O’Grady is the son of Admiral Hayes O’Grady and his wife, Susan Finucane. His father is one of the chiefs of the Cinél Donnghaile, the collective name of the O’Gradys. He is a nephew of Standish O’Grady, 1st Viscount Guillamore, and a cousin of the novelist Standish James O’Grady, with whom he is sometimes confused. As a child he is fostered in Coonagh, County Limerick, an Irish-speaking area. There he learns Irish and comes into contact with the Gaelic manuscript tradition, listening to stories read aloud from manuscripts in farmers’ houses during wakes or while carding wool. He maintains this interest in the literary tradition throughout his life.
O’Grady receives his secondary education in Rugby School in Rugby, Warwickshire, England, his name appearing in the school register for August 1846. Subsequently he attends Trinity College Dublin (TCD) from 1850 to 1854 but does not graduate. He is critical of an education system that makes no mention of Irish history and legend. During his student days he becomes a friend of the leading scholars and antiquarians, John O’Donovan, George Petrie and Eugene O’Curry, as well as the bookseller and publisher, John O’Daly. At this time he begins copying Gaelic manuscripts under their direction. He purchases from O’Daly in 1853 a collection in Irish of “tales and other pieces, in prose and verse” which he presents to the British Museum in 1892. He is a founding member of the Ossianic Society in 1853 and becomes its president in 1856. O’Curry attacks him publicly in a review in TheTablet, questioning his ability as a scholar. The publication of the society’s third volume prompts the review.
In 1857 O’Grady moves to the United States where he remains for thirty years. In 1901 he contributes an essay on Anglo-Irish Aristocracy to a collection entitled Ideals in Ireland edited by Augusta, Lady Gregory.
O’Grady is a bachelor all his life and dies on October 16, 1915, in his home in Ballinruan, Hale, Cheshire, England. He is buried in Altrincham cemetery.
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
Curran is the eldest of five children of James Curran, seneschal of the Newmarket manor court, and Sarah, née Philpot. The Curran family are said to have originally been named Curwen, their ancestor having come from Cumberland as a soldier under Oliver Cromwell during the Cromwellian conquest of Ireland, originally settling in County Londonderry.
Curran is educated at Midleton College, County Cork, before studing law at Trinity College Dublin. He continues his legal studies at King’s Inns and the Middle Temple. He is called to the Irish Bar in 1775. Upon his first trial, his nerves get the better of him and he cannot proceed. His short stature, boyish features, shrill voice and a stutter are said to have impacted his career, and earn him the nickname “Stuttering Jack Curran.”
However, Curran can speak passionately in court on subjects close to his heart. He eventually overcomes his nerves and gets rid of his speech impediment by constantly reciting Shakespeare and Bolingbroke in front of a mirror, becoming a noted orator and wit. His championing of popular Irish causes such as Catholic emancipation make him one of the most popular lawyers in Ireland. He is also fluent in the Irish language which is still the language of the majority at the time. He writes a large amount of humorous and romantic poetry.
The case which cements Curran’s popularity is that of Father Neale and St. Leger St. Leger, 1st Viscount Doneraile at the County Cork Assizes in 1780. Having a passion for lost causes, he represents the priest and wins over the jury by setting aside the issue of religion.
A liberal Protestant whose politics are similar to Henry Grattan, Curran employs all his eloquence to oppose the illiberal policy of the Government, and also the Union with Britain. He stands as Member of Parliament (MP) for Kilbeggan in 1783. He subsequently represents Rathcormack (1790-98) and Banagher from 1800 until the Act of Union in 1801, which bitterly disappoints him, forcing him to contemplate emigrating to the United States.
In 1798, Ireland rebels against the British House of Commons and lack of reforms on Catholic emancipation. The British defeat the Irish rebels in numerous battles and soon establish their control over the country by 1799. Many of the Irish ring leaders are charged with treason and are facing death sentences. Curran plays an important role in court defending the leaders of the United Irishmen.
Curran’s youngest daughter Sarah‘s romance with United Irishmen leader Robert Emmet scandalises Curran, who had tried to split them up. He is arrested and agrees to pass their correspondence on to Standish O’Grady, 1st Viscount Guillamore, the Attorney-General for Ireland. In the circumstances he cannot defend Emmet. He is suspected of involvement in Emmet’s Rebellion, but is completely exonerated. However, his friend Arthur Wolfe, 1st Viscount Kilwarden, is killed by the rebels, and he loses any faith in the beliefs of the United Irishmen. Emmet is found guilty of rebelling against the Crown and the union between Great Britain and Ireland and is hanged in 1803. Curran disowns Sarah, who dies of tuberculosis five years later.
Curran is appointed Master of the Rolls in Ireland in 1806, following William Pitt the Younger‘s replacement by a more liberal cabinet.
Curran retires in 1814 and spends his last three years in London. He dies in his home in Brompton on October 14, 1817. In 1837, his remains are transferred from Paddington Cemetery, London to Glasnevin Cemetery in Dublin, where they are laid in an 8-foot-high classical-style sarcophagus. In 1845 a white marble memorial to him, with a carved bust by Christopher Moore, is placed near the west door of St. Patrick’s Cathedral, Dublin.
Augusta is the youngest daughter of the Anglo-Irish gentry family Persse. Her mother, Frances Barry, is related to Standish O’Grady, 1st Viscount Guillamore, and her family home, Roxborough, is a 6,000-acre estate located between Gort and Loughrea, the main house of which is later burned down during the Irish Civil War. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native speaker of the Irish language, who introduces the young Augusta to the history and legends of the local area.
In 1880 Augusta marries Sir William Henry Gregory, a neighbouring landowner who had previously served as a Member of Parliament and as governor of Ceylon. He is a well-educated man with many literary and artistic interests, and his estate at Coole Park houses a large library and extensive art collection, both of which Lady Gregory is eager to explore. He also has a house in London, where the couple spends a considerable amount of time.
Lady Gregory’s literary career does not begin until after Sir Gregory’s death in 1892. In 1896 she meets William Butler Yeats and becomes his lifelong friend and patron. She takes part in the foundation of the Irish Literary Theatre in 1899 and becomes a director of the Abbey Theatre in 1904, which owes much of its success to her skill at smoothing the disputes among its highly individualistic Irish nationalist founders. As a playwright, she writes pleasant comedies based on Irish folkways and picturesque peasant speech, offsetting the more tragic tones of the dramas of Yeats and John Millington Synge.
Lady Gregory writes or translates nearly forty plays. Seven Short Plays (1909), her first dramatic works, are among her best, vivid in dialogue and characterization. The longer comedies, The Image and Damer’s Gold, are published in 1910 and 1913 and her strange realistic fantasies, The Golden Apple and The Dragon, in 1916 and 1920. She also arranges and makes continuous narratives out of the various versions of Irish sagas, translating them into an Anglo-Irish peasant dialect that she labels “Kiltartan.” These are published as Cuchulain of Muirthemne (1902) and Gods and Fighting Men (1904).
Lady Gregory returns to live in Galway after ill health forces her retirement from the Abbey Theatre board in 1928, although she continues to visit Dublin regularly. The house and demesne at Coole Park are sold to the Irish Forestry Commission in 1927, with Lady Gregory retaining life tenancy. Her Galway home had long been a focal point for the writers associated with the Irish Literary Revival, and this continues after her retirement. On a tree in what were the grounds of the house, one can still see the carved initials of Synge, Æ, Yeats and his artist brother Jack, George Moore, Seán O’Casey, George Bernard Shaw, Katharine Tynan and Violet Martin.
Lady Gregory, whom Shaw once described as “the greatest living Irishwoman,” dies at the age of 80 on May 22, 1932, at home from breast cancer. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.
seamus dubhghaill 