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Birth of Brendan Gleeson, Actor & Film Director

Brendan Gleeson, Irish actor and film director, is born in Dublin on March 29, 1955. He is the recipient of three Irish Film & Television Academy (IFTA) Awards, two British Independent Film Awards (BIFA), and a Primetime Emmy Award and has been nominated twice for a BAFTA Award, five times for a Golden Globe Award and once for an Academy Award. In 2020, he is listed at number 18 on The Irish Times list of Ireland’s greatest film actors. He is the father of actors Domhnall Gleeson and Brian Gleeson.

Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct Catholic Belcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”

As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.

Gleeson starts his film career at the age of 34. He first comes to prominence in Ireland for his role as Michael Collins in The Treaty, a television film broadcast on RTÉ One, and for which he wins a Jacob’s Award in 1992. He acts in such films as Braveheart, I Went Down, Michael Collins, Gangs of New York, Cold Mountain, 28 Days Later, Troy, Kingdom of Heaven, Lake Placid, A.I. Artificial Intelligence, Mission: Impossible 2, and The Village. He wins critical acclaim for his performance as Irish gangster Martin Cahill in John Boorman‘s 1998 film The General.

In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventh Harry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.

Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the Jameson Dublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”

In July 2012, Gleeson starts filming The Grand Seduction, with Taylor Kitsch, a remake of Jean-François Pouliot‘s French-Canadian La Grande Séduction (2003) directed by Don McKellar. The film is released in 2013. In 2016, he appears in the video game adaptation Assassin’s Creed and Ben Affleck‘s crime drama Live by Night. In 2017, he finishes Psychic, a short in which he directs and stars. From 2017 to 2019 he stars in the crime series Mr. Mercedes. He receives a Golden Globe Award nomination for his performance as Donald Trump in the Showtime series The Comey Rule (2020). In 2022, he reunites with Martin McDonagh in the tragic comedy The Banshees of Inisherin starring opposite Colin Farrell. For his performance as Colm Doherty, he receives numerous awards nominations, including the Academy Award, Golden Globe, and Critics’ Choice Movie Award for Best Supporting Actor. He receives an Emmy Award nomination for Stephen Frears‘s Sundance TV series State of the Union (2022).

Gleeson is a fiddle and mandolin player, with an interest in Irish folklore. He plays the fiddle during his roles in Cold Mountain, Michael Collins, The Grand Seduction, and The Banshees of Inisherin, and also features on Altan‘s 2009 live album. In the Coen brothers‘ The Ballad of Buster Scruggs (2018), he sings “The Unfortunate Rake.” He also makes a contribution in 2019 to the album by Irish folk group Dervish with a version of “Rocky Road to Dublin.”

Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.


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Birth of Bill Graham, Rock Journalist & Author

Bill Graham, Irish rock journalist and author, is born in Belfast, Northern Ireland, on August 29, 1951. He attends Blackrock College and Trinity College, Dublin. In addition to authoring several books, he writes for Hot Press magazine from its founding.

Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”

Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.

John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock ‘n’ roll.”

A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.

Graham dies of a heart attack at the age of 44 at his home in Howth, County Dublin, on May 11, 1996. His funeral draws many of the biggest bands from the world of Irish music including Clannad, Altan, U2, and Hothouse Flowers, along with singers Simon Carmody and Gavin Friday.


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Launch of Irish Language Radio Station RTÉ Raidió na Gaeltachta

RTÉ Raidió na Gaeltachta, abbreviated RnaG, an Irish language radio station owned and operated by Raidió Teilifís Éireann (RTÉ), goes on the air for the first time on April 2, 1972, launched by President Éamon de Valera. The station is available on FM in Ireland and via satellite and on the Internet. The station’s main headquarters are in Casla, County Galway with major studios also in Gweedore, County Donegal and Dingle, County Kerry.

After the Irish Free State is formed and the Irish Civil War is concluded, the new state sets up a single radio channel named 2RN in 1926, launched by Douglas Hyde. The channel, operating out of Dublin, largely serves the Anglosphere population and at best reaches as far as County Tipperary, a situation that does not change until more powerful transmitters are adopted in the 1930s at Athlone.

In 1943, de Valera, at the time serving as Taoiseach and whose wife Sinéad Ní Fhlannagáin is a keen Conradh na Gaeilge activist, promotes the idea of a Gaeltacht station, but there is no breakthrough. By this time, 2RN has become Radio Éireann and still only has one channel, with limited broadcasting hours, often in competition for listeners with BBC Radio and Radio Luxembourg.

In the 1950s, a general liberalisation and commercialisation, indeed Americanisation begins to occur in Ireland, as a push is made to move Ireland from a rural-agrarian society with a protectionist cultural policy towards a market economy basis, with supply and demand the primarily basis of public communications. In 1960, RTÉ is established, and direct control of communications moves from a government ministry position to a non-governmental RTÉ Director-General position, first filled by Edward Roth

In the late 1960s, a civil rights movement in the Gaeltacht emerges, seeking development and services for Irish speakers, including a radio service. Out of the Gluaiseacht Chearta Siabhialta na Gaeltachta‘s advocacy comes the pirate radio station Saor Raidió Chonamara in 1970. This sets the subsequent discourse for Irish language and Gaeltacht issues as a civil rights and minority rights imperative.

Gerry Collins, the Minister for Posts and Telegraphs, announces in Dáil Éireann in February 1971 that a new radio station for the Gaeltacht will be created. Raidió na Gaeltachta begins broadcasting at 3:00 PM on April 2, 1972, as part of an Easter Sunday programming. During the very first broadcast, the main station at Casla, County Galway is not yet finished and the studios in County Kerry and County Donegal are still under construction, so the broadcast originates from Galway. The first Ceannaire (Controller) Pádraic Ó Raghallaigh opens the show, which is followed by a recording from President Éamon de Valera. A recording of Seán Ó Riada‘s Irish language Mass, Ceol an Aifrinn, from the Seipéal Mhic Dara at Carraroe is also played.

At foundation, the station begins with a staff of seven, including six former teachers and a businessman, and broadcasts for only two hours a day and is only available in or near the three largest Gaeltacht districts. The local studio at Derrybeg in Gweedore, County Donegal aids the native Irish music scene there. In the 1970s, Raidió na Gaeltachta gives early coverage to Clannad and Mairéad Ní Mhaonaigh, later the singer for Altan. These groups gain popularity not only in Ireland, but on the international stage, selling millions of records during the 1980s especially. The station is dedicated to bringing the listener general news, both national and international, as well as Gaelic sports coverage and more localised affairs of significance to the community in the Gaeltacht.

For many years RnaG is the only Irish language broadcaster in the country. In recent years it has been joined by a television service, Telefís na Gaeilge (TG4), and by regional community radio stations Raidió na Life in Dublin, Raidió Fáilte in Belfast, and Raidió Rí-Rá.


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Birth of Mairéad Ní Mhaonaigh, Irish Fiddler & Vocalist

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Mairéad Ní Mhaonaigh, Irish fiddler and lead vocalist for the Irish traditional music band Altan, is born on July 26, 1959 in Gweedore, County Donegal, where Gaeilge is her primary language and she learns her songs and tunes from her family and neighbours.

Ní Mhaonaigh’s father, Proinsias Ó Maonaigh, is a noted fiddler, song writer and school teacher and is her first main influence. Her mother, Kitty Rua is also raised in a musical house that holds frequent house dances. It is no surprise that she and her siblings, Gearóid and Anna, all play music together.

In the early 1980s, Ní Mhaonaigh qualifies as a Primary school teacher and teaches in Saint Oliver Plunkett National School in Malahide, County Dublin. She and her husband, Frankie Kennedy, record Ceol Aduaidh (Music from the North) for Irish label Gael Linn in 1983. This timeless recording is the genesis of what later becomes Altan. The recording features her brother Gearóid Ó Maonaigh on guitar, Fintan Mc Manus on bouzouki, Ciaran Curran on bouzouki and Eithne Ní Bhraonáin (now known as Enya) on keyboards. The album quietly gains praise among enthusiasts of traditional Irish music worldwide, which leads the way for a career in music.

Ní Mhaonigh’s teaching career comes to a halt after she and her husband take a career break in 1987 and formed Altan. The band goes on to become one of the most acclaimed Irish traditional bands touring the world. They record for Green Linnet Records in the United States and tour North America extensively.

In 1994, Frankie Kennedy passes away to cancer, which is a tremendous loss to Ní Mhaonigh. She continues with the band at her late husband’s request and signs to multinational record label Virgin Records London in late 1994. This marks the first traditional Irish band to be signed to a major record label and propels Altan and Ní Mhaonigh into a wider audience of followers.

Altan travels all over the world headlining shows from Tokyo, the Sydney Opera House, the Hollywood Bowl to the National Concert Hall, Dublin.

Ní Mhaonaigh, along with fronting Altan, remains close her roots between touring and returns to her native County Donegal to play, sing and teach her music to a new generation. She helps set up Cairdeas na bhFidléirí (The Fellowship / Friendship of Fiddlers) in the early 1980s to promote and preserve the fiddle music of County Donegal.

In 2009, Ní Mhaonaigh releases her first solo album, Imeall (Edge/Theshold), as a limited edition. After many years of playing with the band and numerous requests for a solo recording she finally gets time to record the album after parting with her second husband Dermot Byrne, with whom she has her daughter Nia. She tours the album between Altan commitments with her co-producer and recording engineer Manus Lunny.

The album prompts one reviewer, Paul O’Connor, to remark, “Her identified success as the leader of Altan has dominated our sense of her to the point that we aren’t cognisant of how good she is as an artist, musician, composer in her own right.”

This new focus on Ní Mhaonaigh as an artist in her own right, prompts The Donegal Association in Dublin to grant her “Donegal Person of the Year 2009” at a gala dinner in Dublin’s prestigious Burlington Hotel.

Ní Mhaonaigh is awarded the top recognition in traditional Irish music by her fellow peers in 2018, when she is awarded TG4 Gradam Ceoil’s Traditional Musician of the Year. The following year, she is honoured in her own county at the now world famous “Cup o’Tae Festival” which is held annually in Ardara, County Donegal.

Ní Mhaonaigh is also a member of String Sisters, which is a Grammy listed folk supergroup of six of the world’s leading female fiddlers. Together they have released two albums – the Grammy-longlisted Live and Between Wind and Water. She is a member of T with the Maggies, which is a vocal supergroup of Donegal singers comprised of Maighread and Tríona Ní Dhomhnaill and Moya Brennan of Clannad fame.

Recently Ní Mhaonaigh has recorded with a group of thirteen County Donegal-based female fiddlers which is called ‘SíFiddlers.’

(From: Mairéad Ní Mhaonaigh’s website, http://www.mairead.ie)


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Death of Rock Journalist Bill Graham

Bill Graham, Irish rock journalist and author, dies of a heart attack at the age of 44 at his home in Howth, County Dublin, on May 11, 1996. He attends Trinity College, Dublin. In addition to authoring several books, Graham writes for Hot Pressmagazine from its founding.

Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”

Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Bill Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.

John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock’n’roll.”

A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.

Bill Graham’s funeral draws many of biggest bands from the world of Irish music including Clannad, Altan, U2, and Hothouse Flowers, along with singers Simon Carmody and Gavin Friday.