In 1948 he is joint composer of music for a song in a play by Irish playwrightTeresa Deevy called Light Falling. This is performed by the Abbey Experimental Theatre Company in the Peacock Theatre, Dublin.
The Gerard Victory Commission is a prize named in his honour that is awarded to the most promising individual composer.
Gerard Victory dies in Dublin on March 14, 1995. His papers are held in Trinity College and a number of his scores are held at the Contemporary Music Centre.
The company plays for two seasons at the Peacock Theatre and then on Christmas Eve 1929, in Groome’s Hotel, a lease is signed for the 18th Century Rotunda Annex, the “Upper Concert Hall,” the Gate’s present home, with Johann Wolfgang von Goethe‘s Faust opening on February 17, 1930.
In 1931, the newly established Gate Theatre runs into financial difficulties and Edward Pakenham, 6th Earl of Longford and Christine Longford, Countess of Longford provide financial support. The Longfords work with Edwards and MacLiammóir at the Gate until 1936, then a split develops and two separate companies are formed and play at the Gate Theatre for six months each. The companies also tour for six months until the death of Lord Longford in 1961.
During this period Edwards and MacLiammóir (Gate Theatre Productions) run shows in Dublin’s Gaiety Theatre and tour productions to Europe, Egypt and North America.
From the 1980s onwards the Gate Theatre, under the directorship of Michael Colgan, cements its international relationship, touring plays around the world for audiences from Beijing to New York. The theatre establishes unique relationships with leading contemporary playwrights including Samuel Beckett, Harold Pinter and Brian Friel. The first ever Beckett Festival is produced, presenting all 19 of the stage plays over a three week period. The first ever festival of Pinter’s plays follows, along with many premieres and productions of Friel’s work including the acclaimed production of Faith Healer with Ralph Fiennes which wins a Tony Award on Broadway.
With the generous support of funders, the fabric of the building is restored and renovated under the guidance of Ronnie Tallon and Scott, Tallon Walker Architects. This includes the provision of a new wing, which incorporates a studio space, The Gate Studio, for rehearsals and workshops, offering practitioners an opportunity to develop and nurture creativity.
On April 3, 2017, Selina Cartmell becomes Director of the Gate Theatre. As a freelance artist, she has directed a diverse range of work from Greek tragedy and Shakespeare, to international work and contemporary Irish drama. In 2004, she establishes Dublin-based Siren Productions, a multi-award-winning company conceived to innovate the classics and create relevant and dynamic new work, integrating theatre, dance, visual arts, architecture, film and music. Her productions have been nominated for thirty five theatre awards, winning ten, including three for best director.