Patrick Joseph McCall, Irish songwriter and poet known mostly as the author of lyrics for popular ballads, is born at 25 Patrick Street in Dublin on March 6, 1861. He is assisted in putting the Wexford ballads, dealing with the Irish Rebellion of 1798, to music by Arthur Warren Darley using traditional Irish airs. His surname is one of the many anglicizations of the Irish surname Mac Cathmhaoil, a family that were chieftains of Kinel Farry (Clogher area) in County Tyrone.
He spends his summer holidays in Rathangan, County Wexford, where he spends time with local musicians and ballad singers. His mother came from Rathangan near Duncormick on the south coast of County Wexford. His aunt Ellen Newport provides much of the raw material for the songs and tunes meticulously recorded by her nephew. He also collects many old Irish airs but is probably best remembered for his patriotic ballads. Airs gathered at rural céilí and singsongs are delivered back to the Royal Irish Academy in Dublin.
He marries Margaret Furlong, a sister of the poet Alice Furlong, in 1901. They live in the suburb of Sutton, near Howth.
In 1902 he is elected as a Dublin City councillor, defeating James Connolly, and serves three terms. As a councillor he concerns himself with local affairs, particularly projects to alleviate poverty.
Patrick Joseph McCall dies on March 5, 1919, one day before his 58th birthday, in Sutton, Fingal, Dublin.
Alice Taylor, best-selling Irish writer and novelist particularly known for her nostalgia works looking back at life in a small village, is born on February 28 , 1938, on a farm in Lisdangan, Newmarket in northern County Cork.
Taylor is educated at Drishane Convent. She works in Bandon before marrying Gabriel Murphy. They have four sons and one daughter. When she marries she moves to Innishannon in the southern part of the county in 1961. There she runs a guesthouse, the local post office, and a shop.
In 1984 she edits and publishes a local magazine, Candlelight, and in 1986 she publishes an illustrated collection of her poetry. However it is the launch of her book To School Through the Fields, published in May 1988, which brings her fame. She has numerous interviews on national shows including RTÉ Radio‘s Gay Byrne Show and The Late Late Show. The next books are equally successful and have been sold internationally. Since then she has moved on to novels which have also become best sellers.
Her husband dies in 2005. Taylor remains very connected to the village of Innishannon where she continues to live. Since her eldest son has taken over responsibility for the shop, she has been able to devote more time to her writing. One of the programs she has been involved in is the restoration of the old Innishannon Tower.
Pádraic Ó Conaire, Irish writer and journalist whose production is primarily in the Irish language, is born in Galway on February 20, 1882. During his lifetime he writes 26 books, 473 stories, 237 essays, and 6 plays. His acclaimed novel Deoraíocht has been described by Angela Bourke as “the earliest example of modernist fiction in Irish.”
Ó Conaire’s father is a publican, who owns two premises in the town of Galway. His mother is Kate McDonagh. He is orphaned by the age of eleven. He spends a period living with his uncle in Garaffin, Ros Muc, Connemara. The area is in the Gaeltacht (Irish-speaking area) and Ó Conaire learns to speak Irish fluently.
He emigrates to London in 1899 where he gets a job with the Board of Education and becomes involved in the work of the Gaelic League. A pioneer in the Gaelic revival in the last century, Ó Conaire and Patrick Pearse are regarded as being the two most important Irish language short story writers during the first decades of the 20th century.
Ó Conaire is married to Molly Ní Mhanais, with whom he has four children: Eileen (born February 22, 1905), Patrick (born November 3, 1906), Kathleen (born February 24, 1909, and Mary Josephine (born July 28, 1911 but dies of diphtheria in 1922).
Ó Conaire returns to Ireland in 1914, leaving his family in London. Living mostly in Galway, he earns a meagre living through writing, teaching at Gaeltacht summer schools, and as an occasional organiser for the Gaelic League.
Ó Conaire dies at the age of 46 while on a visit to Dublin in 1928 after complaining of internal pains while at the head office of the Gaelic League. His fellow poet Frederick Robert Higgins writes a celebrated Lament for Pádraic Ó Conaire.
Pádraic Ó Conaire has family still living to this day in England as well as in Galway and Canada. The Ó Conaire surname is still strong in the Ros Muc area.
Following the death of his mother when he is six months old, O’Sullivan is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to Great Blasket Island to live with his father, grandfather, and the rest of his siblings, and learns the native language. He joins the Garda Síochána in Dublin in 1927 and is stationed in the Gaeltacht area of Connemara.
O’Sullivan is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who has come to the island to hear and learn the Irish language. It is Thomson who encourages him to go into the Guards, rather than emigrate to America as do most of the young people. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn-Davies.
Fiche Blian ag Fás (in English, Twenty Years a-Growing) is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture have continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives.
While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E.M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when O’Sullivan tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.
In 1934, O’Sullivan leaves the Guards and settles in Connemara. He drowns on June 25, 1950, while swimming off the Connemara coast. Dylan Thomas commences, but does not finish, a screenplay of Fiche Blian ag Fás.
(Pictured: The ruins of the house in which Maurice O’Sullivan grew up on the Great Blasket Island)
Behan is widely regarded as one of the greatest Irish writers and poets of all time. He is also an Irish republican and a volunteer in the Irish Republican Army (IRA). Born in Dublin into a staunchly republican family, he becomes a member of the IRA’s youth organisation Fianna Éireann at the age of fourteen. However, there is also a strong emphasis on Irish history and culture in the home, which means he is steeped in literature and patriotic ballads from an early age. Behan eventually joins the IRA at sixteen, which leads to his serving time in a borstal youth prison in the United Kingdom. He is also imprisoned in Ireland. During this time, he takes it upon himself to study and he becomes a fluent speaker of the Irish language. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moves between homes in Dublin, Kerry, and Connemara, and also resides in Paris for a time.
In 1954, Behan’s first play, The Quare Fellow, is produced in Dublin. It is well received, however, it is the 1956 production at Joan Littlewood‘s Theatre Workshop in Stratford, London, that gains Behan a wider reputation. This is helped by a famous drunken interview on BBC television. In 1958, Behan’s play in the Irish language, An Giall, has its debut at Dublin’s Damer Theatre. Later, The Hostage, Behan’s English-language adaptation of An Giall, meets with great success internationally. Behan’s autobiographical novel, Borstal Boy, is published the same year and becomes a worldwide best-seller.
He marries Beatrice Ffrench-Salkeld in 1955. By early March 1964, after developing diabetes, the end is in sight. Collapsing at the Harbour Lights bar, he is transferred to the Meath Hospital in central Dublin, where he dies at the age 41 on March 20, 1964. He is given an IRA guard of honour, which escorts his coffin. It is described by several newspapers as the biggest funeral since those of Michael Collins and Charles Stewart Parnell.
Jane is the last of the four children of Charles Elgee, a Wexford solicitor, and his wife Sarah. Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).
Jane, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.
She is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragistMillicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act of 1883, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”
William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.
Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.
Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proved too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.
William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, dies on January 28, 1939, at the Hôtel Idéal Séjour, in Menton, France.
Yeats is born in Sandymount, County Dublin, on June 13, 1865, the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trains as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland as well.
In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandoned art school for other pursuits.
After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson, and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Kathleen to her.
Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.
In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen Ni Houlihan. Around that time, Yeats helps found the Irish National Theatre Society with Lady Gregory and John Millington Synge, serving as its president and co-director. More works soon follow, including On Baile’s Strand, Deirdre, and At the Hawk’s Well.
Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.
Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, Yeats is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”
Yeats continues to write until his death. Some of his important later works include The Wild Swans at Coole (1917), A Vision (1925), The Tower (1928) and Words for Music Perhaps and Other Poems (1932). Yeats passes away on January 28, 1939, at the Hôtel Idéal Beauséjour near Menton, France. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. The publication of Last Poems and Plays and Two Plays shortly after his death further cements his legacy as a leading poet and playwright.
Katharine Tynan, Irish writer, known mainly for her novels and poetry, is born into a large farming family in Clondalkin, County Dublin, on January 23, 1859.
Tynan is educated at St. Catherine’s, a convent school in Drogheda. Her poetry is first published in 1878. She meets and becomes friendly with the poet Gerard Manley Hopkins in 1886. She goes on to play a major part in Dublin literary circles. In 1898 she marries English writer and barrister Henry Albert Hinkson, and they move to England. After her marriage she usually writes under the name Katharine Tynan Hinkson, or variations thereof. Later she lives at Claremorris, County Mayo, when her husband is a magistrate from 1914 until 1919. Of their three children, Pamela Hinkson (1900–1982) was also known as a writer.
For a while, Tynan is a close associate of William Butler Yeats (who may have proposed marriage and been rejected, around 1885), and later a correspondent of Francis Ledwidge. Involved in the Irish Literary Revival, Tynan expresses concern for feminist causes, the poor, and the effects of World War I in her work. She also meditates on her Catholic faith. A prolific writer, she wrote more than one hundred novels, twelve collections of short stories, reminiscences, plays, and more than a dozen books of poetry.
Katharine Tynan Hinkson dies on April 2, 1931, in Wimbledon, London, at the age of 72.
Christopher Nolan, Irish poet and author who cannot move or speak because of an accident at birth, wins the Whitbread Book Award on January 19, 1987, for his autobiography Under the Eye of the Clock.
Nolan is born in Mullingar, County Westmeath, on September 6, 1965, the son of Joseph and Bernadette Nolan. Due to asphyxiation at birth, he is born with permanent impairment of his “nerve-signaling system, a condition he said is now labelled dystonia.” Because of these complications, he is born with cerebral palsy and can only move his head and eyes. To write, Nolan uses a special computer and keyboard. In order to help him type, his mother holds his head in her cupped hands while he painstakingly picks out each word, letter by letter, with a pointer attached to his forehead.
Upon becoming a teenager, Nolan receives his education from the Central Remedial Clinic school, Mount Temple Comprehensive School, and at Trinity College, Dublin. His first book is published when he is fifteen. He is also awarded an Honorary Doctorate of Letters in the UK, the medal of excellence from the United Nations Society of Writers, and a Person of the Year award in Ireland. At the age of fifteen, he publishes his collection of poems titled Dam-Burst of Dreams. He writes an account of his childhood, Under the Eye of the Clock, published by St. Martin’s Press, which wins him the UK’s Whitbread Book Award in 1987 at the age of 21. He soon drops out of Trinity College to write a novel entitled The Banyan Tree (1999).
Nolan spends more than a decade writing The Banyan Tree. According to The New York Times, the book is a multigenerational story of a dairy-farming family in Nolan’s native county of Westmeath. The story is seen through the eyes of the aging mother. It is inspired, he tells Publishers Weekly, by the image of “an old woman holding up her skirts as she made ready to jump a rut in a field.” A review of the book is done in The New York Times by Meghan O’Rourke. She reviews the book and relates it to James Joyce‘s A Portrait of the Artist as a Young Man; in the story the protagonist leaves his mother in Ireland while he moves on to travel the world. Nolan, however, gives the reader a version of the mother’s story. “And so, in the end, one suspects that he wants Minnie’s good-natured, commonplace ways to stand as their own achievement, reminding us that life continues in the places left behind.”
Christopher Nolan dies at age 43 in Beaumont Hospital in Dublin at 2:30 AM on February 20, 2009, after a piece of salmon becomes trapped in his airway. Irish president Mary McAleese, upon hearing the news, says, “Christopher Nolan was a gifted writer who attained deserved success and acclaim throughout the world for his work, his achievements all the more remarkable given his daily battle with cerebral palsy.”
Frances Browne, Irish poet and novelist, best remembered for Granny’s Wonderful Chair, her collection of short stories for children, is born on January 16, 1816, at Stranorlar, County Donegal, the seventh child in a family of twelve children.
Browne is blind from infancy as a consequence of an attack of smallpox when she is only 18 months old. In her writings, she recounts how she learned by heart the lessons which her brothers and sisters said aloud every evening, and how she bribed them to read to her by doing their chores. She then worked hard at memorising all that she had heard. She writes her first poem, a version of “The Lord’s Prayer,” when she is seven years old.
In 1841, her first poems are published in the Irish Penny Journal and in the London Athenauem. One of those included in the Irish Penny Journal is the beautiful lyric “Songs of Our Land” which can be found in many anthologies of Irish patriotic verse. She publishes a complete volume of poems in 1844, and a second volume in 1847. The provincial newspapers, especially the Belfast-based Northern Whig reprint many of her poems and she becomes widely known as “The Blind Poetess of Ulster.”
In 1845 she makes her first contribution to the popular magazine Chambers’s Journal and she writes for this journal for the next 25 years. The first short story that she has published in the Journal is entitled, “The Lost New Year’s Gift,” appearing in March 1845. She also contributes many short stories to magazines that have a largely female readership.
In 1847, she leaves Donegal for Edinburgh with one of her sisters as her reader and amanuensis. She quickly establishes herself in literary circles, and writes essays, reviews, stories, and poems, in spite of health problems. In 1852, she moves to London, where she writes her first novel, My Share of the World (1861). Her best-known work, Granny’s Wonderful Chair, is published in 1856. It remains in print to this day and has been translated into several languages. It is a richly imaginative collection of fairy stories. It is also in 1856 that Pictures and Songs of Home appears, her third volume of poetry. This is directed at very young children and contains beautiful illustrations. The poems focus on her childhood experiences in County Donegal and provide evocative of its countryside.
After her move to London she writes for the Religious Tract Society, making many contributions to their periodicals The Leisure Hour and The Sunday at Home. One of these is “1776: a tale of the American War of Independence” which is printed in The Leisure Hour on the centenary of that event in 1876. As well as describing some of the revolutionary events, it is also a touching love story and is beautifully illustrated. Her last piece of writing is a poem called “The Children’s Day” which appears in The Sunday at Home in 1879.
Frances Brown dies from apoplexy on August 21, 1879, at 19 St. John’s Grove in Richmond-upon-Thames. She is buried on August 25, 1879, in plot 40 in the cemetery at St. Mary Magdalene Church in Richmond, London. Frances dies unmarried and leaves all her belongings, valued at less than 100 pounds, to Eliza Hickman who had been her faithful companion and secretary for many years.
(Pictured: Frances Brown from the family photo collection of Selwyn Glynn, Brisbane, Australia)