Delivered at the Irish National Convention in Chicago on August 18, 1886, John E. Redmond’s address is a defining moment in his political career and in the broader Irish nationalist movement. The convention, organized by the Irish National League of America, brings together Irish Americans to rally support for Irish self-government and to affirm their loyalty to the United States while maintaining ties to Ireland.
The key themes of Redmond’s speech include:
Irish Americans’ Commitment to Ireland: Redmond emphasizes that regardless of their economic status—soldier, businessman, or laborer—Irish Americans have never forgotten their homeland. He notes that even in prosperity, they set aside time to “tell her story” and work toward Ireland’s “redemption.”
The Principle of the Irish Movement: Redmond frames the Irish struggle as rooted in the principle of rebellion against the rule of strangers, a principle upheld for centuries by figures like Owen Roe O’Neill, Thomas Emmet, and Robert Emmet. He stresses that this is not “race hatred” but a call for justice for the future, not revenge for past wrongs.
Brotherhood of Nations: Despite the bitterness of past injustices, Redmond affirms belief in the brotherhood of nations. He argues that the Irish movement’s core is not hatred of England, but a demand for fair treatment and self-determination.
The Role of the Convention: Standing as “ambassadors sent here to represent the Irish nation at home,” Redmond calls the convention a “supreme honour” and a vital link between Ireland and its diaspora. He urges Americans to recognize the Irish people’s enduring connection to their heritage and to support their cause.
The 1886 convention is part of a wave of Irish American activism during the Home Rule movement. Redmond, then a rising figure in Irish politics, is positioning himself as a unifying voice for both Irish Americans and the Irish Parliamentary Party (IPP). His speech helps solidify his reputation as a skilled orator and a moderate yet principled leader.
Lord Russell of Killowen later cites this speech as evidence that the Irish Parliamentary Party is not aligned with the more radical physical force movement, highlighting its emphasis on justice and unity over sectarianism. The address remains a key example of Redmond’s ability to balance nationalist sentiment with appeals to shared human values.
Brennan is the second of two children to Patrick Brennan of the Catholic parish of Beauparc and Catherine Brennan (née Rourke). Little is recorded of his early education, but he develops a reputation as an intelligent and articulate public speaker. At age 18, he begins working as a clerk at Murtagh Bros., a Dublin-based bakery, alongside his uncle James Rourke. Through his connections with Patrick Egan, he and his uncle join the Irish Republican Brotherhood (IRB) and become active in election campaigns and nationalist organizing.
By 1877–1878, Brennan has become the civil secretary of the Leinster IRB and honorary secretary of the Dublin Mechanics Institute. In 1879, he plays an instrumental role in establishing the Land League of Mayo, acting alongside Michael Davitt and Patrick Egan. When the Irish National Land League is formally founded in October 1879, Brennan is appointed assistant secretary, effectively helping manage the League’s operations and campaigns for tenant farmers.
Brennan is known for his eloquence at public rallies, often linking land agitation to Irish nationalist objectives and espousing radical, egalitarian ideas. During the Land League’s activities, he faces trial for encouraging non-payment of rent but is not convicted. He later takes on the duties of national secretary after Davitt’s arrest and authorizes the issuance of the “No Rent Manifesto” from Kilmainham Gaol in 1881, a pivotal document in Ireland’s land struggle.
Following internal shifts in Irish nationalist politics and limitations placed on his influence by Charles Stewart Parnell, Brennan emigrates to the United States. He works for Patrick Ford’s Irish World newspaper in New York City, critiquing aspects of the Irish Parliamentary Party (IPP) and emphasizing non-violent republican principles. By 1883, he settles in Omaha, Nebraska, partnering with Patrick Egan in the Omaha Mortgage Company, specializing in real estate, investment, and insurance. He becomes a respected businessman and seeks to maintain connections with the Irish American nationalist community.
Brennan never marries and eventually dedicates himself to business in Omaha. He passes away on December 19, 1912, in Omaha, Nebraska, having left a lasting impact on Irish land reform efforts and the nationalist movement. He is buried in Holy Sepulchre Cemetery in Omaha.
Brennan is remembered as a founder and key administrator of the Irish National Land League, a signatory of the “No Rent Manifesto,” and a prominent voice in the Irish republican movement. His advocacy helps shape the course of land reform in Ireland and fosters Irish nationalist sentiment both domestically and among the diaspora.
Sources confirm that his activism, speeches, and organizational skill were central to the Land League’s influence, and he remains a notable figure in 19th-century Irish political history.
Before entering politics, Cannon is a planning official for Galway City Council and Dublin City Council, as well as CEO and secretary of the Irish Pilgrimage Trust. In 2002, he is honoured as one of the Galway People of the Year.
Cannon is elected as Leader of the Progressive Democrats in April 2008. He is the first leader of the party to sit as a Senator while serving as leader. At his first press conference as party leader, he states that he believes “there was passion, commitment, talent and knowledge within the PDs’ ranks to stage a big comeback.”
However, after speculation increases that Noel Grealish, one of the two Progressive Democrat TDs, intends to leave the party, Cannon announces in September 2008 that a party conference will be held on November 8, 2008, at which he will recommend that the party disband. The delegates present at the conference vote 201–161 to agree with this recommendation.
On March 24, 2009, Cannon announces his decision to resign the leadership of the Progressive Democrats and joins Fine Gael the same day. At the 2011 Irish general election, he is one of two Fine Gael TDs elected in Galway East.
In 2019, in recognition of his work in education, Cannon is appointed as a UNICEF global champion for education. He is one of seven Generation Unlimited Champions who advocates worldwide for the development of UNICEF’s Gen U programme.
At the 2020 Irish general election, Cannon is elected to the second seat in Galway East. He continues to serve as a minister of state until the formation of a new government on June 27, 2020.
On March 19, 2024, Cannon announces that he will not contest the next general election, blaming a “toxicity in politics.”
Cannon is a musician and songwriter, and recently collaborated with Irish folk singer Seán Keane and others on songwriting projects. One of his co-compositions, “Nature’s Little Symphony,” is performed in Dublin by the RTÉ Concert Orchestra as part of the national Cruinniú celebrations on Easter Monday 2017. Both “Nature’s Little Symphony” and another of his compositions, “Gratitude,” are featured on the album Gratitude recorded by Keane and the RTÉ Concert Orchestra in 2018. On the August 10, 2018, Cannon plays piano with Keane and the RTÉ Concert Orchestra as part of a sold-out performance at the National Concert Hall. In 2019, he composes “An Túr,” a short piano instrumental to celebrate the birthday of W. B. Yeats.
In 2021 Cannon is commissioned to compose the soundtrack to a poem by Emily Cullen as part of the national commemoration of the signing of the Anglo-Irish Treaty in 1921.
In March 2024, Cannon begins presenting The Grey Lake Cafe, a radio show on Loughrea Community Radio featuring his own musical choices, and interviews with public figures who have a passion for music.
Cannon is also an avid cyclist and cycling safety advocate. He specialises in endurance cycling challenges and on June 19, 2021, he cycles Ireland end to end, a distance of 575 km, in 23 hours and 23 minutes, to raise money for charity.
On July 2, 2021, Cannon is involved in a road traffic collision and suffers serious injuries. On July 2, 2022 he marks the first anniversary of the incident by cycling 500 km around the border of County Galway. Marking the same date in 2023, he cycles 935 km (581 mi) in 56 hours, covering all 32 counties of the island of Ireland while fundraising for Hand In Hand, a charity that supports families challenged by childhood cancer.
Patrick “Patsy” J. Touhey, a celebrated player of the uilleann pipes, is born on February 26, 1865, in Cahertinny, Bullaun, Loughrea, County Galway. His innovative technique and phrasing, his travels back and forth across the United States to play on the variety and vaudeville stage, and his recordings make his style influential among Irish American pipers. He can be seen as the greatest contributor to a distinctive American piping style.
According to Chief Francis O’Neill of the Chicago Police Department, in his seminal work O’Neill’s Irish Minstrels and Musicians, Touhey is the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James and his uncle Martin, who are considered accomplished players. The family arrives in Boston around 1868, and his father arranges for his instruction from Bartley Murphy of County Mayo. However, at the age of ten Patsy loses his father and later lays the pipes aside.
In his late teens Touhey strays into a Bowerymusic hall where John Eagan, the “White Piper” of Galway, is engaged. Enthralled by Eagan’s virtuosity, he takes up the pipes again, and under the instruction of Eagan and Billy Taylor of Philadelphia soon becomes a master.
Touhey and Eagan tour the northeastern United States with “Harrigan’s Double Hibernian Co., Irish and American Tourists” in 1885 and 1886. This is his apparent introduction to theatrical life. Harrigan’s company stars Jeremiah “Jere” Cohan, the father of George M. Cohan, later a famous songwriter and showman. Despite a persistent legend, there is no evidence that Touhey plays publicly for the step-dancing of George M. Cohan, who is seven or eight years old at the time. Between 1886 and 1895 he appears in several theatre productions including “Inshavogue” and “The Ivy Leaf.” At the 1893 World’s Columbian Exposition in Chicago, he plays at the Irish Village, one of two rival Irish pavilions, and is later engaged for the 1904 World’s Fair in St. Louis (Louisiana Purchase Exposition). From about 1896 until 1921 he plays in vaudeville skits, trading jokes with his wife, Mary, and their on and off partner Charles Henry Burke. The shows include slapstick, low-brow gags, Irish nostalgia, and a piping finale to which Mary Touhey dances.
Chicago Police Chief Francis O’Neill, a prominent compiler of Irish dance tunes, calls Touhey “the genial wizard of the Irish pipers . . . A stranger to jealousy, his comments are never sarcastic or unkind, neither does he display any tendency to monopolize attention in company when other musicians are present.”
Touhey lives on Bristow Street in the Bronx, New York City, from at least 1900 until 1908. He and Mary live in rural East Haddam, Connecticut from 1908 to 1919, then in Freeport, New York from 1919 to 1922. In 1922 he moves back to the Bronx. He dies suddenly in his home at 1175 Concourse, New York, on January 10, 1923. He is buried in Saint Raymond’s Cemetery in the Bronx.
A statue of Patsy Touhey is unveiled in 2008 in Loughrea, near the place where he was born. It is a bronze sculpture by James MacCarthy that shows Touhey sitting on a limestone block and playing his pipes. Behind him, on the wall, there are three plaques with portraits of Peter and Vincent Broderick, two other local musicians, and Touhey himself. The statue is a tribute to the musical heritage of Loughrea and Galway, and a reminder of the connection between Ireland and its diaspora.
The present Celtic League grows out of various other pan-Celtic organisations, particularly the Celtic Congress, but with a more political emphasis. Previously, Hugh MacDiarmid and others had suggested something along the same lines.
The Celtic League is started at the 1961 National Eisteddfod of Wales, which is held at Rhosllannerchrugog near Wrexham in northeast Wales. Two of the founding members are Gwynfor Evans and J. E. Jones, who are respectively president and secretary-general of the Welsh nationalist political party Plaid Cymru at the time. Interest is expressed by Scottish parties, and also by Breton nationalists.
There are six main, national branches of the Celtic League in the six Celtic countries, generally known by the Celtic language names of their countries: Ireland is known as Éire, Scotland as Alba, Wales as Cymru, Brittany as Breizh, Cornwall as Kernow and the Isle of Man as Mannin or Mann.
The Celtic League, American Branch (CLAB) is one of various diaspora branches, all of whom play little part in the annual general meetings. American author and linguist Alexei Kondratiev serves as president of the Celtic League, American branch. The CLAB prints its own quarterly newsletter, Six Nations, One Soul, which provides news of branch activities and events within the Celtic communities in the United States, publishes letters from members, and reviews books and recordings of Celtic interest. CLAB publishes at least six issues of a larger semi-annual magazine, Keltoi: A Pan-Celtic Review, from 2006 to 2008. CLAB also produces a wall calendar each year, with art from members, appropriate quotations, and anniversaries. Publication ceases with the 2008 issue.
seamus dubhghaill 