seamus dubhghaill

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Tag Archives: Abbey Theatre (Dublin)


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Birth of Joseph Tomelty, Actor & Playwright

joseph-tomelty

Joseph Tomelty, Irish character actor and playwright, is born at Portaferry, County Down, on March 5, 1911. He works in film, television, radio, and on the stage, starring in Sam Thompson‘s 1960 play Over the Bridge.

Tomelty is the eldest of seven children. His father is known as “Rollickin’ James” for his skill on the fiddle. He leaves his local primary school at the age of 12 and is apprenticed to the trade of housepainter, his father’s trade. He moves to Belfast and attends classes at Belfast Technical College.

Tomelty first acts with St. Peter’s Players and with others in 1937 and 1938 takes part in discussions which lead to the formation of the Northern Ireland Players on a more professional basis. Radio plays Barnum is Right and Elopement are broadcast in December 1938 and February 1939 respectively. The Northern Ireland Players choose the stage version of Barnum is Right for their first major commercial venture at the Empire Theatre in June 1939.

In 1940 the Northern Ireland Players join forces with the Ulster Theatre and the Jewish Institute Dramatic Society to form the Group Theatre. In 1942 Tomelty becomes its general manager remaining in the post until 1951. His play, Idolatry at Innishargie, enjoys a short run at the Group Theatre in 1942, but The End House, a controversial political play, does not even appear there. The play deals with what he describes as “the inhumanity that resulted from the Special Powers Act.” It is however performed at the Abbey Theatre in Dublin in 1944.

Meanwhile, his career as a character actor rapidly develops and a successful stage and film career is underway. In 1948 he is commissioned by the BBC in Belfast to write the weekly radio comedy drama series The McCooeys. This radio series lasts for seven years with Tomelty writing 6,000 word scripts for each episode. He continues to write plays, including his masterpiece, and a modern Irish theatre classic, All Souls’ Night in 1948.

In 1954 Tomelty is injured in an automobile accident while filming Bhowani Junction in England and, while he recovers, he is never as productive again. He dies in Belfast on June 7, 1995.


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Birth of Actor Arthur Shields

arthur-shields

Arthur Shields, Irish actor on television, stage, and film, is born on February 15, 1896, into an Irish Protestant family in Portobello, Dublin. Shields starts acting in the Abbey Theatre when he is 17 years old. He is the younger brother of Oscar-winning actor Barry Fitzgerald. They are the sons of Adolphus Shields, who is well-known in Dublin as a labor organizer although the 1901 census lists his occupation as “press reader,” and Fanny Sophia Sheilds.

An Irish nationalist, Shields fights in the Easter Rising of 1916. He is captured and held for six months in the Frongoch internment camp in Frongoch, Wales. His obituary in the San Mateo County Times of San Mateo, California, reports, “upon his release he was decorated by the Republic of Eire.”

Shields returns to the Abbey Theatre and has a varied career there from 1914-1939 as actor, assistant director, director, and stage manager. He appears in more than 300 roles in 350 plays while he is at the Abbey. Three of the productions he appears in are by Irish playwright Teresa Deevy – The Reapers, Temporal Powers, and Katie Roche. Three times he brings the Abbey Company to the United States.

In 1936, John Ford brings him to the United States to act in a film version of The Plough and the Stars in the role of Patrick Pearse. Some of his memorable roles are in Ford films. Shields portrays the Reverend Playfair in Ford’s The Quiet Man, opposite John Wayne, Maureen O’Hara, and his brother, Barry Fitzgerald. He plays Dr. Laughlin in She Wore a Yellow Ribbon with Wayne and Joanne Dru and appears yet again with Wayne and Barry Fitzgerald in Ford’s The Long Voyage Home. His other films include Little Nellie Kelly, The Keys of the Kingdom, The Fabulous Dorseys, Gallant Journey, The Shocking Miss Pilgrim, Drums Along the Mohawk, Lady Godiva, National Velvet, and The River. He also makes television appearances including a 1958 role on Perry Mason as Dr. George Barnes in “The Case of the Screaming Woman.”

Shields dies of complications related to emphysema on April 27, 1970, in Santa Barbara, California. He is survived by his wife, actress Laurie Bailey, a daughter, a son, and four great-grandchildren. His body is cremated, with the ashes taken to Dublin, where a burial with full military honors takes place.


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Opening Night of “The Playboy of the Western World”

playboy-of-the-western-world

The Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the barmaid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.

The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.

The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.

Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”

In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”

The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.


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Birth of Padraic Fallon, Poet & Playwright

padraic-fallon

Padraic Fallon, Irish poet and playwright, is born in Athenry, County Galway, on January 3, 1905.

Fallon’s upbringing and his early impressions of Athenry and the surrounding landscape are intimately described in his poetry. After passing the civil service exams in 1923 he moves to Dublin to work in the Customs House. In Dublin he becomes part of the circle of George William Russell (Æ) who encourages his literary ambitions and arranges for the publication of his early poetry. His early poetry, short stories, and literary criticism are published in The Dublin Magazine and The Bell.

He forms close friendships with Seumas O’Sullivan, editor of The Dublin Magazine, the poets Austin Clarke, Robert Farren, F.R. Higgins, and Patrick McDonagh and later the novelist James Plunkett. In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford Town with his wife, Dorothea (née Maher) and his six sons. During this time, he becomes a close friend of the painter Tony O’Malley.

Fallon is a regular contributor to Radio Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter, and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of Fallon’s verse plays for radio, Diarmuid and Gráinne, is broadcast by Radio Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), A Man in the Window (1955), Outpost (1955), The Wooing of Étain (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960), and Lighting up Time (1961).

Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne, and Deirdre’s King receive particular contemporary critical acclaim. The landscape, mythology, and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works.

A number of his radio plays are later broadcast on the BBC Third Programme, and, in translation, in Germany, Holland, and Hungary. A stage play, The Seventh Step, is staged at The Globe Theatre in Dublin in 1954. A second stage play, Sweet Love ’till Morn, is staged in the Abbey Theatre in 1971. Fallon also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett.

Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death on October 9, 1974.

While his poetry has previously appeared in The Dublin Magazine, The Bell, The Irish Times, and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death – Poems and Versions (1983), Collected Poems (1990), with an introduction by Seamus Heaney, and A Look in the Mirror and Other Poems (2003), with an introduction by Eavan Boland. In 2005, three of Fallon’s verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.


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Birth of Playwright & Poet Lennox Robinson

lennox-robinson

Esmé Stuart Lennox Robinson, playwright, poet, theatre producer, and director who is involved with the Abbey Theatre, is born in Westgrove, Douglas, County Cork, on October 4, 1886.

Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.

As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).

Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.

He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonagh The Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.

Melancholic and alcoholic in later years, Lennox Robinson dies in Monkstown, County Dublin, on October 15, 1958. He is buried St. Patrick’s Cathedral.


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Death of Irish Dramatist Seán O’Casey

Seán O’Casey, Irish dramatist and memoirist, dies of a heart attack in Torquay, Devon, England on September 18, 1964. A committed socialist, he is the first Irish playwright of note to write about the Dublin working classes.

O’Casey is born John Casey at 85 Upper Dorset Street, in the northern inner-city area of Dublin on March 30, 1880. He is a member of the Church of Ireland, baptised on July 28, 1880 in St. Mary’s parish and confirmed at St. John the Baptist Church in Clontarf. He is an active member of Saint Barnabas until his mid-twenties, when he drifts away from the church.

As O’Casey’s interest in Irish nationalism grows, he joins the Gaelic League in 1906 and learns the Irish language. At this time, he Gaelicises his name from John Casey to Seán Ó Cathasaigh. He also learns to play the Uilleann pipes and is a founder and secretary of the St. Laurence O’Toole Pipe Band. He joins the Irish Republican Brotherhood, and becomes involved in the Irish Transport and General Workers Union, established by James Larkin to represent the interests of the unskilled labourers who inhabit the Dublin tenements. In March 1914 he becomes General Secretary of Larkin’s Irish Citizen Army. On July 24, 1914 he resigns from the ICA, after his proposal to deny dual membership to both the ICA and the Irish Volunteers is rejected.

In 1917, his friend Thomas Ashe dies in a hunger strike and it inspires him to write. He spends the next five years writing plays. O’Casey’s first accepted play, The Shadow of a Gunman, is performed at the Abbey Theatre in 1923. This is the beginning of a relationship that is to be fruitful for both theatre and dramatist but which ends in some bitterness. It is followed by Juno and the Paycock (1924) and The Plough and the Stars (1926).

The Plough and the Stars is not well received by the Abbey audience. There is a riot reported on the fourth night of the show. His depiction of sex and religion offends some of the actors who refused to speak their lines. W.B. Yeats intervenes and describes the audience as “shaming themselves.”

In 1928, Yeats rejects O’Casey’s fourth play, The Silver Tassie, for the Abbey. It is an attack on imperialist wars and the suffering they cause. The Abbey refuses to perform it. The plays O’Casey writes after this include the darkly allegorical and highly controversial Within the Gates (1934), which is set within the gates of a busy city park based on London’s Hyde Park. It closes not long after opening and is another box office failure.

Over the next twenty years, O’Casey writes The Star Turns Red (1940), Purple Dust (1943), Red Roses for Me (1943), Oak Leaves and Lavender (1945), Cock-a-Doodle Dandy (1949), The Bishop’s Bonfire (1955), and The Drums of Father Ned (1958). In 1959, O’Casey gives his blessing to a musical adaptation of Juno and the Paycock by American composer Marc Blitzstein. The musical, retitled Juno, is a commercial failure, closing after only 16 Broadway performances. Also in 1959, George Devine produces Cock-a-Doodle Dandy at the Royal Court Theatre and it is also successful at the Edinburgh International Festival and has a West End run.

On September 18, 1964, at the age of 84, O’Casey dies of a heart attack, in Torquay, Devon. He is cremated at the Golders Green Crematorium.


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Birth of Actress Maureen O’Hara

maureen-ohara

Maureen O’Hara, Irish actress and singer, is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne and is one of the last surviving stars from the Golden Age of Hollywood.

O’Hara grows up in the Dublin suburb of Ranelagh to an “eccentric” devout Catholic family and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.

O’Hara gains a reputation in Hollywood for bossiness and prudishness, avoiding the partying lifestyle. She appears in films such as How Green Was My Valley (1941), her first collaboration with John Ford, The Black Swan (1942) with Tyrone Power, The Spanish Main (1945), Sinbad the Sailor (1947), the Christmas classic Miracle on 34th Street (1947) with John Payne and Natalie Wood and Comanche Territory (1950).

O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).

O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.

Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”

Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles Blair.


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Birth of Seán Ó Riada, Composer of Irish Traditional Music

seán-o-riada

Seán Ó Riada, Irish composer and arranger of Irish traditional music, is born John Reidy in Cork City on August 1, 1931. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Cúil Aodha in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy played at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.


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The Abbey Theatre Destroyed by Fire

abbey-theatre-fire-1951

Fire destroys the Abbey Theatre in Dublin on July 17, 1951, with only the Peacock, a small experimental theatre in the ground floor of the main theatre surviving intact. The play earlier in the evening closes with soldiers on stage singing Keep the Home Fires Burning.

In February 1961, the ruins of the Abbey are demolished. The board has plans for rebuilding with a design by the Irish architect Michael Scott. On September 3, 1963, the President of Ireland, Éamon de Valera, lays the foundation stone for the new theatre. The Abbey reopens on July 18, 1966, at its new location at 26 Lower Abbey Street, Dublin 1.

The Abbey Theatre first opens its doors to the public on December 27, 1904. Despite the loss of the original building to the 1951 fire, it has remained active to the present day. The Abbey is the first state-subsidized theatre in the English-speaking world. From 1925 onwards it receives an annual subsidy from the Irish Free State.

In its early years, the theatre is closely associated with the writers of the Irish Literary Revival, many of whom are involved in its founding and most of whom have plays staged there. The Abbey serves as a nursery for many of the leading Irish playwrights and actors of the 20th century, including William Butler Yeats, Lady Gregory, Seán O’Casey, and John Millington Synge. In addition, through its extensive programme of touring abroad and its high visibility to foreign, particularly American, audiences, it has become an important part of the Irish tourist industry.


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Executions of Patrick Pearse, Thomas Clarke, & Thomas MacDonagh

pearse-clarke-mac-donagh

Patrick Pearse, Thomas Clarke, and Thomas MacDonagh are executed by firing squad in the Stonebreakers’ Yard at Kilmainham Gaol in Dublin on May 3, 1916. Pearse, Clarke, and MacDonagh are three of the seven signatories of the Proclamation of the Irish Republic.

Just three days after the end of the 1916 Easter Rising, the first military courts martial sits on May 2, 1916. Pearse, Clarke, and MacDonagh are immediately sentence to death. The three are taken that evening to the disused Kilmainham Gaol and are shot at dawn the following morning.

Patrick Pearse is born in Dublin in 1879, becoming interested in Irish cultural matters in his teenage years. In 1898, Pearse becomes a member of the Executive Commmittee of the Gaelic League. He graduates from the Royal University of Ireland in 1901 with a degree in Arts and Law. Pearse’s literary output is constant, and he publishes extensively in both Irish and English, becoming the editor of An Claidheamh Soluis, the newspaper of the Gaelic League. He is a keen believer in the value of education, and establishes two schools, Coláiste Éanna and Coláiste Íde, devoted to the education of Irish children through the Irish language.  Pearse is one of the founding members of the Irish Volunteers and the author of the Proclamation of the Irish Republic. He is Commander in Chief of the Irish forces and headquartered in the General Post Office (GPO) during the 1916 Easter Rising.

Thomas Clarke is born on the Isle of Wight in 1857, the son of a soldier in the British army. During his time in America as a young man, he joins Clan na Gael, later enduring fifteen years (1883-1898) of penal servitude for his role in a bombing campaign in London. In 1907, having returned from a second sojourn in America, his links with Clan na Gael in America copper-fastens his importance to the revolutionary movement in Ireland. He holds the post of Treasurer to the Irish Republican Brotherhood (IRB) and is a member of the Supreme Council from 1915. Clarke is the first signatory of the Proclamation of the Irish Republic through deference to his seniority. Clarke is also stationed at the GPO during Easter Week. Clarke tells his wife during his final night that he is relieved he is going to be executed because his greatest dread is that he would be sent back to prison.

Thomas MacDonagh is a native of Tipperary, born in 1878. He spends the early part of his career as a teacher. He moves to Dublin to study and is the first teacher on the staff at St. Enda’s School, the school he helps to found with Patrick Pearse. MacDonagh is well versed in literature, his enthusiasm and erudition earning him a position in the English department at University College Dublin. His play When the Dawn is Come is produced at the Abbey Theatre. He is appointed director of training for the Irish Volunteers in 1914, later joining the Irish Republican Brotherhood (IRB). MacDonagh is appointed to the IRB military committee in 1916. He is commander of the Second Battalion of Volunteers that occupies Jacob’s Biscuit Factory and surrounding houses during the Rising.

Immediately after the executions, Irish Parliamentary Party leader John Redmond warns British Prime Minister Herbert Asquith that “if any more executions take place in Ireland the position will become impossible for any constitutional party or leader.”

Asquith himself warns Sir John Maxwell that “anything like a large number of executions would…sow the seeds of lasting trouble in Ireland.”

These warnings fall upon deaf ears as thirteen additional executions take place in the following days.