Born to George and Susan Goodfellow (née Nicholson), Goodfellow is raised in a Quaker family. Her father and uncle are builders who construct a row of houses on Morehampton Road, Donnybrook, where she lives for the rest of her life. She is educated at Alexandra College and graduates with an Arts degree from Trinity College Dublin (TCD).
Under the pseudonym Michael Scot, Goodfellow publishes Three Tales of the Times in 1921, a work about life in Ireland under the Black and Tans. She also writes poetry and translates French poetry, notably the works of 15th-century poet François Villon, publishing these translations in The Dublin Magazine between 1924 and 1928.
Goodfellow is independently wealthy, inheriting property in Ireland and England after her mother’s death in 1932. She is a generous patron of the arts, supporting The Dublin Magazine, a literary journal owned by her friend Seumas O’Sullivan, to which she contributes articles, poems, and reviews. She also supports children’s charities and serves on the Board of Governors of the Royal Hospital in Donnybrook.
Her philanthropy extends to securing funding for The Dublin Magazine (1926–1958) and gifting a bird sanctuary, The Grove, in Donnybrook to An Taisce. Despite her influence, she remains modest and private about her contributions, and her own photographic collection is destroyed after her death.
In 1939, Goodfellow falls while getting off a tram and breaks her leg badly, which leaves her with a limp. She dies at the aged of 89 on May 20, 1980, and is buried with her parents in Mount Jerome Cemetery in Dublin.
A plaque is erected in memory of Goodfellow’s donation at The Grove, a woodland area at the corner of Morehampton Road and Wellington Place, on October 19, 2022. A plaque commemorating Estella Solomons is placed on the opposite gatepost. Goodfellow’s diaries, poems and literary manuscripts are held in the Trinity College Dublin archives.
Goodfellow’s work and life reflect the intersection of Irish literary culture, nationalist history, and cultural patronage in early-to-mid 20th-century Ireland.
Elvery is the second among seven children of William Elvery , merchant, and Theresa Elvery (née Moss), singer and music teacher, whose parents are English Quakers. Her father’s ancestors were silk merchants from Spain, called Alvarez. Her early childhood is spent in Carrickmines, County Dublin. In 1896 the family moves to Foxrock and she attends the Dublin Metropolitan School of Art. Her mother’s family is artistic – one aunt is the artist Phoebe Anna Traquair – and she and her sisters are talented artists and singers. Her younger sister, Dorothy Kay, becomes a noted portrait painter in South Africa. At the age of sixteen, she wins a three-week scholarship to study at the Royal College of Art in South Kensington, London. Back in Dublin, she models for William Orpen, then teaching in the school. They become friends, and she regrets never studying painting under him. She concentrates on sculpture under John Hughes and has great success, winning the Taylor scholarship three years in a row (1901–03). The first year she wins, the judges, seeking evidence that she had worked unaided, asks her to model a head from life in their presence.
Elvery’s first exhibit in the Royal Hibernian Academy (RHA) is a bronze statuette of a boy in 1902. Thereafter she is a lifelong exhibitor with the RHA, showing almost annually until her death. Friendship with the older Sarah Purser introduces her to Dublin’s artistic milieu and to the arts and crafts movement. In the movement’s 1904 exhibition she shows ten items, including terracotta statuettes, a holy water stoup, and a plaster cast of a lectern, which is cast in bronze in Paris that year and placed in her former parish church in Carrickmines. The movement’s historian, Paul Larmour, calls this lectern “a remarkable piece of organic Art Nouveau . . . There is nothing else like it in Ireland.”
In 1904, after a brief period studying in Paris with her sister and fellow students Estella Solomons and Frances “Cissie” Beckett, Elvery takes lessons in stained glass from Alfred E. Child, and is then persuaded by Purser to join her Tower of Glass (An Túr Gloine) studio. She remains six years, executing windows for St. Stephen’s Church, Mount Street, Dublin; St. Nicholas Church, Carrickfergus; and a war memorial at the Church of Ireland church, Carrickmines. Although her work is generally well received, she does not rate her skill in the medium highly – “I never got the right feeling for glass or the detached, austere quality necessary for ecclesiastical art” – and her window for a Gortconvent leads to a critical review of Purser’s studio by W. B. Yeats. She does not, however, confine herself to glass but also designs for silversmiths and illustrated books for children. For Iosagán agus Sgealta Eile (1907), by Patrick Pearse, she provides a black-and-white frontispiece and four colour illustrations. For the Cuala Press, run by Lily and Elizabeth Yeats, she designs calendars, Christmas cards, and fifteen hand-coloured prints, which continue to be issued until after World War II.
Elvery’s social life in Dublin is busy. An active member of the United Arts Club, she is called by Lady Gregory “the beautiful Miss Elvery,” and Orpen’s portrait, showing her long-necked, graceful, and vivacious, bears out this description. Tiring of glass, and wishing to become a painter, she leaves in 1910 for the Slade School of Fine Art in London. There Henry Tonks is less complimentary than her Dublin teachers. He finds her work facile: “The speed, the slickness, the skill. It is horrible!” Orpen also comes to this view: “her only fault was that the transmission of her thoughts from her brain to paper or canvas, clay or stained glass, became so easy to her that all was said in a few hours. Nothing on earth could make her go on and try to improve on her first translation of her thought.”
Back in Dublin, Elvery takes a studio in Kildare Street and teaches for a time in the Metropolitan School of Art, before her parents arrange a marriage with Charles Henry Gordon Campbell, eldest son of the future Lord Chancellor of Ireland, James Campbell. They marry on August 1, 1912, and move to London where he is called to the English bar. It is not initially a love match but they are well-suited – he likes artistic, Bohemian circles and they become friends with D. H. and Frieda Lawrence, the painter Mark Gertler, the publisher John Middleton Murry, and his wife, the writer Katherine Mansfield, who describes Campbell as “a queer mixture for she is loving and affectionate, and yet she is malicious.”
Campbell’s husband becomes secretary of the Department of Industry and Commerce in the Irish Free State and in 1922 the family moves to Clonard, Terenure, Dublin. His government position means that within six months the house is burned down by anti-Treatyites, who are, however, almost comically accommodating – local men, they express distress at the job and allow her to save the children’s Christmas presents. In 1931 she becomes Lady Glenavy after her husband succeeds to his father’s title, an important member of Dublin’s social and artistic scene. She helps establish the Dublin Drama League and assists Shelah Richards in the production of two plays in 1936. Her friendships are wide and varied and her conversation imaginative and engaged. Dressed in beige – what her son calls “variations on a theme of porridge” – she entertains constantly. Her house has what she terms a “caravanserai” character and is constantly full of people.
Appointed an associate of the RHA in 1932, Campbell becomes a full member in 1934 and takes her turn at teaching. She also joins the more radical Society of Dublin Painters and holds in February 1935 a one-person show at their premises, 7 Stephen’s Green, but she never shows with the Irish Exhibition of Living Art, though her work is more avant-garde than that of most academicians. At its best in still lifes and figure compositions, her work has “a sense of drama and an enigmatic or near-surrealist appearance.” Brian Kennedy notes that she is the first Irish painter to go surrealist (though she never thinks of herself in this way) and although she is serious about her work – taking lessons at an advanced age from Patrick Hennessy – she is also diffident. Her memoir does not trace her development as an artist and mentions only one work with approbation – The Intruder (exhibited at the RHA in 1932). Now in the National Gallery of Ireland, it depicts in bold, rich colours a female centaur beckoning a young man from a group of picnickers. It immediately attracts attention. Richard Orpen wants the academy to buy it, but they think it obscene.
About 1941 the Campbells move to a large Georgian house in Rathfarnham, and twenty years later they transfer to a smaller house in Sandycove. After her husband’s death in 1962, she publishes her memoirs, And Today We Will Only Gossip (1964). The title is well chosen as the book is not self-revelatory but full of characters she encountered. Monk Gibbon calls her a “unique mixture: of talent and diffidence; of gregariousness and contempt for the herd; of gentle consideration and a savage determination to wound. Only those who knew her well knew her at all; and even to them she remained something of a mystery” (The Irish Times, December 2, 1980).
Campbell dies in Dublin on May 21, 1970, and is survived by her two sons, the writer and humorist Patrick Campbell and the novelist Michael Campbell, and predeceased by her daughter, Bridget, an Irish international lacrosse player and talented scientist, who is killed by a bomb during the London blitz.
(From: “Campbell, Beatrice Moss” by Bridget Hourican and Pauric J. Dempsey, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “Bridgit – a picture of Miss Elvery (Beatrice Elvery),” oil on canvas by William Orpen, 1909)
Fisher is the sixteenth of seventeen children to Jane and Abraham Fisher. The Fishers are a Quaker family with a business in Youghal. They are noted for their charitable works, especially during the Great Famine.
Fisher and Haslam marry on March 20, 1854, in Cork Registry Office. Their marriage is mainly celibate as a result of them not wanting to have children. In later writings Thomas argues in favour of chastity for men. The couple shares a belief in equality for men and women and he supports her campaigns.
Both of the Haslams are expelled from the Society of Friends due to their interests in social reform but both maintain links with the community. Thomas is said to have been disowned for harbouring ideas contrary to Quaker teachings. In 1868, he publishes a pamphlet called “The Marriage Problem,” in which he raises and supports the idea of family limitation and outlines a number of contraceptive methods including the safe period. He dies on January 30, 1917, in his ninety-second year.
Haslam is best remembered today for her work for votes for women. She is a pioneer in every 19th century Irish feminist campaign and fights for votes for women from the year 1866. In 1872, she organises the “General Meeting of the members and friends of the Irish Society for Women’s Suffrage” in Blackrock, Dublin, which is chaired by George Owens and attended by MPs Maurice Brooks (a Home Ruler) and William Johnston (a northern Orangeman) and by the future Liberal Unionist Party MP Thomas Spring Rice, 2nd Baron Monteagle of Brandon. The Haslams are founding members of the Dublin Women’s Suffrage Association (DWSA) in 1876. This marks the start of a remarkable campaign in Dublin for votes for women. Haslam, along with the writing of her husband, continues the campaign and in 1896 women in Ireland win the right to be elected as Poor Law Guardians, members of the official bodies which administer the Poor Law. Ireland’s early women’s rights activists have a close relationship with their English correlatives and share the same discrimination in education, employment, sexual freedom and political participation. The DWSA organises the introduction of a private member’s bill to remove disqualification “by sex or marriage” for election or serving as a poor law guardian. The bill passes in 1896 and the association immediately writes to the newspapers and publishes leaflets explaining the process on how to register to vote and stand for election and encouraged qualified women to go forward as candidate.
By 1900, there are nearly 100 women guardians. Haslam then leads a campaign to encourage qualified women to stand for election in 1898. Women win eligibility to vote in local government elections, and to stand for elections as rural and urban district councillors. In 1913, she steps down as secretary of the Association and is elected life-president.
One of Haslam’s longest campaigns, working alongside the Belfast suffragist Isabella Tod, is for repeal of the Contagious Diseases Acts of 1864. The acts allow for state regulation of prostitutes in areas in which the army is stationed. The act permits compulsory internment of women for up to three months, which is later extended to one year. Medical treatment is also enforced on the women. The act seeks only to reduce the spread of sexually transmitted diseases among the military. She opposes the act as she feels it legitimises prostitution, commoditises women and undermines family life. It is finally repealed following eighteen years of campaigning.
Haslam is involved in the 1866 petition and gathers 1,499 signatures to extend suffrage to women as well as men. In 1867, male suffrage is extended but it is not until 1911 that the Suffrage movement achieves the significant victory of securing the right of women to stand for election as local councillors.
In 1918, a woman of almost ninety, Haslam goes to the polls “surrounded by flowers and flags,” with women who unite in her honour to celebrate the victory of the vote. This display of unity by activist women from all shades of political opinion acknowledge her role in the fight for the right to vote. The same year in which she dies, in 1922, the Irish Free State extends the vote to all men and women over the age of 21.
Haslam dies on November 28, 1922, at her home in Carlton Terrace, Dublin, of “cardiac dropsy” at the age of 93. She is buried next to her husband in the Quaker burying ground at the Friends Burial Ground in Temple Hill, Blackrock, Dublin.
A memorial seat to Anna and Thomas Haslam is erected in 1923 in St. Stephen’s Green, Dublin, with the inscription “in honour of their long years of public service chiefly devoted to the enfranchisement of women.”
Shackleton is the daughter of Richard Shackleton (1726–92) by his second wife, Elizabeth Carleton (1726–66), and granddaughter of Abraham Shackleton, schoolmaster of Edmund Burke. Her parents are Quakers. She keeps a personal diary for most of her life, beginning at the age of eleven and writing in it almost daily. There 55 extant volumes of her diaries in the National Library of Ireland.
Shackleton is educated, and her literary studies are aided by Aldborough Wrightson, a man who had been educated at Ballitore school and had returned to die there. In 1784, she travels to London with her father and pays several visits to Burke’s town house, where she meets Sir Joshua Reynolds and George Crabbe. She also goes to Beaconsfield, and on her return writes a poem in praise of the place and its owner, which is acknowledged by Burke on December 13, 1784, in a long letter. On her way home she visits, at Selby, North Yorkshire, some primitive Quakers whom she describes in her journal.
On January 6, 1791, Shackleton marries William Leadbeater, a former pupil of her father and a descendent of the Huguenot Le Batre and Gilliard families. He becomes a prosperous farmer and landowner in Ballitore. She spends many years working in the village post office and also works as a bonnet-maker and a herbal healer for the village. The couple lives in Ballitore and have six children. Their daughter Jane dies at a young age from injuries sustained after an accident with a wax taper. Another daughter, Lydia, is a friend and possible patron of the poet and novelist Gerald Griffin.
On her father’s death in 1792, Leadbeater receives a letter of consolation from Burke. Besides receiving letters from Burke, she corresponds with, among others, Maria Edgeworth, George Crabbe, and Melesina Trench. On May 28, 1797, Burke writes one of his last letters to her.
Leadbeater describes in detail the effects of the Irish Rebellion of 1798 on the lives of her family and neighbours in Ballitore. She is in Carlow on Christmas Day 1796 attending a Quaker meeting when the news arrives that the French fleet has been seen off Bantry. She describes the troops marching out of the town and the ensuing confusion in Carlow and Ballitore.
Leadbeater’s first literary work, Extracts and Original Anecdotes for the Improvement of Youth, is published anonymously in 1794 in Dublin. It contains an account of the history of Quakerism and several poems on secular and religious subjects.
In 1808, Leadbeater publishes Poems with a metrical version of her husband’s prose translation of Maffeo Vegio‘s Thirteenth Book of the Æneid. She next publishes in 1811 Cottage Dialogues among the Irish Peasantry, of which four editions, with some alterations and additions, appear by 1813. In 1813, she tries to instruct the rich on a similar plan in The Landlord’s Friend. Intended as a sequel to Cottage Dialogues, in which persons of quality are made to discourse on such topics as beggars, spinning-wheels, and Sunday in the village, Tales for Cottagers, which she brings out in 1814 in conjunction with Elizabeth Shackleton, is a return to the original design. The tales illustrate perseverance, temper, economy, and are followed by a moral play, Honesty is the Best Policy.
In 1822, Leadbeater concludes this series with Cottage Biography, being a Collection of Lives of the Irish Peasantry. The lives are those of real persons, and contain some interesting passages, especially in the life of James Dunn, a pilgrim to Lough Derg. Many traits of Irish country life appear in these books, and they preserve several of the idioms of the English-speaking inhabitants of the Pale. Memoirs and Letters of Richard and Elizabeth Shackleton … compiled by their Daughter is also issued in 1822. Her Biographical Notices of Members of the Society of Friends who were resident in Ireland appears in 1823, and is a summary of their spiritual lives, with a scanty narrative of events. Her last work is The Pedlars, a Tale, published in 1824.
Leadbeater’s best known work, the Annals of Ballitore, is not printed until 1862, when it is brought out with the general title of The Leadbeater Papers (2 vols.) by Richard Davis Webb, a printer who wants to preserve a description on rural Irish life. It tells of the inhabitants and events of Ballitore from 1766 to 1823, and few books give a better idea of the character and feelings of Irish cottagers, of the premonitory signs of the rebellion of 1798, and the Rebellion itself. The second volume includes unpublished letters of Burke and the correspondence with Mrs. Richard Trench and with Crabbe.
Leadbeater dies at Ballitore on June 27, 1826, and is buried in the Quaker burial-ground there.
Moore is the eldest son of Queen Victoria‘s honorary physician in Ireland, Dr. William Moore of Rosnashane, Ballymoney, and Sidney Blanche Fuller. His ancestors came to Ulster during the Plantation of Ulster, settling at Ballymoney, at which time they were Quakers. The Moore Lodge estate is inherited from a relative. The family owns several other houses: Moore’s Grove and Moore’s Fort. He goes on to become a Deputy Lieutenant for County Antrim and a Justice of the Peace.
In 1903, Moore is one of the first landowners of Ireland to sell off their estates under the land acts. By the early 1920s he owns a Belfastpied-à-terre called “Glassnabreedon,” in the village of Whitehouse, four miles north of Belfast. This house is once owned by the son of Nicholas Grimshaw, Ireland’s first cotton pioneer.
Moore becomes a member of the General Synod of the Church of Ireland and is a founder member of the Ulster Council. He is a passionate Orangeman: his vehemence in defending Ulster’s right to oppose Irish Home Rule is said to alarm even those who share his views. Speaking in England on March 10, 1913, he makes his feelings clear on the possibility of Irish Home Rule: “I have no doubt, if Home Rule is carried, its baptism in Ireland will be a baptism in blood.” He shows little respect for English politicians, and has nothing but contempt for Southern Unionists. The eventual political settlement in 1921 meets with his approval.
Moore dies at his home, Moore Lodge, in Ballymoney on November 28, 1944, less than a week after his 80th birthday. He is buried in the family burial ground, “Lamb’s Fold,” two days later.
Douglas is the eldest of nine children of John Douglas, proprietor of John Douglas & Sons Ltd, drapers and outfitters of Wexford Street and originally of Grange, County Tyrone, and his wife, Emily, daughter of John and Mary Mitton of Gortin, Coalisland, County Tyrone. The genealogy of the Douglas family to which he belongs can be traced to Samuel Douglas of Coolhill, Killyman, County Tyrone.
Douglas attends (1895–98) a small school for Quaker children and is a boarder (1898–1902) in the Friends’ School, Lisburn. In 1902, he begins a three-year apprenticeship in his father’s business.
On February 14, 1911, Douglas marries Georgina (Ena) Culley (1883–1959), originally of Tirsogue, Lurgan, County Armagh, whom he meets during his apprenticeship. Their children are John Harold Douglas, who succeeds to the family business and replaces his father as senator, and James Arthur Douglas, who becomes a well-known architect.
From an early age Douglas is fascinated by politics and influenced by the newspapers edited by Arthur Griffith. He becomes a member of the Dublin Liberal Association, whose members for the most part are Protestanthome rulers. After the 1916 Easter Rising, with George Russell and others, who also regard themselves as neither unionists nor nationalists, he sets out to promote what they term “full dominion status” for Ireland. This paves the way for the Irish Convention (1917–18), which, however, fails to reconcile the polarised political attitudes of the time.
Douglas goes on to become a very active member of Seanad Éireann between 1922 and 1936 under the constitution he had helped to prepare. In 1922, he is elected as the first vice-chairman of the Senate. The Senate is abolished in 1936 and re-established under the terms of the 1937 Constitution of Ireland. He is again an active Senator between 1938 and 1943, and from 1944 to 1954. The topics most associated with him during his work as Senator are international refugees and the League of Nations.
For some thirty years he runs the family business, and is also a director of Aspro (Ireland) Ltd, Nugent & Cooper Ltd, Philips Lamps (Ireland) Ltd, and the Greenmount & Boyne Linen Co. Ltd. In addition, he serves as president of the Linen and Cotton Textile Manufacturers Association and as a member of the council of the Federated Union of Employers.
Bushe is born at Kilmurry House, near Thomastown, County Kilkenny, the only son of the Reverend Thomas Bushe, rector of Mitchelstown, and his wife Katherine Doyle, daughter of Charles Doyle of Bramblestown, near Gowran. Kilmurry House had been built by the Bushe family in the 1690s. His father is forced to sell it to pay his debts, but he is able to repurchase it in 1814. He goes to the celebrated Quaker academy, Shackleton’s School in Ballitore, County Kildare, then graduates from Trinity College Dublin (TCD), where his eloquence makes him a star of the College Historical Society. He is called to the Bar in 1790.
Bushe is a member of the Irish Parliament for Callan from 1796 to 1799, and for Donegal Borough from 1799 to 1800. He is Escheator of Leinster in 1799. By this time the office is a sinecure. He is vehemently opposed to the Acts of Union 1800, referring emotionally to Britain’s subjection of Ireland as “six hundred years of uniform oppression and injustice,” a phrase which quickly became a proverb. Although he refuses an offer of a place on the Bench as a bribe for supporting the Union, cynics note that his staunch opposition to the Union does not prevent him accepting high office under the British Crown afterwards. He is appointed Solicitor-General for Ireland in 1805 and holds the office for 17 years until in 1822 he is appointed Lord Chief Justice of the King’s Bench for Ireland, although only after William Saurin, the equally long-serving Attorney-General, refuses the position. He retire in 1841.
As an advocate “silver-tongued Bushe” is legendary for his eloquence, and as a politician, he is admired by his English contemporaries like Sir Robert Peel and Lord Brougham. As a judge, according to F. Elrington Ball, he does not live up to expectations, although, if not an outstanding judge, he is an impressive and dignified one. As a statesman he is often accused of double-dealing: having opposed the Acts of Union, he has few scruples about accepting office under the new regime; and while himself supporting Catholic Emancipation, he prosecutes members of the Catholic Association for sedition, merely for advocating the same cause.
Roberts is born in Waterford in 1712 or 1714, the son of Thomas Roberts, an architect and builder. Little is known of his early life, although he possibly trains in London for a time. At 17, he elopes with Mary Susannah Sautelle, a Huguenot heiress who also lives in Waterford.
In 1785, Roberts builds a house in Waterford for William Morris, now the Harbour Commissioners’ headquarters and the Chamber of Commerce. In 1786, he designs Newtown House, later Newtown School, a Quaker school. In 1787, he designs The Leper Hospital and Church of St. Stephen. He also builds the Assembly Rooms on Waterford’s Mall in 1788, which is now the Theatre Royal and City Hall.
Roberts has between 21 and 24 children with his wife Susannah, of whom eight live to adulthood, including the painters Thomas Roberts and Thomas Sautelle Roberts. They live for many years in the old bishop’s palace, opposite the cathedral, with a country residence at Roberts Mount. He is nicknamed “Honest John” because he pays his workers so reliably, sometimes giving half their pay directly to their wives so that it would not be wasted on alcohol.
Roberts dies on May 23, 1796, after falling asleep on the floor of the Cathedral of the Most Holy Trinity, Waterford, and contracting pneumonia. The main square in Waterford is named John Roberts Square in his honour.
Church is born on February 23, 1784, the second son of Matthew Church, a Quaker merchant in the North Mall area of Cork, County Cork, and Anne Dearman, originally from Braithwaith, Yorkshire, England. At the age of sixteen, he runs away from home and enlists in the British Army. For this violation of its principles, he is disowned by the Religious Society of Friends, but his father buys him a commission, dated July 3, 1800, in the 13th Somerset Light Infantry. He serves in the demonstration against Ferrol, Spain, and in the expedition to Egypt under Sir Ralph Abercromby in 1801, where he takes part in the Battle of Abukir and the taking of Alexandria. After the expulsion of the French from Egypt he returns home but goes back to the Mediterranean in 1805 among the troops sent to defend the island of Sicily. He accompanies the expedition which lands in Calabria and fights a successful battle against the French at the Battle of Maida on July 4, 1806. He is present on this occasion as captain of a recently raised company of Royal Corsican Rangers. His zeal attracts the notice of his superiors, and he has begun to show his capacity for managing and drilling foreign levies. His Corsicans form part of the garrison of Capri from October 1806 until the island is taken by an expedition directed against it by Joachim Murat, in September 1808, at the very beginning of his reign as king of Naples. Church, who has distinguished himself in the defence, returns to Malta after the capitulation.
In the summer of 1809 Church sails with the expedition sent to occupy the French-occupied Ionian Islands. Here he increases the reputation he has already gained by forming a Greek regiment in British pay. On September 9, 1809, he takes the position of Major in the 1st Regiment Greek Light Infantry. On November 19, 1812, he becomes Lieutenant-Colonel of the unit, by then renamed The Duke of York’s Greek Light Infantry Regiment. Having gained the experience of managing foreign troops, he commands the regiments made up of Greeks he recruits himself in 1813, when he forms a second regiment composed of 454 Greeks (2nd Regiment Greek Light Infantry) to occupy Paxoi islands. These regiments include many of the men who are afterward among the leaders of the Greeks in the Greek War of Independence including Theodoros Kolokotronis, with whom he keeps a friendship and correspondence. He commands this regiment at the taking of the island of Santa Maura (Lefkada), on which occasion his left arm is shattered by a bullet.
During his slow recovery Church travels in northern Greece, in Macedonia, and to Constantinople. In the years of the fall of Napoleon (1813 and 1814) he is present as British military representative with the Austrian troops until the campaign which terminates in the expulsion of Murat from Naples. He draws up a report on the Ionian Islands for the Congress of Vienna, in which he argues in support, not only of the retention of the islands under the British flag, but of the permanent occupation by Britain of Parga and other formerly Venetian coastal towns on the mainland, then in the possession of Ali Pasha of Ioannina. The peace and the disbanding of his Greek regiment leaves him without employment, though his reputation is high at the war office, and his services are recognized by the grant of a Companion of the Order of the Bath.
In 1817, Church enters the service of King Ferdinand I of Naples as lieutenant-general, with a commission to suppress the brigandage then rampant in Apulia. Ample powers are given him, and he attains a full measure of success. In 1820 he is appointed governor of Palermo and commander-in-chief of the troops in Sicily. The revolution which breaks out in that year leads to the termination of his services in Naples. He escapes from violence in Sicily with some difficulty. At Naples he is imprisoned and put on trial by the government but is acquitted and released in January 1821. King George IV confers on him a Knight Commander of the Royal Guelphic Order in 1822. He is further promoted to Knight Grand Cross by William IV in 1837.
The rising of the Greeks against the Turks has his full sympathy from the beginning. But for some years he has to act only as the friend of the insurgents in England. In 1827 he takes the honourable but unfortunate step of accepting the commandership-in-chief of the Greek army. At the point of anarchy and indiscipline to which they have now fallen, the Greeks can no longer form an efficient army and can look for salvation only to foreign intervention. Church, who lands in March, is sworn archistrategos on April 15, 1827, but cannot secure loyal co-operation or obedience. The rout of his army in an attempt to relieve the Acropolis of Athens, then besieged by the Ottomans, proves that it is incapable of conducting regular operations. With the acropolis capitulated, he turns to partisan warfare in western Greece.
After the Battle of Navarino, and during the Kapodistrias period, Church is placed commander-in-chief of the Greek regular forces in Central Greece, together with Demetrios Ypsilantis. However, he surrenders his commission as a protest against the unfriendly government of Capodistrias on August 25, 1829. He lives the remainder of his life in Greece.
Church’s activity has beneficial results and leads to a rectification in 1832, in a sense favourable to Greece, of the frontier drawn by the Great Powers in the London Protocol (1830). Under King Otto, he occupies senior military positions. On October 3, 1833, he is promoted to lieutenant general in the Hellenic Army, and in January 1835 becomes commander of the forces in Continental Greece. On June 10, 1835, he is appointed head of the Secretariat of State for Military Affairs (Army Minister), becoming Inspector-General of the Army on October 28, 1836. He serves as a senator from 1844 to 1845. He is promoted to full general in February 1854, the grade being established for the first time for this purpose in the Hellenic Army.
Church dies following an illness on March 20, 1873. The funeral service takes place in the Anglican Church in Filellinon Street in the presence of King George I and a large number of official guests. Panagiotis Chalkiopoulos, the Minister of Justice, gives the funeral speech in Greek, while John Gennadius gives a speech in English. He is buried at the First Cemetery of Athens at public expense on March 27. The funeral monument has an inscription in English on the front and Greek on the back.
(Pictured: Portrait of Sir Richard Church, oil on cardboard by an unidentified artist, 1873)
Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.
But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.
When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.
In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.
Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.
seamus dubhghaill 