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Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: The Illustrated London News (news magazine)


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Death of Artist Samuel McCloy

Samuel McCloy, Irish artist who trains at Belfast School of Design and later at Somerset House, dies in Balham, South London, on October 4, 1904. He exhibits widely in group shows across the British Isles and is known for his watercolours, genre paintings, still life and landscapes. He is also a commercial designer, illustrator, and an educator who is for a time Master at Waterford School of Art.

Born on March 13, 1831, in Lisburn, County Antrim, McCloy is the youngest of five children, born to Peter McCloy, a painter, and his wife Martha Phelan. He studies at the School of Design in Belfast from 1850 to 1851 while serving an apprenticeship in engraving, with J and T Smyth. He then spende a year at the Central School, Somerset House in London before being appointed Master at the Waterford School of Art around 1853, when he also becomes a visiting instructor to several other institutions. In the spring of 1865 he marries his student, the Waterford artist Ellen Lucy Harris, the fourth daughter of a banker named Richard Harris. The dismembered corpse of McCloy’s mother is recovered from the River Suir in September of the same year. She had been missing since the previous November.

Between 1873 and 1891 McCloy shows nine works at the Royal Society of British Artists. Upon his return to Belfast around 1874, he works freelance designing greetings cards for Marcus Ward & Co., and in creating damask designs for linen manufacturers. He illustrates Lucy Sale-Barker‘s Sunny Childhood, published by Routledge in 1887, and he is for a time employed by The Illustrated London News.

McCloy shows just once at the Royal Academy of Arts with a work entitled The Haunt of Meditation in 1859. He exhibits infrequently at the Royal Hibernian Academy between 1862 and 1882, where he displays sixteen works in that time. He displays eleven works in the 1876 Industrial Exhibition at Belfast’s Ulster Hall. In 1880, he shows at Rodman and Company in London where the writer in the Belfast Telegraph indicates that McCloy is becoming a popular artist and is receiving extensive patronage.

Following his relocation to London in 1881, McCloy contributes works to numerous regional exhibitions, including the spring exhibition of the Derby Sketching Club in 1883, Nottingham Castle Museum’s autumn exhibition of 1888, and at Exeter‘s Eland Art Gallery in 1892. He exhibits with the Royal Scottish Academy in 1882 and with the Royal Institute of Painters in Water Colours in 1887. He is also a member of the Belfast Art Society, an antecedent to the Royal Ulster Academy.

After a year-long illness that prevents him from working, McCloy dies in Balham, South London, on October 4, 1904. He is survived by his wife, Ellen, and nine daughters. The Lisburn Museum in his hometown offers a belated retrospective of his work in 1981 to mark the one-hundred fiftieth anniversary of his birth. The exhibition is the first known solo display of McCloy’s work and consists of 58 works. The catalogue for this show is written by Eileen Black and funded by the Arts Council of Northern Ireland.

McCloy’s work can be seen in many public collections including the Ulster Museum, the Victoria and Albert Museum, Amgueddfa Cymru – Museum Wales, the National Gallery of Ireland, and in the Irish Linen Centre and Lisburn Museum.


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Death of Arthur Hill, 3rd Marquess of Downshire

Arthur Blundell Sandys Trumbull Hill, 3rd Marquess of Downshire KP, an Anglo-Irish peer, styled Viscount Fairford from 1789 until 1793 and Earl of Hillsborough from 1793 to 1801, dies on September 12, 1845, in Blessington, County Wicklow.

Hill is born in Hanover Square, on October 8, 1788, the eldest son of Arthur Hill, 2nd Marquess of Downshire, and his wife, Mary Sandys. He becomes Marquess of Downshire on the early death of his father in 1801. He is educated at Eton College and Christ Church, Oxford, gaining his MA in 1809 and a DCL in 1810.

During his early political career, Hill is identified with the Whigs and supports the reform of Parliament. After the Grey Ministry comes to power, he receives a succession of appointments, becoming Colonel of the South Down Militia on March 25, 1831, and carrying the second sword at the coronation of William IV on September 8. He is appointed a deputy lieutenant of Berkshire on September 20, Lord Lieutenant of Down on October 17 (a new office replacing the Governor of Down), and finally a Knight of the Order of St Patrick on November 24, 1831. He receives an honorary LL.D. from the University of Cambridge on July 6, 1835.

Hill is a very strong supporter of the Irish language, and is president of the Ulster Gaelic Society (est. 1830). In this capacity he plays an important role in helping preserve records of the language, poetry, folk and song collections and much else.

Hill is disliked by Elizabeth Smith, diarist at Baltyboys House, County Wicklow, who feels snubbed by him when she and her husband first move into the area. Writing of him after his death she recalls “The late Lord never called upon me when I first came here although the Colonel waited upon him. The Colonel never went near him again.”

High-minded, if also at times high-handed in manner and self-important, Hill works hard himself and expects all his employees and tenants to be equally conscientious. Naturally, he is often disappointed. He is particularly concerned about his failure, despite all efforts and exhortations, to make his southern estates as efficient and well behaved as those in the north. Though an absentee owner in the south, he visits both Blessington and Edenderry regularly. It is during one of these periodic tours of inspection that he drops dead at Blessington on September 12, 1845. He is buried in St. Malachy Parish Churchyard at Royal Hillsborough, County Down. The funeral attracts an enormous crowd of mourners and is reported at some length in The Illustrated London News. His memory is perpetuated in an impressive pillar monument, with his statue on top, erected at Hillsborough in 1848.


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The Wreck of the RMS Royal Adelaide

The RMS Royal Adelaide, a paddle steamship owned and operated by the City of Dublin Steam Packet Company, sinks in a storm on March 30, 1850, with the loss of two hundred lives. Its principal route runs between London and Cork, County Cork.

The RMS Royal Adelaide, captained by John Batty, leaves Cork fully laden with cargo and about 250 passengers on Wednesday, March 27,1850, touching off at Plymouth, Devon, England, on Thursday evening. By the time the ship leaves Plymouth for London at 3:00 a.m. on Friday, March 29, there are almost three hundred deck passengers.

The ship is totally lost at about 11:00 p.m. on Saturday, March 30 on Tongue Sands north of Margate, Kent, England, with the loss of all on board. News only reaches London late on Sunday as the river pilot waiting for the ship happens to meet a Deal, Kent, pilot, Charles Gillham, who reports seeing a ship of a similar description in distress the previous evening (The Illustrated London News, April 6 and 13, 1850).

The dead include more than one hundred fifty deck passengers from Ireland, during a time when the Great Famine is at its height.

(Pictured: “The Wreck of the Royal Adelaide,” illustration for The Illustrated London News, April 13, 1850)


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Birth of Harry Furniss, Artist & Illustrator

harry-furniss

Harry Furniss, artist and illustrator, is born in Wexford, County Wexford on March 26, 1854. His father is English and his mother Scottish, Furniss identifying himself as English. He is educated at Wesley College in Dublin.

Furniss’s first job as an illustrator is for the Illustrated Sporting and Dramatic News, and when it is purchased by the owner of The Illustrated London News he moves to that magazine. There he produces illustrations of social events such as the The Boat Race, Goodwood Racecourse and even the annual fancy dress ball at Brookwood Asylum, as well as acting as a special correspondent reporting on less pleasant aspects of life in contemporary England, such as the scandalous divorce trial of Lady Colin Campbell.

After some years Furniss moves to The Graphic, initially writing and illustrating a series of supplements titled “Life in Parliament,” and he comments that “from this time forward it would be difficult to name any illustrated paper with which I have not at some time or other been connected.”

Furniss’s most famous humorous drawings are published in Punch, for which he starts working in 1880, and to which he contributes over 2,600 drawings. He leaves Punch in 1894 when its owners discover that he has sold one of his Punch drawings to Pears Soap for use in an advertising campaign.

He illustrates Lewis Carroll‘s novel Sylvie and Bruno in 1889 and Sylvie and Bruno Concluded in 1893. Carroll and Furniss sometimes produce both pictures and text simultaneously. Carroll exerts strong control over Furniss’s illustration, to such an extent that Furniss pretends to be out when Carroll calls at his home. After completing Sylvie and Bruno Concluded Furniss vows never to work for the author again. In 1890, he illustrates the Badminton Library‘s volume on Golf.

Upon leaving Punch, Furniss brings out his own humorous magazine, Lika Joko, but when this fails, he moves to the United States where he works as a writer and actor in the fledgling film industry and where, in 1914, he pioneers the first animated cartoon film for Thomas Edison.

His two-volume autobiography, titled The Confessions of a Caricaturist is published in 1902, and a further volume of personal recollections and anecdotes, Harry Furniss At Home, is published in 1904.

Furniss writes and illustrates 29 books of his own, including Some Victorian Men and Some Victorian Women and illustrates 34 works by other authors, including the complete works of Charles Dickens and William Makepeace Thackeray. On some projects, like his illustrations for G. E. Farrow‘s Wallypug books, Furniss collaborates with his daughter, fellow artist Dorothy Furniss.

Harry Furniss dies on January 14, 1925, in London, England.