O’Brien is born in Dublin on May 9, 1871, where he lives all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.
O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.
O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.
O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.
Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.
Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.
Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.
Duff is born in Dublin on June 7, 1889, at 97 Phibsboro Road, the eldest of seven children of John Duff and his wife, Susan Letitia (née Freehill). The wealthy family lives in the city at St. Patrick’s Road, Drumcondra. He attends Blackrock College.
In 1908, Duff enters the Civil Service and is assigned to the Irish Land Commission. In 1913, he joins the Society of Saint Vincent de Paul and is exposed to the real poverty of Dublin. Many who live in tenement squalor are forced to attend soup kitchens for sustenance, and abject poverty, alcoholism, and prostitution are rife in parts of Dublin. He joins and soon rises through the ranks to President of the St. Patrick’s Conference at St. Nicholas of Myra Parish. Having concern for people he sees as materially and spiritually deprived, he gets the idea to picket Protestant soup kitchens as he considers they are giving aid in the form of food and free accommodation at hostels in return for not attending Catholic services. He sets up rival Catholic soup kitchens and, with his friend, Sergeant Major Joe Gabbett, discourages Catholics from patronizing Protestant soup kitchens. They succeeded in closing down two of them over the years.
Duff publishes his first pamphlet, Can we be Saints?, in 1916. In it, he expresses the conviction that all, without exception, are called to be saints, and that through Christian faith, all have the means necessary.
Duff briefly acts as private secretary to Michael Collins, the chairman of the Provisional Government and the commander-in-chief of the National Army. In 1924, he is transferred to the Department of Finance.
On September 7, 1921, Duff is a part of a meeting alongside Fr. Michael Toher and fifteen women which becomes the nucleus of what would become the Legion of Mary. The Legion of Mary is created to organise lay Catholics to perform voluntary work. He models the organisation on Roman legions. Some of the first causes the Legion pursues is to become involved with homelessness and prostitution in Dublin. In 1922, he defies the wishes of the Archbishop of Dublin and the widespread Crypto-Calvinism, or Jansenism, within the Catholic Church in Ireland, which had created an intense hostility towards both prostitutes and other allegedly “fallen women.” Similarly, to St. Vitalis of Gaza before him, he begins an outreach to the prostitutes living in often brutal and inhuman conditions in the “kip houses” of “the Monto,” as Dublin’s red-light district, one of the largest in Europe at the time, is then called. Although middle-class Dubliners dismissively view these women as “whores,” the impoverished but devoutly Catholic residents of the Monto tenements refer to local prostitutes as “unfortunate girls,” and understand that they often turn to prostitution as a last resort. As part of his work, Duff establishes the Sancta Maria hostel, a safe house for former prostitutes who had run away from their “kip keepers.” Following the Irish War of Independence and Irish Civil War, he also persuades the first Catholic Commissioner of the Dublin Metropolitan Police, former Irish Army General W. R. E. Murphy, to launch a crackdown and, even though prostitution in the Republic of Ireland, rooted in human trafficking, still exists, the closure of the Monto’s last “Kip-Houses” is announced on March 12, 1925.
In 1927, Duff establishes the Morning Star hostel for homeless men, followed shortly by the Regina Coeli hostel for homeless women in 1930. Unlike the Magdalen Asylums, the Regina Coeli hostel reflects his view that unwed mothers should be taught how to be able to provide for and raise their children. This defies the norm of the era which holds that the children of unwed mothers should be saved from the stigma of their illegitimacy by being put up for adoption as quickly as possible.
While Duff enjoys the support of W. T. Cosgrave, Ireland’s head of government, and in May 1931 is granted an audience with Pope Pius XI, his efforts are opposed internally in the Dublin diocese. The Archbishop of Dublin Edward Joseph Byrne and his successor John Charles McQuaid seek to censor him because of his involvement with prostitutes. McQuaid also does not approve of his ecumenical efforts. In the 1930s and 1940s Duff creates the Mercier Society, a study group designed to bring together Catholics and Protestants, as well as the Pillar of Fire, a group designed to promote dialogue with Ireland’s Jewish community. In communication with Irish social dissidents Seán Ó Faoláin and Peadar O’Donnell, he suggests he is far more censored than even they are.
Duff does have some supporters amongst the Catholic hierarchy though. With the backing of Cardinal Joseph MacRory and Francis Bourne of Westminster, the Legion is able to expand rapidly and internationally. In 1928 the Legion establishes its first presidium in Scotland. In 1932 he is able to use the occasion of the Eucharistic Congress of Dublin to introduce the concept of the Legion of Mary to several visiting bishops, leading to further international growth.
Duff retires from the Civil Service in 1934 to devote all of his time to the Legion of Mary.
In July 1940, an overseas club for Afro-Asian students in Dublin is created. At that time Ireland is a popular destination for students from Asia and Africa because of its recent anti-imperial, anti-colonial history. Duff personally funds the purchase of a building for the club using funds from an inheritance. The club lasts until 1976 and facilitate many notable students, including Jaja Wachuku.
For the rest of his life, and with the help of many others, Duff guides the Legion’s worldwide extension. Today, the Legion of Mary has an estimated four million active members and 10 million auxiliary members in close to 200 countries in almost every diocese in the Catholic Church.
In 1965, Pope Paul VI invites Duff to attend the Second Vatican Council as a lay observer. When he is introduced to the assembly by the Archbishop of Liverpool, John Heenan, he receives a standing ovation.
Duff dies in Dublin at the age of 91 on November 7, 1980, and is interred at Glasnevin Cemetery. In July 1996, the cause of his beatification is introduced by Cardinal Desmond Connell.
O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.
O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.
O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.
Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.
Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.
Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.
Hayes is born into a family languishing in poverty. One of ten siblings, seven of Hayes’ brothers and sisters die of malnutrition and disease over a twelve-year period. The family had been evicted from Lord Cloncurry‘s estate in 1872 for non-payment of rent, forcing them into destitution. The family returns to the estate in 1894.
During the 1920s Hayes becomes an admirer of Benito Mussolini, with whom he is granted an audience during a visit to Rome in 1930. He is intrigued by corporatism and comes to believe it can uplift rural communities. Similarly, he is influenced by continental movements such as the BelgianBoerenbond league, which encourages rural inhabitants to form cooperatives.
Hayes comes to national prominence with the foundation of Muintir na Tíre in 1931, a rural development organisation which has core principles of neighbourliness, self-help and self-sufficiency. It is to act as a rural self-help group based on collective parish organisation with a strong emphasis on the teaching of the papal encyclicals Rerum novarum (1891) and Quadragesimo anno (1931). He is successfully able to draw on the power of the media, Irish newspapers and radio, to promote Muintir na Tíre and quickly becomes a figure of national prominence in doing so. In promoting and developing Muintir na Tíre Hayes resists calls in some quarters to limit the membership to Catholics, remarking “this country is becoming so Catholic it forgets to be Christian.” Nonetheless, under his leadership, there is eventually an overlap in membership between Muintir na Tíre and the Catholic fraternal organisation the Knights of Saint Columbanus.
Hayes is appointed parish priest of Bansha and Kilmoyler in County Tipperary in 1946. Due largely to his endeavours, a factory, Bansha Rural Industries, is started and enjoys some success producing preserves for the Irish home market. Bansha is to the forefront in developing many Muintir na Tíre initiatives and for a time in the 1950s enjoys the soubriquet of The Model Parish.
Hayes spearheads many initiatives including rural electrification, the “Parish Plan for Agriculture,” and the setting up of small industry in rural areas in an attempt to stop emigration. He is later made a canon of his cathedral chapter.
Hayes dies on January 30, 1957 in a Tipperary nursing home following a minor operation. His funeral in Bansha is a national occasion, attended by leaders of Church and State. His grave is at the rear of the Church of the Annunciation, Bansha. He is later commemorated on an Irish postage stamp.
One of five children born to Archibald McNeill, a Roman Catholic working class “baker, sailor and merchant,” and his wife, Rosetta (née McAuley) McNeill, McNeill is the brother of nationalist leader Eoin MacNeill. He serves as a high-ranking member of the Indian Civil Service in Calcutta.
When the first Governor-General of the Irish Free State, Tim Healy, retires in December 1927, McNeill is proposed as his replacement by the Irish government of W. T. Cosgrave and duly appointed by King George V as Governor-General of the Irish Free State.
In office, McNeill clashes with the King’s Private Secretary when he insists on following the constitutional advice of his Irish ministers, rather than that of the Palace, in procedures relating to the receipt of Letters of Credence accrediting ambassadors to the King in Ireland. He also refuses to attend ceremonies in Trinity College, Dublin, when some elements in the college try to ensure that the old British national anthemGod Save the King is played, rather than the new Irish anthem, Amhrán na bhFiann.
However, McNeill’s tact is not reciprocated by de Valera’s government, and some of its ministers seek to humiliate him as the King’s representative by withdrawing the Irish Army‘s band from playing at functions he attends and demanding he withdraw invitations to visitors to meet him. In one notorious incident in April, two ministers, Seán T. O’Kelly (a future President of Ireland) and Frank Aiken, publicly walk out of a diplomatic function when McNeill, there as the guest of the French ambassador, arrives. In a fury, McNeill writes to de Valera demanding an apology for this treatment. When none is forthcoming, apart from an ambiguous message from de Valera that could be interpreted as partially blaming McNeill for attending functions at which ministers would be present, he publishes his correspondence with de Valera, even though de Valera had formally advised him not to do so. De Valera then demands that George V dismiss him.
The King engineers a compromise, whereby de Valera withdraws his dismissal request and McNeill, who is due to retire at the end of 1932, will push forward his retirement date by a month or so. McNeill, at the King’s request, resigns on November 1, 1932.
Ireland is then home to 3,171,697 Catholics. It is selected to host the congress as 1932 is the 1500th anniversary of Saint Patrick‘s arrival. The chosen theme is “The Propagation of the Sainted Eucharist by Irish Missionaries.”
The city of Dublin is decorated with banners, bunting, garlands, and replica round towers. Seven ocean liners moor in the port basins and along Sir John Rogerson’s Quay. Five others anchor around Scotsmans Bay. The liners act as floating hotels and can accommodate from 130 to 1,500 people on each. The Blue Hussars, a ceremonial cavalry unit of the Irish Army formed to escort the President of Ireland on state occasions, first appears in public as an honor guard for the visiting Papal Legate representing Pope Pius XI.
John Charles McQuaid, President of Blackrock College, hosts a large garden party on the grounds of the college to welcome the papal legate, where the hundreds of bishops assembled for the Congress have the opportunity to mingle with a huge gathering of distinguished guests and others who have paid a modest subscription fee.
The final public mass of the congress is held at 1:00 PM on Sunday, June 26 in Phoenix Park at an altar designed by the eminent Irish architect John J. Robinson of Robinson & Keefe Architects, and is celebrated by Michael Joseph Curley, Archbishop of Baltimore. A radio station, known as Radio Athlone, is set up in Athlone to coincide with the Congress. In 1938 it becomes Radio Éireann. The ceremonies include a live radio broadcast by Pope Pius XI from the Vatican. John McCormack, the world-famous Irish tenor, sings César Franck‘s Panis Angelicus at the mass.
Approximately 25% of the population of Ireland attend the mass and afterwards four processions leave the Park to O’Connell Street where approximately 500,000 people gather on O’Connell Bridge for the concluding Benediction given by the Papal Legate, CardinalLorenzo Lauri.
The English Catholic writer G. K. Chesterton is also present, and observes, “I confess I was myself enough of an outsider to feel flash through my mind, as the illimitable multitude began to melt away towards the gates and roads and bridges, the instantaneous thought ‘This is Democracy; and everyone is saying there is no such thing.'”
On the other hand, such an overwhelming display of Catholicity only confirms to Protestants in the North the necessity of the border.
(Pictured: the closing ceremony of the Eucharistic Congress that was held in Dublin in June 1932)
seamus dubhghaill 