McGurk first joins RTÉ in 1972, as a news reporter, moving on to present Last House and First House on television. In 1972 he wins a Jacob’s Award for his RTÉ Radio documentaries on Ireland’s islands. For 20 years he is the presenter of RTÉ Sport‘s rugby coverage, most notable of the Six Nations Championship and Internationals with the panel of George Hook and Brent Pope. He also spends time in the 1980s and 1990s in the UK, working for BBC Radio 4‘s Start of the Week as a presenter on the regional ITV station for the North West of England, Granada Television. On his return to Ireland, he presents the Sunday Show on RTE Radio 1. He also guest presents Tonight with Vincent Browne, on TV3. He presents a drive-time radio show on 4FM when it launches in 2009.
Until 2019, McGurk is a columnist with The Sunday Business Post. He then writes for The Currency until 2020.
McGurk writes the script for the TV film Dear Sarah based on the letters from Sarah Conlon, campaigning for the release of her husband (Giuseppe Conlon), son (Gerry Conlon) and sister Anne Maguire, caught up in the Guildford Four miscarriage of justice.
Among his poems is “Big Ned” about a farmer from Brockagh, County Tyrone.
While working for 4FM, the Director of the National Women’s Council of Ireland, Susan McKay, speaks out against an “uncouth and objectionable” interview McGurk conducts with her. The National Women’s Council has since refrained from giving interviews to 4FM.
From 1983 to 1996 McGurk is married to the broadcaster Miriam O’Callaghan, with whom he has four daughters. In 2003 he marries PR consultant Caroline Kennedy.
On December 5, 2017, the Irish Revenue Commissioners list of tax defaulters reveal that McGurk had made a settlement of €76,000 with the Revenue for the underpayment of income tax.
At the age of 17, McCabe migrates to London and works as a teacher, returning to Ireland after finding success as a writer. He resides in Clones with his artist wife Margot Quinn and two daughters, Katie and Ellen.
McCabe’s books include The Butcher Boy (1992) and Breakfast on Pluto (1998), both shortlisted for the Booker Prize. He has written a children’s book, The Adventures of Shay Mouse (1985), and several of his radio plays have been broadcast by RTÉ and BBC Radio 4. He wrote a collection of linked short stories, Mondo Desperado, published in 1999. The play Frank Pig Says Hello, which he adapts from The Butcher Boy, is first performed at the Dublin Theatre Festival in 1992.
McCabe’s 2001 novel Emerald Germs of Ireland is a black comedy featuring matricide. Winterwood, published in 2006, is the 2007 Hughes & Hughes/Irish Independent Irish Novel of the Year. Three years later, 2009 sees the publication of The Holy City. The Stray Sod Country (2010) is described as “Strangely elegiac, gloriously operatic and driven by (…) wild and savage imagination, (…) an eerie folk tale that chronicles the passing of a generation.”
Zelig Theatre premieres the play Appointment in Limbo, written by McCabe and directed by Cathal Cleary, in Galway‘s Town Hall Theatre in 2008.
McCabe and British film director Kevin Allen are organisers of the Flat Lake Literary & Arts Festival, a music festival held annually since 2007 on the Hilton Park farm estate in Clones, County Monaghan.
Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.
After initially attending Beaumont convent school, Allen goes to Firhousenational school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.
Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.
Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.
While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.
Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”
On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.
Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.
Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).
In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.
In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.
After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.
A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.
(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)
When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.
Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish TimesBest New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.
Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.
Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).
A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.
Donleavy grows up in the Bronx. His father is a firefighter, and his mother comes from a wealthy background. He has a sister, Mary Rita, and a younger brother. He declares himself to be an atheist at the age of fourteen. He receives his education at various schools in the United States, then serves in the United States Navy during World War II. After the war ends, he moves to Ireland and becomes an Irish citizen. In 1946 he begins studying bacteriology at Trinity College Dublin but leaves in 1949 before taking a degree.
Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. The lead character, Sebastian Dangerfield, is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.
In 1946, Donleavy marries Valerie Heron. The couple has two children: Philip (born in 1951) and Karen (born in 1955). They divorce in 1969, and he remarries in 1970 to Mary Wilson Price. That union ends in divorce in 1989. In 2011, it is reported that he had not fathered his two children with Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”
Donleavy lives at Levington Park, a country house on 200 acres directly on Lough Owel, near Mullingar, County Westmeath, from 1972. Throughout much of his life, he is known as Mike by close friends, though the origins of this nickname are unclear.
Donleavy dies in Mullingar at the age of 91 on September 11, 2017.
David Kelly, Irish actor who has regular roles in several film and television works from the 1950s onwards, dies on February 12, 2012, in Goatstown, Dublin, following a short illness. One of the most recognisable voices and faces of Irish stage and screen, he is known for his roles as Rashers Tierney in Strumpet City, Cousin Enda in Me Mammy, the builder Mr. O’Reilly in Fawlty Towers, Albert Riddle in Robin’s Nest, and Grandpa Joe in the film Charlie and the Chocolate Factory (2005). Another notable role is as Michael O’Sullivan in Waking Ned.
One of Kelly’s first television appearances is on RTÉ in O’Dea’s Your Man (1964) in which he plays the part of Ignatius opposite Jimmy O’Dea. He goes on to become a familiar face on British television with the BBC comedy Me Mammy, opposite Milo O’Shea and Anna Manahan. He goes on to often-memorable guest roles on such series as Oh, Father! and Never Mind the Quality, Feel the Width, and particularly during the 1970s with a long-running role as the one-armed dishwasher Albert Riddle in the Man About the House spin-off Robin’s Nest. He also has a regular long running role alongside Bruce Forsyth in both series of the comedy Slinger’s Day from 1986 to 1987, and, in 1991, he appears in the first series of the BBC sitcom 2point4 Children as the cafe-owner Paddy.
Kelly gains some of his greatest recognition in 1975, playing inept builder Mr. O’Reilly on the second episode of Fawlty Towers (“The Builders”).
Kelly is in the voice cast of The Light Princess, a partly animated, hour-long family fantasy that airs on the BBC in 1978.
In Ireland, Kelly may be most famous for his portrayal of the character “Rashers” Tierney in the 1980 RTÉ miniseries Strumpet City, which stars Peter O’Toole, Cyril Cusack and Peter Ustinov. He goes on to have starring roles in television shows such as Emmerdale Farm in the 1980s and Glenroe in the 1990s, as well as playing the grandfather in Mike Newell‘s film Into the West (1992).
Following his appearance as Michael O’Sullivan in the 1998 film Waking Ned, Kelly plays roles in such films as Tim Burton‘s Charlie and the Chocolate Factory (2005), in which he plays Grandpa Joe, and Agent Cody Banks 2: Destination London (2004). He plays title character Frank Kovak in the mystery film The Kovak Box, in a rare villainous role. In 2007, he appears in Stardust, which features Robert De Niro and Michelle Pfeiffer, and which is also his final film. He also does extensive radio work, including a guest appearance on the BBC Radio 4 series Baldi.
Kelly is married to actress Laurie Morton, who survives him, along with children David and Miriam. He dies at age 82 after a short illness on February 12, 2012. The Irish Times refers to him as the “grand old man of Irish acting.” A Catholic funeral mass takes place on February 16, 2012, at the Church of the Miraculous Medal, in his hometown of Dublin. He is cremated at Mount Jerome Cemetery and Crematorium.
Boylan is born in Dublin on April 21, 1948, the youngest of three daughters of Patrick Boylan, a clerk, and his wife Evelyn (née Selby). Her mother feels trapped by the limitations that domesticity imposes on women in 1950s Ireland, and had wanted to have a writing career. She encourages her daughter to send off stories and poems to newspapers. The first piece is published when she is 14, and she wins a prize in the national Texaco Children’s Art Competition when she is about 10 years old.
The family lives in the Dublin suburb of Terenure. Boylan goes to school in the Presentation convent, then St. Louis convent in Rathmines, and does her leaving certificate in Rathmines College.
After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. She marries Alan Wilkes, a journalist who is a colleague at The Irish Press, in St. Patrick’s Church in Straffan, County Kildare, on September 18, 1970. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.
Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.
Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.
Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.
In later life, Boylan lives in County Wicklow with her husband. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.
The government had set this date as a final deadline for a restoration of power-sharing before direct rule from London is restored permanently and now has to rush emergency legislation through the House of Commons to prevent this.
“After a long and difficult time in our province, I believe that enormous opportunities lie ahead for our province,” Paisley tells reporters, as he sits at a conference table next to Adams. The agreement “marks the beginning of a new era of politics on this island,” Adams agrees, but adds that he finds it “disappointing” that Northern Ireland‘s political institution cannot be restored immediately.
British prime minister Tony Blair hails the agreement, saying “This is a very important day for the people of Northern Ireland but also for the people and the history of these islands.” After talking by phone with his Irish counterpart, Taoiseach Bertie Ahern, he tells reporters, “In a sense, everything we have done over the last ten years has been a preparation for this moment, because the people of Northern Ireland have spoken through the election. They have said we want peace and power-sharing, and the political leadership has then come in behind that and said we will deliver what people want.”
In Ireland, Ahern calls the day’s developments “unprecedented and very positive,” and says both governments will cooperate with the new May 8 date for devolution.
The Secretary of State for Northern Ireland, Peter Hain, says a one clause emergency bill will be put through parliament with the agreement of opposition parties, and will need royal assent before midnight the following evening to prevent the dissolution of the Stormont assembly. He describes the day’s events as “really, really momentous.”
“Today the clouds have lifted, and the people can see the future,” Hain tells BBC Radio 4‘s The World at One. “These pictures of Ian Paisley and Gerry Adams will resonate around the world. They are a graphic manifestation of the power of politics over bigotry and conflict, bitterness and horror.”
The crucial meeting sees delegations from the DUP and Sinn Féin spend an hour together inside a room at Stormont to hammer out the final agreement for a return to power-sharing. Afterwards, both leaders talk about the work still needing to be done, including regular meetings between Paisley and Sinn Féin’s Martin McGuinness as the de facto first and deputy first ministers.
Clearly conscious of the historical significance of their talks, Paisley and Adams speak of the suffering caused by the decades of inter-community violence and their responsibility to ensure permanent peace and reconciliation. Northern Ireland’s politicians must “never forget those who have suffered during the dark period from which we are, please God, emerging,” Paisley says. “I want to make it clear that I am committed to delivering not only for those who voted for the DUP but for all the people of Northern Ireland. We must not allow our justified loathing for the horrors and tragedies of the past to become a barrier to creating a better and more stable future for our children,” he adds.
Adams says there is now new hope for the future, following the previous “sad history of orange and green.” He adds, “There are still many challenges, many difficulties, to be faced. But let us be clear: the basis of the agreement between Sinn Féin and the DUP follows Ian Paisley’s unequivocal and welcome commitment to support and participate fully in the political institutions on May 8. We’ve all come a very long way in the process of peace making and national reconciliation. We are very conscious of the many people who have suffered. We owe it to them to build the best future possible.”
The proposal for the historic meeting comes after a frantic weekend of consultation in Belfast and Berlin, where Blair and Ahern are attending a ceremony to mark 50 years of the European Union. Both prime ministers had repeatedly insisted the assembly would be dissolved if no agreement on an executive had been reached by today’s legal deadline. Britain is forced into a last-minute change of strategy after Paisley’s DUP agrees in principle on March 24 to share power with Sinn Féin but demands an extension of the deadline for the formation of the executive until May.
The DUP, which is badly split, says they need the additional time to see if Sinn Féin will comply with its commitment to cooperate with the Police Service of Northern Ireland. Until now Paisley’s DUP has always refused to meet Sinn Féin. Each represents what used to be seen as the two extremes of Northern Ireland sectarian politics.
(From: “Paisley and Adams agree deal” by Peter Walker and Owen Bowcott, The Guardian (www.theguardian.com), March 26, 2007 | Pictured: Ian Paisley and Gerry Adams hold their first face-to-face talks. Photograph: Paul Faith/ PA)
Clare Boylan, Irish author, journalist and critic for newspapers, magazines and many international broadcast media, is born in Dublin on April 21, 1948.
After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.
Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.
Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.
Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.
In later life, Boylan lives in County Wicklow with her husband Alan Wilkes. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.
Together with Kevin Gildea and Barry Murphy, O’Hanlon founds the International Comedy Cellar, upstairs in the International Bar on Dublin’s South Wicklow Street. Dublin has no comedy scene at the time. As a stand up, he wins the Hackney Empire New Act of the Year competition in 1994. For a time, he is the presenter of The Stand Up Show.
O’Hanlon moves into straight acting alongside Emma Fielding and Beth Goddard in the ITV comedy-drama Big Bad World, which airs for two series in summer 1999 and winter 2001. He also plays a minor role in The Butcher Boy and appears in an episode of the original Whose Line is it Anyway?.
In 2000, O’Hanlon stars in the comedy series My Hero, in which he plays a very naive superhero from the planet Ultron. His character juggles world-saving heroics with life in suburbia. He stays in the role until the first episode of series 6 in July 2006 where he is replaced by James Dreyfus during the same episode.
O’Hanlon also provides the voice of the lead character in the three Christmas television cartoon specials of Robbie the Reindeer. He appears in the 2005 BBC One sitcom Blessed, written by Ben Elton. Towards the end of 2005, he plays an eccentric Scottish character, Coconut Tam, in the family-based film, The Adventures of Greyfriars Bobby. Although more commonly on television, he also appears on radio. In 2015 he appears as incompetent angel Smallbone in the sitcom The Best Laid Plans, also on BBC Radio 4.
In 2006, O’Hanlon writes and presents an RTÉ television series called Leagues Apart, which sees him investigate the biggest and most passionate football rivalries in a number of European countries. He follows this with another RTÉ show, So You Want To Be Taoiseach? in 2007. It is a political series where he gives tongue-in-cheek advice on how to go about becoming Taoiseach of Ireland.
O’Hanlon appears in the Doctor Who episode “Gridlock“, broadcast on April 14, 2007, in which he plays a cat-like creature named Thomas Kincade Brannigan. He appears in Series 3 of the TV show Skins, playing Naomi Campbell’s Politics teacher named Kieran. He then goes on to form a relationship with Naomi’s mother, played by Olivia Colman. He plays the lead role in Irish comedy television programme Val Falvey, TD on RTÉ One.
O’Hanlon has written a novel, The Talk of the Town, which is published in 1998. The novel is about a teenage boy, Patrick Scully, and his friends.
In February 2015 O’Hanlon officially launches the 2015 Sky Cat Laughs Comedy Festival which takes place in Kilkenny from May 28–June 1. In 2015 he plays the role of Peter the Milkman in the Sky One sitcom After Hours.
On February 2, 2017, it is announced O’Hanlon will play the lead role in the BBC crime drama Death in Paradise taking the role of DI Jack Mooney following Kris Marshall‘s departure the same day.
seamus dubhghaill 