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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Birth of Thomas Spring Rice, 1st Baron Monteagle of Brandon

Thomas Spring Rice, 1st Baron Monteagle of Brandon, PC, FRS, FGS, British Whig politician who serves as Chancellor of the Exchequer from 1835 to 1839, is born on February 8, 1790, into a notable Anglo-Irish family which owns large estates in Munster.

Spring Rice is one of the three children of Stephen Edward Rice, of Mount Trenchard House, and Catherine Spring, daughter and heiress of Thomas Spring of Ballycrispin and Castlemaine, County Kerry, a descendant of the Suffolk Spring family. He is a great grandson of Sir Stephen Rice, Chief Baron of the Irish Exchequer and a leading Jacobite Sir Maurice FitzGerald, 14th Knight of Kerry. His grandfather, Edward, converted the family from Roman Catholicism to the Anglican Church of Ireland, to save his estate from passing in gavelkind.

Spring Rice is educated at Trinity College, Cambridge, and later studies law at Lincoln’s Inn, but is not called to the Bar. His family is politically well-connected, both in Ireland and Great Britain, and he is encouraged to stand for Parliament by his father-in-law, Lord Limerick.

Spring Rice first stands for election in Limerick City in 1818 but is defeated by the Tory incumbent, John Vereker, by 300 votes. He wins the seat in 1820 and enters the House of Commons. He positions himself as a moderate unionist reformer who opposes the radical nationalist politics of Daniel O’Connell, and becomes known for his expertise on Irish and economic affairs. In 1824 he leads the committee which establishes the Ordnance Survey in Ireland.

Spring Rice’s fluent debating style in the Commons brings him to the attention of leading Whigs and he comes under the patronage of the Marquess of Lansdowne. As a result, he is made Under-Secretary of State for the Home Department under George Canning and Lord Goderich in 1827, with responsibility for Irish affairs. This requires him to accept deferral of Catholic emancipation, a policy which he strongly supports. He then serves as joint Secretary to the Treasury from 1830 to 1834 under Lord Grey. Following the Reform Act 1832, he is elected to represent Cambridge from 1832 to 1839. In June 1834, Grey appoints him Secretary of State for War and the Colonies, with a seat in the cabinet, a post he retains when Lord Melbourne becomes Prime Minister in July. A strong and vocal unionist throughout his life, he leads the Parliamentary opposition to Daniel O’Connell’s 1834 attempt to repeal the Acts of Union 1800. In a six-hour speech in the House of Commons on April 23, 1834, he suggests that Ireland should be renamed “West Britain.” In the Commons, he also champions causes such as the worldwide abolition of slavery and the introduction of state-supported education.

The Whig government falls in November 1834, after which Spring Rice attempts to be elected Speaker of the House of Commons in early 1835. When the Whigs return to power under Melbourne in April 1835, he is made Chancellor of the Exchequer. As Chancellor, he has to deal with crop failures, a depression and rebellion in North America, all of which create large deficits and put considerable strain on the government. His Church Rate Bill of 1837 is quickly abandoned and his attempt to revise the charter of the Bank of Ireland ends in humiliation. Unhappy as Chancellor, he again tries to be elected as Speaker, but fails. He is a dogmatic figure, described by Lord Melbourne as “too much given to details and possessed of no broad views.” Upon his departure from office in 1839, he has become a scapegoat for the government’s many problems. That same year he is raised to the peerage as Baron Monteagle of Brandon, in the County of Kerry, a title intended earlier for his ancestor Sir Stephen Rice. He is also Comptroller General of the Exchequer from 1835 to 1865, despite Lord Howick‘s initial opposition to the maintenance of the office. He differs from the government regarding the exchequer control over the treasury, and the abolition of the old exchequer is already determined upon when he dies.

From 1839 Spring Rice largely retires from public life, although he occasionally speaks in the House of Lords on matters generally relating to government finance and Ireland. He vehemently opposes John Russell, 1st Earl Russell‘s policy regarding the Irish famine, giving a speech in the Lords in which he says the government had “degraded our people, and you, English, now shrink from your responsibilities.”

In addition to his political career, Spring Rice is a commissioner of the state paper office, a trustee of the National Gallery and a member of the senate of the University of London and of the Queen’s University of Ireland. Between 1845 and 1847, he is President of the Royal Statistical Society. In addition, he is a Fellow of the Royal Society and a Fellow of the Geological Society of London. In May 1832 he becomes a member of James Mill‘s Political Economy Club.

Spring Rice is well regarded in Limerick, where he is seen as a compassionate landlord and a good politician. An advocate of traditional Whiggism, he strongly believes in ensuring society is protected from conflict between the upper and lower classes. Although a pious Anglican, his support for Catholic emancipation wins him the favour of many Irishmen, most of whom are Roman Catholic. He leads the campaign for better county government in Ireland at a time when many Irish nationalists are indifferent to the cause. During the Great Famine of the 1840s, he responds to the plight of his tenants with benevolence. The ameliorative measures he implements on his estates almost bankrupts the family and only the dowry from his second marriage saves his financial situation. A monument in honour of him still stands in the People’s Park in Limerick.

Even so, Spring Rice’s reputation in Ireland is not entirely favourable. In a book regarding assisted emigration from Ireland, a process in which a landlord pays for their tenants’ passage to the United States or Australia, Moran suggests that Spring Rice was engaged in the practice. In 1838, he is recorded as having “helped” a boat load of his tenants depart for North America, thereby allowing himself the use of their land. However, he is also recorded as being in support of state-assisted emigration across the British Isles, suggesting that his motivation is not necessarily selfish.

Spring Rice dies at the age of 76 on February 17, 1866. Mount Monteagle in Antarctica and Monteagle County in New South Wales are named in his honour.

(Pictured: Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790-1866), contemporary portrait by George Richmond (1809-1896))


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Birth of Ronan Hardiman, Composer

Ronan Hardiman, Irish composer, is born in Dublin on May 19, 1961. He is famous for his soundtracks to Michael Flatley‘s dance shows Lord of the Dance, Feet of Flames and Celtic Tiger Live.

Hardiman’s father is an Irish broadcasting executive. He listens to rock & roll and pop as a child. He has three sisters and one brother, and they all play traditional musical instruments. He attends St. Kilian’s German School and the Royal Academy of Music.

In 1978, at the age of 17, Hardiman begins working as a clerk at the Bank of Ireland, a position he holds for twelve years. He occasionally performs in local bands. In 1990, he quits his job and begins composing material based on Irish traditions for radio and television. He writes the theme music to the documentary My Riviera.

Hardiman’s television work includes commissions for the title music for RTÉ Irish National Television Network News, and the original score for the natural history series Waterways. He also writes music for commercials for Guinness and the Irish National Lottery. In motion pictures, he earns acclaim for his score to the 1996 feature My Friend Joe, which garners the Crystal Bear for Best Children’s Film at the Berlin International Film Festival.

Also in 1996, Hardiman is contacted by Michael Flatley, who quickly needs a soundtrack to his new show, Lord of the Dance. The show is an international hit.

In 1997, Hardiman releases his debut solo album, Solas, and a year later he resurfaces with Feet of Flames. His 2000 release, Anthem, blends the Celtic music sounds that he is famous for with more pop influences. The track “Ancient Lands” from Anthem is used by the 2002 Winter Olympics men’s figure skating champion, Alexei Yagudin, in his program “Overcome.”

In 2016, Hardiman writes “Sunlight,” along with Wayne Hector and Nicky Byrne. This is Byrne’s entry for the Eurovision Song Contest 2016.

Ronan’s sisters include the notable neurologist Orla Hardiman and the filmmaker Neasa Hardiman. He lives in Dublin, with his wife, Helen, and they have one daughter and one son.


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Death of Sculptor Alexandra Wejchert

Alexandra Wejchert, Polish-Irish sculptor known for her use of perspex (plexiglass), stainless steel, bronze and neon colours, dies in Dún Laoghaire, County Dublin, on October 24, 1995.

Wejchert was born in Kraków, Poland on October 16, 1921. Her father is Tedeusz Wejchert, who ran a shipping business out of Gdańsk. She enters University of Warsaw to study architecture in 1939, and while there witnesses the German invasion of Poland during World War II. Having graduated in 1949, she works as a town planner and architect in Warsaw, where she graduates from the Academy of Fine Arts in 1956 with a degree before moving to Italy.

Wejchert holds her first solo show in 1959 in the Galeria dell’ Obelisco, Rome. She then returns to Warsaw where she is featured in the National Museum “Fifteen years of Polish art” exhibition in 1961. At this time she is still working as an architect, but does not support the social realism of Soviet architecture, which leads her to decide to concentrate solely on art from 1963. She leaves communist Poland in 1964, when she accompanies her younger brother, the architect Andrej Wejchert, when he and his wife Danuta moved to Dublin.

She holds her first solo show in Dublin in November 1966 with an exhibition of 30 paintings at The Molesworth Gallery. In 1967 she shows Blue relief at the Irish Exhibition of Living Art, which is a wall relief of “sculpted paintings” which are precursors to her later free-standing sculpture. She wins the Carroll Open award of £300 at the 1968 Irish Exhibition of Living Art for Frequency No. 5. Also in 1968 she holds a solo exhibition in the Galerie Lamert, Paris, becoming a regular exhibitor there. During this period her work is used as a setting for an electronic music concert with the critic Dorothy Walker noting her designs have a rhythmic quality.

From the 1970s, Wejchert wins commissions for public art, starting with the 1971 wood and acrylic wall relief in the arts building at University College Dublin. In the same year, the Bank of Ireland purchases Blue form 1971 and then Flowing relief in 1972. Her 1971 triptych, Life, is commissioned for the Irish Life headquarters in Abbey Street. The Lombard and Ulster Bank in Dublin commissions untitled in 1980, and Allied Irish Banks (AIB) purchases Freedom in 1985 for their branch in Ballsbridge. Her entry wins a competition in 1975 for a stamp marking International Women’s Year, and features an image of hands reaching for a dove with an olive branch.

Wejchert becomes an Irish citizen in 1979, a member of Aosdána in 1981, and a member of the Royal Hibernian Academy (RHA) in 1995. She is recognised internationally when she is the only Irish sculptor included in Louis Redstone’s new directions (1981). She is shown at the Solomon gallery from 1989 numerous times, including a solo show in 1992. A number of her most important pieces are for Irish universities, such as Geometric form at the University of Limerick and Flame at the University College Cork in 1995, her last work.

Wejchert dies suddenly at her home on Tivoli Road, Dún Laoghaire on October 24, 1995. She has one son, Jacob. The RHA holds a posthumous exhibition of her work in 1995. She is said to have influenced the younger generation of Irish sculptors, including Vivienne Roche, Eilis O’Connell, and Michael Warren. Flame is selected to be a part of the Irish Artists’ Century exhibition at the RHA in 2000.

(Pictured: “Flame,” 1995, brass and granite, University College Cork. This sculpture commemorates the people who bequested their bodies to the UCC Anatomical Gift Programme for the purpose of science and learning. It represents the flame of knowledge which leads to the light of understanding.)


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2009 Bank of Ireland Robbery

The 2009 Bank of Ireland robbery is a large robbery of cash from the College Green cash centre of the Bank of Ireland in Dublin on February 27, 2009. It is the largest bank robbery in the Republic of Ireland‘s history. Criminals engage in the tiger kidnapping of a junior bank employee, 24-year-old Shane Travers, and force him to remove €7.6 million (US$9 million) in cash from the bank as his girlfriend and two others are held hostage.

Late on the night of February 26, Travers, whose father is a member of the Garda Síochána based at Clontarf, Dublin, is alone watching television at the home of his girlfriend near Kilteel, County Kildare. The woman and her mother are out shopping together. When they arrive home with the five-year-old nephew of Travers, six heavily built masked men, dressed in black and carrying handguns, jump from the bushes.

The family is held overnight by the armed gang, during which time their mobile phones are confiscated and Travers’ girlfriend is hit across the back of her head with a vase by one of the men. As dawn approaches, the gang orders all but Travers to enter their dark Volkswagen Golf family car. They are then bound together and driven to Ashbourne, County Meath.

The bank employee is given a mobile phone, ordered to collect €20, €50, €100 and €200 bank notes from his workplace, and supplied with a photograph of the rest of the family at gunpoint to convince his colleagues that their lives are under threat. Travers drives to Dublin in his red Toyota Celica, acquires the cash through the assistance of colleagues who viewed the photo, and carries the money out of the building in four laundry bags. He takes it to Clontarf Road railway station, whereupon he surrenders the cash and his sports car to a waiting gang member.

Travers then enters a Garda station, the first point at which Gardaí are notified that the robbery had taken place. One hour after this, the other family members succeed in freeing themselves and walk to a nearby garda station. Travers’ girlfriend requires immediate medical treatment for a head wound she received during a struggle with her captors, and the family are reported to be “traumatised” by their ordeal. Travers’s car is later found burned out in an apartment block near Tolka House Pub in Glasnevin.

Minister for Justice, Equality and Law Reform Dermot Ahern says “proper procedures” were not followed during the course of the robbery, saying that Gardaí should have been contacted before the money had left the bank. He also questions how such a large sum of money could be taken as a result of one man being targeted.

The bank’s chief executive, Richie Boucher, appointed just two days earlier, immediately writes to all his staff to remind them that protocol should be followed in the event of future robberies, saying “Our priority is always for the safety and well-being of all staff. I am sure this incident will raise concerns. Our best defence is to follow tried and tested procedures. I would ask everybody to remind themselves of these procedures, which are there to protect you, your families and the bank.”

€1.8 million of the stolen cash is recovered and seven people are arrested by Gardaí in a number of incidents on February 28. A house in Phibsborough is sealed off and ten more houses are searched. A total of five cars and one van are seized by Gardaí. One of the men is arrested following a chase along the M50 motorway near the Navan road, with two bales of packed cash being discovered in his car. Four other men are arrested in a car in Monk Place and in Great Western Square, Phibsborough, and two more are seized in a house on Great Western Villas, Phibsborough. Cash is also found in a car in Phibsborough.

The six men and one woman are believed to be members of a well-known gang from Dublin’s north inner city and have connections to a major Dublin gangland figure. On March 2, those arrested appear before the High Court to challenge the lawfulness of their detention, viewing the warrants issued by the District Court the day before as invalid. That day, two of those arrested are released.

An unidentified bank employee is arrested on January 28, 2010 based on suspicion that the robbery had been an inside job.


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Birth of Ray MacSharry, Fianna Fáil Politician

raymond-mcsharryRaymond MacSharry, Fianna Fáil politician who serves in a range of cabinet positions, most notably as Tánaiste, Minister for Finance, and European Commissioner, is born on April 29, 1938 in Sligo, County Sligo.

MacSharry is educated at the local national school before later briefly attending Summerhill College. After leaving school he works as a livestock dealer throughout Sligo and Mayo before becoming involved in the Meat Exporters Factory in his native town. MacSharry also owns his own haulage firm.

Although MacSharry comes from a non-political family, he himself becomes an active member of Fianna Fáil in Sligo. In 1967 he makes his first move into politics when he secures election to both Sligo Borough Council and Sligo County Council. It was from this local base that he launches his national election campaign.

MacSharry is first elected to Dáil Éireann as a Fianna Fáil Teachta Dála (TD) for the Sligo–Leitrim constituency at the 1969 general election. He is re-elected to the Dáil at the 1973 general election, however, Fianna Fáil are out of power as a Fine Gael–Labour Party government comes to power. In Jack Lynch‘s subsequent front bench reshuffle, MacSharry is appointed opposition spokesperson on the Office of Public Works.

Following the 1977 general election, Fianna Fáil returns to government with a massive twenty-seat Dáil majority. With the introduction of the new Minister of State positions in 1978, MacSharry finally secures a junior ministerial post, as Minister of State at the Department of the Public Service.

Charles Haughey succeeds in becoming party leader after Jack Lynch’s resignation in 1979, albeit by a narrow margin of just six votes, and is later elected Taoiseach by the Dáil. MacSharry’s loyalty is subsequently rewarded when he is appointed Minister for Agriculture in the new government.

Fianna Fáil falls out of power in 1981 but returns to power following the February 1982 general election. MacSharry is promoted to the positions of Tánaiste and Minister for Finance, however, the government falls after just nine months in office and a new coalition government of Fine Gael and the Labour Party take office.

In 1983 MacSharry resigns from the Fianna Fáil front bench due to a telephone tapping controversy, when it is revealed that as Tánaiste and Minister for Finance, he had borrowed police tape recorders to secretly record conversations with a cabinet colleague. He spends a number of years in the political wilderness following the phone-tapping scandal. He is elected to the European Parliament as a Member of the European Parliament (MEP) for Connacht–Ulster in 1984.

Following the 1987 general election MacSharry is returned to the Dáil once again. He resigns his European Parliament seat when he is appointed Minister for Finance in Haughey’s new government. In 1988 his loyalty to Haughey is rewarded when he is appointed European Commissioner. As a result of this he resigns his Dáil seat and ends his domestic political career.

Following the completion of his term as Commissioner, MacSharry retires from politics to pursue business interests. He is currently a director on the boards of a variety of companies including Bank of Ireland and Ryanair Holdings. In 1999 he is appointed chairman of Eircom plc. He is also a member of the Comite d’Honneur of the Institute of International and European Affairs.


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Laying of the Foundation Stone of Parliament House

parliament-houseThe foundation stone of Parliament House in College Green is laid on February 3, 1729 by Thomas Wyndham, 1st Baron Wyndham, the Lord Chancellor of Ireland. Parliament House is initially home to the Parliament of Ireland and later houses the Bank of Ireland. It is the world’s first purpose-built bicameral parliament house. The current parliament building is Leinster House.

The building is home to the two Houses of Parliament, serving as the seat of both chambers, the House of Lords and House of Commons, of the Parliament of the Kingdom of Ireland for most of the 18th century until that parliament is abolished by the Acts of Union 1800, when Ireland becomes part of the United Kingdom of Great Britain and Ireland.

In the 17th century, parliament settles at Chichester House, a town house in Hoggen Green (later College Green) formerly owned by Sir George Carew, Lord President of Munster and Lord High Treasurer of Ireland, which had been built on the site of a nunnery disbanded by King Henry VIII at the time of the dissolution of the monasteries. Carew’s house, named Chichester House after its later owner Sir Arthur Chichester, is a building of sufficient importance to have become the temporary home of the Kingdom of Ireland’s law courts during the Michaelmas law term in 1605. Most famously, the legal documentation facilitating the Plantation of Ulster is signed there on November 16, 1612.

Chichester House is in a dilapidated state, allegedly haunted and unfit for official use. In 1727 parliament votes to spend £6,000 on a new building on the site. It is to be the world’s first purpose-built two-chamber parliament building.

The then ancient Palace of Westminster, the seat of the English before 1707 and, later, British Parliament, is a converted building. The House of Commons‘s odd seating arrangements are due to the chamber’s previous existence as a chapel. Hence MPs face each other from former pews.

The design of the new building, one of two purpose-built Irish parliamentary buildings (along with Parliament Buildings, Stormont), is entrusted to an architect, Edward Lovett Pearce, who is a member of parliament and a protégé of the Speaker of the Irish House of Commons, William Conolly of Castletown House. During construction, Parliament moves into the Blue Coat Hospital on Dublin‘s Northside.

The original, domed House of Commons chamber is destroyed by fire in the 1790s, and a less elaborate new chamber, without a dome, is rebuilt in the same location and opened in 1796, four years before the Parliament’s ultimate abolition.

Pearce’s designs come to be studied and copied both at home and abroad. The Viceregal Apartments in Dublin Castle imitate his top-lit corridors. The British Museum in Bloomsbury in London copies his colonnaded main entrance. His impact reaches Washington, D.C., where his building, and in particular his octagonal House of Commons chamber, is studied as plans are made for the United States Capitol building. While the shape of the chamber is not replicated, some of its decorative motifs are, with the ceiling structure in the Old Senate Chamber and old House of Representatives chamber (now the National Statuary Hall) bearing a striking resemblance to Pearce’s ceiling in the House of Commons.

(Pictured: Architectural drawing of the front of Parliament House by Peter Mazell based on the drawing by Rowland Omer, 1767)


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Birth of William Lewery Blackley, Divine & Social Reformer

william-lewery-blackley

William Lewery Blackley, divine and social reformer, is born at Dundalk, County Louth on December 30, 1830.

Blackley is the second son of Travers Robert Blackley of Ashtown Lodge, County Dublin and Eliza, daughter of Colonel Lewery, who is taken prisoner by the French at Verdun. His maternal grandfather is Travers Hartley, MP for Dublin (1776-1790) and governor of the Bank of Ireland.

In boyhood Blackley is sent with his brother John to a school at Brussels kept by Dr. Carl Martin Friedlander, a Polish political refugee, whose daughter, Amelia Jeanne Josephine, he subsequently marries on July 24, 1855. There he acquires proficiency in French, German, and other foreign languages. In 1847 he returns to Ireland, entered Trinity College, Dublin, graduating B.A. in 1850, M.A. in 1854, and takes holy orders. In 1854 he becomes curate of St. Peter’s, Southwark, but an attack of cholera compels his retirement from London. From 1855 to 1867 he has charge of two churches at Frensham, near Farnham, Surrey. He is rector of North Waltham, Hampshire (1867-1883), and King’s Somborne (1883-1889). In 1883 he is made honorary canon of Winchester.

Blackley, who is an energetic parish priest and is keenly interested in social questions, carefully elaborates a scheme for the cure of pauperism by a statutory enforcement of thrift which has far-reaching results at home and abroad. In November 1878 he contributes to the Nineteenth Century an essay entitled National Insurance a Cheap, Practical, and Popular Way of Preventing Pauperism, and thenceforth strenuously advocates a scheme of compulsory insurance, which the National Providence League, with the Earl of Shaftesbury as president, is formed in 1880 to carry into effect. At the same time he recommends temperance as a means of social regeneration. His views reach a wide public through his writings, which include How to teach Domestic Economy (1879), Collected Essays on the Prevention of Pauperism (1880), Social Economy Reading Book, adapted to the New Code (1881), Thrift and Independence; a Word for Working-men (1884).

Blackley’s scheme provides that all persons between eighteen and twenty should subscribe to a national fund, and should receive in return a week in time of sickness, and a week after the age of seventy. The plan is urged on the House of Lords by the Earl of Carnarvon in 1880, and is the subject of inquiry by a select committee of the House of Commons from 1885 to 1887. The majority of the boards of guardians in England and Wales support the proposals, but the commons’ committee, while acknowledging Blackley’s ingenuity and knowledge, reports adversely on administrative and actuarial grounds. At the same time the friendly societies, which Blackley has censured in his Thrift and Independence, regards the principle of compulsion as a menace to their own growth, and their historian and champion, the Rev. John Frome Wilkinson, sharply criticises Blackley’s plan in The Blackley National Providence Insurance Scheme; a Protest and Appeal (1887). Blackley’s plan, although rejected for the time, stimulates kindred movements in the colonies and in foreign countries, and leads directly to the adoption of old age pensions in England by legislation in 1908, while the national insurance scheme which receives parliamentary sanction in 1911 bears some trace of Blackley’s persistent agitation.

In 1887 Blackley, who is director of the Clergy Mutual Insurance Company, makes proposals to the church congress which lead to the formation of the “Clergy Pension Scheme” and of a society for ecclesiastical fire insurance. In the autumn of 1889 Blackley, whose active propagandism brings him constantly to London, becomes vicar of St. James the Less, Vauxhall Bridge Road. There he enlarges the schools and builds a parish hall and a vicarage.

William Lewery Blackley dies after a brief illness at 79 St. George’s Square, on July 25, 1902. Brasses are put up in Blackley’s memory in the churches of St. James the Less, North Waltham, and Frensham.


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Bank of Ireland Suspends Gold Payments

godley-bank-note-1834The Bank of Ireland suspends gold payments on February 26, 1797. In the late 18th century, cash is king, whether it be gold or silver. If one has no gold or silver, one has no goods, unless one is a member of the 10,000 or so landed aristocratic families who are allowed to run up debts.

At the end of the 18th century Britain is at war with France. The British government requires gold above all to conduct its war with Napoleon. There is not enough to go around. There is not enough gold in the vaults of the Bank of England to adequately fund the war, much less for sending any of it to Ireland. Therefore, in 1797 the Bank of Ireland is obliged to stop issuing gold that it does not have and rather rely on well established banknotes to keep money in circulation. A few weeks later the stance taken by the Bank is approved of by Irish legislators in the Irish Parliament.

The withdrawal of gold and the increased issuing of notes leads to the establishment of a number of private banks in Ireland who are allowed to issue their own notes. In 1799 there are eleven private banks. By 1803, this number has increased to forty-one. Many of these banks subsequently fail and destroy the lives of their customers. The partners who run these financial institutions are identified on the banknotes they issue. Therefore their clients can see the names, but not the addresses, of the men who have financially destroyed them when they fall into liquidation.


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Benjamin Franklin Begins Visit to Ireland

Benjamin Franklin, one of the Founding Fathers of the United States and a signatory of the United States Declaration of Independence, commences a visit to Ireland on September 5, 1771 where he later reports he has “a good deal of Conversation with the Patriots; they are all on the American side of the Question.”

At the time Franklin is based in London attempting to negotiate on behalf of the American Colonies. Franklin details his views of Dublin and Ireland in a letter to Thomas Cushing, a lawyer and statesman from Boston, Massachusetts. Franklin has a keen interest in Irish affairs, writing in a letter two years prior to visiting the country that “all Ireland is strongly in favour of the American cause. They have reason to sympathise with us.”

As Franklin tours Ireland in 1771 and is astounded and moved by the level of poverty he sees there. Ireland is under the trade regulations and laws of England, which affect the Irish economy, and Franklin fears that America will suffer the same plight if Britain’s exploitation of the colonies continues. During his visit, Franklin also attends two sessions of Irish Parliament as an observer.

Franklin is struck by the contrast between the grandeur of Dublin city itself and the intense poverty of those beyond its core.

Franklin writes to a friend, “The people in that unhappy country, are in a most wretched situation. Ireland is itself a poor country, and Dublin a magnificent city; but the appearances of general extreme poverty among the lower people are amazing. They live in wretched hovels of mud and straw, are clothed in rags, and subsist chiefly on potatoes. Our New England farmers, of the poorest sort, in regard to the enjoyment of all the comforts of life, are princes when compared to them. Perhaps three-fourths of the Inhabitants are in this situation.”

In 1977, the United States Ambassador to Ireland Walter J.P. Curley presents a bust of Benjamin Franklin to the Bank of Ireland to commemorate the visit. Speaking at the unveiling of the bust, the Ambassador notes that  Franklin’s friendship for Ireland was no fleeting whim. He had said “You have ever been friendly to the rights of mankind and we acknowledge with pleasure and gratitude that your nation has produced patriots who have nobly distinguished themselves in the cause of humanity and America.”