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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of Herbert Hughes, Composer, Music Critic, Collector & Arranger

Herbert Hughes, Irish composer, music critic and a collector and arranger of Irish folksongs, is born in Belfast on May 16, 1882. He was the father of Spike Hughes.

Hughes is raised in Belfast but completes his formal music education at the Royal College of Music, London, where he studies with Charles Villiers Stanford and Charles Wood, graduating in 1901. Subsequently, he works as a music critic, notably for The Daily Telegraph from 1911 to 1932.

Described as having an “ardent and self-confident manner,” Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St. Peter’s Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, Francis Joseph Bigger, and John Patrick Campbell. Dedicated to seeking out and recording such ancient melodies as are yet to be found in the more remote glens and valleys of Ulster, he produces Songs of Uladh (1904) with Joseph Campbell, illustrated by his brother John and paid for by Bigger. Throughout his career, he collects and arranges hundreds of traditional melodies and publishes many of them in his own unique arrangements. Three of his best-known works are the celebrated songs, My Lagan Love, She Moved Through the Fair, and Down by the Salley Gardens, which are published as part of his four collections of Irish Country Songs, his key achievement. These are written in collaborations with the poets Joseph Campbell and Padraic Colum, and W. B. Yeats himself. A dispute with Hamilton Harty over copyright on My Lagan Love is pursued on Bigger’s advice, but fails.

Hughes has a unique approach to arranging Irish traditional music. He calls upon the influence of the French impressionist Claude Debussy in his approach to harmony: “Musical art is gradually releasing itself from the tyranny of the tempered scale. […] and if we examine the work of the modern French school, notably that of M. Claude Debussy, it will be seen that the tendency is to break the bonds of this old slave-driver and return to the freedom of primitive scales.” He regards arrangements as an independent art form on an equal level with original composition: “[…] under his [i.e. the arranger’s] hands it is definitively transmuted into an art-song, an art-song of its own generation.” His folksong arrangements have been sung all across the English-speaking world. John McCormack and Kathleen Ferrier are the first to record them on gramophone records.

An admirer of James Joyce‘s poetry, Hughes in 1933 edits The Joyce-Book, a volume of settings of Joyce’s poetry, with 13 pieces by 13 composers including, besides Hughes himself, Arnold Bax, Arthur Bliss, Herbert Howells, John Ireland, and non-British composers such as George Antheil, Edgardo Carducci-Agustini, and Albert Roussel. The large-format, blue-cloth covered volume has since become a collector’s item.

Hughes also composes a limited amount of original chamber music (a violin sonata is mentioned in a letter to Hughes from Bernard van Dieren dated April 4, 1932), and some scores for the stage (like And So to Bed by James Bernard Fagan) and film. Hughes and John Robert Monsell also create songs for a musical version of Richard Brinsley Sheridan‘s The Rivals called Rivals!, which is staged at the Kingsway Theatre in London in October 1935 by Vladimir Rosing and runs for 86 performances.

Married to Lillian Florence (known as Meena) Meacham and Suzanne McKernan, Hughes has three children: Patrick, known professionally as Spike Hughes, Angela and Helena. He dies in Brighton, England, at the relatively early age of fifty-four on May 1, 1937.


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Birth of Teresa Kearney, Teacher, Franciscan Sister & Missionary

Teresa Kearney, better known as Mother Kevin, a teacher, Franciscan Sister, and missionary who founds a new Franciscan order, is born in Knockenrahan, Arklow, County Wicklow, on April 28, 1875.

Kearney is the third daughter of farmer Michael Kearney and Teresa Kearney. Three months prior to her birth, her father dies in an accident. Following his death, her mother remarries and has three more children. When she is ten years old, her mother dies. Her maternal grandmother, Grannie Grenell, then raises her in Curranstown, County Wicklow. Grannie Grenell has a profound impact on her spiritual beliefs and deep faith. When she is 17, Grannie Grenell dies.

Kearney attends the local convent school in Arklow following her mother’s death. In 1889, following her grandmother’s death, she goes to convent of Mercy at Rathdrum, to train as an assistant teacher. She does not have the finances to pay for training, and becomes a Junior Assistant Mistress. A year later, she goes to teach in a school run by the Sisters of Charity in Essex.

Following the death of her grandmother, Kearney turns toward thoughts of religious life. She believes that God is calling her to be a sister, and she applies for admission to the Franciscan Missionary Sisters of the Five Wounds at Mill Hill, London. In 1895, she enters the St. Mary’s Abbey, Mill Hill. On April 21, 1898 she takes the name Sister Mary Kevin of the Sacred Passion. Her motto is “For Thee, Lord.” She volunteers to work with African Americans in London. She waits three years for a posting to the American mission, but when the call from a foreign mission comes, it comes from Africa.

On December 3, 1902, Kearney and five other sisters leave London for Nsambya, Uganda. They are chosen at the request of Bishop Henry Hanlon of the Mill Hill Fathers. The sisters arrive on January 15, 1903 and establish a dispensary and school in the Buganda. Their task is to care for the women and girls and to further weaken the association of Catholicism with French missionaries and Protestantism with British missionaries in the then British Protectorate. Among the sisters are three Irish, one American, one English, and one Scottish woman.

Kearney starts her first clinic under a mango tree near the convent. The first seven years of missionary work are tough for the sisters. Various diseases, from smallpox to malaria, ravage Buganda. The infant mortality rate is also relatively high due to the high frequency of maternal deaths. In 1906, she expands the missionary and sets up a hospital in Nagalama, twenty-three miles away. She is appointed the new superior of the convent following Sister Paul’s illness and return to the United States in 1910. In 1913, three more sisters arrive, which allows her to establish a third mission station in Kamuli, Busoga. All three stations focus on medicine and education for the local population with a focus on primary and secondary education, training of nurses, and the founding of clinics, hospitals and orphanages.

During World War I, the Nsambya Hospital is used to treat the Native Carrier Corp, porters for European troops. At times, Kearney is outraged by the treatment Europeans give to the African porters. She works to uphold the rights of African people caught up in the European war. On December 25, 1918 she is awarded the Member of Order of the British Empire (MBE) for her services to the wounded during the war years.

Kearney is credited for promoting higher education in Catholic African women in her mission. In 1923, she founds the Little Sisters of St. Francis, a community of African nuns for teaching and nursing. This program starts with only eight local girls. A year later, she and Dr. Evelyn Connolly, a lay missionary, found a nursing and midwifery school in Nsambya. Their goal is to promote the education of women throughout Uganda.

In September 1928, Kearney returns to England to establish a novitiate exclusively for training sisters for African missions. The novitiate is officially opened in 1929 in Holme Hall, Yorkshire. Many women from England, Scotland and Ireland travel to Holme Hall to assist the missionary efforts. This creates a shortage for the Mill Hill Fathers, who also need sisters for their school in England and American missions. Upon realization of this divide, Kearney and the Mill Hill Fathers break off from each other. On June 9, 1952 she founds the new congregation of the Franciscan Missionary Sisters for Africa. She is appointed the first superior general. Mount Oliver, Dundalk, becomes the motherhouse for this new congregation. With the formation of the FMSA, she expands the missionary work to Uganda, Kenya, Zambia, the United States, Scotland, and South Africa.

Kearney retires in 1955 at age 80. During retirement, she is appointed Superior of a convent in Boston, Massachusetts and raises funds for African projects. She travels and talks to donors to garner support for projects in Africa.

On October 17, 1957, Kearney dies at the age of 82 in Brighton, Massachusetts. Her remains are flown to Ireland and buried at Mount Oliver. Ugandan Catholics rally to have her body flown to Uganda to be buried. On December 3, 1957, her body is buried in the cemetery at Nkokonjeru, the motherhouse of the Little Sisters of St. Francis.

Kearney’s legacy is evident today. In Uganda, the word Kevina means “hospital” or “charitable institute.” The Mother Kevin Postgraduate Medical School is named after her. The Little Sisters of St. Francis has over 500 members throughout Africa, while the Franciscan Missionary Sisters for Africa currently works in Uganda, Kenya, Zambia, Zimbabwe, and South Africa.


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The Funeral of Charles Stewart Parnell

parnell-grave-stoneThe funeral and burial of Charles Stewart Parnell, Irish nationalist politician who serves from 1875 as Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland, takes place in Dublin on October 11, 1891.

Parnell dies of pneumonia at half-past eleven on the night of October 6 at his residence at 10 Walsingham Terrace, Aldrington, near Brighton, England. He dies in the arms of his wife Katherine whom he had married just five months earlier.

Prior to the funeral, Parnell’s body lay in state for several hours and his death is the primary topic of conversation around Dublin. The belief that his demise would close the chasm in the Irish ranks is no longer tenable. His death makes it too wide even to be bridged. His old opponents may have felt inclined to forget and forgive, but this spirit is crushed almost before it is born, and his old adherents are simply ferocious in their enmity.

The city is astir at an unusually early hour, and there is a crowd of thousands in and around the Westland Row Station before seven o’clock. In front, as a guard of honor, stands a body of the Gaelic Athletic Association, armed with camans, around which are bound crape and green ribbon. It is nearly eight o’clock when Parnell’s body is placed in a hearse drawn by four black horses. The Gaels march in front. Thousands join the cortège, which includes several bands and fife corps.

Though an Anglican, Parnell’s funeral at the Irish National nondenominational Glasnevin Cemetery in Dublin is attended by more than 200,000 people. His notability is such that his gravestone of unhewn Wicklow granite, erected in 1940, reads only “Parnell.”

Parnell is buried amid warring elements and in the presence of an immense assemblage. As a scene of great but suppressed excitement, and of still greater impressiveness, the funeral and its surroundings will never be forgotten by those who witness it, and it will long furnish a landmark in history for Ireland.


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Birth of Martin Archer Shee, Portrait Painter

martin-archer-sheeSir Martin Archer Shee, portrait painter and president of the Royal Academy of Arts, is born in Dublin on December 23, 1769.

Shee is born into an old Irish Catholic family, the son of Martin Shee, a merchant, who regards the profession of a painter as an unsuitable occupation for a descendant of the Shees. He nevertheless studies art in the Royal Dublin Society and comes to London. There, in 1788, he is introduced by Edmund Burke to Joshua Reynolds, on whose advice he studies in the schools of the Royal Academy of Arts.

In 1789 Shee exhibits his first two pictures, the “Head of an Old Man” and “Portrait of a Gentleman.” Over the next ten years he steadily increases in practice. In 1798 he is chosen an associate of the Royal Academy and in 1800 he is elected a Royal Academician. He moves to George Romney‘s former house at 32 Cavendish Square and sets up as his successor.

Shee continues to paint with great readiness of hand and fertility of invention, although his portraits are eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. His earlier portraits are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting, a defect which is still more apparent in his later works, in which the handling is less square, crisp and forcible. In addition to his portraits, he executes various subjects and historical works, such as Lavinia, Belisarius, his diploma picture “Prospero and Miranda,” and the “Daughter of Jephthah.”

In 1805 Shee publishes a poem consisting of Rhymes on Art, and a second part follows in 1809. Lord Byron speaks well of it in his English Bards and Scotch Reviewers. He publishes another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this is less successful. He also produces a tragedy, Alasco, set in Poland. The play is accepted at Covent Garden, but is refused a licence, on the grounds that it contains treasonable allusions, and Shee angrily resolves to make his appeal to the public. He carries out his threat in 1824, but Alasco is still on the list of unacted dramas in 1911. He also publishes two novels – Oldcourt (1829, in three volumes) and Cecil Hyde (1834).

On the death of Sir Thomas Lawrence in 1830, Shee is chosen president of the Royal Academy in his stead and shortly afterwards receives a knighthood. In 1831 he is elected a Fellow of the Royal Society. In an examination before the parliamentary committee of 1836 concerning the functions of the Royal Academy, he ably defends its rights. He continues to paint until 1845, when illness makes him retire to Brighton. He is deputised for at the Academy by J. M. W. Turner, who had appointed him a trustee of the projected Turner almshouse.

From 1842–1849, Shee is the first president of the Royal Birmingham Society of Artists.

Martin Archer Shee dies in Brighton, Sussex, England on August 13, 1850 and is buried in the western extension to St. Nicholas’ Churchyard in Brighton. His headstone remains but has been laid flat and moved to the perimeter of the site.


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The Brighton Hotel Bombing

The Brighton hotel bombing, a Provisional Irish Republican Army (IRA) assassination attempt against the top tier of the British government, takes place on October 12, 1984 at the Grand Brighton Hotel in Brighton, England. A long-delay time bomb is planted in the hotel by IRA member Patrick Magee, with the intent of killing Prime Minister Margaret Thatcher and her cabinet, who are staying at the hotel for the Conservative Party conference. Although Thatcher narrowly escapes injury, five people are killed including a sitting Conservative MP, and 31 are injured.

Patrick Magee stays in the hotel under the pseudonym Roy Walsh during the weekend of September 14-17, 1984. During his stay, he plants the bomb under the bath in his room, number 629. The device, described as a “small bomb by IRA standards,” is fitted with a long-delay timer made from videocassette recorder components and a Memo Park Timer safety device. The device may have avoided detection by sniffer dogs due to it being wrapped in cling film to mask the smell of the explosive.

The bomb detonates at approximately 2:54 AM (BST) on October 12. The midsection of the building collapses into the basement, leaving a gaping hole in the hotel’s facade. Firemen say that many lives are likely saved because the well-built Victorian hotel remained standing. Margaret Thatcher is still awake at the time, working on her conference speech for the next day in her suite. The blast badly damages her bathroom, but leaves her sitting room and bedroom unscathed. Both she and her husband escape injury. She changes her clothes and is led out through the wreckage along with her husband and her friend and aide Cynthia Crawford, and driven to Brighton police station.

At about 4:00 AM, as Thatcher leaves the police station, she gives an impromptu interview to the BBC‘s John Cole, saying that the conference would go on as scheduled. Alistair McAlpine persuades Marks & Spencer to open early at 8:00 AM so those who have lost their clothes in the bombing can purchase replacements. Thatcher goes from the conference to visit the injured at the Royal Sussex County Hospital.

Five people are killed, none of whom are government ministers. But a Conservative MP, Sir Anthony Berry, is killed, along with Eric Taylor, North-West Area Chairman of the Conservative Party, Lady Jeanne Shattock, wife of Sir Gordon Shattock, Western Area Chairman of the Conservative Party, Lady Muriel Maclean, wife of Sir Donald Maclean, President of the Scottish Conservatives, and Roberta Wakeham, wife of Parliamentary Treasury Secretary John Wakeham. Donald and Muriel Maclean are in the room in which the bomb explodes, but Mr. Maclean survives.

Several more, including Walter Clegg, whose bedroom is directly above the blast, and Margaret Tebbit, the wife of Norman Tebbit, who is then President of the Board of Trade, are left permanently disabled. Thirty-four people are taken to the hospital and recover from their injuries. When hospital staff asks Norman Tebbit, who is less seriously injured than his wife, whether he is allergic to anything, he is said to answer “bombs.”


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Birth of Shane MacGowan, Lead Singer of The Pogues

shane-macgowanShane Patrick Lysaght MacGowan, Anglo-Irish musician and singer, best known as the lead singer and songwriter of Celtic trad punk band The Pogues, is born to Irish parents in Pembury, Kent, England, on December 25, 1957.

MacGowan spends his early childhood in County Tipperary, before his family moves back to England when he is six years old. He lives in many parts of the southeast of England, including Brighton and London.

MacGowan’s father, Maurice, works for a department store. MacGowan’s mother, Therese, is a singer and traditional Irish dancer, and has worked as a model in Dublin. In 1971, after attending Holmewood House School at Langton Green, Tunbridge Wells, MacGowan earns a literature scholarship and is accepted into Westminster School. He is found in possession of drugs and is expelled in his second year.

MacGowan gets his first taste of fame in 1976 at a concert by British punk band The Clash, when his earlobe is damaged by Jane Crockford, later to be a member of Mo-dettes. A photographer snaps a picture of him covered in blood and it makes the papers, with the headline “Cannibalism at Clash Gig.” Shortly after this, he forms his own punk rock band, The Nipple Erectors, later renamed The Nips.

MacGowan draws upon his Irish heritage when founding The Pogues and changes his early “punk” voice for a more authentic sound with tutoring from his extended family. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish in London and the United States, and London life in general.

Between 1985 and 1987, he co-writes “Fairytale of New York,” which he performs with Kirsty MacColl. In the coming years MacGowan and The Pogues release several albums.

After The Pogues throw MacGowan out for unprofessional behaviour, he forms a new band, Shane MacGowan & The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. From December 2003 until May 2005, Shane MacGowan & The Popes tour extensively in the UK, Ireland, and Europe.

The Pogues and MacGowan reform for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at GuilFest in England and the Azkena Rock Festival in Basque Country. In May 2005, he rejoins The Pogues permanently.

The Pogues’ last performance on British soil occurs on July 5, 2014 at the British Summer Time festival in London’s Hyde Park.

For many years MacGowan suffers from binge drinking and heroin use. In 2001, Sinéad O’Connor reports MacGowan to the police in London for drug possession in what she says is an attempt to discourage him from using heroin. Initially furious, MacGowan later expresses gratitude towards O’Connor and claims that the incident helped him kick his heroin habit.

MacGowan has long been known for having very bad teeth. He loses the last of his natural teeth around 2008. In 2015, he has 28 new dentures on a titanium frame fitted in a nine-hour procedure which is the subject of an hour-long television programme. Dr. Darragh Mulrooney, the dental surgeon who carries out the procedure, comments that MacGowan recorded most of his great works while he still had some teeth: “We’ve effectively re-tuned his instrument and that will be an ongoing process.”

In the summer of 2015, MacGowan falls as he is leaving a Dublin studio, fracturing his pelvis. He is seen in public on crutches by December 2015, and continues to experience difficulty with general mobility.