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Death of Myles Byrne, United Irishman & French Army Officer

Myles Byrne, United Irishman, French army officer, and author, dies at his house in the rue Montaigne (now rue Jean Mermoz, 8th arrondissement, near Champs-Élysées), Paris on January 24, 1862.

Byrne is born on March 20, 1780, at Ballylusk, Monaseed, County Wexford, the eldest son of Patrick Byrne, a middling Catholic farmer, and Mary (née Graham). He joins the United Irishmen in the spring of 1797 and, although only seventeen, becomes one of the organisation’s most active agents in north Wexford.

When rebellion engulfs his home district on May 27, 1798, Byrne assumes command of the local Monaseed corps and rallies them at Fr. John Murphy‘s camp on Carrigrew Hill on June 3. They fight at the rebel victory at Tubberneering on June 4 and the unsuccessful attempt to capture Arklow five days later. After the dispersal of the main rebel camp at Vinegar Hill on June 21, he accompanies Murphy to Kilkenny but begins the retreat to Wexford four days later. Heavily attacked at Scollagh Gap, he is one of a minority of survivors who spurn the proffered amnesty and join the rebel forces in the Wicklow Mountains. He is absent when the main force defeats a cavalry column at Ballyellis on June 30 but protects the wounded who are left in Glenmalure when the rebels launch a foray into the midlands the following week. He takes charge of the Wexfordmen who regain the mountains and fight a series of minor actions in the autumn and winter of 1798 under the militant Wicklow leader Joseph Holt. On November 10, he seizes an opportunity to escape into Dublin, where he works as a timber-yard clerk with his half-brother Edward Kennedy.

Byrne is introduced to Robert Emmet in late 1802 and immediately becomes a prominent figure in his insurrection plot. He is intended to command the many Wexford residents of the city during the planned rising of 1803. On July 23, 1803, he assembles a body of rebels at the city quays, which disperse once news is received that the rising has miscarried. At Emmet’s request, he escapes to Bordeaux in August 1803 and makes his way to Paris to inform Thomas Addis Emmet and William James MacNeven of the failed insurrection. In his Paris diary, the older Emmet recalls passing on “the news brought by the messenger” to Napoleon Bonaparte‘s military advisors.

Byrne enlists in the newly formed Irish Legion in December 1803 as a sub-lieutenant and is promoted to lieutenant in 1804 but only sees garrison duty. The regiment eventually moves to the Low Countries, and is renamed the 3rd Foreign Regiment in 1808, the year he is promoted to captain. He campaigns in Spain until 1812, participating in counterinsurgency against Spanish guerillas. He fights in Napoleon’s last battles and is appointed Chevalier de la Légion d’Honneur on June 18, 1813. With Napoleon’s defeat in 1815, the former Irish Legion, with its undistinguished and somewhat unfortunate history, is disbanded.

Though a supporter of Napoleon during the Hundred Days, Byrne is not involved in his return, yet he is included in an exclusion order from France which he successfully appeals. In November 1816, he swears the oath of loyalty to the now Royal Order of the Legion of Honour and becomes a naturalised French subject by royal decree on August 20, 1817. He becomes a half-pay captain but is recalled for active service in 1828 and serves as a staff officer in the French expeditionary force in Morea in support of Greek independence (1828–1830). His conduct on this campaign leads to his promotion as chef de bataillon (lieutenant-colonel) of the 56th Infantry Regiment in 1830.

After five years of service in garrisons around France, including counterinsurgency duty in Brittany, Byrne retires from the army in 1835. On December 24, 1835, he marries a Scottish woman, Frances “Fanny” Horner, at the British Embassy Chapel in Paris. They live in modest circumstances in various parts of Paris and remain childless. Though it is unclear when he is awarded the Chevalier de St Louis, having initially applied for it unsuccessfully in 1821, this distinction is mentioned in his tomb inscription, under his Legion of Honour. John Mitchel, who visits him regularly in Paris in the late 1850s, recalls Byrne sporting the rosette of the Médaille de Sainte Hélène, awarded in 1857 to surviving veterans of Napoleon’s campaigns.

An early list of Irish Legion officers describes Byrne as an upright and disciplined man, with little formal instruction but aspiring to improve himself. He becomes fully fluent in French but also learns Spanish and his language skills are a useful asset in various campaigns. Because of his suspected Bonapartist leanings, he is under police surveillance for some time after the Bourbon Restoration. He does, however, cultivate a wide social circle in Paris over the years. Various references throughout his writings testify to an inquisitive and cultured mind. He intended publishing a lengthy criticism of Gustave de Beaumont‘s Irlande, sociale, politique et religieuse (1840), claiming that it misrepresented the 1798 rebellion, but he withdraws it after meeting the author, not wishing to prejudice the reception of such an important French work on “the sufferings of Ireland.”

A lifelong nationalist, Byrne acts as Paris correspondent of The Nation in the 1840s and is a well-known figure in the Irish community there. He works in the 1850s on his notably unapologetic and candid Memoirs, an early and significant contribution to the Irish literature of exile. This autobiography is acclaimed by nationalists when published posthumously by his wife in 1863, with a French translation swiftly following in 1864. His detailed testimony of key battles of the 1798 rebellion in the southeast and Emmet’s conspiracy are written with the immediacy of an eyewitness and make them an invaluable contribution to that period of Irish history.

Byrne dies on January 24, 1862, in Paris, and is buried in Montmartre Cemetery. On November 25, 1865, John Martin writes of him: “In truth he was a beautiful example of those natures that never grow old. A finer, nobler, gentler, kindlier, gayer, sunnier nature never was than his, and to the last he had the brightness and quickness and cheeriness of youth”.

Byrne’s engaging and dispassionate Memoirs have ensured his special status among Irish nationalists. Because of his longevity he is the only United Irishman to have been photographed. His wife had sketched him in profile in middle age, and the photograph taken almost three decades later shows the same, strong features though those of a frail, but dignified man of 79 years.

(From: “Byrne, Miles” by Ruan O’Donnell and Sylvie Kleinman, Dictionary of Irish Biography, http://www.dib.ie, October 2009, last revised August 2024 | Pictured: Photograph of Miles Byrne taken in Paris in 1859)


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Birth of Myles Byrne, United Irishman & French Army Officer

Myles Byrne, United Irishman, French army officer and author, is born into a Catholic farming family in the townland of Ballylusk, near Monaseed, County Wexford, on March 20, 1780.

At the age of 17, Byrne is asked to join the government Yeomanry. He chooses instead to join the Society of United Irishmen. In defiance of the British Crown and the Protestant Ascendancy the oath-bound movement is determined to achieve an independent and representative government for Ireland. He participates in preparations in Wexford for the Irish Rebellion of 1798 and, at the age of 18, fights at the Battle of Tubberneering on June 4 and, in command of a division of pikemen, in the Battle of Arklow on June 9, in which the rebel leader Father Michael Murphy is killed. In the face of a general rout, he leads a rebel charge in the Battle of Vinegar Hill on June 21.

Keeping command of a small band, Byrne seizes Goresbridge on June 23 but has to deplore the murder of several prisoners and other atrocities committed by his men in revenge for the torture and executions that had been visited upon the peasantry by the yeomanry and government militia. After further skirmishes he joins Joseph Holt and Michael Dwyer in taking to the Wicklow Mountains to continue a guerrilla resistance.

After Holt accepts transportation to Australia in November, Byrne, assisted by his sister, escapes to Dublin. He recalls of his sister, “If I had not remarked a long scar on her neck, she would not have mentioned anything herself. A yeoman … threatened to cut her throat with his sabre if she did not tell instantly the place in which I was hiding. The cowardly villain, no doubt, would have put his threat in execution had not some of his comrades interfered to prevent him.”

In the winter of 1802-03, Byrne enters into the plans of Robert Emmet and Anne Devlin for a renewed uprising. In his Memoirs he describes a meeting he arranged between Robert Emmet and the Wexford rebel leader Thomas Cloney at Harold’s Cross Green, Dublin, just prior to Emmet’s Rebellion, “I can never forget the impression this meeting made on me at the time – to see two heroic patriots, equally devoted to poor Ireland, discussing the best means of obtaining her freedom.”

In July 1803, the plans unravel when Anne Devlin’s cousin, Michael Dwyer, still holding out in Wicklow, recognises that there are neither the promised arms nor convincing proof of an intended French landing. In the north Thomas Russell and James Hope find no enthusiasm for a renewal of the struggle in what in 1798 are the strongest United Irish and Catholic Defender districts.

In Dublin, with their preparations revealed by an accidental explosion of a rebel arms depot, Emmet proceeds with a plan to seize the centres of government. The rising, for which for Byrne turns out with Emmet and Malachy Delaney in gold-trimmed green uniforms, is broken up after a brief confrontation in Thomas Street.

Two days after the fight in Thomas Street, Byrne meets with the fugitive Emmet and agrees to go to Paris to procure French assistance. But in Paris he finds Napoleon‘s attentions focused elsewhere. The First Consul uses a cessation of hostilities with Britain to pursue a very different venture, the re-enslavement of Haiti.

Byrne is commissioned as a captain in Napoleon’s Irish Legion. But at a time when he is convinced that “all Catholic Ireland” is “ready to rise the moment a rallying point was offered,” the Irish exiles cannot deflect the First Consul from other priorities. Rather than in Ireland, with his diminishing Irish contingent, he is to see action in the Low Countries, Germany and Spain.

Byrne rises to the rank of brigadier general and is awarded the Legion of Honour in 1813. Following the Bourbon Restoration, with fellow legionnaire John Allen, he narrowly avoids deportation as a foreign Bonapartist. An introduction to the Prince de Broglie, then vice-president of the Chamber of Deputies, and two audiences with the Minister of War, Marshal Henri Clarke, the Duke of Feltre, contribute to the latter’s decision to quash the deportation order. In August 1817 Byrne is naturalised as a French citizen.

For much of the next decade Byrne finds himself effectively retired on half pay. Returned to active military service in 1828, he distinguishes himself in the French expedition to Morea during the Greek War of Independence. He retires in 1835 with the rank of Chef de Bataillion.

In the 1840s, Byrne is Paris correspondent for The Nation in Dublin, the Young Irelander newspaper that does much to rehabilitate the memory of the United Irishmen.

In his last years Byrne writes his Memoirs, which are an account of his participation in the Irish Rebellion and his time in the Irish Legion of Napoleon. These are first published in three volumes in 1863, but there have been many subsequent reprints. Against the portrayal of 1798 as a series of disjointed, unconnected risings, his memoirs present the United Irishmen as a cohesive revolutionary organisation whose aim of a democratic, secular, republic had captured the allegiance of a great mass of the Irish people.

Byrne dies at his house in the rue Montaigne (now rue Jean Mermoz, 8th arrondissement, near Champs-Élysées), Paris on January 24, 1862, and is buried in Montmartre Cemetery. His grave there is marked by a Celtic Cross, however this headstone appears to be a 1950s replacement for an earlier one.

(Pictured: Miles Byrne (1780-1862), United Irishman. Photograph taken by an unknown photographer in Paris in February 1859. The photograph now resides in Áras an Uachtaráin, the residence of the President of Ireland, in Dublin.)


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Birth of Shakespearean Actress Harriet Smithson

Harriet Constance Smithson, Anglo-Irish Shakespearean actress of the 19th century and best known as the first wife and muse of Hector Berlioz, is born at Ennis, County Clare on March 18, 1800.

Her father, William Joseph Smithson, is an actor and theatrical manager from Gloucestershire, England, and her mother is an actress whose full name is unknown. She also has a brother, Joseph Smithson, and a sister, name also unknown. In October 1801, she is left in the care of Reverend James Barrett, a priest of the Church of Ireland, parish of Drumcliffe. Barrett becomes her guardian and raises her as though she were his own daughter. He instructs her “in the precepts of religion,” and keeps everything connected with the stage from her view. After his death on February 16, 1808, the Smithsons send Harriet to a boarding school in Waterford.

On May 27, 1814, Smithson makes her first stage appearance at the Theatre Royal, Dublin, as Albina Mandevill in Frederick Reynolds‘s The Will. Her performance is well received. In 1815, she takes her parents’ place in Montague Talbot’s company in Belfast after they return to Dublin. The season opens on January 1, 1816, where she extends her range in roles, performing in multiple comedies. She then travels to Newry, Limerick, Dublin, and Birmingham, where she joins Robert Elliston‘s company. She spends the next two months playing over forty roles in various genres.

Four years later, January 20, 1818, Smithson makes her first London appearance at Drury Lane as Letitia Hardy in The Belle’s Stratagem. Her first performance receives mixed reviews from critics, but she quickly gains some favour of critics and performers as she obtains more experience. She joins the permanent company at the Royal Coburg Theatre later that year. However, she rejoins Drury Lane Company in the autumn of 1820. On February 20, 1821, she takes the lead female role in Thérèse by John Howard Payne, when the cast actress falls ill. Overall, the London public remembers her as The Times put it, “a face and features well adapted to her profession; but [an actress] not likely to make a great impression on a London audience, or to figure among stars of the first magnitude.”

In 1827, Smithson makes her Paris début as Lydia Languish in The Rivals at the Théâtre de l’Impératrice. Though she receives negative reviews for this role, she is highly praised for her beauty and ability in the subsequent performance of She Stoops to Conquer. On September 11, 1827, she is given the small part of Ophelia next to Charles Kemble in Shakespeare’s Hamlet. She leaves a long-lasting impression on the French through her interpretation of Ophelia’s madness, utilizing pantomime and natural presentation.

The tremendous success of Hamlet leads to the announcement of Romeo and Juliet, for September 15. Smithson is cast as Juliet, where she revolutionizes the women’s role in theatre by becoming as important as her male counterpart. Until this point, women’s lines in theatre are heavily cut and censored to reduce the role for the company’s “restricted talent.” Again, the production is widely well received. On September 18, Shakespeare’s Othello becomes the third Shakespeare tragedy to be performed by The English theatre. Her performance as Desdemona is less effective, but the production is popular enough to be repeated the following week. She is cast as Jane Shore in the renowned tragedy The Tragedy of Jane Shore, a role in which she moves her audience to tears. The production soon becomes the most performed play in the English season. At the end of her time in France, she had acted in several productions with famous actors such as William Charles Macready, Edmund Kean, and Charles Kemble.

As opportunities to continue her work in Paris dwindle, Smithson returns to London to perform Jane Shore again. The production opens at Covent Garden on May 11, 1829, under unfavorable circumstances. Some audience members, who had read her reviews before she went to Paris, feel reluctant to attend the show. However, just seven days after her next performance as Juliet, in Shakespeare’s Romeo and Juliet, the press gives her glowing reviews.

After Covent Garden closes for the summer in 1832, Smithson tours England to minor theatres performing almost exclusively in tragedies. In June 1832, she joins the Theatre Royal Haymarket, where she has limited success and receives criticism about her weight.

In 1830, Smithson goes back to Paris to set up an English theatre under her own management. She obtains permission to perform at the Theatre-Italien where she performs several unsuccessful plays. A year later, she breaks her leg and is forced to put her career on hold until her leg heals, leaving her in great debt. She gives her last performance, as Ophelia, on December 15, 1836, before her health deteriorates.

Toward the end of her life, Smithson suffers from paralysis, which leaves her barely able to move or speak. She dies on March 3, 1854, at her home on the rue Saint-Vincent, and is buried at the Cimetière Saint-Vincent. Berlioz has her body is later reinterred at the Montmartre Cemetery when Cimetière Saint-Vincent undergoes redevelopment.

(Pictured: Oil on canvas portrait of Harriet Smithson by Claude-Marie-Paul Dubufe, located at the Musee Magnin, Dijon, France)