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Birth of Charles Patrick Meehan, Priest & Historian

Charles Patrick Meehan, priest and historian, is born on July 12, 1812 at 141 Great Britain Street (now Parnell Street), Dublin.

Meehan’s father, a native of Manorhamilton, County Leitrim, is a prosperous farmer at Ballymahon, County Longford. He receives his early education in a hedge school and from a local curate at Ballymahon. In 1828 he enters the Pontifical Irish College in Rome, where he is a brilliant student, acquiring fluency in several languages. As a child he had loved to listen to stories of the Flight of the Earls and the Flight of the Wild Geese, and during his time in Rome he discovers the neglected graves of Hugh O’Neill and Hugh O’Donnell in the church of San Pietro in Montorio. He begins his lifelong research on the seventeenth century by locating and transcribing hitherto unstudied documents held in Roman repositories. Ordained in 1835, he is appointed curate at Rathdrum, County Wicklow in August and five months later is transferred to the parish of Saints Michael and John, Dublin. He is an excellent preacher and a strong advocate of temperance, and zealously discharges his parish duties.

A supporter of Daniel O’Connell and the repeal movement, Meehan is particularly attracted by the ideals of Young Ireland, and becomes friendly with the principal writers of The Nation, especially Charles Gavan Duffy and James Clarence Mangan. He is Mangan’s confessor, and attends his deathbed in 1849. The Young Irelanders often meet in his presbytery in Lower Exchange Street. From 1842 he contributes occasional verse and translations to The Nation using the pseudonym ‘Clericus’ and the initials ‘C. P. M.’ He defends the Young Irelanders from accusations of irreligion. During the debates on physical force in Conciliation Hall in July 1846 he supports the Young Ireland position and is shouted down by O’Connellites.

He secedes with the Young Irelanders from the Repeal Association and becomes a member of their Irish Confederation on its foundation in January 1847. Later that year he becomes president of the St. Patrick’s Confederate Club, and delivers lectures to it on Irish history. A strong believer in the importance of history in creating national pride and awareness, he contributes The Confederation of Kilkenny (1846) and a translation of Daniel O’Daly, The Geraldines, their Rise, Increase and Ruin (1847) to The Nation‘s Library of Ireland historical series. He publishes a translation, with a valuable introduction and notes, of John Lynch‘s Latin life of Francis Kirwan, bishop of Killala 1645–61, as Portrait of a Christian Bishop (1848). In 1848 he resigns his presidency of the St. Patrick’s Confederate Club in the hope of becoming librarian or professor of modern languages at Queen’s College Galway, but is unsuccessful.

For the rest of his life Meehan devotes himself to parish work and historical research, occasionally publishing articles and poems in the Hibernian Magazine and Irish Catholic Magazine. He also edits six volumes of the second series of James Duffy‘s Duffy’s Hibernian Magazine (1862–65). Having acquired a vast store of anecdotes and curious information from his researches, he is an interesting companion who loves the company of poets and scholars and forms friendships with many young nationalist writers, including Denis Florence MacCarthy, John Keegan Casey and John Francis O’Donnell.

Most of Meehan’s research is devoted to Irish history, but he occasionally tackles other subjects, such as his translation from the Italian of Vincenzo Marchese’s Lives of the most eminent sculptors and architects of the order of St Dominic (2 vols, 1852). Although his work is marked by a strong sympathy for Catholicism and Irish nationalism, he is among the more scholarly historians associated with the Young Ireland movement. He is elected Member of the Royal Irish Academy (MRIA) in February 1865. Gavan Duffy lauds his efforts and ranks him with the great patriotic clerical scholars of the past who had devoted their lives to the study of Irish history.

Meehan repeatedly takes the opportunity to amend and expand his published works, producing revised editions of The Geraldines (as The Geraldines, their Rise, Increase and Ruin (reprinted 1878)), Confederation of Kilkenny (1882), and Lynch’s Life of Kirwan (1884). His other important publications are The Fate and Fortunes of the Earls of Tyrone (Hugh O’Neill) and Tyrconnel (Rory O’Donel), their flight from Ireland and death in exile (1868), and Rise and Fall of the Irish Franciscan Monasteries and Memoirs of the Irish Hierarchy in the Seventeenth Century (1870). He edits the essays of the Young Irelanders in The Spirit of the Nation (1882) and publishes editions of the poetry of Mangan in The Poets and Poetry of Munster (1883), with an important biographical memoir. His last scholarly work is to re-edit Literary Remains of the United Irishmen (1887) to include material left in manuscript by Richard R. Madden.

A small man, Meehan always wears a monocle attached to a silk ribbon, a tall silk hat, and a stout blackthorn stick. He suffers badly from indigestion for most of his life, and this aggravates a testy personality and a waspish tongue. He regularly falls out with friends, and few parishioners are foolhardy enough to brave his confessional. He retains strong anti-English views all his life. In the 1880s he encounters the young Arthur Griffith pulling down a union flag from a lamppost in Dublin, and astounds the boy by congratulating rather than chastising him. His Young Ireland nationalism and irascible personality ensure that he never progresses beyond the position of curate in his forty-five years at Saints Michael and John. Here, he works alongside Fr. James Healy, a renowned wit, and the two men delight in trading caustic remarks. Healy is present at Meehan’s deathbed and admits to brushing away a tear – the only thing, he remarks, that had been brushed in that room for many years.

Meehan dies on March 14, 1890 at his presbytery in Dublin, and is buried in Glasnevin Cemetery. He is survived by two brothers, one of whom is also a priest. He is commemorated by a mural tablet erected by his parishioners in the church of Saints Michael and John.

(From: “Meehan, Charles Patrick” by James Quinn and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Poet James Clarence Mangan

James Clarence Mangan (Irish: Séamus Ó Mangáin), Irish poet, weakened by poverty, alcoholism and malnutrition, dies of cholera on June 20, 1849.

Mangan is born on May 1, 1803 in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.

Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.

Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.

Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.

Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.

Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.

Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.

Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.

(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)


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Birth of Poet James Clarence Mangan

Mangan bustJames Clarence Mangan, Irish poet, is born on May 1, 1803 in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.

Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.

Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.

Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.

Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.

Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.

Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.

Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.

(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)