mulcahy as the editorial staff. Jeremiah O’Donovan Rossa and James O’Connor have charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor.

On July 15, 1865 American-made plans for a rising in Ireland are discovered. Superintendent Daniel Ryan, head of the G Division of the Dublin Metropolitan Police at Dublin Castle, has an informer within the offices of the Irish People who supplies him with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of the Irish People on Thursday, September 15, followed by the arrests of Luby, O’Leary and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught with the support of Fenian prison warders. The last number of the paper is dated September 16, 1865.

After his arrest and the suppression of the Irish People, Luby is sentenced to twenty years of penal servitude. He is released in January 1871, but is compelled to remain away from Ireland until the expiration of his sentence.

Upon his release Luby goes first to the Continent and later settles in New York City. He lectures all over the country for years, and writes for a number of Irish newspapers on political topics. At the memorial meeting on the death of John Mitchel, he delivers the principal address in Madison Square Garden.

Thomas Clarke Luby dies at 109½ Oak Street, Jersey City, New Jersey of paralysis, on November 29, 1901 and is buried in a grave shared with his wife in Bayview Cemetery in Jersey City. His epitaph reads: “Thomas Clarke Luby 1822–1901 He devoted his life to love of Ireland and quest of truth.”


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Birth of Marcus O’Sullivan, Middle Distance Runner

marcus-osullivanMarcus O’Sullivan, Irish middle distance runner, is born in Cork, County Cork, on December 22, 1961. Although he does not plan to enroll at any of Ireland’s universities, his running encourages him to go to Villanova University. After four years of education at Villanova, he graduates with a degree in accounting and later attains an MBA and a CPA.

O’Sullivan quickly becomes a world class runner and takes part in four summer Olympic Games. He wins three gold medals at the IAAF World Indoor Championships over 1500m in Indianapolis (1987), Budapest (1989), and Toronto (1993). In his victories in 1987 and 1989, he sets championship records. He is third all-time in total sub-4 minute miles with 101, trailing Steve Scott (137) and John Walker (127).

At the 1985 European Athletics Indoor Championships, O’Sullivan wins a silver medal in the 1500m. He finishes 4th in the 1991 IAAF World Indoor Championships in Seville, Spain. He qualifies for Ireland for Olympic Games in 1984, 1988, 1992, and 1996, at both 800 metres and 1500 metres. He reaches the 1500 metre finals at the 1988 Summer Olympics in Seoul, South Korea.

O’Sullivan sets an indoor 1500 metres world record of 3:35.4 on February 10, 1989, and is generally regarded as a better competitor running indoors. This is evidenced by the fact that he wins the prestigious Wanamaker Mile in Madison Square Garden‘s Millrose Games six times (1986, 1988, 1989, 1990, 1992, and 1996).

O’Sullivan’s personal best for the mile, which is set indoors in 1988, is 3:50.94. His personal best for the 1500 metres, which is set outdoors in 1996, is 3:33.61.

O’Sullivan, along with Irish runners Ray Flynn, Eamonn Coghlan, and Frank O’Mara (who ran collegiately at the University of Arkansas) establish the still standing world record in the 4 x 1 mile relay, when they combine in Dublin on August 17, 1985 to run 15:49.08.

O’Sullivan now runs the Running Works cross country summer camp in Canadensis, Pennsylvania, along with Cricket Batz, and is the head coach of Villanova cross country and track and field. He is coached by Tom Donnelly of Haverford College and advises Bob Kennedy in the later years before Kennedy’s retirement.

In addition to his ties to American record holder Bob Kennedy, O’Sullivan has coached elite professional runners such as Canadian indoor world silver medalist Carmen Douma-Hussar and New Zealander Adrian Blincoe.


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Birth of Irish Folk Musician Tommy Makem

Thomas “Tommy” Makem, internationally celebrated Irish folk musician, artist, poet and storyteller, is born in Keady, County Armagh, on November 4, 1932. He is best known as a member of The Clancy Brothers and Tommy Makem. He plays the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sings in a distinctive baritone. He is sometimes known as “The Bard of Armagh,” taken from a traditional song of the same name, and “The Godfather of Irish Music.”

Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”

Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.

Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.

The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.

Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.

In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.

In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.

Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.


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U2 & New Voices of Freedom at Madison Square Garden

Irish rock band U2 is joined by the New Voices of Freedom choir onstage at Madison Square Garden in New York City for a performance of “I Still Haven’t Found What I’m Looking For” on September 28, 1987.

Dennis Bell, director of New York gospel choir The New Voices of Freedom, records a demo of a gospel version of “I Still Haven’t Found What I’m Looking For.” While in Glasgow, Scotland in late July during U2’s Joshua Tree Tour, Rob Partridge of Island Records plays the demo for the band. In late September, U2 rehearses with Bell’s choir in a Harlem church, and a few days later they perform the song together at U2’s Madison Square Garden concert.

Footage of the rehearsal is featured in the rockumentary Rattle and Hum, while the Madison Square Garden performance appears on the Rattle and Hum album, the band’s sixth studio album. After the church rehearsal, U2 walks around the Harlem neighbourhood where they come across blues duo Satan and Adam playing on the street. A 40-second clip of them playing their composition “Freedom for My People” appears on both the movie and the album.


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Death of Irish American Mobster Mickey Spillane

Michael J. Spillane, Irish American mobster much better known as Mickey Spillane from Hell’s Kitchen, New York City, is killed outside his apartment in Queens on May 13, 1977. Spillane, who is called the “last of the gentleman gangsters,” is a marked contrast to the violent Westies mob members who succeed him in Hell’s Kitchen.

As a young boy in Hell’s Kitchen, Spillane starts as a numbers runner for various organized crime figures in his neighborhood. In 1960, he takes over the rackets left to him by his predecessor Hughie Mulligan. He marries Maureen McManus, the daughter of the Democratic district leader Eugene McManus.

Though Italian mobsters dominate organized crime in the city, the Italian mob stays out of Hell’s Kitchen while Spillane is the boss. Often, Spillane kidnaps members of the Italian Mafia and holds them for ransom to raise money for his operations. Although he runs the rackets such as gambling and loansharking, he never allows the sale of drugs.

It is Spillane’s refusal to allow the Italian mobsters to participate in the Hell’s Kitchen rackets that leads to his downfall. The Jacob K. Javits Convention Center is being built on Spillane’s westside at the time. The amount of money the new convention center, Madison Square Garden, the waterfront and the unions are generating for Spillane is enormous, and the Italians are desperate for a piece of the action. Spillane refuses to allow the Italian mob to participate, and the New York Irish-Italian Mob War begins.

In the 1970s the Irish mob sees an increased threat from the Italian Mafia as the Genovese crime family seeks control over the soon to be built Jacob K. Javits Convention Center. Since the convention center is located in Spillane’s Hell’s Kitchen neighborhood, Spillane refuses to allow any involvement by the Italians. Although the Italian gangsters greatly outnumber the members of the Irish mob, Spillane is successful in keeping control of the convention center and Hell’s Kitchen. The Italians, frustrated and embarrassed by their defeat to Spillane and the Irish gangsters, respond by hiring a rogue Irish American hitman named Joseph “Mad Dog” Sullivan to assassinate Tom Devaney, Eddie “the Butcher” Cummiskey, and Tom “the Greek” Kapatos, three of Spillane’s chief lieutenants. By the mid-1970s, Spillane has moved his family out of Hell’s Kitchen to Woodside, Queens, because of threats of violence against his children.

In 1966, a young upstart named Jimmy Coonan attempts to take the neighborhood from Spillane, muscling in on his territory and murdering a Spillane underling. Ultimately, Coonan is sent to prison in 1967. When he is released from prison, Coonan seeks to align himself with the Gambino crime family through an up-and-coming mobster from Brooklyn, named Roy DeMeo. This marks the beginning of the end for the Irish mob, as Coonan eventually goes to work for the Gambinos.

On May 13, 1977, Spillane is killed outside his apartment in Queens. It has long been rumored that DeMeo murdered Spillane as a favor to Coonan, who subsequently takes over as the boss of the Hell’s Kitchen Irish Mob. Spillane is buried in Calvary Cemetery in Queens, New York.


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Birth of Marcus Daly, “Copper King” of Butte, MT

marcus-dalyMarcus Daly, Irish-born American businessman known as one of the three “Copper Kings” of Butte, Montana, is born in Ballyjamesduff, County Cavan, on December 5, 1841.

Daly emigrates from Ireland to the United States as a young boy, arriving in New York City. He sells newspapers and works his way to California in time to join the gold rush in what is to become Virginia City, Nevada, and the fabulously rich silver diggings now known as the Comstock Lode, in 1860.

Daly gains experience in the mines of the Comstock under the direction of John William Mackay and James Graham Fair. While working in the mines of Virginia City, Daly meets and befriends George Hearst, father of William Randolph Hearst, and Lloyd Tevis, co-owners of the Ophir Mining Company. In 1872, Daly recommends purchase by the Hearst group of the Ontario silver mine, near Park City, Utah. In ten years, the Ontario produces $17 million and pays $6,250,000 in dividends.

Their business friendship extends for many years and helps establish the Anaconda Copper Mine in Butte, Montana. Daly originally comes to Butte in August 1876 to look at a mine, the Alice, as an agent for the Walker Bros. of Salt Lake City. The Walkers purchase the mine, install Daly as superintendent, and award him a fractional share of the mine.

Daly notices, while working underground in the Alice, that there are significant deposits of copper ore. He gains access into several other mines in the area and concludes that the hill is full of copper ore. He envisions an ore body several thousand feet deep, some veins of almost pure copper, and hundreds of millions of dollars. He urges his employers, the Walker Bros., to purchase the Anaconda and when they refrain, Daly purchases it himself. Daly finds his fortune on the Anaconda Copper Mine in Butte, after selling his small share of the Alice Mine for $30,000.

The Anaconda began as a silver mine, but Daly’s purchase is for the copper, found to be one of the largest deposits known at the time. However, he lacks the money to develop it, so he turned to Hearst, Haggin and Tevis. The first couple hundred feet within the mine are rich in silver, and took a few years to exhaust. By that time, Butte’s other silver mines are also playing out, so Daly closes the Anaconda, St. Lawrence, and Neversweat. Prices on surrounding properties drop and Daly purchases them. Then he re-opens the Anaconda. Due to Thomas Edison‘s development of the light bulb the world would need copper which is a very excellent conductor of electricity. Butte has copper, hundreds of thousands of tons of it, waiting to be taken from the ground.

He builds a smelter to handle the ore, and by the late 1880s, has become a millionaire several times over, and owner of the Anaconda Mining and Reduction Company. Daly owns a railroad, the Butte, Anaconda and Pacific Railroad, to haul ore from his mines to his smelter in Anaconda, a city he founds. He owns lumber interests in the Bitterroot Valley and a mansion and prized stables in the same valley, south of Missoula.

In 1894, Daly spearheads an energetic but unsuccessful campaign to have Anaconda designated as Montana’s state capital, but loses out to Helena. Daly is active in Montana politics throughout the 1890s, because of his opposition and intense rivalry with fellow copper king, and future U.S. Senator, William A. Clark. He attempts to keep Clark out of office by lavishly supporting his opponents.

Daly invests some of his money in horse breeding at his Bitterroot Stock Farm located near Hamilton, and is the owner/breeder of Scottish Chieftain, the only horse bred in Montana to ever win the Belmont Stakes.

In 1891, Daly becomes the owner of Tammany, said to be one of the world’s fastest racehorses in 1893. He also arranges the breeding of the great Sysonby, ranked number 30 in the top 100 U.S. thoroughbred champions of the 20th Century by The Blood-Horse magazine. However, Daly dies in New York City on November 12, 1900, before the horse is born.

Following his death, New York’s Madison Square Garden hosts a dispersal sale for the Bitterroot thoroughbred studs on January 31, 1901. One hundred eighty-five horses are sold for $405,525.