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Tag Archives: All-Ireland Junior Camogie Championship


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Death of Kathleen Mills, Senior Camogie Player

Kathleen “Kay” Mills-Hill, a sportsperson who plays senior camogie with Dublin from 1941 until 1961, dies at her home in Dublin on August 11, 1996. She is regarded as one of the greatest players of all-time, winning fifteen All-Ireland Senior Medals.

Mills is born in 31 South Square, Inchicore, Dublin, on October 8, 1923. Her mother, Winifred (née Wills), is from Inchicore and her father, Thomas, is from Glanmire, County Cork. Her father works for Great Southern Railways. She has three siblings, Gertrude, Ada and Robert. Her mother dies when she is just eighteen months old, leaving her to be raised by her maternal grandmother, Charlotte Wills, who lives at 1 Abercorn Terrace, Inchicore. She is educated at St. Vincent’s Industrial School, Goldenbridge, where she plays table tennis and association football as well as doing gymnastics. However, camogie is her first love, which she starts playing at age five. She leaves school at a young age, and goes to work in Lamb’s jam factory.

Through her father, Mills is able to participate in and avail of the sporting activities in the GSR Athletic Union. Two pence per week are deducted from the worker’s wages to go toward the financing of the sports activities in the Railway. In 1947, she marries George Hill. They run the Red Seal Handbag Company from the North Circular Road, and later Hill Street. Later they become vintners, running the Seventh Lock public house on the Grand Canal, Ballyfermot.

Mills makes her camogie debut with the Great Southern Railways club in Dublin in 1938 at the age of fourteen, and is promoted to the senior team for her second match. Three years later she makes her debut for Dublin while still sixteen and plays in Dublin’s unsuccessful 1941 All-Ireland Senor Camogie Championship final against Cork, winning her first All-Ireland medal after a replay against Cork a year later in the 1942 All-Ireland Senior Camogie Championship final.

In 1943, the same counties meet in the All-Ireland final for the third consecutive year. Once again Mills ends up claiming an All-Ireland medal, her goal from fifty yards range being described as the highlight of the match. The following year, 1944, brings a third All-Ireland medal. In 1945 and 1946, a dispute in the camogie association keeps Dublin out of the All-Ireland championship in spite of being Leinster champions in both years. In 1948, Dublin is back on form and Mills captures a fourth All-Ireland medal. She takes no part in the 1949 championship, however, the 1950s brings much success to Mills.

From 1950 to 1955, Mills captures six consecutive All-Ireland titles. In 1956, “the Dubs” surrender their crown to Antrim but it is soon reclaimed in 1957. In 1958, she is appointed captain of the Dublin camogie team. Led by her, Dublin defeats Tipperary to capture yet another All-Ireland title. She captures three more All-Ireland medals in 1959, 1960 and 1961. The occasion of the 1961 final is special as it is her 38th birthday and her last outing in a Dublin jersey.

In her playing days Mills is regarded as one of the all-time greats. She is regarded as camogie’s first superstar she has often been described as the Christy Ring, Mick Mackey, Nicky Rackard and Lory Meagher of the camogie world. With a haul of fifteen senior All-Ireland medals, she is the most decorated player in the history of Gaelic games at the time of her retirement. Since then Rena Buckley and Briege Corkery have won more than Mills.

Mills-Hill dies on August 11, 1996, from undisclosed causes, at her home on the Naas Road, Dublin. She is buried in Palmerstown Cemetery. In 2010, the camogie trophy for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour. The Kay Mills Cup is a replica of the O’Duffy Cup. A plaque to Mills is erected at her former home, 1 Abercorn Terrace, Inchicore.


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Birth of Máire Ní Chinnéide, Language Activist & Playwright

Máire Ní Chinnéide (English: Mary or Molly O’Kennedy) Irish language activist, playwright, first president of the Camogie Association and first female president of Oireachtas na Gaeilge, is born in Rathmines, an affluent inner suburb on the Southside of Dublin, on January 17, 1879.

Ní Chinnéide attends Muckross Park College and the Royal University of Ireland (later the National University of Ireland) where she is a classmate of Agnes O’Farrelly, Helena Concannon, and Hanna Sheehy-Skeffington. She learns the Irish language on holiday in Ballyvourney, County Cork, and earns the first scholarship in Irish language from the Royal University of Ireland, worth £100 a year, which is spent on visits to the Irish college in Ballingeary.

She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.

She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.

She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.

In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.

Ní Chinnéide later serves as Vice-President of Craobh an Chéitinnigh, to Cathal Brugha. She is active in Cumann na mBan during the Irish War of Independence and takes the pro-treaty side during the Irish Civil War and attempts to set up a woman’s organisation “in support of the Free State” alongside Jennie Wyse Power.

She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.

Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.

Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.

She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.

Ní Chinnéide dies on April 25, 1967, and is buried in Dean’s Grange Cemetery.

In 2007 the camogie trophy (Máire Ní Chinnéide Cup) for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour.

(Pictured: Máire Ní Chinéide at her graduation, photograph from Banba, 1903)