seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Oliver Joseph St. John Gogarty

Oliver Joseph St. John Gogarty, Irish poet, author, otolaryngologist, athlete, politician, and well-known conversationalist, is born on August 17, 1878 in Rutland Square, Dublin. He serves as the inspiration for Buck Mulligan in James Joyce‘s novel Ulysses.

In 1887 Gogarty’s father dies of a burst appendix, and he is sent to Mungret College, a boarding school near Limerick. He is unhappy in his new school, and the following year he transfers to Stonyhurst College in Lancashire, England, which he likes little better, later referring to it as “a religious jail.” He returns to Ireland in 1896 and boards at Clongowes Wood College while studying for examinations with the Royal University of Ireland. In 1898 he switches to the medical school at Trinity College, having failed eight of his ten examinations at the Royal.

A serious interest in poetry and literature begins to manifest itself during his years at Trinity. In 1900 he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.

In 1905 Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modelled after the Austro-Hungarian dual monarchy.

In July 1907 his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterwards purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.

As a Sinn Féiner during the Irish War of Independence, Gogarty participates in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised Irish Republican Army (IRA) volunteers in his car. Following the ratification of the Anglo-Irish Treaty, he sides with the pro-Treaty government and is made a Free State Senator. He remains a senator until the abolition of the Seanad in 1936, during which time he identifies with none of the existing political parties and votes according to his own whims.

Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega”, and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.

With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.

Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle.

(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)


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Birth of Gerald O’Donovan, Priest & Writer

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), default qualityGerald O’Donovan, Irish priest and writer born Jeremiah Donovan, is born in Kilkeel, County Down  on July 15, 1871.

O’Donovan is the son of a pier builder. He attends Ardnaree College in Killala and St. Patrick’s College, Maynooth. He leaves Maynooth after ordination for the Diocese of Clonfert in 1895 and is appointed as a Roman Catholic priest to Loughrea, County Galway between 1896 and 1904. He is an enthusiastic advocate of the Gaelic League and the Irish Cooperative Association, and promotes his views in articles and lectures. His literary friends include Lady Gregory, W. B. Yeats and George Moore. He is in charge of decorating St. Brendan’s Cathedral, Loughrea in 1901, the financing provided by O’Donovan’s close friend Edward Martyn. He quit Loughrea in 1904 after the arrival of a new bishop, Thomas O’Dea.

O’Donovan moves to London but, failing to find work as a priest, he leaves the Catholic priesthood in May 1908. He becomes a subwarden at Toynbee Hall in the East End in March 1910. In October that year, he marries Florence Emily Beryl Verschoyle (1886–1968), the daughter of an Irish Protestant colonel fifteen years his junior. They have three children, two daughters and a son.

In 1913, O’Donovan publishes his first and best known novel, Father Ralph, which draws in large part on his own life. Around this time he changes his first name from Jeremiah to Gerald. Another novel titled Waiting is published in 1914. He joins the war effort in 1915, and rises to become head of the Italian section at the Ministry of Information in 1918. There he meets his secretary and future lover, English novelist Rose Macaulay.

O’Donovan publishes a few more novels after the war: How They Did It (1920), Conquest (1920), Vocations (1921), and The Holy Tree (1922). The clandestine affair with Macaulay continues for nearly two decades. In 1939, the pair are on holiday in the Lake District when they meet with a motoring accident, which damages O’Donovan’s health. He dies of cancer in Albury, Surrey three years later, on July 26, 1942. His letters to Macaulay had been destroyed the previous year when her flat in Central London was bombed during the Blitz.

In her novel The Towers of Trebizond, Macaulay features a woman character (Laurie) torn between her attraction to Christianity and her adulterous love for a married man. This is considered to reflect the author’s relationship with O’Donovan.


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First Production of the Irish Literary Theatre

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 75The first production of the Irish Literary Theatre, The Countess Cathleen, is performed on May 8, 1899. Like many of William Butler Yeats’ plays, it is inspired by Irish folklore. In a time of famine, demons sent by Satan come to Ireland to buy the souls of the starving people. The saintly Cathleen disposes of her vast estates and wealth in order to feed the peasants, yet the demons thwart her at every turn. At last, she sacrifices her own soul to save those of the poor.

Yeats, Lady Gregory and Edward Martyn publish a “Manifesto for Irish Literary Theatre” in 1897, in which they proclaim their intention of establishing a national theatre for Ireland. The Irish Literary Theatre is founded by Yeats, Lady Gregory, Martyn and George Moore in Dublin in 1899. It proposes to give performances in Dublin of Irish plays by Irish authors.

In 1899 Lady Gregory secures a temporary licence for a play to be given at the Antient Concert Rooms in Great Brunswick Street (now Pearse Street) in Dublin, and so enables the Irish Literary Theatre to give its first production. The play chosen is The Countess Cathleen by Yeats. It is done by a very efficient London company that includes May Whitty (Dame May Webster) and Ben Webster. The next production given is Martyn’s play The Heather Field.

In the following year the Irish Literary Theatre produces three plays at the Gaiety Theatre in Dublin: Maeve by Edward Martyn, The Last Feast of Fianna by Alice Milligan and The Bending of the Bough by George Moore. The Bending of the Bough is staged during the Second Boer War which begins on October 11, 1899.

The Irish Literary Theatre project lasts until 1901, when it collapses due to lack of funding.

The use of non-Irish actors in these productions is perceived to be a failure, and a new group of Irish players is put together by the brothers William and Frank Fay, among others. These go on to form the Irish National Theatre Society, which leads to the founding of the Abbey Theatre in Dublin in 1904.


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Birth of Irish Language Scholar Osborn Bergin

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 100Osborn Joseph Bergin, a scholar of the Irish language and early Irish literature, is born in Cork, County Cork on November 26, 1873.

Bergin is the sixth child and eldest son of Osborn Roberts Bergin and Sarah Reddin, and is educated at Queen’s College Cork, now University College Cork. He then goes to Germany for advanced studies in Celtic languages, working with Heinrich Zimmer at the Friedrich Wilhelm University in Berlin, now the Humboldt University of Berlin, and later with Rudolf Thurneysen at the University of Freiburg, where he writes his dissertation on palatalization in 1906. He then returns to Ireland and teaches at the School of Irish Learning and at University College Dublin.

Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.

Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish-speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.

Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.

Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.

Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married.


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Birth of Lady Gregory, Writer & Playwright

lady-gregoryIsabella Augusta, Lady Gregory (née Isabella Augusta), Irish playwright, folklorist and theatre manager, is born on March 15, 1852 at Roxborough, County Galway. Her translations of Irish legends, her peasant comedies and fantasies based on folklore, and her work for the Abbey Theatre, play a considerable part in the late 19th-century Irish Literary Revival.

Augusta is the youngest daughter of the Anglo-Irish gentry family Persse. Her mother, Frances Barry, is related to Standish O’Grady, 1st Viscount Guillamore, and her family home, Roxborough, is a 6,000-acre estate located between Gort and Loughrea, the main house of which is later burned down during the Irish Civil War. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native speaker of the Irish language, who introduces the young Augusta to the history and legends of the local area.

In 1880 Augusta marries Sir William Henry Gregory, a neighbouring landowner who had previously served as a Member of Parliament and as governor of Ceylon. He is a well-educated man with many literary and artistic interests, and his estate at Coole Park houses a large library and extensive art collection, both of which Lady Gregory is eager to explore. He also has a house in London, where the couple spends a considerable amount of time.

Lady Gregory’s literary career does not begin until after Sir Gregory’s death in 1892. In 1896 she meets William Butler Yeats and becomes his lifelong friend and patron. She takes part in the foundation of the Irish Literary Theatre in 1899 and becomes a director of the Abbey Theatre in 1904, which owes much of its success to her skill at smoothing the disputes among its highly individualistic Irish nationalist founders. As a playwright, she writes pleasant comedies based on Irish folkways and picturesque peasant speech, offsetting the more tragic tones of the dramas of Yeats and John Millington Synge.

Lady Gregory writes or translates nearly forty plays. Seven Short Plays (1909), her first dramatic works, are among her best, vivid in dialogue and characterization. The longer comedies, The Image and Damer’s Gold, are published in 1910 and 1913 and her strange realistic fantasies, The Golden Apple and The Dragon, in 1916 and 1920. She also arranges and makes continuous narratives out of the various versions of Irish sagas, translating them into an Anglo-Irish peasant dialect that she labels “Kiltartan.” These are published as Cuchulain of Muirthemne (1902) and Gods and Fighting Men (1904).

Lady Gregory returns to live in Galway after ill health forces her retirement from the Abbey Theatre board in 1928, although she continues to visit Dublin regularly. The house and demesne at Coole Park is sold to the Irish Forestry Commission in 1927, with Lady Gregory retaining life tenancy. Her Galway home had long been a focal point for the writers associated with the Irish Literary Revival, and this continues after her retirement. On a tree in what were the grounds of the house, one can still see the carved initials of Synge, Æ, Yeats and his artist brother Jack, George Moore, Seán O’Casey, George Bernard Shaw, Katharine Tynan and Violet Martin.

Lady Gregory, whom Shaw once described as “the greatest living Irishwoman,” dies at the age of 80 on May 22, 1932 at home from breast cancer. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.


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Birth of Edward Martyn, Playwright & Activist

edward-martynEdward Martyn, Irish playwright and early republican political and cultural activist, is born in County Galway on January 30, 1859. He serves as the first president of Sinn Féin from 1905 to 1908.

Martyn is the elder son of John Martyn of Tullira Castle, Ardrahan and Annie Mary Josephine (née Smyth) of Masonbrook, Loughrea, both of County Galway. He is educated at Belvedere College, Dublin, and Wimbledon College, London, both Jesuit schools, after which he enters Christ Church, Oxford in 1877, but leaves without taking a degree in 1879. His only sibling, John, dies in 1883.

Martyn begins writing fiction and plays in the 1880s. While his own output is undistinguished, he acquires a well-earned reputation as a noted connoisseur of music, both European classical and Irish traditional. He is a fine musician in his own right, giving memorable performances for guests on an organ he has installed at Tullira. He uses his wealth to benefit Irish culture.

Martyn is reportedly pivotal in introducing William Butler Yeats and Lady Gregory to each other in 1896. The three found the Irish Literary Theatre, for whom Martyn writes his best and most popular plays, The Heather Field and A Tale of a Town. He covers the costs of the company’s first three seasons, which proves crucial to establishing the company and the future of the Abbey Theatre. He later parts ways with Yeats and Gregory, something he later regrets, but remains on warm terms with Lady Gregory until the end of his life.

Martyn is a cousin and friend to George Moore (1852–1933). The two make frequent trips all over Europe, where Moore influences Martyn’s views on modern art, which result in the latter purchasing several works by Edgar Degas, Claude Monet, Jean-Baptiste-Camille Corot and Kitagawa Utamaro, all later donated to the National Gallery of Ireland. Moore does not share Martyn’s fenian ideas nor espousal of violent means to achieve national sovereignty. Their different political opinions eventually drive their friendship apart.

Martyn is descended from Richard Óge Martyn, a leading Irish Confederate, and Oliver Óge Martyn, a Jacobite who fights in the Williamite War in Ireland. Yet by his lifetime, the family are unionists. Martyn’s outlook begins to change in the 1880s after studying Irish history, as well as living through the events of the Irish Land War. He comes out as an Irish republican when he famously refuses to allow “God Save The Queen” to be sung after a dinner party at Tullira. By this stage he is involved with the political work of Maude Gonne and Arthur Griffith, and is a vocal opponent of the visit of Queen Victoria to Ireland in 1897. He also protests the visit by Edward VII in 1903, this time as chairman of the People’s Protection Committee. He is the first president of Sinn Féin from 1905 to 1908. In 1908 he resigns from the party and politics in general to concentrate on writing and his other activities.

He is on close personal terms with Thomas MacDonagh, Joseph Mary Plunkett and Patrick Pearse, and deeply mourns their executions in the aftermath of the Easter Rising. A parish hall and church that he founded at Labane, near Tullira, are burned by the Black and Tans. He supports the Anglo-Irish Treaty of 1921.

Martyn dies at Tullira on December 5, 1923 after years of ill health. Friends and family are shocked at a provision in his will that directs that his body be donated for the use of medical science and, after dissection, be buried in an unmarked pauper’s grave. The Palestrina Choir sings at his graveside. He bequeaths his papers to the Carmelites of Clarendon Street in Dublin, who subsequently misplace and lose them. Portraits of Martyn exist by, among others, John Butler Yeats and Sarah Purser. On his death the senior line of the Martyn family dies out. His property is inherited by his cousins, the Smyths of Masonbrook and Lord Hemphill. Tullira is sold by the latter forty years later changing ownership several times since.