Ó hEithir’s debut novel, Lig Sinn i gCathú (Lead Us Into Temptation, 1976), depicts university life in 1948 and becomes the first Irish language book to top Ireland’s bestseller list. Other notable works include:
The Begrudger’s Guide to Irish Politics (Poolbeg Press, 1986) — satirical commentary on Irish society
A Pocket History of Ireland (The O’Brien Press, 1989) — concise history from prehistory to the present
Sionnach ar mo Dhuán (1988) — his second novel
Ó hEithir also writes essays, lectures, and cultural commentary, often blending humour, satire, and irony.
Ó hEithir marries Catherine von Hildebrand in 1957. She is the daughter of Deirdre Mulcahy and Franz von Hildebrand, founders of Universidad de los Andes in Colombia. They have five children. He studies German and begins work on his first novel during a year in Germany with his family.
Ó hEithir dies of cancer in Dublin on October 26, 1990, at age 60 . He is awarded the Butler literary award in 1990 and receives a scholarship from the Irish American Cultural Institute in 1975 . His biography is written by Liam Mac Con Iomaire in 2000 . He is remembered as one of Ireland’s most accomplished bilingual writers and journalists of the twentieth century.
Ó Direáin is born on November 26, 1910, in Inis Mór, Aran Islands, County Galway, the eldest of the three sons and one daughter of Seán Ó Direáin, a small farmer, and Mairéad Ní Dhireáin (widow of Labhrás Mac Confhaola), both of Inis Mór. His father dies in 1917, aged forty-three, leaving his mother to rear a family of four on less than 20 acres of land. Educated at the local national school, he leaves Aran to join the post office in Galway in January 1928.
Ó Direáin is involved with the Irish language movement during the late 1920s and 1930s, during which time he is secretary of the Galway branch of the Gaelic League and writes for and acts on the stage of the Taibhdhearc Theatre. In July 1937 he moves to Dublin to work as a clerical officer in the Department of Posts and Telegraphs and later in the Department of Education. Inspired by a lecture given by the poet and Gaelic scholar Tadhg Ó Donnchadha, he begins writing poetry in Irish in the winter of 1938. Unlike Ó Donnchadha, however, who advocates and practises a poetry based on traditional Gaelic metres, he favours a rhythmically measured form of free verse. He publishes his first collection, Coinnle geala, in 1942, quickly followed by Dánta aniar (1943), both at his own expense. In 1949, a volume of selected poems, Rogha dánta, is one of the first books published by the newly founded Irish language publisher Sáirséal agus Dill.
These books herald not just a new voice, but a new generation of modern poets in Irish, distinct in outlook and ambition from most of the revivalist poets who precede them. The leading figures of this generation, Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi, all publish poems in various Irish language journals during the 1940s, though the latter two poets do not produce their first collections until the 1950s. Ó Direáin’s poetry is less thematically and linguistically adventurous than that of Ó Ríordáin (whom he nevertheless defends in print against the dogmatic criticism of Ó Ríordáin’s traditionalist detractors), and less consciously indebted to tradition than that of Mhac an tSaoi.
Ó Direáin’s early lyrics celebrate the traditional virtues of island life and mourn its passing because of increasing modernisation and population shifts toward the major cities. One of the best known of these poems, “Stoite“ (“Uprooted”), sets up a gloomy contrast between a traditional life in tune with nature’s rhythms, destined to endure in communal memory, and the fruitless urban existence of the contemporary office worker. This theme of uprootedness haunts his work throughout the 1950s and early 1960s. During this period he publishes his two most significant collections, Ó Mórna agus dánta eile (1957) and Ár ré dhearóil (1962), both of which take their titles from ambitious, and uncharacteristically long, poems. Ó Mórna, a poem of which there are two published versions, charts the colourful life of a proud, amoral tyrant, a figure based loosely on traditional accounts of a hard-living nineteenth-century landlord’s agent from Aran. Ó Mórna represents, in the poet’s view, the timeless Übermensch whose will to power is boundless and awesome. Ár ré dhearóil (“Our wretched era”) is an excoriation of the loveless hedonism of a middle-class Dublin populated by lonely bachelors, bitter spinsters, and immoral, though free-spirited and well-educated, women. The poem, which ends with an ominous if oblique warning against the threat of nuclear annihilation, bears some comparison with T. S. Eliot‘s “The waste land.” Eliot, Ezra Pound and W. B. Yeats are key influences alongside the canonical figures of seventeenth- and eighteenth-century Gaelic poetry. His strong social conscience is registered early on in poems such as “An Stailc“ (“The strike“). His life-long adherence to traditional nationalist values and his scornful attitude to what he perceives as the mercenary embrace of American-style capitalism in the changing economic climate of Ireland in the 1960s is most trenchantly voiced in poems such as “Éire ina bhfuil romhainn” (“Ireland in times ahead”) and “Mar chaitheamar an choinneal” (“As we spent the candle”).
Ó Direáin is an active member of the Irish language literary groups Cumann na Scríbhneoirí and Cumann na hÉigse, and publishes essays on a variety of topics throughout the 1940s and 1950s in magazines such as Ar Aghaidh, An Glór, Comhar and Feasta. A selection of mostly autobiographical essays, Feamainn Bhealtaine (1961), casts valuable light on the Aran of his youth and early adulthood. He is registrar for the National College of Art (1948–55), where he gets to know such prominent artists as Seán Keating, Maurice MacGonigal and Nano Reid, whose artwork adorns Rogha Dánta. From 1955 until his retirement from the civil service in 1975, he is a staff officer in the Department of Education. Cloch choirnéil appears in 1966, followed by Crainn is cairde (1970) and Ceacht an éin (1979).
The most comprehensive selection of Ó Direáin‘s poetry, Máirtín Ó Direáin: dánta 1939–1979 (1980), edited by Eoghan Ó hAnluain, covers all but two final volumes, Béasa an túir (1984) and Craobhóg dán (1986), neither of which add much of major significance to his oeuvre. A bilingual selection, Selected poems: Tacar dánta (1984), includes translations by Tomás Mac Síomóin and Douglas Sealy. In 1969, Ó Direáin delivers a series of lectures on his own work at University College Dublin (UCD), later edited by Eoghan Ó hAnluain as Ón ulán ramhar siar (2002), which provides useful background information on many individual poems. He receives the Irish American Cultural Institute (IACI) award in 1967 and is made a member of the Irish Academy of Letters in 1970. In 1977, he receives an honoraryDoctor of Letters degree from the National University of Ireland and the Ossian-Preis of the Freiherr von Stein Foundation in Hamburg. He is a full-time visiting lecturer in the department of Irish at University College Galway for the academic year 1978–79. He was also a member of Aosdána.
Ó Direáin marries Áine Colivet, a Dubliner of French extraction, in 1945. Their only child, Niamh, is born in 1947. He dies in Dublin on March 19, 1988.
A selection of Ó Direáin’s essays, An chuid eile díom féin, edited by Síobhra Aiken, and a bilingual volume of poems Máirtin Ó Direáin: Selected poems/ Rogha dánta, translated by Frank Sewell, are both published in 2018.
(From: “Ó Direáin, Máirtín” by Caoimhín Mac Giolla Léith, Dictionary of Irish Biography, www dib.ie, October 2009, last revised March 2021)
Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
Ó hEithir’s parents are national school teachers, Pádraic Ó hEithir and Delia Ní Fhlaithearta. He is a nephew of Aran Islands authors Liam Ó Flaithearta and Tom Maidhc Ó Flaithearta, the brothers of his mother. He attends the Kilronan national school where his parents teach. He receives his secondary school education at Coláiste Éinde (St. Enda’s College), Galway. He attends University College Galway for three years, finishing his university course in 1952 but leaves without sitting his final examinations. He writes in both Irish and English and is highly regarded for the originality and liveliness of his journalism, especially his work in Irish.
Ó hEithir marries Catherine von Hildebrand, a young student recently arrived in Dublin from Colombia, in 1957 and they have five children: Ruairí, Máirín, Brian, Aindriú, and Rónán. Catherine is born in Paris, the daughter of Deirdre Mulcahy from Sligo and Franz von Hildebrand from Munich, son of the noted philosopher and theologian Dietrich von Hildebrand.
After college, Ó hEithir spends a number of years working as an itinerant bookseller for Comhdháil Náisiúnta na Gaeilge. He serves as an editor at Sáirséal agus Dill, the Irish language publishing house, and as Irish language editor for The Irish Press from 1957 to 1963. He also writes a column for The Sunday Press. He is a regular columnist with the journal Comhar and also contributes a weekly column to The Irish Times. He also serves as a staff journalist with Raidió Teilifís Éireann (RTÉ), working on the current affairs programmes Cúrsaí and Féach.
In 1975 the Irish American Cultural Institute awards Ó hEithir a scholarship of £2,000 to allow him to devote more time to writing. The following year his first novel, Lig sinn i gcathú (1976), loosely based on his student days in Galway, becomes a best-seller. He and Catherine move to Paris in 1986, where most of his second novel, Sionnach ar mo Dhuán (1988), is written. Hopes of having produced his definitive novel are soon dashed by a series of devastating reviews.
Ó hEithir visits Colombia with his wife in the summer of 1990. On his return, he is presented with the Butler literary award of $10,000 in further recognition of his writing in Irish. A month later, after a very short illness, he dies of cancer in St. Vincent’s University Hospital in Dublin on October 26, 1990. He is survived by his wife, Catherine, daughter Máirín, and sons Ruairí, Brian, and Aindriú.
Lawless’s grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Over 12 million immigrants are processed at the station that eventually closes in 1954. Third class and steerage passengers are processed at the Ellis Island station. First- and Second-class passengers are generally processed on the boats they arrive on as they are seen to be of lesser “risk.”
Moore arrives from County Cork aboard the Guion LinesteamshipNevada in 1892. Her brothers, Anthony and Philip, who journey with her, have just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she is presented with an American $10 gold piece from an American official.
Moore’s parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie marries a son of German Catholic immigrants, Joseph Augustus Schayer (1876-1960), a salesman at Manhattan’s Fulton Fish Market, with whom she has eleven children, five of whom survive to adulthood. The rest all die before the age of three.
Moore dies of heart failure on December 6, 1924, at age 47 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish blue limestone.
A woman named “Annie Moore” who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, establishes that the Annie Moore in Texas was born in Illinois.
The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” She is also honored by two statues sculpted by Jeanne Rynhart. One stands at Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who pass through Ellis Island in pursuit of the American dream.
(Pictured: Statue of Annie Moore and her brothers on the quayside in Cobh, County Cork)
Born John Thomas McKiernan in New York City on May 10, 1915, McKiernan adopts the old Irish form of his name, Eoin, early in his life. While in college, he wins a scholarship to study Irish language in the ConnemaraGaeltacht in the west of Ireland. In 1938, he marries Jeannette O’Callaghan, whom he met while studying Irish at the Gaelic Society in New York City. They raise nine children.
Passion for Irish culture is the dominant undercurrent of a distinguished teaching career in secondary (Pittsfield, NH, 1947–49) and university levels (State University of New York at Geneseo, 1949–59, and University of St. Thomas in Saint Paul, MN, 1959–72). McKiernan serves as an officer of the National Council of College Teachers of English, is appointed by the Governor of New York to a State Advisory Committee to improve teacher certification standards and serves as a Consultant to the U.S. Department of Education in the early 1960s.
McKiernan suggests to the Irish government in 1938 that a cultural presence in the United States would promote a deeper understanding between the two countries, but he eventually realises that if this is to happen, he will have to lead the way. His opportunity comes in 1962, when he is asked to present a series on public television. Entitled “Ireland Rediscovered,” the series is so popular that another, longer series, “Irish Diary,” is commissioned. Both series air nationwide. The enthusiastic response provides the impetus to establish the Irish American Cultural Institute (IACI) in 1962. In 1972 he resigns from teaching to devote his energy entirely to the IACI.
Under McKiernan’s direction, the IACI publishes the scholarly journal Eire-Ireland, with subscribers in 25 countries, and the informational bi-monthly publication Ducas. The IACI still sponsors the Irish Way (an immersion program for U.S. teenagers), several speaker series, a reforestation program in Ireland (Trees for Ireland), theatre events in both countries and educational tours in Ireland. He continues these educational Ireland tours well into his retirement. At his suggestion, the Institute finances the world premiere of A. J. Potter‘s Symphony No. 2 in Springfield, Massachusetts.
Troubled by the biased reporting of events in Northern Ireland in the 1970s, McKiernan establishes an Irish News Service, giving Irish media and public figures direct access to American outlets. In the 1990s, he is invited by the Ditchley Foundation to be part of discussions aimed at bringing peace to that troubled area and is a participant in a three-day 1992 conference in London dealing with civil rights in Northern Ireland. Organized by Liberty, a London civil rights group, the conference is also attended by United Nations, European Economic Community, and Helsinki representatives.
McKiernan also founds Irish Books and Media, which is for forty years the largest distributor of Irish printed materials in the United States. In his eighth decade, he establishes Irish Educational Services, which funds children’s TV programs in Irish and provided monies for Irish language schools in Northern Ireland. Irish America magazine twice names him one of the Irish Americans of the year. In 1999, they choose him as one of the greatest Irish Americans of the 20th century.
McKiernan dies on July 18, 2004, in Saint Paul, Minnesota. On his death, The Irish Times refers to him as the “U.S. Champion of Irish culture and history . . . a patriarch of Irish Studies in the U.S. who laid the ground for the explosion of interest in Irish arts in recent years.”
Life in New York is difficult during the Great Depression, so John and his two brothers are shipped back to Ireland in 1933. The two eldest are sent to their maternal grandmother’s house in Fintona, County Tyrone, but John is sent to his father’s ancestral home at Garvaghey, then maintained by two spinster aunts.
A year of graduate school at University of California, Berkeley convinces Montague that he should return to Ireland. He settles in Dublin working at the Irish Tourist Office. In 1961 he moves to Bray, County Wicklow. A regular rhythm of publication sees his first book of stories, Death of a Chieftain (1964) after which the musical group The Chieftains is named, his second book of poems, A Chosen Light (1967), Tides (1970).
All during the 1960s, Montague continues to work on his long poem, The Rough Field, a task that coincides with the outbreak of the Northern Ireland civil rights movement. A Patriotic Suite appears in 1966, Hymn to the New Omagh Road and The Bread God in 1968, and A New Siege, dedicated to Bernadette Devlin which he reads outside Armagh Jail in 1970.
Montague settles in Cork in 1974 and publishes an anthology, theFaber Book of Irish Verse (1974) with a book of lyrics, A Slow Dance (1975). Recognition is now beginning to come, with the award of the Irish American Cultural Institute in 1976, the first Marten Toonder Award in 1977, and the Alice Hunt Bartlett Award for The Great Cloak in 1978.
In 1987, Montague is awarded an honorary doctor of letters by the State University of New York at Buffalo. He serves as distinguished writer-in-residence for the New York State Writers Institute during each spring semester, teaching workshops in fiction and poetry and a class in the English Department of the University at Albany. In 1998, he is named the first Irish professor of poetry, a three-year appointment to be divided among Queen’s University Belfast, Trinity College Dublin, and University College Dublin. In 2008, he publishes A Ball of Fire, a collection of all his fiction including the short novella The Lost Notebook.
John Montague dies at the age of 87 in Nice, France on December 10, 2016, after complications from a recent surgery.
Lawless is born at Lyons Demesne below Lyons Hill, Ardclough, County Kildare. Her grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Emily Lawless dies at Gomshall, Surrey, on October 19, 1913. Her papers are preserved in Marsh’s Library in Dublin.
Her parents, Matthew and Julia Moore, had come to the United States in 1888 and are living at 32 Monroe Street in Manhattan. Moore departs from Queenstown aboard the S.S. Nevada, one of 148 steerage passengers. Accompanied by her brothers, Anthony and Philip, she spends twelve days at sea, including Christmas Day, arriving in New York City on Thursday evening, December 31. It is reported that her arrival is on her 15th birthday, but records in Ireland reveal that her birthday is in May, and she is actually seventeen.
Ellis Island officially opens on January 1, 1892, and, as the first person to be processed at the newly opened facility, Moore is presented with an American $10 gold piece from an American official. All three children are soon reunited with their parents in New York. From 1820 to 1920, more than 4 million people leave their native shores of Ireland bound for the Port of New York and a new life in America.
Moore marries a son of German immigrants, Joseph Augustus Schayer, an employee at Manhattan’s Fulton Fish Market, with whom she has at least eleven children. She dies of heart failure on December 6, 1924, and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish Blue Limestone.
A woman named “Annie Moore” who died near Fort Worth, Texas in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, established that the Annie Moore in Texas was born in Illinois.
