seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Irish Tenor Frank Patterson

Frank Patterson, internationally renowned Irish tenor following in the tradition of singers such as Count John McCormack and Josef Locke, is born on October 5, 1938, in Clonmel, County Tipperary. He is known as “Ireland’s Golden Tenor.”

As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAA hurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.

Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.

In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988 he is featured host in a St. Patrick’s Day celebration of music and dance at New York City‘s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.

Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.

Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.

Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.

In recognition of his musical achievements, he is awarded an honorary doctorate from Salve Regina University in Newport, Rhode Island in 1990, an honorary doctorate in fine arts from Manhattan College in 1996 and the Gold Medal of the Éire Society of Boston in 1998.

In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.

At his death accolades and tributes came from, among others, President of Ireland Mary McAleese, Taoiseach Bertie Ahern and Opposition leader John Bruton who said he had “the purest voice of his generation.”


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Death of Seán Ó Riada, Composer & Arranger

Seán Ó Riada, Irish composer and arranger of Irish traditional music, dies in London, England on October 3, 1971. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada is born John Reidy in Cork, County Cork on August 1, 1931. He receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Ballyvourney, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy plays at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.


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Birth of Neil Blaney, Fianna Fáil Politician

Neil Terence Columba Blaney, Irish politician first elected to Dáil Éireann in 1948 as a Fianna Fáil Teachta Dála (TD) representing Donegal East, is born on October 1, 1922 in Fanad, County Donegal. He serves as Minister for Posts and Telegraphs (1957), Minister for Local Government (1957–1966) and Minister for Agriculture and Fisheries (1966–1970). He is Father of the Dáil from 1987 until his death.

Blaney is the second eldest of a family of eleven. His father, from whom he got his strong republican views and his first introduction to politics, had been a commander in the Irish Republican Army (IRA) in Donegal during the Irish War of Independence and the Irish Civil War. He is educated locally at Tamney on the rugged Fanad Peninsula and later attends St. Eunan’s College in Letterkenny. He later works as an organiser with the Irish National Vintners and Grocers Association.

Blaney is first elected to Dáil Éireann for the Donegal East constituency in a by-election in December 1948, following the death of his father from cancer. He also becomes a member of the Donegal County Council. He remains on the backbenches for a number of years before he is one of a group of young party members handpicked by Seán Lemass to begin a re-organisation drive for the party following the defeat at the 1954 general election. Within the party he gains fame by running the party’s by-election campaigns throughout the 1950s and 1960s. His dedicated bands of supporters earn the sobriquet “the Donegal Mafia,” and succeed in getting Desmond O’Malley and Gerry Collins elected to the Dáil.

Following Fianna Fáil’s victory at the 1957 general election, Éamon de Valera, as Taoiseach, brings new blood into the Cabinet in the shape of Blaney, Jack Lynch, Kevin Boland and Mícheál Ó Móráin. Blaney is appointed Minister for Posts and Telegraphs however he moves to the position of Minister for Local Government at the end of 1957 following the death of Seán Moylan. He retains the post when Lemass succeeds de Valera as Taoiseach in 1959. During his tenure it becomes possible to pay rates by installment and he also introduces legislation which entitles non-nationals to vote in local elections.

In 1966 Lemass resigns as Taoiseach and Fianna Fáil leader. The subsequent leadership election sees Cork politician Jack Lynch become party leader and Taoiseach. In the subsequent cabinet reshuffle Blaney is appointed Minister for Agriculture and Fisheries.

In 1969, when conflict breaks out in Northern Ireland, Blaney is one of the first to express strong Irish republican views, views which contradict the policy of the Irish Government, in support of Northern nationalists. From around late 1968 onwards, he forms and presides over an unofficial Nationalist group in Leinster House popularly known as “the Letterkenny Table.” The group is dominated by Blaney up until his death.

There is general surprise when, in an incident known as the Arms Crisis, Blaney, along with Charles Haughey, is sacked from Lynch’s cabinet amid allegations of the use of the funds to import arms for use by the IRA. Lynch asked for their resignations but both men refuse, saying they did nothing illegal. Lynch then advises President de Valera to sack Haughey and Blaney from the government. Haughey and Blaney are subsequently tried in court but are acquitted. However, many of their critics refuse to recognise the verdict of the courts. Although Blaney is cleared of wrongdoing, his ministerial career is brought to an end.

Lynch subsequently moves against Blaney so as to isolate him in the party. When Blaney and his supporters try to organise the party’s national collection independently, Lynch acts and in 1972 Blaney is expelled from Fianna Fáil for “conduct unbecoming.”

Following his expulsion from Fianna Fáil, Kevin Boland tries to persuade Blaney to join the Aontacht Éireann party he is creating but Blaney declines. Instead, he contests all subsequent elections for Independent Fianna Fáil – The Republican Party, an organisation that he built up. Throughout the 1970s there are frequent calls for his re-admittance to Fianna Fáil but the most vocal opponents of this move are Fianna Fáil delegates from County Donegal.

At the 1979 European Parliament elections Blaney tops the poll in the Connacht–Ulster constituency to the annoyance of Fianna Fáil. He narrowly loses the seat at the 1984 election but is returned to serve as a Member of the European Parliament (MEP) in the 1989 election where he sits with the regionalist Rainbow Group. He also canvasses for IRA hunger striker Bobby Sands in the Fermanagh and South Tyrone by-election, in which Sands is elected to Westminster.

Blaney holds his Dáil seat until his death from cancer at the age of 73 on November 8, 1995 in Dublin.


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The Long Count Fight

In a battle of Irish Americans, the Long Count Fight, or the Battle of the Long Count, a ten-round professional boxing rematch between world heavyweight champion Gene Tunney and former champion Jack Dempsey takes place at Soldier Field in Chicago, Illinois on September 22, 1927.

“Long Count” is applied to the fight because when Tunney is knocked down in the seventh round the count is delayed due to Dempsey’s failure to go to and remain in a neutral corner. Whether this “long count” actually affects the outcome remains a subject of debate. Tunney ultimately wins the bout in a unanimous decision.

Just 364 days earlier, on September 23, 1926 at Sesquicentennial Stadium in Philadelphia, Pennsylvania, Tunney beats Dempsey in a ten-round unanimous decision to claim the world heavyweight title. This first fight between Tunney and Dempsey is moved out of Chicago because Dempsey learned that Al Capone is a big fan of his, and he does not want Capone to be involved in the fight. Capone reportedly bets $50,000 on Dempsey for the rematch, which fuels false rumors of a fix. Dempsey is favored by odds makers in both fights, largely because of public betting which heavily tilts towards Dempsey.

The rematch held at Chicago’s Soldier Field draws a gate of $2,658,660 (approximately $22 million in today’s dollars). It is the first $2 million gate in entertainment history.

Despite the fact that Tunney had won the first fight by a wide margin on the scorecards, the prospect of a second bout creates tremendous public interest. Dempsey is one of the so-called “big five” sports legends of the 1920s and it is widely rumored that he had refused to participate in the military during World War I. He actually had attempted to enlist in the Army, but had been turned down. A jury later exonerates Dempsey of draft evasion. Tunney, who enjoys literature and the arts, is a former member of the United States Marine Corps. His nickname is The Fighting Marine.

The fight takes place under new rules regarding knockdowns: the fallen fighter has ten seconds to rise to his feet under his own power, after his opponent moves to a neutral corner (i.e., one with no trainers). The new rule, which is not yet universal, is asked to be put into use during the fight by the Dempsey camp, who had requested it during negotiations. Dempsey, in the final days of training prior to the rematch, apparently ignores the setting of these new rules. Also, the fight is staged inside a 20-foot ring, which favors the boxer with superior footwork, in this case Tunney. Dempsey likes to crowd his opponents, and normally fights in a 16-foot ring that offers less space to maneuver.

To this day boxing fans argue over whether Dempsey could or should have won the fight. What is not in dispute is that the public’s affection for Dempsey grew in the wake of his two losses to Tunney. “In defeat, he gained more stature,” wrote The Washington Post‘s Shirley Povich. “He was the loser in the battle of the long count, yet the hero.”

Tunney said that he had picked up the referee’s count at “two,” and could have gotten up at any point after that, preferring to wait until “nine” for obvious tactical reasons. Dempsey said, “I have no reason not to believe him. Gene’s a great guy.”

Dempsey later joins the United States Coast Guard, and he and Tunney become good friends who visit each other frequently. Tunney and Dempsey are both members of the International Boxing Hall of Fame.

In March 2011, the family of Gene Tunney donates the gloves he wore in the fight to the Smithsonian Institution‘s National Museum of American History.


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Start of the 3rd Leg of U2’s Joshua Tree Tour

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The third leg of The Joshua Tree Tour, a concert tour by the Irish rock band U2, opens in Uniondale, New York‘s Nassau Coliseum on September 10, 1987. The tour is in support of their album The Joshua Tree, the band’s fifth studio album, which is released on March 9, 1987. The tour is depicted by the video and live album Live from Paris and in the film and partial live album Rattle and Hum.

The first leg of the tour takes place in American indoor arenas during April and May, beginning on April 2 at Arizona State University‘s Activity Center in Tempe, Arizona. The first leg finishes with five concerts at the Brendan Byrne Arena in East Rutherford, New Jersey on May 11-16.

The second leg plays in European arenas and outdoor stadiums from late May through early August, starting at the Stadio Flaminio in Rome on May 27. The final show of the European leg is at Páirc Uí Chaoimh in Cork, County Cork on August 8.

The third leg returns to North American arenas and stadiums beginning in New York’s Nassau Coliseum on September 10. The tour ends on December 20 back where it started in Tempe, Arizona, but this time at Sun Devil Stadium.

The Joshua Tree Tour sells out stadiums around the world, the first time the band had consistently played venues of that size. The Joshua Tree and its singles become huge hits, and the band reaches a new height in their popularity. Tickets for shows are often very hard to get, especially on the first American leg when they only play in arenas.

The 79 North American shows on the tour sell 2,035,539 tickets and gross US$35 million. In total, the tour grosses US$40 million and draws 3 million attendees.


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Birth of Bridie Gallagher, the “Girl from Donegal”

bridie-gallagher

Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” is born on September 7, 1924 in Creeslough, County Donegal. She is widely regarded as “Ireland’s first international pop star.”

Gallagher starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.

Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.

Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.

Bridie also records “Cottage by the Lee,” written by Irish songwriter, Dick Farrelly. Farrelly achieved worldwide fame with his classic song “The Isle of Innisfree“, which is originally a worldwide hit for Bing Crosby and is chosen by movie director John Ford as the main theme music for his film The Quiet Man.

Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.

Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.


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The Dromcollogher Burning

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Forty-eight people die when a fire breaks out in a make-shift cinema on the upper floor of the village hall in Dromcollagher, County Limerick, on September 5, 1926.

The conversion of village halls into makeshift cinemas is a common practice in many rural villages in Ireland, right up to the 1940s. Prints are often borrowed from cinemas in larger towns or in Cork city and then bicycled over to smaller venues (sometimes surreptitiously).

During the Irish Free State period (1922-1937), the exhibition of films is still governed by legislation put in place by the British government in 1909. The Cinematograph Act 1909 stipulates that cinema owners must apply for a license to screen films, and that venues must observe strict safety standards. Such standards include encasing projectors in fireproof booths, ensuring that the highly unstable nitrate film, then the industry standard, be properly stored and handled, and fitting out venues with several fire exits. The regulations are generally observed by established cinemas, but they are often ignored by operators of ad hoc venues/makeshift conversions.

The consequences of such indifference to patron safety are tragically realized in the small town of Dromcollogher in West Limerick in 1926. Situated a few miles from the County Cork border, its population is around 500 at the time, hardly enough to sustain a full-time cinema. However, local hackney driver, William Forde, identifies a business opportunity that seems too good to pass up. Through a contact, Patrick Downey, who works as a projectionist in Cork city’s Assembly Rooms cinema, he arranges for a print of Cecil B. DeMille’s Biblical epic The Ten Commandments to be bicycled over for an unofficial one-off screening.

Forde rents the upstairs room of a venue on Church Street, later described by the Leinster Express as a wooden two-story structure and advertises his evening’s entertainment. He finds a readymade audience among the churchgoers that come out of the service in the adjacent Catholic Church and straight into the hall, many with their rosary beads still entwined in their hands. It is estimated that 150 people crowd into the room and ascend the ladder to the upstairs room. Though Forde has been informed by one local Garda that he cannot run a screening unless the venue is equipped with fire blankets and exits, he and Downey disregard the advice and, in a bid to reduce the weight for the cyclist bringing the reels from Cork, instruct that the fireproof metal cases be left behind in the city.

A generator hooked up to a lorry is used to power the borrowed projector, and candles to illuminate the makeshift box-office. It is one of those candles, placed in close proximity to an exposed film reel, which sparks off a series of small fires that quickly developed into an inferno. Some of those seated closest to the main exit manage to escape, but those nearer the screen find themselves trapped and iron bars that had been placed on the few windows in the hall windows seal their fate. Whole families are wiped out and the final death toll comes to 48. As newspapers of the time report, 1/10th of the town’s population is lost.

Newspapers around the world carry reports of the tragedy and a relief fund is set up for the survivors with Hollywood star Will Rogers being one of the contributors. President of the Executive Council of the Irish Free State William T. Cosgrave later travels to the town to attend the mass funeral service held for the victims.

As for Forde and Downey, they are later charged with manslaughter, but the State chooses not to pursue the prosecutions. Forde apparently later immigrates to Australia and possibly accidentally poisons himself, and two others, while working as a cook in the Outback.

The “Dromcollogher Burning”, as it becomes known, holds the dubious honour of Ireland’s worst cinema fire. Sadly, it is not the last time safety regulations are disregarded in an entertainment venue: 75 years later the devastating Stardust Nightclub fire in Dublin also claims the lives of 48 patrons.

(From: “The Dromcollogher Cinema Fire,” http://www.corkmoviememories.com | Image Source: National Library of Ireland)


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Birth of John Rocha, Hong Kong Born Fashion Designer

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John Rocha, fashion designer of Chinese and Portuguese (Macanese) descent, is born in Hong Kong on August 23, 1953. He has been based mainly in Dublin since the late 1970s.

Rocha moves to Ireland after graduating from the Croydon School of Art, London. Known for his hand-crafting, beading and appliqué to garments, he first establishes a name for himself with his Chinatown label in Dublin in the 1980s and later designing clothing for both men and women in the Irish high street stores A Wear and their luxury stores Brown Thomas. He designs a range of cut crystal stemware and vases for Waterford Crystal in collaboration with glass designer Marcus Notley, until that firm’s closure in 2008. The brand relaunches in 2010 and Rocha’s crystal product ranges become available again.

By 1993, Rocha is named Designer of the Year at the British Fashion Awards. He runs his own “John Rocha,” “John Rocha Jeans,” “Rocha John Rocha” and “John Rocha Jewellery” labels alongside a diffusion clothing, homeware and accessories label for the department store Debenhams. He also designs the interiors of the Morrison Hotel in Dublin and the Orion Building in Birmingham. He is awarded the ‘Special Award’ at the Ernst & Young Irish Entrepreneur of the Year Awards 2008 which takes place in the City West Hotel in Dublin on October 23, 2008.

Rocha continues to produce a ‘pret-a-porter’ womenswear and menswear range which he showcases twice annually at the British Fashion Council sponsored London Fashion Week (February & September). His John Rocha lifestyle boutique opens on Dover Street, London, in 2006. His design business, operating as Three Moon Design, is located at Dublin’s Ely Place with a turnover of €200 million per year.

In 2014 Rocha showcases another Spring/Summer collection at London Fashion Week and announces his retirement from the event, stating, “At this point in my life I want to live by my calendar and not the Fashion Week calendar. Stopping allows me to do that.”

Rocha is made a Commander of the Order of the British Empire (CBE) in 2002 for his contributions to the British fashion industry. In April 2015 he is awarded the Outstanding Achievement in Art & Design at The Asian Awards.

In 2010 Rocha is one of six contemporary, internationally renowned Irish fashion designers featured on a set of Irish postage stamps issued by An Post. The other designers featured are Paul Costelloe, Louise Kennedy, Lainey Keogh, Philip Treacy and Orla Kiely.

Rocha resides in Dublin with his wife. The Rocha family keep a second home in Saint-Jean-Cap-Ferrat in southern France. His daughter, Simone Rocha, is also a successful designer.


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Death of Professional Footballer Johnny Carey

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John Joseph “Johnny” Carey, professional footballer, manager and one of Manchester United F.C.’s great captains, dies in Macclesfield, Cheshire, England on August 22, 1995.

Carey is born in Dublin on February 23, 1919. As a schoolboy, he plays football for Home Farm F.C. As a youth, he also plays Gaelic football and is selected to represent Dublin GAA at minor level before he signs for St. James’s Gate F.C. at the start of the 1936–1937 season.

After just two months of League of Ireland football, he is spotted by Billy Behan, a Dublin-based Manchester United scout. In November 1936 United signs him for a then League of Ireland record fee of £250. He makes his debut as an inside left for United on September 23, 1937, against Southampton F.C. During his first season with United, Carey, together with Harry Baird, Jack Rowley, Tommy Bamford, Tommy Breen and Stan Pearson, help United gain promotion to the First Division.

As a player Carey spends most of his career with Manchester United, where he is team captain from 1946 until he retires as a player in 1953. He also plays as a guest for several other clubs including Cardiff City F.C., Manchester City F.C., Everton F.C., Liverpool F.C. and Middlesbrough F.C.

Carey is also a dual internationalist, playing for and captaining both Ireland teams – the FAI XI and the IFA XI. In 1947 he also captains a Europe XI which plays a Great Britain XI at Hampden Park. In 1949 he is voted the Football Writers’ Association Footballer of the Year and in the same year captains the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home.

Carey is also the first non-UK player and the first Irishman to captain a winning team in both an FA Cup Final and the First Division. Like his contemporary Con Martin, he is an extremely versatile footballer and plays in nine different positions throughout his career. He even plays in goal for United on one occasion.

(Pictured: Manchester United captain Johnny Carey is carried on the shoulders of his teammates, after they win the FA Cup final of 1948 against Blackpool. Date: April 24, 1948)


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Birth of Frank McCourt, Teacher & Writer

frank-mccourt

Francis “Frank” McCourt, Irish American teacher and writer, is born in New York City‘s Brooklyn borough on August 19, 1930.

McCourt is born to Malachy McCourt, Sr., who falsely claims to have been in the Irish Republican Army (IRA) during the Irish War of Independence, and Irish Catholic mother Angela Sheehan from Limerick. In the midst of the Great Depression, the family moves back to Ireland. Unable to find steady work in Belfast or Dublin and beset by his father’s alcoholism, the family returns to their mother’s native Limerick, where they sink even deeper into poverty.

In October 1949, at the age of 19, McCourt leaves Ireland, taking a boat from Cork to New York City. In 1951, he is drafted during the Korean War and sent to Bavaria for two years initially training dogs, then as a clerk. Upon his discharge from the US Army, he returned to New York City, where he held a series of jobs on docks, in warehouses, and in banks. Using his G.I. Bill education benefits, he talks his way into New York University by claiming he is intelligent and reads a great deal. He is admitted on one year’s probation provided he maintains a B average. He graduates in 1957 from NYU with a bachelor’s degree in English.

A New York city schoolteacher for more than thirty years, McCourt achieves literary fame later in life with his best-selling childhood memoir of the misery and squalor of his childhood, Angela’s Ashes. With a first printing of just 25,000 copies, the book becomes an instant favourite with critics and readers and is perhaps the ultimate case of the non-celebrity memoir, the extraordinary life of an ordinary man.

McCourt wins the annual Pulitzer Prize for Biography or Autobiography in 1997 and one of the annual National Book Critics Circle Awards for the book, which is eventually published in 25 languages and 30 countries. It is a bestseller and makes him a millionaire. Three years later, a movie version of Angela’s Ashes opens to mixed reviews with Northern Irish actor Michael Legge playing McCourt as a teenager.

McCourt is also the author of ‘Tis (1999), which continues the narrative of his life, picking up from the end of Angela’s Ashes and focusing on his life after returning to New York. He subsequently writes Teacher Man (2005) which details his teaching experiences and the challenges of being a teacher.

McCourt writes the book for a 1997 musical entitled The Irish…and How They Got That Way, which features an eclectic mix of Irish music – everything from the traditional Danny Boy to U2‘s I Still Haven’t Found What I’m Looking For.

It is announced in May 2009 that McCourt has been treated for melanoma and that he is in remission, undergoing home chemotherapy. On July 19, 2009, he dies from the cancer, with meningeal complications, at a hospice in Manhattan, New York City.