O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.
Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.
In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.
From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.
O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.
Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.
O’Neill is born Mary Devenport, the daughter of Royal Irish Constabulary (RIC) sub-constable, John Devenport, and his wife Bridget (née Burke). She attends the Dominican convent, Eccles Street, Dublin before enrolling in the Metropolitan School of Art from 1898 to 1903. In 1900 she wins the year’s prize in the School of Art. She apparently considers teaching as a career, as she is listed on the college register as a teacher in training from 1901 to 1903. It is while an art student that she starts to correspond with the writer she admires, Joseph O’Neill. Their relationship develops, and the couple marries on June 19, 1908, settling in Kenilworth Square, Dublin.
Many of O’Neill’s husband’s friends disapprove of her modern and unconventional ideas, but she is popular with “the Rathgar Group” who attends George Russell’s Sunday salons. After a few years, she establishes her own salon referred to as “Thursdays at home,” attended by Russell, Padraic Colum, W. B. Yeats, Richard Irvine Best, Frank O’Connor, Francis Stuart and Iseult Gonne. She becomes particularly close to Yeats, who she confides in. Yeats records their weekly consultations in his diary while working on A Vision (1925). In his Oxford anthology of English verse from 1936, he includes one of O’Neill’s poems. In 1917, she contributes lyrics to her husband’s play The Kingdom Maker. She publishes her only book in 1929, Prometheus and other poems. After this she occasionally contributes primarily modernist plays and poetry to The Dublin Magazine, The Irish Times and The Bell. She collaborates with Austin Clarke from the Lyric Theatre Company on her plays Bluebeard (1933) and Cain (1945).
O’Neill suffers with poor health, which sees her and her husband spending extended periods in the south of France and Switzerland. They sell their home in Dublin in August 1950 and move to Nice, with the intention of settling there. However, due to rapidly depleting finances they are forced to return to Ireland in April 1951. They rent a cottage in Wicklow from their friend Con Curran. When her husband dies in 1953, she goes to live with relatives in Dublin. She dies there in 1967.
Higgins is born on April 24, 1896 on the west coast of Ireland in Foxford, County Mayo. He is the eldest son of Joseph, a policeman stationed in Foxford at the time of his son’s birth, and Annie Higgins. His poem “Father and Son” is a loving tribute to his father. He grows up in Ballivor, County Meath, where his family has farmed for several generations. He spends the largest part of his adult life in Dublin, in a house he has built beside the River Dodder in Rathfarnham. His health is poor, and though his friends are inclined to regard him as a hypochondriac, his frequent predictions that he would die young prove to be accurate.
Higgins marries Beatrice May Moore in 1921. The marriage is a happy one. Even Frank O’Connor, who dislikes him, praises him as a kind and considerate husband. He is however reputed to have had a number of affairs, notably with the actress Ria Mooney.
Higgins is a student of William Butler Yeats and serves on the board of the Abbey Theatre from 1935 until his death. His best-known book of poetry is The Gap of Brightness (1940). He is also well known for his poem “Father and Son.” He writes a moving elegy for his fellow poet Pádraic Ó Conaire. He is generally acknowledged to be a fine poet, but is less successful in his Abbey Theatre work. Frank O’Connor says unkindly that Higgins could not direct a children’s poetry recitation.
In 1937 Higgins is tour manager of the Abbey Theatre production of Teresa Deevy‘s Katie Roche, which tours to the Ambassador Theatre in New York City. There are five performances from October 2-6. His Abbey career can be seen in the Abbey Theatre archives.
Higgins is a popular and convivial man. Even O’Connor, who comes to regard him with deep suspicion, admits that he is a delightful person to know. His circle of friends include many of the leading Irish literary figures of his time, including Yeats, Padraic O Conaire, George William Russell, Lennox Robinson, and for a time O’Connor. O’Connor, however, comes to regard him as untrustworthy and a troublemaker, and describes him unflatteringly in his memoir My Father’s Son. For Yeats, Higgins seems to feel a genuine affection, once remarking that he never left Yeats’ house without “feeling like a thousand dollars.” He is also capable of great kindness and generosity to younger writers like Patrick Kavanagh.
(Pictured: “F. R. Higgins,” Oil on Canvas by Sean O’Sullivan, courtesy of the Abbey Theatre, Dublin)
León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902 at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.
After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.
Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil ÉireannDepartment of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.
Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk, and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.
Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.
A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.
On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.
Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.
Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.
Ó Broin receives an honorary LL.D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77), and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.
In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.
Ó Broin dies February 26, 1990 in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).
(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)
Brugha is born Charles William St. John Burgess of mixed Roman Catholic and Protestant parentage in Dublin on July 18, 1874. He attends Colmkille Schools until 1888 when he is admitted to Belvedere College. He intends to study medicine but this does not come to fruition after his father’s business fails in 1890. He is seen as an austere figure, not very different from Éamon de Valera, and is known not to smoke cigarettes, swear or drink alcohol.
In 1899, Brugha joins the Gaelic League, and he subsequently changes his name from Charles Burgess to Cathal Brugha. He meets his future wife, Caitlín Kingston, at an Irish class in Birr, County Offaly, and they marry in 1912. The marriage produces six children. He becomes actively involved in the Irish Republican Brotherhood (IRB) and in 1913 he becomes a lieutenant in the Irish Volunteers. He leads a group of twenty Volunteers to receive the arms smuggled into Ireland in the Howth gun-running of 1914.
Brugha is second-in-command at the South Dublin Union under Commandant Éamonn Ceannt in the Easter Rising of 1916. On the Thursday of Easter Week, being badly wounded, he is unable to leave when the retreat is ordered. Brugha, weak from loss of blood, continues to fire upon the enemy and is found by Eamonn Ceannt singing “God Save Ireland” with his pistol still in his hands. He recovers over the next year, but is left with a permanent limp.
Brugha proposes a Republican constitution at the 1917 Sinn Féin convention, which is unanimously accepted. In October 1917, he becomes Chief of Staff of the Irish Republican Army and holds that post until March 1919.
Brugha is elected Ceann Comhairle of Dáil Éireann at its first meeting on January 21, 1919, and he reads out the Declaration of Independence in Irish, which ratifies “the establishment of the Irish Republic.” On the following day he is appointed president of the ministry pro tempore. He retains this position until April 1, 1919, when Éamon de Valera takes his place.
Brugha has differences with Michael Collins, who, although nominally only the Irish Republican Army‘s (IRA) Director of Intelligence, has far more influence in the organisation as a result of his position as a high-ranking member of the IRB, an organisation that Brugha sees as undermining the power of the Dáil and especially the Ministry for Defence. He opposes the oath of allegiance required for membership of the IRB. In 1919, his proposition that all Volunteers should swear allegiance to the Irish Republic and the Dáil is adopted.
At a top-level IRA meeting in August 1920, Brugha argues against ambushes of Crown forces unless there is first a call to surrender, but it is dismissed as unrealistic by the brigade commanders present. He also has the idea of moving the front line of the war to England, but is opposed by Collins.
On January 7, 1922, Brugha votes against the Anglo-Irish Treaty. During the Treaty debates, he points out that Collins has only a middling rank in the Department for Defence, which supervises the IRA, even though Griffith hails him as “the man who had won the war.” It is argued that, by turning the issue into a vote on Collins’ popularity, Brugha swings the majority against his own side. Frank O’Connor, in his biography of Collins, states that two delegates who had intended to vote against the Treaty changed sides in sympathy with Collins. Brugha leaves the Dáil and is replaced as Minister for Defence by Richard Mulcahy.
In the months between the Treaty debates and the outbreak of Irish Civil War, Brugha attempts to dissuade his fellow anti-treaty army leaders, including Rory O’Connor, Liam Mellows and Joe McKelvey, from taking up arms against the Free State. When the IRA occupies the Four Courts, he and Oscar Traynor call on them to abandon their position. When they refuse, Traynor orders the occupation of the area around O’Connell Street in the hope of easing the pressure on the Four Courts and of forcing the Free State to negotiate.
On June 28, 1922, Brugha is appointed commandant of the forces in O’Connell Street. The outbreak of the Irish Civil War ensues in the first week of July when Free State forces commence shelling of the anti-treaty positions.
Most of the anti-Treaty fighters under Traynor escape from O’Connell Street when the buildings they are holding catch fire, leaving Brugha in command of a small rearguard. On July 5, he orders his men to surrender, but refuses to do so himself. He then approaches the Free State troops, brandishing a revolver. He sustains a bullet wound to the leg which “severed a major artery causing him to bleed to death.” He dies on July 7, 1922, eleven days before his 48th birthday. He had been re-elected as an anti-Treaty TD at the 1922 Irish general election but dies before the Dáil assembles. He is buried in Glasnevin Cemetery in Dublin.
Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.
Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish-speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.
Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.
Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.
Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married.
Hugh Leonard, Irish dramatist, television writer and essayist, is born in Dublin on November 9, 1926. In a career that spans 50 years, he writes nearly 30 full-length plays, 10 one-act plays, three volumes of essays, two autobiographies, three novels and numerous screenplays and teleplays, as well as writing a regular newspaper column.
After birth, Leonard is put up for adoption. Raised in Dalkey, a suburb of Dublin, by Nicholas and Margaret Keyes, he changes his name to John Keyes Byrne. For the rest of his life, despite the pen name of “Hugh Leonard” which he later adopts and becomes well known by, he invites close friends to call him “Jack.”
Leonard is educated at the Harold Boys’ National School, Dalkey, and Presentation College, Glasthule, winning a scholarship to the latter. He works as a civil servant for fourteen years. During that time he both acts in and writes plays for community theatre groups. His first play to be professionally produced is The Big Birthday, which is mounted by the Abbey Theatre in Dublin in 1956. His career with the Abbey Theatre continues until 1994. After that his plays are produced regularly by Dublin’s theatres.
Leonard moves to Manchester for a while, working for Granada Television before returning to Ireland in 1970. There he settles in Dalkey.
During the 1960s and 1970s, Leonard is the first major Irish writer to establish a reputation in television, writing extensively for television including original plays, comedies, thrillers and adaptations of classic novels for British television. He is commissioned by RTÉ to write Insurrection, a 50th anniversary dramatic reconstruction of the Easter Rising of 1916. His Silent Song, adapted for the BBC from a short story by Frank O’Connor, wins the Prix Italia in 1967. He writes the script for the RTÉ adaptation of Strumpet City by James Plunkett.
Three of Leonard’s plays have been presented on Broadway: The Au Pair Man (1973), which stars Charles Durning and Julie Harris, Da (1978) and A Life (1980). Of these, Da, which originates off-off-Broadway at the Hudson Guild theatre before transferring to the Morosco Theatre, is the most successful, running for 20 months and 697 performances, then touring the United States for ten months. It earns Leonard both a Tony Award and a Drama Desk Award for Best Play. It is made into a film in 1988, starring Martin Sheen and Barnard Hughes, who reprises his Tony Award-winning Broadway performance.
Leonard writes two volumes of autobiography, Home Before Night (1979) and Out After Dark (1989). Some of his essays and journalism are collected in Leonard’s Last Book (1978) and A Peculiar People and Other Foibles (1979). In 1992 the Selected Plays of Hugh Leonard is published. Until 2006 he writes a humorous weekly column, “The Curmudgeon,” for the Irish Sunday Independent newspaper. He has a passion for cats and restaurants, and an abhorrence of broadcaster Gay Byrne.
Even after retiring as a Sunday Independent columnist, Leonard displays an acerbic humour. In an interview with Brendan O’Connor, he is asked if it galls him that Gay Byrne is now writing his old column. His reply is, “It would gall me more if he was any good at it.” He is a patron of the Dublin Theatre Festival.
In 1994, Leonard appears in a televised interview with Gerry Adams, president of Sinn Féin, an Irish political party associated with the Provisional Irish Republican Army. He has long been an opponent of political violence and a critic of the IRA. However, on the show and afterwards he is criticised for being “sanctimonious and theatrical” towards Adams. At one point he refers to Sinn Féin as “dogs.”
Hugh Leonard – Odd Man In, a film on his life and work is shown on RTÉ in March 2009. Leonard’s final play, Magicality, is not performed during his lifetime. A rehearsed reading of the second act is staged at the Dalkey Castle and Heritage Centre in June 2012.
Hugh Leonard dies after a long illness on February 12, 2009 in his hometown of Dalkey at the age of 82, leaving €1.5 million in his will.
Ó Faoláin writes his first stories in the 1920s, eventually completing 90 stories over a period of 60 years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill in Twickenham, England, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterwards returns to his native Ireland. He publishes novels, short stories, biographies, travel books, translations, and literary criticism – including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947.
Daniel Corkery, Irish politician, writer and academic, is born in Cork, County Cork on February 14, 1878. He is unquestionably best known as the author of The Hidden Ireland, his 1924 study of the poetry of eighteenth-century Irish Language poets in Munster.
After leaving St. Patrick’s, Corkery teaches art for the local technical education committee, before becoming inspector of Irish in 1925, and later Professor of English at University College Cork in 1930. Among his students in UCC are Seán Ó Faoláin and Seán Ó Tuama. He is often a controversial figure in academia for his “nativist” views on Irish literature, views which result in conflict with many Irish Language scholars, most notably Pádraig de Brún and his niece Máire Mhac an tSaoi. Ó Tuama, however, is frequently a staunch defender of Corkery’s reputation.
In his late twenties Corkery learns Irish and this brings him into contact with leading members of the Irish Language revival movement, including Terence MacSwiney, T. C. Murray and Con O’Leary, with whom he founds the Cork Dramatic Society in 1908. His plays Embers and The Hermit and the King are performed by the society. Later plays are staged at the famous Abbey Theatre, including The Labour Leader (1919) and The Yellow Bittern (1920).
Corkery is also a writer of short stories, including the collections A Munster Twilight (1916), The Hounds of Banba (1920), The Stormy Hills (1929), and Earth Out of Earth (1939), and a novel, The Threshold of Quiet (1917).
Corkery also writes non-fiction works, including The Hidden Ireland (1924), a highly influential work about the riches of eighteenth-century Irish poetry. In this he attempts to reconstruct a worldview preserved by Gaelic poets amongst the poor and oppressed Catholic peasantry of the Penal Laws era, virtually invisible in the Anglo-Irish tradition that has dominated the writing of Irish history. “An instant, influential classic,” writes Patrick Walsh, “its version of the past provided powerful cultural underpinning to the traditional nationalist history that became, in the 1930s, the educational orthodoxy of the new state.”
Corkery serves as a member of Seanad Éireann from 1951 to 1954 when he is nominated by the Taoiseach.
Daniel Corkery dies on December 31, 1964. His papers are held in the Boole Library of University College Cork.
Raised in Cork, the only child of Minnie (née O’Connor) and Michael O’Donovan, O’Connor attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.
Following his release, O’Connor takes various positions including that of teacher of Irish, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.
In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.
From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of O’Connor’s writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.
O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.
Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.
seamus dubhghaill 