Originally founded as a charitable organization with the intent of aiding migrants from Ireland, the organization has since developed a focus on encouraging “greater interest in ties of friendship between America and Ireland,” in addition to sponsoring scholarships, cultural events, charity activities, and educational endowments.
On March 17, 1784, a group of New York City‘s Irish officers who had served in the Continental Army form the Society of the Friendly Sons of St. Patrick in the City of New York. Its founder and first president is Daniel McCormick, a merchant who is one of the first directors of the Bank of New York.
Branches of the Society have also been founded in cities such as Cincinnati, Detroit, Providence, San Diego and Spokane. The Cincinnati branch has an active glee club which has performed hundreds of benefit and goodwill performances for over 25 years.
Each branch operates independently. Originally all-male, the Philadelphia branch first admits women in 2016. The New York branch admits women to its annual pre-St. Patrick’s Day fundraising dinner for the first time in 2018, and votes to amend its by-laws on January 10, 2020, in order to permit women to apply for membership.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
John Barry is born on February 1, 1873, in St. Mary’s Parish, Kilkenny, County Kilkenny. He is by birth an Irish recipient of the Victoria Cross (VC), the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces.
Little is known of Barry’s early life prior to his enlistment with the 1st Battalion, Royal Irish Regiment of the British Army. Shortly after his enlistment, he finds himself sailing to South Africa for the outbreak of the Second Boer War, a conflict which ultimately leads to the award of the Victoria Cross, albeit tragically posthumously.
During the night attack on Monument Hill on January 7-8, 1901, Private Barry, although surrounded and threatened by the Boers at the time, smashes the breach of the Maxim gun, thus rendering it useless to its captors. It is in doing this splendid act for his country that he meets his death.
Barry dies of wounds received during his VC action at Monument Hill, South Africa. At the time, no posthumous awards of the VC can be made. However, as so often in the history of the Victoria Cross it is an individual, the mother of Alfred Atkinson, that brings about a decisive move to investigate those servicemen who would have been recommended for the award of the VC if they had not died beforehand. The outcome of the War Office investigation results in an announcement being published in The London Gazette on August 8, 1902. In fact, Barry’s family had already received his medal via registered post on April 30, 1902.
Barry is buried in Belfast Cemetery, east of Johannesburg, South Africa. His medals are sold at auction on September 22, 2000, and purchased at a hammer price of £85,000 by the Ashcroft Trust and displayed in the Lord Ashcroft Gallery in the Imperial War Museum, London.
John Barry, an officer in the Continental Navy during the American Revolutionary War and later in the United States Navy, dies on September 13, 1803 in present day Philadelphia, Pennsylvania. He comes to be widely credited as “The Father of the American Navy,” a moniker he shares with John Paul Jones and John Adams, and is appointed a captain in the Continental Navy on December 7, 1775. He is the first captain placed in command of a U.S. warship commissioned for service under the Continental flag.
After the war, Barry becomes the first commissioned U.S. naval officer, at the rank of commodore, receiving his commission from President George Washington in 1797.
Barry is born on March 25, 1745, in Tacumshane, County Wexford. When his family is evicted from their home by their British landlord, they move to Rosslare on the coast, where his uncle works a fishing skiff. As a young man, Barry determines upon a life as a seaman and he starts out as a ship’s cabin boy.
Barry receives his first captain’s commission in the Continental Navy on March 14, 1776, signed by John Hancock, president of the Continental Congress. Barry is a religious man and begins each day at sea with a reading from the Bible. He has great regard for his crew and their well being and always makes sure they are properly provisioned while at sea. During his naval career Barry commands the USS Delaware, USS Lexington, USS Raleigh, and USS Alliance.
On February 22, 1797, he is issued Commission Number 1 by President George Washington, backdated to June 4, 1794. His title is thereafter “commodore.” He is recognized as not only the first American commissioned naval officer but also as its first flag officer.
During the late 1860s and early 1870s many of the lodges of the order in Pennsylvania are infiltrated by the Molly Maguires. However, the Molly Maguires and their criminal activities are condemned at the 1876 national convention of the AOH, and the Order is reorganised in the Pennsylvania coal areas.
In 1884 there is a split in the organisation. The Order has previously been governed by the Board of Erin, which has governed the order in Ireland, Great Britain and the United States, but is composed of officers selected exclusively by the organisations in Ireland and Great Britain. The majority leave in 1884 and become the Ancient Order of Hibernians of America, while the small group calls itself Ancient Order of Hibernians, Board of Erin. In 1897 the Ancient Order of Hibernians, Board of Erin, has approximately 40,000 members concentrated in New York, New Jersey, Ohio, Illinois, and Michigan, while the Ancient Order of Hibernians of America has nearly 125,000 members scattered throughout nearly every state in the union. The two groups reunite in 1898.
A female auxiliary, the Daughters of Erin, is formed in 1894, and has 20,000 members in 1897. It is attached to the larger, “American” version of the order. The AOH has 181,000 members in 1965 and 171,000 in 736 local units of “Divisions” in 1979. John F. Kennedy joins the AOH in 1947.
In 1982, in a revival of Hibernianism, the Thomas Francis Meagher Division No. 1 forms in Helena, Montana, dedicated to the principles of the Order and to restoring a historically accurate record of Brigadier General Meagher’s contributions to Montana. Soon after, six additional divisions form in Montana.
The Order organises the New York City St. Patrick’s Day Parade for 150 years, emphasising a conservative Catholic interpretation of the Irish holiday. In 1993 control is transferred to an independent committee amid controversy over the exclusion of Irish American gay and lesbian groups.
In 2013, The Ancient Order of Hibernians raises and distributes over $200,000 to aid victims of Hurricane Sandy.
In 2014, the AOH calls for a boycott of Spencer’s Gifts, for selling products the AOH says promote anti-Irish stereotypes and irresponsible drinking.
On May 10, 2014, a memorial to Commodore John Barry, an immigrant from Wexford who is a naval hero of the American Revolution and who holds commission number one in the subsequent United States Navy, is dedicated on the grounds of the United States Naval Academy. The memorial and associated “Barry Gate” are presented to the Academy by the members of the Ancient Order of Hibernians.
seamus dubhghaill 