seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Beara Peninsula (County Cork)


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Death of Cathal Gannon, Harpsichord Maher & Fortepiano Restorer

Cathal Gannon, harpsichord maker, a fortepiano restorer and an amateur horologist, dies on May 23, 1999.

Gannon is born on August 1, 1910, in Harold’s Cross, Dublin, into a craftsmen family of carpenters, many of whom worked in the famous Guinness Brewery. His education, in two local schools, is rudimentary and at the age of fifteen he starts working as an apprentice carpenter in the Guinness Brewery. His apprenticeship involves learning to make office furniture and attending evening classes in nearby colleges, where he is able to improve his education in a more congenial atmosphere. A love of music and the arts had been encouraged by two maiden aunts. His parents subsequently purchase an upright piano and he learns to play it at the Read Pianoforte School. When his apprenticeship is completed and he is on the dole for some years, he spends much of his spare time buying pictures, books, antiques and old clocks and watches in the various auction rooms and antique shops in Dublin.

During the mid-1930s, Gannon becomes a member of several Dublin-based societies, most notably the Old Dublin Society, and there befriends well-known people such as Grace Plunkett (née Gifford), the widow of Joseph Mary Plunkett, who had been executed following the Easter Rising of 1916. At around this time, he is also introduced to Carl Hardebeck, an arranger of Irish traditional music. At a later stage in his life, he meets Desmond Guinness and his wife Mariga, founders of the Irish Georgian Society, which he subsequently joins.

While reading a series of articles about Tibet in a magazine, Gannon stumbles across an article, which, he believes, is by Violet Gordon-Woodhouse, a British harpsichordist and clavichord player of the period. The article is about the revival of the harpsichord, which interests him. He asks permission to examine the harpsichords on display in the National Museum of Ireland, Dublin, but is given no encouragement by the staff. He is finally allowed to see the instruments when he is in his early twenties. Dismayed, he concludes that they are too expensive to buy and too complicated to make.

While on holidays in Glengarriff in the Beara Peninsula of County Cork during August 1936, Gannon meets his future wife, Margaret Key from Harrow, London. They marry in 1942.

In London with Margaret, who is visiting her parents, Gannon goes to the Benton Fletcher collection of keyboard instruments, which is then in Chelsea, and measures a harpsichord by Jacob and Abraham Kirckman. Back home, he makes a copy of the instrument in a tiny conservatory at the back of his house in the Dublin suburb of Rialto. The harpsichord is played by John S. Beckett for the first time in public in 1959 as the continuo for Johann Sebastian Bach‘s St. Matthew Passion and is praised in the national press. Beckett subsequently persuades the authorities in the Guinness Brewery to provide Gannon with a special workshop, in which he makes five harpsichords and restores several antique pianos. The first harpsichord made in the Brewery is donated to the Royal Irish Academy of Music in Dublin. The second is sold to Harrods of London, and the third is sold to Ireland’s national radio and television station RTÉ. This third instrument is used regularly by the RTÉ Symphony and Concert orchestras and also by the well-known composer and performer of Irish traditional music, Seán Ó Riada.

Gannon continues to make many more harpsichords and restore more pianos during the years to come. In all, he completes twenty harpsichords during his lifetime – the final four are completed by a friend, Patrick Horsley, in England. One of the harpsichords made by Gannon-Horsley returns to Ireland and is presented to NUI Maynooth. A piano of note that he restores is a Broadwood square piano owned by the poet and composer, Thomas Moore, which belonged to Lord and Lady Elveden (later Iveagh).

Gannon is the subject of several RTÉ radio programmes, three RTÉ television programmes (including The Late Late Show) and a television programme, Gallery, made by BBC Northern Ireland. He befriends a great many people, including the artist, writer and conservationist Peter Pearson, and regular musical evenings are held at the family home in Bryan Guinness‘s grounds in the suburbs of Dublin. Because of his interest in antique clocks and watches, he becomes a member of the Irish branch of the Antiquarian Horological Society, founded by his friend William Stuart.

In 1978, Trinity College Dublin (TCD) gives Gannon an honorary MA degree for his contribution to the authentic performance of early music in Ireland. Two years later, he is invited to travel with the New Irish Chamber Orchestra to China, where he tunes and maintains one of his harpsichords and celebrates his seventieth birthday. In 1989, a second honorary MA is given to him, this time by NUI Maynooth.

Following Gannon’s 80th birthday, which is attended by fifty people, he finally settles down to retirement. A series of minor strokes follow, which eventually lead to dementia and ultimately to his death, aged 88, on May 23, 1999.

The Cathal Gannon Early Music Room is opened in the Royal Irish Academy of Music in May 2003. It contains a harpsichord and clavichord made by Gannon, a Broadwood grand piano restored by him, and a square piano.

Part of a transmitted RTÉ programme, Nationwide (January 17, 2007), features archive footage of Gannon and his instruments. Three RTÉ radio programmes, Bowman: Sunday Morning, broadcast in November 2006, feature a 1983 interview with Gannon.


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Death of Irish Language Writer Diarmaid Ó Súilleabháin

Diarmaid Ó Súilleabháin, Irish language writer whose chosen theme is contemporary urban life, dies on June 5, 1985. He is acknowledged as an important Irish language modernist. He is also active in the Irish republican movement and a member of Sinn Féin.

Ó Súilleabháin is born on the Beara Peninsula in County Cork on July 29, 1932. His mother, Máire Áine Ní Dhrisceoil, is a primary school teacher and his father, John O’Sullivan, is a small farmer. He marries Úna Ní Chléirigh on October 28, 1954, and they have two sons and three daughters.

Ó Súilleabháin is awarded a scholarship to Coláiste Íosagáin, a Catholic secondary school in Ballyvourney, where he is influenced by Friar Peadar Ó Loingsigh, and qualifies as a primary teacher in St. Patrick’s College, Drumcondra. He devotes his life to teaching. He settles in Gorey, County Wexford, and works there as a primary teacher for the Christian Brothers school.

Best known now for his literary work, Ó Súilleabháin writes ten novels, two of them for teenagers. Maeldún (1972) is a pioneering Irish novel that explores sexuality. He writes seven unpublished plays but most of them are shown in Damer Hall and the Peacock Theatre. Three plays that he writes include Bior, Ontos and Macalla and he writes a collection of short stories, Muintir (1970). A story from Muintir called ‘D’ is translated into English and adapted for the stage by Vivian McAlister and is performed by the Dublin University Players in May 1977.

Like Eoghan Ó Tuairisc, Ó Súilleabháin “challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the Gaeltacht and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists.” He and Máirtín Ó Cadhain are considered the two most innovative Irish language authors to emerge in the 1960s. He often writes in a stream of consciousness, and his style influences younger writers. His writing “explores the problem of recovering idealism and cultural wholeness in an increasingly shallow and materialistic Irish society.” He is elected as a member of the Irish Academy of Letters and wins more literary prizes than any other living Irish author.

Ó Súilleabháin writes a collection of poetry, Cosa Gréine, which is published and launched in Dublin in 2013, twenty-eight years after his death.

Ó Súilleabháin is an active Irish republican, particularly in publicizing the republican struggle, and is a member of Sinn Féin’s ruling body beginning in 1971. He spends short periods in prison because of activities related to his political beliefs.


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The Allihies Copper Mine Museum

engine-house-allihies

On January 7, 2000, experts underline the important heritage value of a 19th Century relic that stands on the site of a disused copper mine. A conservation appeal is launched to safeguard a unique engine house at a mountain mine in the Beara peninsula. A rare surviving symbol of Cornish type mining technology, the structure is the primary surviving embodiment of a once thriving copper mining industry in Allihies, County Cork.

The industrial mines in Allihies date back to 1812, when they are first opened by John Puxley. Mining activity reaches its peak there in 1845, when the mines employ around 1,600 people, after which the mines suffer with the local area during the Great Famine. The mines are operational until 1962, when they are finally closed. Large Cornish engine houses are constructed around the mining site, ruins of which survive today. These are used to pump out water to allow for deeper mining, and to transport miners and equipment down shafts that go below sea level. The site still contains a number of engine houses, mining shafts and a church. These are constructed by and for the Cornish miners who are brought to the area in the 1800s to mine copper ore. Once the mine becomes unprofitable, many of the miners emigrate to Butte, Montana.

The Allihies Copper Mine Museum (ACMM) is housed in a renovated Methodist church dating from 1845. It is officially opened by President Mary McAleese on September 13, 2007, after ten years of work by the Allihies Mines Co-op, a group that is formed to preserve the history of the area and mining heritage in the Allihies area, supported by the Mining Heritage Trust of Ireland.

The exhibitions cover all aspects of the history of copper mining in the area, from prehistoric times all the way up to the nineteenth century and the Industrial Revolution. The displays also cover the local geology and the social history of the mining heritage. The collections contain examples of mining equipment and tools from the various eras of activity. The exhibition space is also used to display artworks, with local artists such as Charles Tyrrell, Cormac Boydell, Rachel Parry and Tim Goulding exhibiting there.

(Pictured: Engine House, Allihies by John Gibson, view of the 1862 house for the 36″-cylinder beam engine that powered the man-engine and winder on Mountain Mine)


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John Sullivan & The Battle of Trenton

john-sullivan

The Battle of Trenton is a small but pivotal battle during the American Revolutionary War which takes place on the morning of December 26, 1776, in Trenton, New Jersey.

The Continental Army has previously suffered several defeats in New York and has been forced to retreat through New Jersey to Pennsylvania. Morale in the army is low. To end the year on a positive note, George Washington, Commander-in-Chief of the Continental Army, devises a plan to cross the Delaware River on the night of December 25–26 and surround the Hessian garrison.

Because the river is icy and the weather severe, the crossing proves dangerous. Two detachments are unable to cross the river, leaving Washington with only 2,400 men under his command in the assault, 3,000 less than planned.

Washington’s army marches 9 miles south to Trenton. One division commanded by John Sullivan, the third son of Irish settlers from the Beara Peninsula in County Cork, secures the important bridge over the Assunpink Creek to the south of the town. This prevents escape and ensures the high number of Hessian prisoners captured.

The Hessians have lowered their guard, thinking they are safe from the American army, and have no long-distance outposts or patrols. Washington’s forces catch them off guard and, after a short but fierce resistance, most of the Hessians surrender, with negligible losses to the Americans. Almost two thirds of the 1,500-man garrison are captured, and only a few troops escaped across Assunpink Creek.

Despite the battle’s small numbers, the American victory inspires rebels in the colonies. With the success of the revolution in doubt a week earlier, the army had seemed on the verge of collapse. The dramatic victory inspires soldiers to serve longer and attracted new recruits to the ranks.

John Sullivan goes on to serve as a delegate in the Continental Congress, the third Governor of New Hampshire and a judge of the United States District Court for the District of New Hampshire. He dies on January 23, 1795, at the age of 54 in Durham, New Hampshire. He is buried in the Sullivan Family Burial Ground in Durham.