Joyce is a native Irish speaker who starts his education at a hedge school. He then attends school in Mitchelstown, County Cork.
Joyce starts work in 1845 with the Commission of National Education. He becomes a teacher and principal of the Model School, Clonmel. In 1856 he is one of fifteen teachers selected to re-organize the national school system in Ireland. Meanwhile he earns his B.A. in 1861 and M.A. in 1863 from Trinity College Dublin.
Joyce is a key cultural figure of his time. His wide interests include the Irish language, Hiberno-English, music, education, Irish literature and folklore, Irish history and antiquities, place names and much else. He produces many works on the history and culture of Ireland. His most enduring work is the pioneering The Origin and History of Irish Names of Places (first edition published in 1869). He is a member of the Royal Irish Academy.
In 1856 Joyce marries Caroline Waters of Baltinglass, County Wicklow, with whom he has two daughters and three sons, one of whom is the author Weston St. John Joyce. He dies on January 7, 1914, at his home, Barnalee, Rathmines, Dublin, and is buried two days later in Glasnevin Cemetery.
The P.W. Joyce collection at the Cregan Library in St. Patrick’s College, Drumcondra, Dublin, reflects many of Joyce’s interests and includes several rarities. These include autographed presentation copies by Joyce and his brother Robert, as well as books from Joyce’s own library. The collection also contains nine manuscripts associated with Joyce and his family members, including a manuscript in P.W. Joyce’s own hand of Echtra Cormaic itir Tairngiri agus Ceart Claíd Cormaic (Adventures of Cormac in the Land of Promise), a passage from the Book of Ballymote, which Joyce translated into English.
In 1973, the Provisional Irish Republican Army (IRA) extends its campaign to mainland Britain, attacking military and symbolically important targets to both increase pressure on the British government, via popular British opinion, to withdraw from Northern Ireland and to maintain morale amongst their supporters. By 1974, mainland Britain sees an average of one attack — successful or otherwise — every three days.
In the early evening hours of November 21, at least three bombs connected to timing devices are planted inside two separate public houses and outside a bank located in and around central Birmingham. It is unknown precisely when these bombs were planted. If official IRA protocol of preceding attacks upon non-military installations with a 30-minute advance warning to security services is followed, and subsequent eyewitness accounts are accurate, the bombs would have been planted at these locations after 7:30 p.m. and before 7:47 p.m.
According to testimony delivered at the 1975 trial of the six men wrongly convicted of the bombings, the bomb planted inside the Mulberry Bush pub is concealed inside either a duffel bag or briefcase, whereas the bomb planted inside the Tavern in the Town is concealed inside a briefcase or duffel bag (possibly concealed within a large, sealed plastic bag) and Christmas cracker boxes. The remnants of two alarm clocks recovered from the site of each explosion leaves the possibility that two bombs had been planted at each public house. The explosion crater at each location indicates that if two bombs had been planted at each public house, they would each have been placed in the same location and likely the same container.
Reportedly, those who plant the bombs then walk to a preselected phone box to telephone the advance warning to security services. However, the phone box has been vandalised, forcing the caller to find an alternative phone box and thus shortening the amount of time police have to clear the locations.
At 8:11 p.m., an unknown man with a distinct Irish accent telephones the Birmingham Post newspaper. The call is answered by operator Ian Cropper. The caller says, “There is a bomb planted in the Rotunda and there is a bomb in New Street at the tax office. This is Double X,” before terminating the call. (“Double X” is an IRA code word given to authenticate any warning call.) A similar warning is also sent to the Birmingham Evening Mail newspaper, with the anonymous caller again giving the code word, but again failing to name the public houses in which the bombs had been planted.
The Rotunda is a 25-story office block, built in the 1960s, that houses the Mulberry Bush pub on its lower two floors. Within minutes of the warning, police arrive and begin checking the upper floors of the Rotunda, but they do not have sufficient time to clear the crowded pub at street level. At 8:17 p.m., six minutes after the first telephone warning had been delivered to the Birmingham Post, the bomb, which had been concealed inside either a duffel bag or briefcase located ner the rear entrance to the premises, explodes, devastating the pub. The explosion blows a 40-inch crater in the concrete floor, collapsing part of the roof and trapping many casualties beneath girders and concrete blocks. Many buildings near the Rotunda are also damaged, and pedestrians in the street are struck by flying glass from shattered windows. Several of the victims die at the scene, including two youths who had been walking past the premises at the moment of the explosion.
Ten people are killed in this explosion and dozens are injured, including many who lose limbs. Several casualties are impaled by sections of wooden furniture while others have their clothes burned from their bodies. A paramedic called to the scene of this explosion later describes the carnage as being reminiscent of a slaughterhouse. One fireman says that, upon seeing a writhing, “screaming torso,” he begs police to allow a television crew inside the premises to film the dead and dying at the scene, in the hope the IRA would see the consequences of their actions. However, the police refuse this request, fearing the reprisals would be extreme.
The Tavern in the Town is a basement pub on New Street located a short distance from the Rotunda and directly beneath the New Street Tax Office. Patrons there hear the explosion at the Mulberry Bush, but do not believe that the sound, described by one survivor as a “muffled thump,” is an explosion.
Police have begun attempting to clear the Tavern in the Town when, at 8:27 p.m., a second bomb explodes there. The blast is so powerful that several victims are blown through a brick wall. Their remains are wedged between the rubble and live underground electric cables that supply the city centre. One of the first police officers on the scene, Brian Yates, later testifies that the scene which greeted his eyes was “absolutely dreadful,” with several of the dead stacked upon one another, others strewn about the ruined pub, and several screaming survivors staggering aimlessly amongst the debris, rubble, and severed limbs. A survivor says the sound of the explosion is replaced by a “deafening silence” and the smell of burned flesh.
Rescue efforts at the Tavern in the Town are initially hampered as the bomb had been placed at the base of a set of stairs descending from the street, the sole entrance to the premises, had been destroyed in the explosion. The victims whose bodies are blown through a brick wall and wedged between the rubble and underground electric cables take up to three hours to recover, as recovery operations are delayed until the power can be isolated. A passing West Midlands bus is also destroyed in the blast.
This bomb kills nine people outright, and injures everyone in the pub, many severely. Two later die of their injuries. After the second explosion, police evacuate all pubs and businesses in Birmingham city centre and commandeer all available rooms in the nearby City Centre Hotel as an impromptu first-aid post. All bus services into the city centre are halted, and taxi drivers are encouraged to transport those lightly injured in the explosions to hospital. Prior to the arrival of ambulances, rescue workers remove critically injured casualties from each scene upon makeshift stretchers constructed from devices such as tabletops and wooden planks. These severely injured casualties are placed on the pavement and given first aid prior to the arrival of ambulance services.
At 9:15 p.m., a third bomb, concealed inside two plastic bags, is found in the doorway of a Barclays Bank on Hagley Road, approximately two miles from the site of the first two explosions. This device consists of 13.5 pounds of Frangex connected to a timer and is set to detonate at 11:00 p.m. The detonator to the device activates when a policeman prods the bags with his truncheon, but the bomb does not explode. The device is destroyed in a controlled explosion early the following morning.
The bombings stoke considerable anti-Irish sentiment in Birmingham, which then has an Irish community of 100,000. Irish people are ostracised from public places and subjected to physical assaults, verbal abuse and death threats. Both in Birmingham and across England, Irish homes, pubs, businesses and community centres are attacked, in some cases with firebombs. Staff at thirty factories across the Midlands go on strike in protest of the bombings, while workers at airports across England refuse to handle flights bound for Ireland. Bridget Reilly, the mother of the two Irish brothers killed in the Tavern in the Town explosion, is herself refused service in local shops.
The bombings are immediately blamed on the IRA, despite the organisation not having claimed responsibility. Due to anger against Irish people in Birmingham after the bombings, the IRA Army Council places the city “strictly off-limits” to IRA active service units. In Northern Ireland, loyalist paramilitaries launch a wave of revenge attacks on Irish Catholics and within two days of the bombings, five Catholic civilians have been shot dead by loyalists. The Provisional IRA never officially admits responsibility for the Birmingham pub bombings.
Six Irishmen are arrested within hours of the blasts and in 1975 are sentenced to life imprisonment for the bombings. The men, who become known as the Birmingham Six, maintain their innocence and insist police had coerced them into signing false confessions through severe physical and psychological abuse. After 16 years in prison, and a lengthy campaign, their convictions are declared unsafe and unsatisfactory, and quashed by the Court of Appeal in 1991. The episode is seen as one of the worst miscarriages of justice in British legal history.
In 2001, each of the Birmingham Six is subsequently paid between £840,000 and £1.2 million in compensation.
(Pictured: The Mulberry Bush pub after the November 21, 1974, bombing)
Katharine O’Shea (née Wood), English woman of aristocratic background, whose decade-long secret adultery with Charles Stewart Parnell leads to a widely publicized divorce in 1890 and his political downfall, is born in Braintree, Essex on January 30, 1846.
Katharine marries Captain William O’Shea in 1867, a Catholic Nationalist MP for Clare from whom she separates around 1875. She first meets Parnell in 1880 and begins a relationship with him. Three of her children are fathered by Parnell. Although Captain O’Shea keeps publicly quiet for several years, he is aware of the relationship. He challenges Parnell to a duel in 1881 and initially forbids his estranged wife to see him, although she says that he encouraged her in the relationship. Although their relationship is a subject of gossip in London political circles from 1881, later public knowledge of the affair in an England governed by “Victorian morality” with a “nonconformist conscience” creates a huge scandal, as adultery is prohibited by the Ten Commandments.
Out of her family connection to the Liberal Party, Katharine acts as liaison between Parnell and Gladstone during negotiations prior to the introduction of the First Irish Home Rule Bill in April 1886. Parnell moves to her home in Eltham, close to the London-Kent border, that summer.
Captain O’Shea files for divorce in 1889 and his reasons are a matter for speculation. Some say he may have political motives. Alternatively, it is claimed that he has been hoping for an inheritance from Katharine’s rich aunt whom he had expected to die earlier, but when she dies in 1889 her money is left in trust to cousins. After the divorce the court awards custody of Katharine O’Shea and C.S. Parnell’s two surviving daughters to her ex-husband.
Katharine’s November divorce proceedings from Captain O’Shea, in which Parnell is named as co-respondent, leads to Parnell’s being deserted by a majority of his own Irish Parliamentary Party and to his downfall as its leader in December 1890. Catholic Ireland feels a profound sense of shock when Katharine breaks the vows of her previous Catholic marriage by marrying Parnell on June 25, 1891. With his political life and his health essentially ruined, Parnell dies at the age of 45 in Hove on October 6, 1891 in her arms, less than four months after their marriage. The cause is stomach cancer, possibly complicated by coronary artery disease inherited from his grandfather and father, who also died prematurely.
Though to her friends Katharine is known as Katie O’Shea, Parnell’s enemies, in order to damage him personally, call her “Kitty O’Shea” because at that time “kitty,” as well as being an Hiberno-English version of Catherine/Katherine/Katharine, is also a slang term for a prostitute. She lives the rest of her life in relative obscurity. She dies on February 5, 1921, at the age of 75, and is buried in Littlehampton, Sussex, England, apparently never once setting foot on Irish soil.
Captain Henry Harrison, MP, who had acted as Parnell’s bodyguard and aide-de-camp, devotes himself after Parnell’s death to the service of his widow. From her he hears a completely different version of the events surrounding the divorce issue from that which had appeared in the press, and this is to form the seed of his later two books defending Parnell published in 1931 and 1938. They have a major impact on Irish historiography, leading to a more favourable view of Parnell’s role in the O’Shea affair.
The Quare Fellow is initially offered to Dublin’s Abbey Theatre but is turned down. The play has its London première in May 1956 at Joan Littlewood‘s Theatre Workshop at the Theatre Royal Stratford East. On July 24, 1956, it transfers to the Comedy Theatre, London. In September 1956 the Abbey Theatre finally performs The Quare Fellow. It has such success that the Abbey’s artistic director, Ria Mooney, pushes the next play back to allow The Quare Fellow to run for six weeks. Its first New York performance is on November 27, 1958, at the Circle in the Square Theatre.
The play is set in Mountjoy Prison, Dublin. The antihero of the play, the Quare Fellow, is never seen or heard but rather functions as the play’s central conceit. He is a man condemned to die on the following day, for an unmentioned crime. Whatever it is, it revolts his fellow inmates far less than that of the Other Fellow, a very camp, almost Wildean, gay man.
There are three generations of prisoners in Mountjoy including boisterous youngsters who can irritate both other inmates and the audience and the weary old lags Neighbour and “methylated martyr” Dunlavin.
The first act is played out in the cramped area outside five cells and is comedic, sometimes rather like an Irish episode of Porridge. After the interval, the pace slows considerably and the play becomes much darker, as the time for the execution approaches. The focus moves to the exercise yard and to the workers who are digging the grave for the soon-to-be-executed Quare Fellow.
The play is a grimly realistic portrait of prison life in Ireland in the 1950s, and a reminder of the days in which homosexuality was illegal and the death penalty relatively common. The play is based on Behan’s own prison experiences, and highlights the perceived barbarity of capital punishment, then in use in Ireland. The play also attacks the false piety in attitudes to sex, politics and religion.
“The Auld Triangle“, a song from the opening of the play, has become an Irish music standard and is known by many who are unaware of its link to The Quare Fellow.
In 1962 the play is adapted for the screen by Arthur Dreifuss and stars Patrick McGoohan, Sylvia Syms and Walter Macken. Although the film receives some favourable reviews, it is not regarded as a faithful adaptation of the play.
The Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the barmaid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.
The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.
The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.
Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”
In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”
The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.
seamus dubhghaill 