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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Eoin McKiernan, Scholar of Irish Studies

eoin-mckiernan

Eoin McKiernan, early scholar in the interdisciplinary field of Irish Studies in the United States and the founder of the Irish American Cultural Institute (IACI), dies in Saint Paul, Minnesota on July 18, 2004. He is credited with leading efforts to revive and preserve Irish culture and language in the United States.

Born John Thomas McKiernan in New York City on May 10, 1915, McKiernan adopts the old Irish form of his name, Eoin, early in his life. While in college, he wins a scholarship to study Irish language in the Connemara Gaeltacht in the west of Ireland. In 1938, he marries Jeannette O’Callaghan, whom he met while studying Irish at the Gaelic Society in New York City. They raise nine children.

McKiernan attends seminary at Cathedral College of the Immaculate Conception and St. Joseph’s College in New York, leaving before ordination. He earns degrees in English and Classical Languages (AB, St. Joseph College, NY, 1948), Education and Psychology (EdM, UNH, 1951), and American Literature and Psychology (PhD, Penn State, 1957). Later in life, he is awarded honorary doctorates from the National University of Ireland, Dublin (1969), the College of Saint Rose, Albany (1984), Marist College, Poughkeepsie (1987) and the University of St. Thomas, Saint Paul (1996).

Passion for Irish culture is the dominant undercurrent of a distinguished teaching career in secondary (Pittsfield, NH, 1947–49) and university levels (State University of New York at Geneseo, 1949–59, and University of St. Thomas in Saint Paul, MN, 1959–72). McKiernan serves as an officer of the National Council of College Teachers of English, is appointed by the Governor of New York to a State Advisory Committee to improve teacher certification standards and serves as a Consultant to the U.S. Department of Education in the early 1960s.

McKiernan suggests to the Irish government in 1938 that a cultural presence in the United States would promote a deeper understanding between the two countries, but he eventually realises that if this is to happen, he will have to lead the way. His opportunity comes in 1962, when he is asked to present a series on public television. Entitled “Ireland Rediscovered,” the series is so popular that another, longer series, “Irish Diary,” is commissioned. Both series air nationwide. The enthusiastic response provides the impetus to establish the Irish American Cultural Institute (IACI) in 1962. In 1972 he resigns from teaching to devote his energy entirely to the IACI.

Under McKiernan’s direction, the IACI publishes the scholarly journal Eire-Ireland, with subscribers in 25 countries, and the informational bi-monthly publication Ducas. The IACI still sponsors the Irish Way (an immersion program for U.S. teenagers), several speaker series, a reforestation program in Ireland (Trees for Ireland), theatre events in both countries and educational tours in Ireland. He continues these educational Ireland tours well into his retirement. At his suggestion, the Institute finances the world premiere of A. J. Potter‘s Symphony No. 2 in Springfield, Massachusetts.

Troubled by the biased reporting of events in Northern Ireland in the 1970s, McKiernan establishes an Irish News Service, giving Irish media and public figures direct access to American outlets. In the 1990s, he is invited by the Ditchley Foundation to be part of discussions aimed at bringing peace to that troubled area and is a participant in a three-day 1992 conference in London dealing with civil rights in Northern Ireland. Organized by Liberty, a London civil rights group, the conference is also attended by United Nations, European Economic Community, and Helsinki representatives.

McKiernan also founds Irish Books and Media, which is for forty years the largest distributor of Irish printed materials in the United States. In his eighth decade, he establishes Irish Educational Services, which funds children’s TV programs in Irish and provided monies for Irish language schools in Northern Ireland. Irish America magazine twice names him one of the Irish Americans of the year. In 1999, they choose him as one of the greatest Irish Americans of the 20th century.

McKiernan dies on July 18, 2004, in Saint Paul, Minnesota. On his death, The Irish Times refers to him as the “U.S. Champion of Irish culture and history . . . a patriarch of Irish Studies in the U.S. who laid the ground for the explosion of interest in Irish arts in recent years.”


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Birth of Peig Sayers, Author & Seanchaí

peig-sayers

Peig Sayers, Irish author and seanchaí, is born in the townland of Vicarstown, Dunquin, County Kerry, on March 29, 1873. Seán Ó Súilleabháin, the former archivist for the Irish Folklore Commission, describes her as “one of the greatest woman storytellers of recent times.”

Sayers is born Máiréad (Margaret) Sayers, the youngest child of the family. She is called Peig after her mother, Margaret “Peig” Brosnan, from Castleisland. Her father Tomás Sayers is a renowned storyteller who passes on many of his tales to Peig. At age 12, she is taken out of school and goes to work as a servant for the Curran family in the nearby town of Dingle. She spends two years there before returning home due to illness.

She spends the next few years as a domestic servant working for members of the growing middle class produced by the Land War. She plans to join her best friend, Cáit Boland, in the United States, but Boland writes that she has had an accident and can not forward the cost of the fare. Peig moves to the Great Blasket Island after marrying Pádraig Ó Guithín, a fisherman and native of the island, on February 13, 1892. She and Pádraig have eleven children, of whom six survive.

The Norwegian scholar Carl Marstrander, who visits the island in 1907, urges Robin Flower of the British Museum to visit the Blaskets. Flower is keenly appreciative of Sayers’ stories and tales. He records them and brings them to the attention of the academic world.

In the 1930s, a Dublin teacher, Máire Ní Chinnéide, who is a regular visitor to the Blaskets, urges Sayers to tell her life story to her son Micheál. She is illiterate in the Irish language, although she receives her early schooling through the medium of English. She dictates her biography to Micheál. He then sends the manuscript pages to Máire Ní Chinnéide in Dublin, who edits them for publication. It is published in 1936.

Over several years beginning in 1938 she dictates 350 ancient legends, ghost stories, folk stories, and religious stories to Seosamh Ó Dálaigh of the Irish Folklore Commission.

Sayers continues to live on the island until 1942, when she leaves the Island and returns to her native Dunquin. She is moved to a hospital in Dingle, County Kerry where she dies on December 8, 1958. She is buried in the Dún Chaoin Burial Ground on the Dingle Peninsula. Her surviving children, except for her son Micheál, emigrate to the United States and live with their descendants in Springfield, Massachusetts.


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Evacuation of the Blasket Islands

blasket-islandsThe remaining human inhabitants of the Blasket Islands, a group of islands off the west coast of Ireland forming part of County Kerry, are evacuated to the mainland on November 17, 1953.

The Blasket Islands are inhabited until 1953 by a completely Irish-speaking population, and today are part of the Gaeltacht. Sadly, the Blasket Island community declines as a result of the persistent emigration of its young people. The last twenty-two inhabitants are forcefully evacuated by the government to the mainland on November 17, 1953, after the Irish government decides that it can no longer guarantee the safety of the remaining population. Many of the descendants currently live in Springfield, Massachusetts, and some former residents still live on the Dingle Peninsula, within sight of their former home.

The islanders are the subject of much anthropological and linguistic study around the end of the 19th and beginning of the 20th centuries particularly from writers and linguists such as Robin Flower, George Derwent Thomson, and Kenneth H. Jackson. Thanks to their encouragement and that of others, a number of books are written by islanders that record much of the islands’ traditions and way of life. These include An tOileánach (The Islandman) by Tomás Ó Criomhthain, Peig by Peig Sayers, and Fiche Blian ag Fás (Twenty Years A-Growing) by Muiris Ó Súilleabháin.

The Great Blasket Island, the principal island of the Blaskets, remains uninhabited today, but visitors can travel by ferry over to this remote and wildly beautiful place and spend several hours or all day marvelling at its natural beauty and what remains of years of human endeavour.

The Blasket Islands have been called Next Parish America, based on the erroneous idea that the next parish west of the islands would be the United States. The actual next parish west of the Blasket Island would be located in Newfoundland and Labrador, Canada.