Charles Jervas, Irish portrait painter, translator, and art collector of the early 18th century, dies at his home at Cleveland Court, London, on November 2, 1739.
Born in Shinrone, County Offaly, around 1675, Jervas is one of seven children (five sons and two daughters) of John Jervas of Clonlisk, Shinrone, and his wife Elizabeth, daughter of Captain John Baldwin, High Sheriff of County Offaly, of Shinrone. He studies in London as an assistant under Sir Godfrey Kneller between 1694 and 1695.
After selling a series of small copies of the Raphael Cartoons around 1698 to Dr. George Clarke of All Souls College, Oxford, the following year, he travels to Paris and Rome (while financially supported by Clarke and others) remaining there for most of the decade before returning to London in 1709 where he finds success as a portrait painter.
Painting portraits of the city’s intellectuals, among them such personal friends as Jonathan Swift and the poet Alexander Pope, both of which are now in the National Portrait Gallery, London, Jervas becomes a popular artist often referred to in the works of literary figures of the period.
Jervas gives painting lessons to Pope at his house in Cleveland Court, St. James’s, which Pope mentions in his poem, To Belinda on the Rape of the Lock, written in 1713 and published in 1717 in Poems on Several Occasions.
Pope’s verse Epistle to Mr. Jervas, written around 1715, is published in the 1716 edition of John Dryden‘s 1695 translation of Fresnoy’s Art of Painting (Charles Alphonse du Fresnoy‘s De arte graphica, 1668). In it, Pope refers to Jervas’s skill as an artist:
O, lasting as those colours may they shine, Free as they stroke, yet faultless as thy line; New graces yearly like thy works display, Soft without weakness, without glaring gay!
With his growing reputation, Jervas succeeds Kneller as Principal Painter in Ordinary to King George I in 1723, and subsequently King George II. In 1727 he marries Penelope Hume, a wealthy widow with a supposed fortune of £20,000, and moves to Hampton, London. He continues to live in London until his death on November 2, 1739.
Jervas’s translation of Miguel de Cervantes‘s novel Don Quixote, published posthumously in 1742 as being made by Charles “Jarvis” due to a printer’s error, has since come to be known as “the Jarvis translation.” He is first to provide an introduction to the novel including a critical analysis of previous translations of Don Quixote. It has been highly praised as the most accurate translation of the novel up to that time, but also strongly criticised for being stiff and humourless, although it goes through many printings during the 19th century.
As principal portraitist to the King of England, Jervas is known for his vanity and luck, as mentioned in the Imperial Biographical Dictionary, “He married a widow with $20,000; and his natural self-conceit was greatly encouraged by his intimate friend [Alexander] Pope, who has written an epistle full of silly flattery.”
According to one account, after comparing a painting he had copied from Titian, Jervas is said to have stated, “Poor little Tit, how he would starve!”
Upon being told that Jervas had set up a carriage with four horses, Godfrey Kneller replies, “Ach, mein Gott, if his horses do not draw better than he does, he will never get to his journey’s end.”
Berkeley is the eldest son of William Berkeley, a cadet of the noble family of Berkeley whose ancestry can be traced back to the Anglo-Saxon period and who had served as feudal lords and landowners in Gloucester, England. Little is known of his mother. He is educated at Kilkenny College and attends Trinity College Dublin, where he is elected a Scholar in 1702, being awarded BA in 1704 and MA and a Fellowship in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.
Berkeley’s earliest publication is on mathematics, but the first that brings him notice is his An Essay Towards a New Theory of Vision, first published in 1709. In the essay, he examines visual distance, magnitude, position and problems of sight and touch. While this work raises much controversy at the time, its conclusions are now accepted as an established part of the theory of optics.
The next publication to appear is A Treatise Concerning the Principles of Human Knowledge in 1710, which has great success and gives him a lasting reputation, though few accept his theory that nothing exists outside the mind. This is followed in 1713 by Three Dialogues between Hylas and Philonous, in which he propounds his system of philosophy, the leading principle of which is that the world, as represented by our senses, depends for its existence on being perceived.
For this theory, the Principles gives the exposition and the Dialogues the defence. One of his main objectives is to combat the prevailing materialism of his time. The theory is largely received with ridicule, while even those such as Samuel Clarke and William Whiston, who do acknowledge his “extraordinary genius,” are nevertheless convinced that his first principles are false.
Shortly afterwards, Berkeley visits England and is received into the circle of Joseph Addison, Alexander Pope and Richard Steele. In the period between 1714 and 1720, he intersperses his academic endeavours with periods of extensive travel in Europe, including one of the most extensive Grand Tours of the length and breadth of Italy ever undertaken. In 1721, he takes holy orders in the Church of Ireland, earning his doctorate in divinity, and once again chooses to remain at Trinity College Dublin, lecturing this time in Divinity and in Hebrew. In 1721-22 he is made Dean of Dromore and, in 1724, Dean of Derry.
In 1723, following her violent quarrel with Jonathan Swift, who had been her intimate friend for many years, Esther Vanhomrigh names Berkeley her co-heir along with the barrister Robert Marshall. Her choice of legatees causes a good deal of surprise since she does not know either of them well, although Berkeley as a very young man had known her father. Swift says generously that he does not grudge Berkeley his inheritance, much of which vanishes in a lawsuit in any event. A story that Berkeley and Marshall disregarded a condition of the inheritance that they must publish the correspondence between Swift and Vanhomrigh is probably untrue.
In 1725, Berkeley begins the project of founding a college in Bermuda for training ministers and missionaries in the colony, in pursuit of which he gives up his deanery with its income of £1100.
In 1728, Berkeley marries Anne Forster, daughter of John Forster, Chief Justice of the Irish Common Pleas, and his first wife Rebecca Monck. He then goes to America on a salary of £100 per annum. He lands near Newport, Rhode Island, where he buys a plantation at Middletown – the famous “Whitehall.” He purchases several enslaved Africans to work on the plantation. He also brings John Smibert to New England, the Scottish artist he “discovered” in Italy, who is generally regarded as the founding father of American portrait painting. Meanwhile, he draws up plans for the ideal city he plans to build on Bermuda. He lives at the plantation while he waits for funds for his college to arrive. The funds, however, are not forthcoming and he leaves America and returns to London in 1732.
Berkeley and his wife have four children who survive infancy: Henry, George, William and Julia, and at least two other children who die in infancy. William’s death in 1751 is a great cause of grief to his father.
Berkeley is nominated to be the Bishop of Cloyne in the Church of Ireland on January 18, 1734. He is consecrated as such on May 19, 1734. He is the Bishop of Cloyne until his death on January 14, 1753, although he dies at Oxford.
While living in London’s Saville Street, Berkeley takes part in efforts to create a home for the city’s abandoned children. The Foundling Hospital is founded by royal charter in 1739, and Berkeley is listed as one of its original governors.
Berkeley’s last two publications are Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tarwater, And divers other Subjects connected together and arising one from another (1744) and Further Thoughts on Tar-water (1752). Pine tar is an effective antiseptic and disinfectant when applied to cuts on the skin, but he argues for the use of pine tar as a broad panacea for diseases. His 1744 work on tar-water sells more copies than any of his other books during Berkeley’s lifetime.
Berkeley remains at Cloyne until 1752, when he retires. With his wife and daughter Julia, he goes to Oxford to live with his son George and supervise his education. He dies soon afterwards and is buried in Christ Church Cathedral, Oxford. His affectionate disposition and genial manners make him much loved and held in warm regard by many of his contemporaries. Anne outlives her husband by many years, dying in 1786.
(Pictured: “Bishop George Berkeley,” oil on canvas portrait by John Smibert, c. 1727)
Croker is the only son of John Croker, the surveyorgeneral of customs and excise in Ireland. He is educated at Trinity College, Dublin, where he graduates in 1800. Immediately afterwards he enters Lincoln’s Inn and, in 1802, he is called to the Irish bar.
Croker enters the Parliament of the United Kingdom in 1808 as member for Downpatrick, obtaining the seat on petition, though he had been unsuccessful at the poll. In 1810 he is appointed to the office of First Secretary to the Admiralty, which he holds without interruption under various administrations for more than twenty years. From the beginning he has the backing of Arthur Wellesley, 1st Duke of Wellington, and the friendship continues between them until Wellesley’s death in 1852.
From 1831 to 1854 Croker is one of the chief writers for the Quarterly Review, to which he contributes about 270 articles on a variety of subjects. His literary tastes are largely those of the 18th century, as may be seen from his severe criticism of John Keats’s Endymion, Alfred Tennyson’s Poems of 1832, and of course the first two volumes of Macaulay’s The History of England from the Accession of James the Second (1848). For some years before his death he accumulates material for an annotated edition of Alexander Pope’s works. This is passed to Whitwell Elwin, who begins the edition later completed by William John Courthope. Croker also edits the collected letters or memoirs of various 18th-century figures.
Croker dies at the age of 76 on August 10, 1857 at St. Albans Bank, Hampton.
(Pictured: Portrait of John Wilson Croker, by William Owen (died 1825), given to the National Portrait Gallery, London in 1872)
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