MacCormack (sometimes spelled McCormack) is born in 1892, the daughter of Constance MacCormack, and niece of Evelyn Gleeson. Following the death of her father in 1902, the family lives with Gleeson at her home, at Runnemede, Sandyford Road, Dublin, with her mother and siblings, Grace (1898–1982) and Edward (1889–1906). With her sister, she works in the Dun Emer Guild from a young age, particularly after the Yeats sisters, Lily and Elizabeth, leave Dun Emer to form Cuala Industries.
MacCormack also does some acting, theatre set design and is an author. She appears in Joseph Plunkett‘s 1912 play The Dance of Osiris at the Hardwicke Theatre, and designs the sets. She often acts under the name Catia or Caitia Nic Cormac. She also designs sets for the Irish National Theatre Society, Theatre Company of Ireland and the Dublin Drama League.[5]
Some of MacCormack’s most notable works are the tapestries for the Honan Chapel, Cork, in 1917, the vestments for St. Patrick’s Catholic Church, San Francisco in 1923, and a carpet presented to Pope Pius XI in 1931. The carpet is commissioned in an effort by Ireland’s ambassador to the Vatican, Charles Bewley, to secure Ireland as the host of the 31st International Eucharistic Congress. It is designed by MacCormack and takes workers in the Guild almost four months to hand weave at a cost of £450. As “The Pope’s Carpet” it is exhibited in Clerys department store on O’Connell Street in Dublin from January 19 to 30, 1931.
MacCormack designs the poster for the 1927 “Grand Pageant of Dublin History.” She also develops a set of designs for judicial robes for W. T. Cosgrave in 1924, drawing on the Brehon style sketches of which are held in University College Dublin Archives. In 1911 and 1920, she exhibits at the Oireachtas Art Exhibitions, and with the Water Colour Society of Ireland throughout the 1920s. She is also an illustrator, beginning with Christmas card designs for Dun Emer in the 1910s. She illustrates John Hackett Pollock’s 1919 The wisdom of the world: A book of wonder-tales, published by Colm Ó Lochlainn‘s Candle Press under Pollock’s pseudonym An Philibín. She edits a volume for Ó Lochlainn in 1920, The Book of St Ultan; a collection of pictures and poems by Irish artists and writers, proceeds of which go to Saint Ultan’s Hospital. As well as editing, she contributes illustrations and two poems to the volume.
After her aunt’s death in 1944, MacCormack continues to run Dun Emer Guild until its store on Harcourt Street closes around 1964.
MacCormack dies on June 26, 1975. A large collection of theatre ephemera collected by MacCormack is sold in 2008. The Kitty MacCormack Archive is held by the Jackie Clarke Archive, and the National Library of Ireland also holds a collection of her theatre ephemera and letters. A dress designed by MacCormack for Clare Kennedy, the wife of Hugh Kennedy, is on display as part of The Way We Wore, an exhibition in National Museum of Ireland at Collins Barracks, Dublin.
Four paramilitary bombings take place in the centre of Dublin between November 26, 1972, and January 20, 1973. On December 1, 1972, two separate car bombs explode within a 20-minute period in Eden Quay and Sackville Place. The bombings occur at the end of what is the bloodiest year in the entire 30-year-old religious-political conflict known as the Troubles, which had erupted at the end of the 1960s.
The first of the four bombs had exploded on November 26, 1972, in the laneway connecting Burgh Quay with Leinster Market outside the rear exit door of the Film Centre Cinema.
On Friday, December 1, 1972, at 7:58 p.m., a blue Hillman Avenger, registration number OGX 782 K, explodes at 29 Eden Quay close to Liberty Hall tower block. The blast blows the Avenger apart and what remains of the vehicle is catapulted 18 feet away to rest outside an optician’s office. A wall of flame shoots up which is visible to people across the River Liffey on the opposite Burgh Quay. Six cars parked in the vicinity of the Avenger are set on fire and piled on top of each other. Most of the windows of Liberty Hall and other nearby buildings implode and the edifices are damaged. Although a number of people suffer injuries – some horrific – nobody is killed. One of the injured is a pregnant woman. Customers inside the quayside Liffey Bar, near the explosion’s epicentre, are hurt by flying glass and some have open head wounds. Following the explosion, a huge crowd of people hurries to the scene where police and ambulances have already arrived.
At exactly the same time the carbomb detonates in Eden Quay, the Belfast News Letter receives a telephone call from a man using a coin box speaking with a Belfast English type of accent. He issues a warning that two bombs will explode in Dublin. He gives the locations as Liberty Hall and Abbey Street behind Clerys department store. The newspaper immediately phones the Royal Ulster Constabulary (RUC), who in turn relay the warnings to the Garda Control Room at Dublin Castle at 8:08 p.m. A team of Gardaí are sent to investigate the area around Sackville Place and Earl Street.
A policeman runs into a CIÉ company canteen in Earl Place warning the employees inside to clear the building as there is a bomb scare. Just after the building is evacuated, at 8:16 p.m., a silver-grey Ford Escort, registration number 955 1VZ, explodes in Sackville Place forty feet away from its intersection with Marlborough Street, throwing people up in the air and in all directions, killing two CIÉ employees who moments before had left the canteen. The victims are George Bradshaw (30), a bus driver and Thomas Duffy (23), a bus conductor. Both men are married with children. Bradshaw, whose body is rendered unrecognisable by the effects of the blast, dies of severe head injuries and Duffy is killed by a flying metal fragment which lacerates his aorta. Henry Kilduff, a CIÉ bus driver, later tells Gardaí that he had seen Bradshaw and Duffy en to twenty yards away walking down Sackville Place towards Marlborough Street when the carbomb exploded beside them.
Denis Gibney, another co-worker, informs police that Bradshaw had been headed in the direction of Liberty Hall after hearing that a bomb had gone off near there. Bradshaw is found lying badly mangled beside a damaged car and is carried into a ruined shop front where a priest performs last rites. As at Eden Quay, the Sackville Place bombing causes considerable damage to buildings and vehicles near the blast’s epicentre. Sackville Place is a narrow street off O’Connell Street, Dublin’s main thoroughfare. There is further panic amongst the survivors when the petrol tank inside the burning bomb car explodes. A total of 131 people are injured in both explosions.
The two bombings have immediate political ramifications. Just as the bombs are exploding in the city centre, Dáil Éireann is debating the controversial bill to amend the Offences Against the State Act, which would enact stricter measures against the Provisional Irish Republican Army (IRA) and other paramilitary groups. As a result of the two attacks, the Dáil votes for the amendment which introduces special emergency powers to combat the IRA. In particular this means that a member of the IRA or any other paramilitary group can be sentenced on the sworn evidence of a senior Garda officer in front of three judges. Before the bombings, many commentators had actually believed the bill, considered by some to be ‘draconian,’ would be defeated. It is believed that the November 26 and December 1 bombings are executed to influence the outcome of the voting.
Thirteen days after the double-bombing, three incendiary devices are found in Dublin – one inside Clerys department store and the other two in the toilets of the Premier Bar in Sackville Place. The devices had failed to explode. According to journalists Jim Cusack and Henry McDonald, the devices were planted by the same Ulster Volunteer Force (UVF) bomb unit that was responsible for the Eden Quay and Sackville Place car bombs.
Irish Supreme Court Justice Henry Barron commissions an official inquiry into the bombings. The findings are published in a report in November 2004. The Inquiry concludes that it “seemed more likely than not” that the bombing of the Film Centre Cinema on November 26, 1972, was “carried out by Republican subversives as a response to a Government ‘crackdown’ on the IRA and their associates” and to influence the outcome of the voting in the Dáil regarding the passage of the controversial amendment to the Offences Against the State Acts. Regarding December 1, 1972, and January 20, 1973, carbombings, the Inquiry concludes that confidential information obtained by the Gardaí indicates the three attacks were perpetrated by the UVF, “but no evidence was ever found to confirm this. Nor was there any evidence to suggest the involvement of members of the security forces in the attacks.”
The Dublin City Coroner’s Court holds an inquest in February 2005 into the deaths of George Bradshaw, Thomas Duffy, and Thomas Douglas. The jury of three men and four women returns a verdict of unlawful killing by persons or persons unknown for the three dead men.
The UVF has never admitted responsibility for the bombings.
(Pictured: The scene of destruction at Sackville Place, off O’Connell Street, Dublin, following the explosion. Photograph credit: Paddy Whelan)
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