seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


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Birth of Enya, Singer & Songwriter

Eithne Pádraigín Ní Bhraonáin, singer, songwriter, musician, and producer better known professionally as Enya, is born into a musical family in Dore, Gweedore, County Donegal on May 17, 1961.

Enya’s father, Leo Brennan, is the leader of the Slieve Foy Band, an Irish showband, and runs Leo’s Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has Spanish roots, is an amateur musician who plays in Leo’s band and teaches music at Gweedore Community School. Her maternal grandfather, Aodh, is the founder of the Gweedore Theatre company.

Enya begins her music career when she joins her family’s Celtic band Clannad in 1980 on keyboards and backing vocals. She leaves in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan’s wife Roma Ryan as her lyricist. Enya develops her distinct sound over the following four years with multi-tracked vocals and keyboards with elements of new age, Celtic, classical, church, and folk music. She sings in ten languages.

Enya’s first projects as a solo artist include soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which is released as her debut album, Enya (1987). She signs with Warner Music UK which grants her considerable artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propels her to worldwide fame, helped by its international top 10 hit single Orinoco Flow. This is followed by the multi-million selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, Only Time, surge in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came… (2008), Enya takes an extended break from music. She returns in 2012 and releases Dark Sky Island (2015).

Enya is known for her private lifestyle and has yet to undergo a concert tour. She is Ireland’s biggest selling solo artist and second overall behind U2, with a discography that has sold 26.5 million certified albums in the United States and an estimated 80 million albums worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new age album with an estimated 16 million copies sold worldwide.

Enya has won several awards throughout her career, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She is nominated for an Academy Award and a Golden Globe Award for May It Be, a song she writes for the film The Lord of the Rings: The Fellowship of the Ring (2001).


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Death of Rock Journalist Bill Graham

Bill Graham, Irish rock journalist and author, dies of a heart attack at the age of 44 at his home in Howth, County Dublin, on May 11, 1996. He attends Trinity College, Dublin. In addition to authoring several books, Graham writes for Hot Pressmagazine from its founding.

Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”

Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Bill Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.

John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock’n’roll.”

A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.

Bill Graham’s funeral draws many of biggest bands from the world of Irish music including Clannad, Altan, U2, and Hothouse Flowers, along with singers Simon Carmody and Gavin Friday.


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Founding of the Arts Council of Ireland

The Arts Council (An Chomhairle Ealaíon), sometimes called the Arts Council of Ireland, is established on May 8, 1951, by the Government of Ireland. The Council’s purpose is to encourage interest in Irish art, including visual art, music, performance, and literature, and to channel funding from the state to Irish artists and arts organisations. This includes encouragement of traditional Irish arts, support for contemporary Irish arts, and finance for international arts events in Ireland. The council is modeled on the Arts Council of Great Britain, founded in 1946, and works closely with the Arts Council of Northern Ireland, formed by the British government in Northern Ireland in 1962 to fulfil a similar role.

The Arts Council consists of twelve members and a chair, each appointed for a five-year term by the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs. The Chair of the Arts Council is entitled to an annual fee of €8,978 and ordinary members are entitled to a fee of €5,985, although some members choose to waive this fee.

The ongoing work of the Arts Council is delivered by the executive. In addition to the Director, a staff of 41 full-time equivalents carries out the daily functions of the organisation. Arts advisers, who provide additional expertise and strategic advice on different aspects of the arts, are retained on a consultancy basis.

The Arts Council of Ireland is the official “Cultural Contact Point” between the European Commission‘s Cultural Programme and Ireland and is a founding member of the International Federation of Arts Councils and Culture Agencies. Visual Artists Ireland, the all-Ireland non-governmental organisation representing Irish artists nationally and internationally, is supported by the Arts Council of Ireland.

For additional information, visit the Arts Council’s website at http://www.artscouncil.ie/home/.


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Birth of Artist William Conor

Artist William Conor is born on May 6, 1881, in the Old Lodge Road area of north Belfast, the son of a wrought-iron worker.

Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, Conor studies at the Government School of Design in Belfast in the 1890s. His artistic talents are recognized at the early age of ten when a teacher of music, Louis Mantell, notices the merit of his chalk drawings and arranges for him to attend the College of Art.

Conor initially works as a commercial artist, before being commissioned during World War I by the British government to produce official records of soldiers and munitions workers.

Conor moves to London in 1920 and there meets and socialises with such artists as Sir John Lavery and Augustus John. He exhibits at the Royal Academy of Arts in 1921 and in Dublin at the Royal Hibernian Academy (RHA) from 1918–1967, showing nearly 200 works.

Conor is one of the first Academicians when the Belfast Art Society becomes the Ulster Academy of Arts in 1930. He becomes an Associate RHA in 1938 and a full member in 1946. Exhibitions at the Victor Waddington Galleries are held in 1944 and 1948. In 1952 he is awarded the Order of the British Empire (OBE) and in 1957 he is elected President of the Royal Ulster Academy, an office he holds until 1964.

More than 50 works of his in crayon and watercolour are in the permanent collections of the Ulster Museum.

(Pictured: Bronze statue of William Conor at Conor’s Corner, Shankill Road, Belfast)


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Birth of Davy Carton, Co-Founder of The Saw Doctors

Davy Carton, singer, songwriter, and rhythm guitarist, is born in Islington, London, on April 10, 1959. He is best known as a core member of The Saw Doctors, the folk-rock band he co-founds with Leo Moran and others in 1987.

Carton moves permanently to Tuam, County Galway, with his family in 1966. As a teenager he attends Tuam’s Christian Brothers school, where he forms the punk band Blaze X with fellow students Paul Cunniffe, Paul Ralph, and Ja Keating. He works in a local textile factory after leaving school but continues to play with Blaze X until the band dissolves in 1981, the year Carton marries his girlfriend, Trisha.

Working full-time in the textile factory throughout Ireland’s economically bleak 1980s, Carton largely puts his musical career on hold to support his wife and three young sons.

In the late 1980s, Carton gets together for a pint with Leo Moran, formerly of Irish reggae band Too Much for the White Man. Carton and Moran begin gigging around Galway with a handful of their own rootsy-rock compositions.

The duo adopts the name Saw Doctors — travelers who earn money by sharpening saws in old Ireland — until they can think of something better. As the band grows, the opportunity to find a better name never arises.

Carton finally gives up his day job in 1989, when the Saw Doctors rise to prominence and begin touring with bands including The Waterboys, Hothouse Flowers, and The Stunning.

Carton’s achievements with the Saw Doctors include six studio albums, two live albums, a concert DVD, several compilation albums, and extensive tours throughout Europe and the United States. Noted for his witty, rapacious lyrics, Carton has co-written almost all of the band’s songs, including “I Useta Lover,” one of the all-time best-selling singles in Ireland.

The Saw Doctors’ lyrics tend to stay out of political issues. “I’m not a politician, and I never will be a politician,” Carton tells the website PopMatters in 2003. “What I like to do is go into a room of people and make them sing along and whatever. I’m not going to tell them how to vote – there’s enough people doing that already. I’d rather talk about girlfriends and football. We don’t like to write about things we don’t really know about. We know about rejection from girls and all that, so we can write about that.”


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Birth of Artist Sarah Henrietta Purser

Sarah Henrietta Purser, Irish artist mainly noted for her work with stained-glass, is born on March 22, 1848, in Kingstown (now Dún Laoghaire) in County Dublin, and raised in Dungarvan, County Waterford. She is educated in Switzerland and afterwards studies at the Metropolitan School of Art in Dublin and in Paris at the Académie Julian.

Purser works mostly as a portraitist. She is also associated with the stained-glass movement, founding a stained-glass workshop, An Túr Gloine, in 1903. Some of her stained-glass work is commissioned from as far as New York City, including a window at Christ Church, Pelham dedicated to the memory of Katharine Temple Emmet and Richard Stockton Emmet, grandson of the Irish patriot, Thomas Addis Emmet. Through her talent and energy and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions, famously commenting, “I went through the British aristocracy like the measles.”

In 1977 Bruce Arnold noted, “some of her finest and most sensitive work was not strictly portraiture, for example, An Irish Idyll in the Ulster Museum, and Le Petit Déjeuner (in the National Gallery of Ireland).”

Sarah Purser becomes wealthy through astute investments, particularly in Guinness. She is very active in the art world in Dublin and is involved in the setting up of the Hugh Lane Municipal Gallery, persuading the Irish government to provide Charlemont House to house the gallery. In 1923 she becomes the first female member of the Royal Hibernian Academy.

Until her death she lives for years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. After her death in Dublin on August 7, 1943, it is demolished and is developed into apartments. She is buried in Mount Jerome Cemetery in Dublin.


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Birth of U2 Bassist Adam Clayton

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Adam Charles Clayton, Irish musician best known as the bass guitarist of the rock band U2, is born in Chinnor, Oxfordshire, England, on March 13, 1960.

Clayton is the oldest child of Brian and Jo Clayton. His father is a pilot with the Royal Air Force, who moves into civil aviation, and his mother is a former airline flight attendant. When he is 4 years old his father works in Kenya as a pilot with East African Airways. Clayton regards this as the happiest period of his childhood. In 1965 the family moves to Malahide, County Dublin, where Clayton’s brother Sebastian is born. The Clayton family becomes friends with the Evans family, including their son, David, who later becomes a fellow U2 band-member with Clayton.

When he is eight years old Clayton is sent to the private junior boarding Castle Park School in Dalkey, Dublin, which he did not enjoy because he is not particularly sports orientated. At age 13 he enters the private St. Columba’s College secondary school in Rathfarnham, Dublin. Here he makes friends with other pupils who are enthusiastic about pop/rock music. It is here in the school band where Clayton plays the bass guitar for the first time.

Clayton later changes school to Mount Temple Comprehensive School in Dublin, where he meets future bandmates, Paul Hewson (aka “Bono“) and Larry Mullen Jr., and is reunited with his childhood friend David Evans (aka “The Edge”). In September 1976, Mullen puts an advert onto the school’s bulletin board seeking other musicians to form a band. The original band is a five-piece band known as “Feedback,” consisting of Bono, The Edge, Mullen, Dik Evans, and Clayton. The name is subsequently changed to “The Hype,” but changes to “U2” soon after Dik Evans leaves the band. Clayton stands in as the nearest thing that the band has to a manager in its early life, handing over the duties to Paul McGuinness in May 1978.

In 1981, around the time of U2’s second, spiritually charged October album, a rift is created in the band between Clayton and McGuinness, and the three other band members. Bono, The Edge, and Mullen have joined a Christian group, and are questioning the compatibility of rock music with their spirituality. However, Clayton, with his more ambiguous religious views, is less concerned, and so is more of an outsider, until Bono’s wedding to Alison Hewson (née Stewart), in which Clayton is the best man.

Clayton makes international headlines in August 1989 when he is arrested in Dublin for carrying a small amount of marijuana. He avoids conviction by making a large donation to charity. Clayton also has alcohol problems, which come to a head on November 26, 1993, when he is so hung over that he is unable to play that night’s show in Sydney, the dress rehearsal for their Zoo TV concert film. Bass duties are fulfilled by Clayton’s technician Stuart Morgan. After that incident, however, Clayton gives up alcohol.

In 1995, after the Zoo TV Tour and Zooropa album, Clayton heads to New York City with bandmate Mullen to receive formal training in the bass as until then Clayton has been entirely self-taught. Bono says of Clayton’s early bass playing, “Adam used to pretend he could play bass. He came round and started using words like ‘action’ and ‘fret’ and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he’s talking about. And then one day, we discovered he wasn’t playing the right notes. That’s what’s wrong, y’know?”

In 2011 Clayton becomes an ambassador for the Dublin-based St. Patrick’s Hospital‘s Mental Health Service “Walk in My Shoes” facility.

Clayton and U2 have won numerous awards in their career, including 22 Grammy Awards, including seven times for Best Rock Duo or Group, and twice each for Album of the Year, Record of the Year, Song of the Year, and Best Rock Album.


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Birth of Patrick Michael Clancy

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Patrick Michael Clancy, Irish folk singer best known as a member of The Clancy Brothers and Tommy Makem, is born on March 7, 1922, at Carrick-on-Suir, County Tipperary. In addition to singing and storytelling, Clancy plays the harmonica with the group, which is widely credited with popularizing Irish traditional music in the United States and revitalizing it in Ireland. He also starts and runs the folk music label Tradition Records, which records many of the key figures of the American folk music revival.

Clancy is one of eleven children and the eldest of four boys born to Johanna McGrath and Bob Clancy. During World War II he serves as a flight engineer in the Royal Air Force in India. After his demobilization, Clancy works as a baker in London. In 1947 he emigrates to Toronto, Canada with his brother Tom Clancy. The following year, the two brothers move to Cleveland, Ohio to stay with relatives. Later, they attempt to move to California, but their car breaks down and they relocate to the New York City area instead.

After moving to Greenwich Village in 1951, both Patrick and Tom devote themselves primarily to careers in the theater. In addition to appearing in various Off-Broadway productions and television shows, they produce and star in plays at the Cherry Lane Theatre in Greenwich Village and at a playhouse in Martha’s Vineyard. After losing money on some unsuccessful plays, the brothers begin singing concerts of folk songs after their evening acting jobs are over. They soon dub these concerts “Midnight Specials” and the “Swapping Song Fair.” Patrick and Tom are often joined by other prominent folk singers of the day, including Pete Seeger, Woody Guthrie, and Jean Ritchie.

In 1956 their younger brother, Liam Clancy, immigrates to New York, where he teams up with Tommy Makem, whom he had met while collecting folk songs in Ireland. The two begin singing together at Gerde’s Folk City, a club in Greenwich Village. Patrick and Tom sing with them on occasion, usually in informal folk “sing-songs” in the Village. Around the same time, Patrick founds Tradition Records with folk-song collector and heiress Diane Hamilton, and in 1956 the Clancy Brothers and Tommy Makem release their first album, The Rising of the Moon, with only Patrick’s harmonica as musical accompaniment. However, the Clancys and Makem do not become a permanent singing group until 1959.

In the late 1950s, Clancy with his brothers and Makem begin to take singing more seriously as a permanent career, and soon they record their second album, Come Fill Your Glass with Us. This album proves to be more successful than their debut album, and they begin receiving job offers as singers at important nightclubs, including the Gate of Horn in Chicago and the Blue Angel in New York City. The group garners nationwide fame in the United States after an appearance on The Ed Sullivan Show, which leads to a contract with Columbia Records in 1961. Over the course of the 1960s, the Clancy Brothers and Tommy Makem record approximately two albums a year for Columbia. By 1964, Billboard magazine reports that the group was outselling Elvis Presley in Ireland.

The group performs together on stage, recordings, and television to great acclaim in the United States, Ireland, the United Kingdom, Canada, and Australia until Tommy Makem leaves to pursue a solo career in 1969. They continue performing first with Bobby Clancy and then with Louis Killen until Liam leaves in 1976 also to pursue a solo career. In 1977 after a short hiatus, the group reforms with Patrick, Tom, and Bobby Clancy and their nephew Robbie O’Connell. Liam returns in 1990 after the death of Tom Clancy.

In 1968, after two decades in North America, Clancy returns to live in Carrick-on-Suir, where he purchases a dairy farm and breeds exotic cattle. When not on tour or working on his farm, he spends much of his time fishing, reading, and doing crossword puzzles. In the late 1990s, he is diagnosed with a brain tumor. The tumor is successfully removed, but he is also stricken with terminal lung cancer around the same time. He continues performing until his failing health prevents him from doing so any longer.

Patrick Clancy dies at home of lung cancer on November 11, 1998, at the age of 76. He is buried, wearing his trademark white cap, in the tiny village of Faugheen, near Carrick-on-Suir.


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Birth of Patrick Joseph McCall, Songwriter & Poet

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Patrick Joseph McCall, Irish songwriter and poet known mostly as the author of lyrics for popular ballads, is born at 25 Patrick Street in Dublin on March 6, 1861. He is assisted in putting the Wexford ballads, dealing with the Irish Rebellion of 1798, to music by Arthur Warren Darley using traditional Irish airs. His surname is one of the many anglicizations of the Irish surname Mac Cathmhaoil, a family that were chieftains of Kinel Farry (Clogher area) in County Tyrone.

McCall is the son of John McCall (1822-1902), a publican, grocer, and folklorist from Clonmore near Hacketstown in County Carlow. He attends St. Joseph’s Monastery, Harold’s Cross, a Catholic University School.

He spends his summer holidays in Rathangan, County Wexford, where he spends time with local musicians and ballad singers. His mother came from Rathangan near Duncormick on the south coast of County Wexford. His aunt Ellen Newport provides much of the raw material for the songs and tunes meticulously recorded by her nephew. He also collects many old Irish airs but is probably best remembered for his patriotic ballads. Airs gathered at rural céilí and singsongs are delivered back to the Royal Irish Academy in Dublin.

He contributes to the Dublin Historical Record, the Irish Monthly, The Shamrock, and Old Moore’s Almanac (under the pseudonym Cavellus). He is a member of the group in Dublin which founds the National Literary Society and becomes its first honorary secretary.

He marries Margaret Furlong, a sister of the poet Alice Furlong, in 1901. They live in the suburb of Sutton, near Howth.

In 1902 he is elected as a Dublin City councillor, defeating James Connolly, and serves three terms. As a councillor he concerns himself with local affairs, particularly projects to alleviate poverty.

Patrick Joseph McCall dies on March 5, 1919, one day before his 58th birthday, in Sutton, Fingal, Dublin.


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Birth of Joseph Tomelty, Actor & Playwright

joseph-tomeltyJoseph Tomelty, Irish character actor and playwright, is born at Portaferry, County Down, on March 5, 1911. He works in film, television, radio, and on the stage, starring in Sam Thompson‘s 1960 play Over the Bridge.

Tomelty is the eldest of seven children. His father is known as “Rollickin’ James” for his skill on the fiddle. He leaves his local primary school at the age of 12 and is apprenticed to the trade of housepainter, his father’s trade. He moves to Belfast and attends classes at Belfast Technical College.

Tomelty first acts with St. Peter’s Players and with others in 1937 and 1938 takes part in discussions which lead to the formation of the Northern Ireland Players on a more professional basis. Radio plays Barnum is Right and Elopement are broadcast in December 1938 and February 1939 respectively. The Northern Ireland Players choose the stage version of Barnum is Right for their first major commercial venture at the Empire Theatre in June 1939.

In 1940 the Northern Ireland Players join forces with the Ulster Theatre and the Jewish Institute Dramatic Society to form the Group Theatre. In 1942 Tomelty becomes its general manager remaining in the post until 1951. His play, Idolatry at Innishargie, enjoys a short run at the Group Theatre in 1942, but The End House, a controversial political play, does not even appear there. The play deals with what he describes as “the inhumanity that resulted from the Special Powers Act.” It is however performed at the Abbey Theatre in Dublin in 1944.

Meanwhile, his career as a character actor rapidly develops and a successful stage and film career is underway. In 1948 he is commissioned by the BBC in Belfast to write the weekly radio comedy drama series The McCooeys. This radio series lasts for seven years with Tomelty writing 6,000 word scripts for each episode. He continues to write plays, including his masterpiece, and a modern Irish theatre classic, All Souls’ Night in 1948.

In 1954 Tomelty is injured in an automobile accident while filming Bhowani Junction in England and, while he recovers, he is never as productive again. He dies in Belfast on June 7, 1995.