Construction begins on the Royal Canal on October 24, 1789. The canal is originally built for freight and passenger transportation from the River Liffey in Dublin to Longford.
In 1755, Thomas Williams and John Cooley make a survey to find a suitable route for a man-made waterway across north Leinster from Dublin to the River Shannon. They originally plan to use a series of rivers and lakes, including the Boyne, Blackwater, Deel, Yellow, Camlin, and Inny and Lough Derravaragh.
Work commences in 1789 and lasts 27 years before finally reaching the River Shannon in 1817, at a total cost of £1,421,954. Construction is unexpectedly expensive, and the project is riven with problems. In 1794 the Royal Canal Company is declared bankrupt. The Duke of Leinster, a board member, insists that the new waterway take in his local town of Maynooth. The builders have to deviate from the planned route and necessitate the construction of a ‘deep sinking’ between Blanchardstown and Clonsilla. The diversion also calls for the building of the Ryewater Aqueduct, at Leixlip.
The canal passes through Maynooth, Kilcock, Enfield, Mullingar and Ballymahon has a spur to Longford. The total length of the main navigation is 145 kilometres (90 miles), and the system has 46 locks. There is one main feeder, from Lough Owel, which enters the canal at Mullingar.
In 200 years, it has been maintained by eight successive agencies – the Royal Canal Company, the Commissioners of Inland Navigation, the New Royal Canal Company, Midland Great Western Railway Company, Great Southern Railways, CIÉ, and the Office of Public Works.
The canal falls into disrepair in the late 20th century, but much of the canal has since been restored for navigation. The length of the canal to the River Shannon is reopened on October 1, 2010, but the final spur branch of the canal to Longford Town remains closed.
(Pictured: Royal Canal as it enters Dublin city centre (left) and Royal Canal in rural County Westmeath north of Kinnegad (right)
Samuel Barclay Beckett, Irish avant-garde novelist, playwright, theatre director, and poet, is awarded the Nobel Prize in Literature on October 23, 1969. Beckett lives in Paris for most of his adult life and writes in both English and French. He is widely regarded as among the most influential writers of the 20th century. He is elected Saoi of Aosdána in 1984.
In October 1969 while on holiday in Tunis with his wife Suzanne, Beckett hears that he has won the Nobel Prize for Literature. Anticipating that her intensely private husband would be saddled with fame from that moment on, Suzanne calls the award a “catastrophe.” In true ascetic fashion, he gives away all of the prize money. While Beckett does not devote much time to interviews, he sometimes meets the artists, scholars, and admirers who seek him out in the anonymous lobby of the Hotel PLM St. Jacques in Paris near his Montparnasse home. Although Beckett is an intensely private man, a review of the second volume of his letters by Roy Foster in the December 15, 2011 issue of The New Republic reveals Beckett to be not only unexpectedly amiable but frequently prepared to talk about his work and the process behind it.
Confined to a nursing home and suffering from emphysema and possibly Parkinson’s disease, Beckett dies on 22 December 22, 1989, just five months after the passing of Suzanne. The two are interred together in the Cimetière du Montparnasse in Paris and share a simple granite gravestone that follows Beckett’s directive that it should be “any colour, so long as it’s grey.”
Of all the English-language modernists, Beckett’s work represents the most sustained attack on the realist tradition. He opens up the possibility of theatre and fiction that dispense with conventional plot and the unities of time and place in order to focus on essential components of the human condition.
Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.
Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.
Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.
A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.
Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.
Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.
Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarr’s Cemetery, Glasheen Road, Cork.
The Irish language has largely retreated from Meath when O’Growney is born, and neither of his parents speak it. He becomes interested in the language when he chances upon the Irish lessons in the nationalist newspaper Young Ireland. He has help at first from a few old people who speak the language, and while at St. Patrick’s Pontifical University, Maynooth, where he continues his studies for the priesthood. He spends his holidays in Irish-speaking areas in the north, west, and south. He gets to know the Aran Islands and writes about them in the bilingual Gaelic Journal (Irisleabhar na Gaedhilge). He is ordained in 1888. His proficiency in the language leads him to be appointed in the re-established Chair of Irish at Maynooth in 1891. He serves as editor of the Gaelic Journal between 1894 and 1899 and during his tenure ensures that more material is published in Irish.
For O’Growney, language, nationality, and religion are closely linked. In 1890, writing in the Irish Ecclesiastical Review, he describes literature in Irish as “the most Catholic literature in the world.” He is aware, however, of its other aspects, adding that “even if Irish were to perish as a spoken language, it would remain valuable from the pure literature point of view.”
O’Growney’s Simple Lessons in Irish, first published in the newspaper the Weekly Freeman, prove so popular that they are published in booklet form. There are five books in the series and, by 1903, 320,000 copies have been sold.
O’Growney is a founding member of the Gaelic League, which is created in Dublin in 1893 “for the purpose of keeping the Irish language spoken in Ireland,” and later becomes its vice-president.
In 1894, failing health causes him to go to Arizona and California, where he dies in Los Angeles in 1899. Some years later, with the aid of Irish sympathisers in the United States, his body is brought back to Ireland.
His funeral, held on September 26, 1903 at the Catholic Pro-Cathedral, Dublin, is attended by 6,000 people, including members of the trade guilds, clerics, politicians, members of the nationalist Gaelic Athletic Association, and students. Eugene O’Growney is buried at Maynooth.
Wilde’s parents are successful Anglo-Irish Dublin intellectuals. Their son becomes fluent in French and German early in life. At university, Wilde read Greats and proves himself to be an outstanding classicist, first at Dublin, then at Magdalen College, Oxford. He becomes known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities. He publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art,” and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde becomes one of the best-known personalities of his day.
At the turn of the 1890s, he refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draws Wilde to write drama. He writes Salome (1891) in French in Paris, but it is refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late Victorian London.
At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), is still on stage in London, Wilde has the John Douglas, 9th Marquess of Queensberry prosecuted for libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The charge carries a penalty of up to two years in prison. The trial unearths evidence that causes Wilde to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and imprisoned for two years’ penal labour.
In 1897, in prison, he writes De Profundis, which is published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
Heaney’s poetry is often down-to-earth. For him, poetry is like the earth – something that must be plowed and turned. Often he paints the gray and damp landscape from the British Isles. Peat moss has a special place in his poetry. The poems often are connected with daily experiences, but they also derive motifs from history, all the way back to prehistoric times. Heany’s profound interest in the Celtic and the pre-Christian as well as in Catholic literary tradition has found expression in a number of essays and translations.
Heaney is awarded the Nobel Prize in Literature in 1995 for what the Nobel committee describes as “works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past.” He is on holiday in Greece with his wife, Marie, when the news breaks. No one, not even journalists or his own children, can locate him until he appears at Dublin Airport two days later, though an Irish television camera traces him to Kalamata. Asked how it feels having his name added to the Irish Nobel pantheon featuring William Butler Yeats, George Bernard Shaw, and Samuel Beckett, Heaney responds, “It’s like being a little foothill at the bottom of a mountain range. You hope you just live up to it. It’s extraordinary.” He and Marie are immediately whisked straight from the airport to Áras an Uachtaráin for champagne with President Mary Robinson.
Sir Oliver Plunkett is canonised in Rome by Pope Paul VI on October 12, 1975, the first new Irish saint in almost seven hundred years, and the first of the Irish martyrs to be beatified. For the canonisation, the customary second miracle is waived.
Plunkett is born on November 1, 1625, in Loughcrew, County Meath, to parents with Hiberno-Norman ancestors. Until his sixteenth year, his education is entrusted to his cousin Patrick Plunkett, Abbot of St. Mary’s, Dublin, and brother of Luke Plunket, 1st Earl of Fingall, who later becomes successively Bishop of Ardagh and of Meath. As an aspirant to the priesthood, Plunkett sets out for Rome in 1647.
Plunkett is admitted to the Pontifical Irish College in Rome and proves to be an able pupil. He is ordained a priest in 1654 and deputed by the Irish bishops to act as their representative in Rome. Meanwhile, the Cromwellian conquest of Ireland (1649–1653) has defeated the Roman Catholic cause in Ireland. As a result, it is impossible for Plunkett to return to Ireland for many years, so he petitions to remain in Rome. At the Congregation of Propaganda Fide on July 9, 1669, he is appointed Archbishop of Armagh and is consecrated on November 30 at Ghent. He returns to Ireland on March 7, 1670, as the English Restoration of 1660 has begun on a basis of toleration.
Plunkett sets about reorganising the ravaged Roman Church and builds schools both for the young and for clergy. The Penal Laws have been relaxed in line with the Declaration of Breda in 1660 and he is able to establish a Jesuit College in Drogheda in 1670, which becomes the first Catholic-Protestant integrated school in Ireland.
On the enactment of the Test Act in 1673, to which Plunkett does not agree for doctrinal reasons, the college is closed and demolished. Plunkett goes into hiding, travelling only in disguise, and refuses a government edict to register at a seaport to await passage into exile.
In 1678 the so-called Popish Plot, concocted in England by clergyman Titus Oates, leads to further anti-Roman Catholic action. Archbishop Peter Talbot of Dublin is arrested, and Plunkett again goes into hiding. Despite being on the run and with a price on his head, Plunkett refuses to leave his flock.
Plunkett is arrested in Dublin in December 1679 and imprisoned in Dublin Castle. He is tried at Dundalk for conspiring against the state by allegedly plotting to bring 20,000 French soldiers into the country, and for levying a tax on his clergy to support 70,000 men for rebellion. The trial soon collapses as the prosecution witnesses are themselves wanted men and afraid to appear in court. Plunkett is moved to Newgate Prison in London in order to face trial at Westminster Hall. The first grand jury finds no true bill, but he is not released. The second trial is generally regarded as a serious miscarriage of justice as Plunkett is denied defending counsel.
Archbishop Plunkett is found guilty of high treason in June 1681 “for promoting the Roman faith,” and is condemned to death. Plunkett is hanged, drawn, and quartered at Tyburn on July 1, 1681, the last Roman Catholic martyr to die in England. His body is initially buried in two tin boxes in the courtyard of St. Giles in the Fields church. The remains are exhumed in 1683 and moved to the Benedictine monastery at Lamspringe, near Hildesheim in Germany. His head is brought to Rome, and from there to Armagh, and eventually to Drogheda where it has rested in St. Peter’s Church since June 29, 1921. Most of the body is brought to Downside Abbey, England, where the major part is located today, with some parts remaining at Lamspringe.
Mathew receives his schooling in Kilkenny, then moves for a short time to Maynooth. From 1808 to 1814 he studies in Dublin, where in the latter year he is ordained to the priesthood. Having entered the Capuchin order, after a brief period of service at Kilkenny, he joins the mission in Cork.
The movement with which his name is associated begins on April 10, 1838, with the establishment of the Cork Total Abstinence Society, which in less than nine months enrolls no fewer than 150,000 names. It rapidly spreads to Limerick and elsewhere, and some idea of its popularity may be formed from the fact that at Nenagh 20,000 persons are said to take the pledge in one day, 100,000 at Galway in two days, and 70,000 in Dublin in five days. At its height, just before the Great Famine, his movement enrolls some 3 million people, or more than half of the adult population of Ireland. In 1844 he visits Liverpool, Manchester, and London with almost equal success.
His work has a remarkable impact on the condition of the people in Ireland. The number committed to jail falls from 12,049 in 1839 to 9,875 by 1845. Sentences of death fall from 66 in 1839 to 14 in 1846, and transportations fall from 916 to 504 over the same period.
Mathew visits the United States in 1849, returning in 1851. While there, he finds himself at the center of the Abolitionist debate. Many of his hosts are pro-slavery and want assurances that their influential guest will not stray outside his remit of battling alcohol consumption. But Mathew has signed a petition encouraging the Irish in the U.S. to not partake in slavery in 1841 during Charles Lenox Remond‘s tour of Ireland. Now however, in order to avoid upsetting his slave-owning friends in the U.S., he snubs an invitation to publicly condemn chattel slavery, sacrificing his friendship with that movement. He defends his position by pointing out that there is nothing in the scripture that prohibits slavery. He is condemned by many on the abolitionist side, including the former slave and abolitionist Frederick Douglass who had received the pledge from Mathew in Cork in 1845.
Mathew dies on December 8, 1856, in Queenstown, County Cork, after suffering a stroke. He is buried at St. Joseph’s Cemetery, Cork City, which he had established himself.
The eldest of eight children, Somerville is born on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. A year later, her father retires to Drishane, Castletownshend, County Cork, where Somerville grows up. She receives her primary education at home, and then attends Alexandra College in Dublin. In 1884 she studies art in Paris, and then spends a term at the Westminster School of Art in Dean’s Yard, Westminster. At home, riding and painting are her absorbing interests.
In January 1886, she meets her second cousin, Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Edith Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Edith, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.
Somerville is a devoted sportswoman who in 1903 has become master of the Carbery West Foxhounds. She is also active in the suffragist movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the 1916 Easter Rising breaks out. On May 9 she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism and, as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.
She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.
Burke’s political career commences when he is elected to Dublin County Council for Fianna Fáil in 1967. He serves as chairman of the council from 1985 to 1987.
After Fianna Fáil’s landslide victory at the 1977 general election, Burke is appointed Minister of State at the Department of Industry and Commerce. In October 1980 Burke is promoted to Minister for the Environment, a position he holds until June 1981 and again in the short-lived Fianna Fáil government of 1982. After Fianna Fáil returns to power at the 1987 general election, Burke serves as Minister for Energy, where he makes controversial changes to the legislation governing oil and gas exploration. In 1988, he is appointed Minister for Industry, Commerce and Communications.
Within months of his appointment as Minister for Foreign Affairs, allegations resurface that Burke has received IR£80,000 from a property developer regarding the former Dublin County Council. Burke denies the allegations but resigns from the Cabinet and from the Dáil on October 7, 1997, after just four months in office.
Having claimed since 1989 that Raidió Teilifís Éireann (RTÉ) is biased against him, Burke is responsible for controversial legislation that severely limits RTÉ’s ability to collect advertising revenue and allows for the establishment of a series of local radio stations and one independent national radio station, Century Radio. RTÉ is ordered to provide a national transmission service for Century Radio at a price that RTÉ complains is far below the economic cost of providing such a service. Nevertheless, Century Radio fails to gain significant audience share and closes in 1991.
In July 2004 Burke pleads guilty to making false tax returns. The charges arise from his failure to declare for tax purposes the payments that he has received from the backers of Century Radio. On January 24, 2005, he is sentenced to six months in prison for these offences, making him one of the most senior Irish politicians to serve time in prison. He is released in June 2005 after four and a half months, earning a 25% remission of sentence because of good behaviour. He serves his time in Arbour Hill Prison in Dublin.
