Having begun his career as a freelance musician, playing with the BBC Philharmonic orchestra and English National Opera North, an accident ends Cusack’s career as a musician, resulting in him pursuing a career in arts administration. Initially he focuses on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.
In 1992, Cusack makes his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly, where he produces a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he is appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre, and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009, he becomes the National Theatre’s Associate Producer. During this period, he produces numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he works as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London’s West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he is appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.
As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwrightMatt Wilkinson.
In 2023, Cusack is the recipient of the Olwen Wymark Award from the Writers’ Guild of Great Britain for his championing of new writing which is presented at the 18th Annual Awards Ceremony in London.
In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.
One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.
In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.
Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.
Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.
Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.
Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.
Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.
(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)
John Arden, English playwright, dies on March 28, 2012, in Galway, County Galway. At the time of his death, he is lauded as “one of the most significant British playwrights of the late 1950s and early 60s.”
Arden is initially associated with the English Stage Company at the Royal Court Theatre in London. His 1959 play, Serjeant Musgrave’s Dance, in which four army deserters arrive in a northern mining town to exact retribution for an act of colonial violence, is considered to be his best. His work is influenced by Bertolt Brecht and epic theatre as in Left-Handed Liberty (1965, on the anniversary of Magna Carta). Other plays include Live Like Pigs, The Workhouse Donkey, and Armstrong’s Last Goodnight, the last of which is performed at the 1963 Chichester Festival by the Royal National Theatre after it was rejected by the Royal Court.
Arden’s 1978 radio play Pearl is considered in a Guardian survey to be one of the best plays in that medium. He also writes several novels, including Silence Among the Weapons, which is shortlisted for the Booker Prize in 1982, and Books of Bale, about the Protestant apologist John Bale. He is a member of the Royal Society of Literature.
With his wife and co-writer Margaretta D’Arcy, Arden pickets the Royal Shakespeare Company (RSC) premiere of his Arthurian play The Island of the Mighty, because they believe the production to be pro-imperialist. They write several plays together which are highly critical of British presence in Ireland, where he and D’Arcy live from 1971 onward.
In 1961, Arden is a founder member of the anti-nuclear Committee of 100, and he also chairs the pacifist weekly Peace News. In Ireland, he is for a while a member of Official Sinn Féin. He is an advocate of civil liberties, and opposes anti-terror legislation, as demonstrated in his 2007 radio play The Scam.
Arden is elected to Aosdána in 2011 before dying in Galway on March 28, 2012. He is waked in a wicker casket.
(Pictured: Photograph of John Arden, 1960 bromide print on card mount, credit to Roger Mayne, National Portrait Gallery, London)
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.
Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.
O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.
In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).
O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.
John Arden, English playwright, is born in Barnsley, South Yorkshire, England, on October 26, 1930. At the time of his death he is lauded as “one of the most significant British playwrights of the late 1950s and early 60s.”
Arden is initially associated with the English Stage Company at the Royal Court Theatre in London. His 1959 play, Serjeant Musgrave’s Dance, in which four army deserters arrive in a northern mining town to exact retribution for an act of colonial violence, is considered to be his best. His work is influenced by Bertolt Brecht and epic theatre as in Left-Handed Liberty (1965, on the anniversary of Magna Carta). Other plays include Live Like Pigs, The Workhouse Donkey, and Armstrong’s Last Goodnight, the last of which is performed at the 1963 Chichester Festival by the Royal National Theatre after it was rejected by the Royal Court.
Arden’s 1978 radio play Pearl is considered in a Guardian survey to be one of the best plays in that medium. He also writes several novels, including Silence Among the Weapons, which is shortlisted for the Booker Prize in 1982, and Books of Bale, about the Protestant apologist John Bale. He is a member of the Royal Society of Literature.
With his wife and co-writer Margaretta D’Arcy, Arden pickets the Royal Shakespeare Company (RSC) premiere of his Arthurian play The Island of the Mighty, because they believe the production to be pro-imperialist. They write several plays together which are highly critical of British presence in Ireland, where he and D’Arcy live from 1971 onward.
In 1961, Arden is a founder member of the anti-nuclear Committee of 100, and he also chairs the pacifist weekly Peace News. In Ireland, he is for a while a member of Official Sinn Féin. He is an advocate of civil liberties, and opposes anti-terror legislation, as demonstrated in his 2007 radio play The Scam.
Arden is elected to Aosdána in 2011 before dying in Galway, County Galway on March 28, 2012. He is waked in a wicker casket.
(Pictured: Photograph of John Arden in 1966, credit to Sam Falk/The New York Times)
Sebastian Barry, novelist, playwright and poet, is born in Dublin on July 5, 1955. He is noted for his lyrical literary writing style and is considered one of Ireland’s finest writers. He is named Laureate for Irish Fiction, 2019–2021.
Barry starts his literary career with the novel Macker’s Garden in 1982. This is followed by several books of poetry and a further novel, The Engine of Owl-Light (1987), before his career as a playwright begins with his first play produced in the Abbey Theatre, Boss Grady’s Boys (1988).
Both The Steward of Christendom and the novel The Whereabouts of Eneas McNulty, are about the dislocations, physical and otherwise, of loyalist Irish people during the political upheavals of the early 20th century. The title character of the latter work is a young man forced to leave Ireland by his former friends in the aftermath of the Irish War of Independence.
Barry has been twice shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which wins the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His fifth novel, On Canaan’s Side (2011), is longlisted for the 2011 Man Booker Prize and wins the 2012 Walter Scott Prize. In January 2017, he is awarded the Costa Book of the Year prize for Days Without End (2016), becoming the first novelist to win the prestigious prize twice. The novel also wins The Walter Scott Prize and The Independent Booksellers’ Prize, and is longlisted for the Man Booker Prize 2017.
In 2001, Barry establishes his personal and professional archive at the Harry Ransom Center. More than sixty boxes of papers document his diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts.
Peter Seamus O’Toole, British stage and film actor of Irish descent, is born on August 2, 1932, in Leeds, Yorkshire, England. Some sources give his birthplace as Connemara, County Galway. Records from the General Registry Office in Leeds confirm that O’Toole is born in the north England town in 1932.
O’Toole grows up in Leeds and is educated at the Royal Academy of Dramatic Art in London. He is a reporter for the Yorkshire Evening Post in his teens and makes his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acts with the Bristol Old Vic Company from 1955 to 1958 and makes his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appears with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he plays the lead in Hamlet for the inaugural production of the Royal National Theatre in London in 1963. A prominent film star by this point in his career, he continues to appear on stages throughout the world to great acclaim. He is named associate director of the Old Vic in 1980.
O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.
Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.
O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.
In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).
O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are being kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.
In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.
Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.
Byrne is the first of six children. His father is a cooper and his mother a hospital worker. He is raised Catholic and educated by the Irish Christian Brothers. He spends five years of his childhood in a seminary training to be a Catholic priest. He later says, “I spent five years in the seminary, and I suppose it was assumed that you had a vocation. I have realized subsequently that I didn’t have one at all. I don’t believe in God. But I did believe at the time in this notion that you were being called.” He attends University College Dublin (UCD), where he studies archeology and linguistics, and becomes proficient in the Irish language. He plays football in Dublin with the Stella Maris Football Club.
Byrne works in archeology after he leaves UCD but maintains his love of his language, writing Draíocht (Magic), the first drama in Irish on Ireland’s national Irish television station, TG4, in 1996.
He discovers his acting ability as a young adult. Before that he works at several occupations which include being an archaeologist, a cook, a bullfighter, and a Spanish schoolteacher. He begins acting when he is 29 years old. He begins on stage at the Focus Theatre and the Abbey Theatre in Dublin, later joining the Royal Court Theatre and the Royal National Theatre in London.
Byrne does not visit the United States until he is 37 years old. In 1988, he married actress Ellen Barkin with whom he has two children. The couple separates amicably in 1993 and divorce in 1999.
seamus dubhghaill 