After acting as chaplain to Seth Ward, Bishop of Exeter and then Bishop of Salisbury, and Lord Chancellor Clarendon, he is elected principal of St. Alban Hall, Oxford, in 1673. In 1679 he is appointed provost of Trinity College, Dublin, where he does much to encourage the study of the Irish language. He helps to found the Dublin Philosophical Society and contributes to it a paper entitled Introductory Essay to the Doctrine of Sounds (printed in Philosophical Transactions, No. 156, Oxford, 1684).
In 1683 Marsh is consecrated Bishop of Ferns and Leighlin, but after the accession of James II he is compelled by the turbulent soldiery to flee to England in 1689, when he becomes Vicar of Gresford, Flintshire, and Canon of St. Asaph. Returning to Ireland in 1691 after the Battle of the Boyne, he is made Archbishop of Cashel, and three years later he becomes Archbishop of Dublin. About this time, he founds Marsh’s Library in Dublin, which is the oldest public library in Ireland. He becomes Archbishop of Armagh in 1703. Between 1699 and 1711 he is six times a Lord Justice of Ireland.
Narcissus Marsh dies on November 2, 1713. His funeral oration is pronounced by his successor at Dublin, Archbishop William King. A more acerbic account is provided by Jonathan Swift.
Many oriental manuscripts belonging to Narcissus Marsh are now in the Bodleian Library in Oxford.
When McLarnin is three years old the family emigrates to Saskatchewan, Canada via Liverpool. The McLarnins start out as a wheat farmers, but years later, following a particularly harsh winter, the family moves to Vancouver where they open a second-hand clothing store in Vancouver’s east end.
McLarnin is prodigious athlete, his main sports are football, baseball and boxing. He takes up boxing at the age of 10 after getting into a fight defending his newspaper-selling pitch. Former professional boxer Charles “Pop” Foster recognizes McLarnin’s talent at the age of 13. He constructs a makeshift gym for McLarnin to train in, sure that he will one day be the champion of the world. The two of them remain close, and when Foster dies, he leaves everything he has to McLarnin.
Following a successful start to his career in Vancouver, McLarnin grows aggrieved at the low pay he is receiving for bouts and decides to move to San Francisco. There his youthful appearance makes it difficult to get a fight until he lies about his age. It is for this reason that McLarnin is known as the “Baby-faced Assassin.” Despite his youthful appearance, McLarnin has incredible power with both fists, his right being particularly feared. Towards the end of his career he is forced to become more of a scientific boxer to reduce further injuries to his hands.
McLarnin loses his first title shot on May 21, 1928 in New York City against world lightweight champion Sammy Mandell. However, he does go on to beat him twice in the following two years. It is five years before McLarnin gets another title shot, during which time he knocks out gifted Jewish contenders Al Singer, Ruby Goldstein, and Sid Terris.
McLarnin’s second title shot comes against welterweight champion Young Corbett III. McLarnin wins by knockout after only 2 minutes 37 seconds. Following his title success, he fights an epic three-fight series with Barney Ross. The first fight, on May 28, 1934, is won by Ross, but McLarnin regains his title in their next match four months later. In the deciding fight on May 28, 1935, McLarnin loses his title for the final time in a narrow decision.
McLarnin retires in November 1936 still at the top of his game, having won his last two fights against all-time greats Tony Canzoneri and Lou Ambers. His record is 54 wins, 11 losses, and 3 draws in 68 contests. He never returns to the ring despite large incentives for him to do so. Unlike many boxers, he invested his money wisely and retires a wealthy man. He opens an electrical goods store, and also does some acting, golfing, and lecturing.
In 1996 The Ring votes McLarnin the fifth-greatest welterweight of all time.
James David Bourchier, Irish journalist and political activist, is born at Baggotstown House, Bruff, County Limerick, on December 18, 1850. He works for The Times as the newspaper’s Balkan correspondent. He lives in Sofia, Bulgaria from 1892 to 1915. He is an honourable member of the Sofia Journalists’ Society and a trusted advisor of Tzar Ferdinand I of Bulgaria. He acts as an intermediary between the Balkan states at the conclusion of the Balkan Wars of 1912-1913.
Bourchier studies at Trinity College, Dublin, where he is elected a scholar in classics in 1871. Deeply engaged in the processes that are taking place on the Balkan peninsula at that time, Bourchier supports the idea that the island of Crete be annexed by Greece.
In his writings he criticises certain clauses of the 1913 Treaty of Bucharest, which he deems unfair to Bulgaria. As a result of the treaty, Bulgaria loses the southern part of Dobrudja, which is annexed by Romania, and part of Macedonia.
Bourchier also expresses his strong support for Bulgaria during the Paris Peace Conference of 1919-1920. The conference produces five treaties, including the Treaty of Neuilly-sur-Seine, the peace agreement between the Allies and Bulgaria. Under the terms of the treaty, Bulgaria has to cede part of Western Thrace to Greece and several border areas to Yugoslavia. Southern Dobrudja is confirmed in Romanian possession, reparations are required, and the Bulgarian Army is limited to 20,000 men.
With his numerous publications in the British press, and in his private and social correspondence, Bourchier repeatedly voices his sympathy towards Bulgaria and its people. After his death in Sofia on December 30, 1920, James Bourchier is buried near the Rila Monastery in southwestern Bulgaria.
Dwyer is born in Camara, a townland in the Glen of Imaal County Wicklow in 1772 and he participates in the Irish Rebellion of 1798. However, unlike most of the leaders and soldiers in that Rising, he does not either leave the country or return to his normal life, nor is he captured. He retreats into the Wicklow Mountains with a band of men and drives the British to distraction in their attempts to apprehend him. A reward is placed on Dwyer’s head and another for each of his men, but he leads the British authorities on a merry chase for five years, with many daring narrow escapes, each adding to his legend. Some call him the “Outlaw of Glenmalure.”
In 1803, he plans to assist Robert Emmet in his rising but he never receives the signal to join the rising. At this point he recognizes the futility of his situation, and he also wishes to relieve the suffering of a number of his family members, including his sister, whom has been jailed for no offense other than their family relationship to him. Some claim that when he contacts the British to ask terms of surrender, he is promised he and his men will be sent to the United States. If so, and not for the first time, their word to an Irishman proves worthless. After two years of brutal treatment in Kilmainham Gaol, under the infamous Edward Trevor, Dwyer is transported to Botany Bay.
Dwyer and his family, along with a number of his men, set sail for Australia on board the Tellicherry on August 25, 1805, arriving in Sydney on February 14, 1806. However, the story of Michael Dwyer does not end there. In Sydney, Dwyer runs afoul of the Governor, a certain Capt. William Bligh, of HMS Bounty fame. Bligh accuses Dwyer of being the leader of a rebellious plot involving other United Irishmen in the area, which, if true, would certainly not be out of character. Bligh ships Dwyer off to Norfolk Island, one of the worst hellholes of the British penal system in Australia.
After six months he is transferred to Tasmania, where he remains for another two years. In 1808, Bligh leaves the Governorship and Dwyer finally makes it back to his family in Sydney and is granted 100 acres of land nearby. Like many transported Irish rebels, he eventually becomes part of the local establishment and, in a bit of irony, the “Outlaw of Glenmalure” is appointed constable.
Michael Dwyer dies in 1825, but his wife lives to be 93, not dying until 1861. With her passes the last connection to the “Boys of ’98” in Australia. Dwyer remains a legend among the people of the Wicklow Mountains to this day.
The American Committee for Relief in Ireland (ACRI) is founded through the initiative of Dr. William J. Maloney and others on December 16, 1920, with the intention of giving financial assistance to civilians in Ireland who have been injured or suffer severe financial hardship due to the ongoing Irish War of Independence.
The Committee is only one of several U.S. based philanthropic organisations that emerge following World War I with a view to influencing the post-war settlement from their perspective of social justice, economic development and long term stability in Europe. Some of them concentrate their efforts on events in Ireland, and while activists of Irish ethnicity are well represented, membership is far from confined to Americans of Irish heritage. Apart from the ACRI, bodies such as the American Commission on Irish Independence and the American Commission on Conditions in Ireland raise money and attempt to influence U.S. foreign policy in a manner sympathetic to the goal of Irish secession from the United Kingdom.
This period of Irish political radicalism coincides with a Red Scare in the United States. Jim Larkin, an Irish trade unionist, who has been closely associated with James Connolly in Ireland and with the Wobblies in the U.S., is serving a five-year sentence in Sing Sing prison for promoting his socialist agenda. While his political views differ fundamentally from most of the Sinn Féin leadership, Irish republicanism is seen by many of the American establishment as based on a questionable ideology. During the Irish War of Independence, the activities of Irish-American fund-raising organisations are viewed with suspicion and kept under close scrutiny by the intelligence services including J. Edgar Hoover, head of the General Intelligence Division of the Federal Bureau of Investigation. U.S. policy towards Irish concerns, initially hostile or at best indifferent, become somewhat less so following the 1920 U.S. presidential election and the landslide victory of Warren G. Harding over James M. Cox.
Following the burning of parts of Cork on December 11, 1920 by elements of the British security forces known as the Black and Tans, approaches are made by the city’s Lord Mayor, Donal O’Callaghan, to the American Red Cross for humanitarian assistance. The society, having taken advice from President Woodrow Wilson, the British embassy, the Foreign Office and the British Red Cross, decline at this time to act on his appeal. Numerous organisations and committees across the United States, operating independently in raising humanitarian aid money for Ireland realise that their funds will not be channelled through the U.S. Committee of the Red Cross and so another distribution channel is needed.
Five days after the inferno at Cork, a widely publicised meeting takes place at the Banker’s Club in New York City. It is organised by William Maloney with the intention of establishing a single nationwide organisation. It will have as its goal, explicitly and solely for the purpose of humanitarian relief, the raising and distribution in Ireland of $10 million. The body which soon emerges styles itself “The American Committee for Relief in Ireland.” One of its founding members, Levi Hollingsworth Wood, approaches a Dublin-based businessman and fellow Quaker, James Douglas, requesting his assistance in the local distribution of the funds on a non-partisan basis. In Ireland, Douglas speaks with Laurence O’Neill, the Lord Mayor of Dublin, who in turn contacts senior members of Sinn Féin to inform them of the wishes of the American Committee. These meetings culminate in the establishment of the Irish White Cross, for the purpose of local distribution of the Committee’s funds.
The declaration affirms both the right of the people of Ireland to self-determination, and that Northern Ireland will be transferred to the Republic of Ireland from the United Kingdom only if a majority of its population is in favour of such a move. It also includes, as part of the prospective of the so-called “Irish dimension,” the principle of consent that the people of the island of Ireland, have the exclusive right to solve the issues between North and South by mutual consent.
The latter statement, which later becomes one of the points of the Good Friday Agreement, is key to produce a positive change of attitude by the republicans towards a negotiated settlement. The joint declaration also pledges the governments to seek a peaceful constitutional settlement, and promises that parties linked with paramilitaries, such as Sinn Féin, can take part in the talks, so long as they abandon violence.
Charles Wolfe, Irish poet, is born at Blackhall, County Kildare, on December 14, 1791. He is chiefly remembered for “The Burial of Sir John Moore after Corunna” which achieves popularity in 19th century poetry anthologies.
Not long after he is born, his father dies, and the family moves to England. In 1801, Wolfe is sent to a school in Bath but is sent home a few months later due to ill health. From 1802 to 1805, he is tutored by a Dr. Evans in Salisbury before being sent to Hyde Abbey School, Winchester. In 1808, his family returns to Ireland, and the following year he enters Trinity College, Dublin, graduating in 1814.
Wolfe is ordained as a Church of Ireland priest in 1817, first taking the Curacy of Ballyclog in County Tyrone before transferring almost immediately to Donaghmore, County Tyrone. There he develops a close friendship and deep respect for the Rev. Thomas Meredith, Rector of nearby Ardtrea, and a former Fellow of Trinity College Dublin. Wolfe writes two epitaphs for Meredith, one on his memorial in the parish church of Ardtrea, and another intended for his tomb.
Wolfe is best remembered for his poem “The Burial of Sir John Moore after Corunna”, written in 1816 and much collected in 19th and 20th century anthologies. The poem first appears anonymously in the Newry Telegraph of April 19, 1817, and is reprinted in many other periodicals. But it is forgotten until after his death when Lord Byron draws the attention of the public to it. Wolfe’s only volume of verse, Poetical Remains, appears in 1825 with “The Burial of Sir John Moore” and fourteen other verses of an equally high standard.
Wolfe remains at Donaghmore until 1820 but, rejected by the woman for whom he gave up his academic career, and with Meredith, his only real friend in County Tyrone, now dead, he moves to Southern France. Shortly before his death he returns to Ireland and lives at Cobh, County Cork, where he dies at the age of 31 of consumption, which he catches from a cow. He is buried in Cobh at Old Church Cemetery. There is also a plaque to his memory in the church at Castlecaulfield, the village where he lives whilst Curate at Donaghmore, as well as a marble monument to him at St. Patrick’s Cathedral, Dublin.
(Pictured: Bas-relief of Charles Wolfe in St. Patrick’s Cathedral, Dublin)
Henry is the son of a woolen draper, Robert Henry, and his wife Kathleen Elder. He is educated by Unitarianschoolmasters and then at Trinity College, Dublin. At age 11 he falls in love with the poetry of Virgil and gets into the habit of always carrying a copy of the Aeneid in his left breast-pocket.
Henry graduates from Trinity with the gold medal for Classics. He then turns to medicine and practises as a physician in Dublin until 1845. In spite of his unconventionality and unorthodox views on religion and his own profession, he is very successful. He marries Anne Jane Patton, from Donegal, and has three daughters, only one of whom, Katherine, born in 1830, survives infancy.
His accession to a large fortune in 1845 enables him to devote himself entirely to the absorbing occupation of his life – the study of Virgil. Accompanied by his wife and daughter, he visits all those parts of Europe where he is likely to find rare editions or manuscripts of the poet. When his wife dies in Tyrol he continues his work with his daughter, who becomes quite a Virgil expert in her own right, and crosses the Alps seventeen times. After the death of his daughter in 1872 he returns to Dublin and continues his research at Trinity College, Dublin.
As a commentator on Virgil, Henry will always deserve to be remembered, notwithstanding the occasional eccentricity of his notes and remarks. The first fruits of his researches are published at Dresden in 1853 under the quaint title Notes of a Twelve Years Voyage of Discovery in the first six Books of the Eneis. These are embodied, with alterations and additions, in the Aeneidea, or Critical, Exegetical and Aesthetical Remarks on the Aeneis (1873-1892), of which only the notes on the first book are published during Henry’s lifetime. As a textual critic Henry is exceedingly conservative. His notes, written in a racy and interesting style, are especially valuable for their wealth of illustration and references to the less-known classical authors.
Henry is also the author of five collections of verse plus two long narrative poems describing his travels, and various pamphlets of a satirical nature. At its best his poetry has something of the flavour of Robert Browning and Arthur Hugh Clough while at its worst it resembles the doggerel of William McGonagall. His five volumes of verse are all published at his own expense and receive no critical attention either during or after his lifetime.
The Cork Opera House is destroyed by fire on December 12, 1955. It is originally built in 1855 and is built on a template that the architect had used for the exhibition buildings at the Irish Industrial Exhibition. Since then, it survives the burning of much of Cork by British forces in 1920.
“The final curtain has fallen. The Cork Opera House is no more. A hundred years of stage history has come to an end. Never had the last moments of any drama, played on this stage, such an audience as last night’s farewell one. In heavy rain, a vast crowd stood silently as flames enveloped a proud landmark in our city. They watched it from the short first burst of fire on its roof until the building crumbled before their eyes.”
So reads the main news in The Cork Examiner on Tuesday, December 13, 1955, after the disastrous fire tore at the heartstrings of the people of Cork, leaving the city without a major theatre for the first time in 250 years. It is the boast of the Opera House that its tradition is continuous. When fighting in the South was at its bitterest, even when most of Cork was burned down, the Opera House kept running, only closing for pantomime rehearsals and in Holy Week. It is during the rehearsals for the forthcoming Christmas pantomime that the fatal fire starts. Fortunately, all people are evacuated, but the building built entirely from wood does not stand a chance from the merciless fire. What begins as an electrical fault, blazes into an inferno within minutes. Soon the skyline of the city is lit up as the fire does its worst.
Ten years later, on February 23, 1963, the tender of Messrs. O’Shea, South Mall is accepted for the rebuilding of the Opera House. A month later the work begins, and the foundation stone is laid by Lord MayorSeán Casey on June 21, 1963. The citizens watch the building construction with keen interest as the new building gradually takes shape. Finally, the day arrives for the casting aside of hoardings and scaffoldings.
Immediately controversy begins regarding the much-disputed North-Wall. Unfavorable comment and criticism are levelled at the lack of architectural or artistic embellishment on the exterior of the new building and the square, squat tower on top of the roof designed to ease set changing. This is a very natural reaction as the old Opera House had a very special place in the hearts of Corkonians of every generation during its existence. Most of the criticism is uninformed, for few are aware of the difficulties, financially and technically, that the project incurred. Despite the criticism about the exterior appearance, everyone who has an opportunity to inspect the interior of the theatre can find no fault. There is nothing but praise for the design, the decor, the layout of the seating accommodation and, above all, the intimate atmosphere which has been a traditional part of the venerable old building, and which is now faithfully preserved in the new.
At 12:25 PM on December 11, 1971, when the Shankill Road is packed with Saturday shoppers, a green car pulls up outside the Balmoral Furniture Company at the corner of Carlow Street and Shankill Road. The shop is locally known as “Moffat’s” although Balmoral Furniture Company is its official name. One of the occupants gets out of the car and leaves a box containing a bomb on the step outside the front door. The person gets back into the car, and it speeds away. The bomb explodes moments later, bringing down most of the building on top of those inside the shop and on passersby outside.
Four people are killed as a result of the massive blast, including two babies, Tracey Munn (age 2 years) and Colin Nichol (age 17 months), who both die instantly when part of the wall crashes down upon the pram they are sharing. Two employees working inside the shop are also killed, Hugh Bruce (age 70 years) and Harold King (age 29 years). Unlike the other three victims, who are Protestant, King is a Catholic. Bruce, a former soldier and a Corps of Commissionaires member, is the shop’s doorman and is nearest to the bomb when it explodes. Nineteen people are injured in the bombing, including Tracey’s mother. The building, which was built in the Victorian era, has load-bearing walls supporting upper floors on joists. It is unable to withstand the blast and collapses, adding to the devastation and injury count.
The bombing causes bedlam in the crowded street. Hundreds of people rush to the scene where they form human chains to help the British Army and Royal Ulster Constabulary (RUC) free those trapped beneath the rubble by digging with their bare hands. Peter Taylor describes the scene as “reminiscent of the London Blitz” in World War II.
The Balmoral Furniture Company bombing is one of the catalysts that spark the series of tit-for-tat bombings and shootings by loyalists, republicans and the security forces that make the 1970s the bloodiest decade in the 30-year history of The Troubles.
(Pictured: Fireman is shown removing the body of one of the victims of the bombing at the Balmoral Furniture Showroom, December 11, 1971)
seamus dubhghaill 