Five Irish J-1 visa students and one Irish American die and seven others are injured in Berkeley, California, on June 16, 2015, after a fourth-floor balcony on which they are standing collapses. Thirteen people fall from the balcony and four are pronounced dead at the scene while two die later at the hospital.
One of the six killed is a dual Irish American citizen, Ashley Donohoe, 22, of Rohnert Park, California. The other five are Olivia Burke (Donohue’s cousin), Eoghan Culligan, Niccolai ‘Nick’ Schuster, Lorcán Miller, and Eimear Walsh, all aged 21 and from Dublin.
In June 2015, Berkeley Mayor Tom Bates promises a broad and wide-ranging investigation into the cause of the accident with the likely cause being that the balcony of the building had not been constructed properly leading to the development of dry rot, leading to the balcony becoming structurally compromised. Overwhelming evidence points to dry rot as the cause of the collapse, and not the weight of the 13 students on it at the time.
TheNew York Times publishes an article reporting the deaths and suggesting the deceased are to blame for the collapse. The paper states that Irish students coming to the U.S. on J-1 visas are an “embarrassment to Ireland.” TaoiseachEnda Kenny and former President Mary McAleese criticise the newspaper for “being insensitive and inaccurate” in its handling of the story. The newspaper subsequently apologizes, although the article remains available at its website.
Alameda County prosecutors open up a criminal investigation on the accident on June 25. They state that involuntary manslaughter charges could be filed. Berkeley District Attorney Nancy O’Malley denies that pressure from the Irish community have led to the collapse inquiry.
On July 3, 2015, the Alameda County Superior Court rejects a restraining order bid against the examination of evidence by construction company Segue Builders. D.A. O’Malley had argued that the granting of a restraining order would amount to an interference in her duty to investigate the tragedy.
In December 2015, a court is told that the collapse happened because contractors cut corners to save costs. It is alleged that Greystar, the management company for the building, ignored a “red flag” when students who rented the apartment complained about the presence of mushrooms growing on the balcony. Legal cases by some of the victims are set to be combined and heard together sometime in 2016.
A joint funeral service for Olivia Burke and her cousin Ashley Donohoe takes place on June 20, four days after the collapse, in a church in Cotati, California. Funeral services are held in Dublin for the remaining victims.
John McCormack, an Irish tenor celebrated for his performances of the operatic and popular song repertoires and renowned for his diction and breath control, is born in Athlone, County Westmeath, on June 14, 1884.
McCormack receives his early education from the Marist Brothers in Athlone, and later attends Summerhill College in Sligo. He sings in the choir of the old St. Peters church in Athlone under choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by composer Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil.
Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini in Milan. In 1906, he makes his operatic début at the Teatro Chiabrera, Savona. The next year he begins his first important operatic performance at Covent Garden in Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor.
In less than three years he is singing opera in the United States, as well as beginning a career on the recital stage that makes him one of the most successful singers of all time. In 1917 he becomes a citizen of the United States, his adopted country, where his concert appeal has proven to be nearly universal and unrelenting.
McCormack originally ends his career in 1938 at the Royal Albert Hall in London. However, one year after that farewell concert he is back singing for the Red Cross and in support of the war effort. He concertizes, tours, broadcasts, and records in this capacity until 1943 when failing health forced him to permanently retire.
Ill with emphysema, he purchases a house near the sea at Booterstown, County Dún Laoghaire–Rathdown, just south of Dublin. After a series of infectious illnesses, including influenza and pneumonia, McCormack dies on September 16, 1945. He is mourned by his countrymen, his English public who had taken him to their hearts as well, a vast number of his fellow citizens in the United States, and music lovers all over the world. He is buried in Deansgrange Cemetery.
The Dublin Millennium Commission proclaims in 1988 that June 13 is to be designated as “Molly Malone Day.”
Molly Malone is a popular song, set in Dublin, which has become the unofficial anthem of Dublin City. The song tells the fictional tale of a fishmonger who plies her trade on the streets of Dublin, but who dies of a fever at a young age. In the late 20th century a legend grows that there is a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time prostitute by night. In contrast she has also been portrayed as one of the few chaste female street-hawkers of her day. However, there is no evidence that the song is based on a real woman of the 17th century or any other time for that matter. The name “Molly” originated as a familiar version of the names Mary and Margaret. While many such “Molly” Malones are born in Dublin over the centuries, no evidence connects any of them to the events in the song. Nevertheless, in 1988 the Dublin Millennium Commission endorses claims about a Mary Malone who died on June 13, 1699, and proclaims June 13 to be “Molly Malone Day.”
Molly Malone is commemorated in a statue designed by Jeanne Rynhart and unveiled by then Lord Mayor of Dublin, Alderman Ben Briscoe during the 1988 Dublin Millennium celebrations. The statue is presented to the city by Jury’s Hotel Group to mark the Millennium. Originally placed at the bottom of Grafton Street in Dublin, the statue is known colloquially as “The Tart With The Cart,” “The Dish with the Fish,” and “The Trollop With The Scallops.” The statue portrays Molly as a busty young woman in seventeenth-century dress. Her low-cut dress and large breasts were justified on the grounds that as “women breastfed publicly in Molly’s time, breasts were popped out all over the place.”
The statue is later removed and placed in storage to make way for new tracks for Luas, Dublin’s tram/light rail system. On July 18, 2014, it is temporarily placed outside the Dublin Tourist Office on Suffolk Street. The statue is expected to be returned to its original location in late 2017.
The Jeanie Johnston, a replica of a three-masted barque that was originally built in 1847 in Quebec, Canada, by the Scottish-born shipbuilder John Munn, begins a four-month voyage around Ireland on June 9, 2004.
The original Jeanie Johnston makes her maiden emigrant voyage on April 24, 1848, from Blennerville, County Kerry to Quebec with 193 emigrants on board who are fleeing the effects of the Great Famine that is ravaging Ireland. Between 1848 and 1855, the Jeanie Johnston makes sixteen voyages to North America, sailing to Quebec, Baltimore, and New York. Ships that transport emigrants out of Ireland during this period become known as “famine ships” or “coffin ships.”
The project to build a replica is conceived in the late 1980s, but does not become a reality until November 1993 when a feasibility study is completed. In May 1995, The Jeanie Johnston (Ireland) Company Ltd. is incorporated. The ship is designed by Fred Walker, former Chief Naval Architect with the National Maritime Museum in Greenwich, England.
The original plans are to launch the ship from her shipyard in Blennerville, but a 19th-century shipwreck is discovered by marine archaeologists while a channel is being dredged. To preserve the find, on April 19, 2000 the hull of the Jeanie Johnston is hauled to the shore and loaded onto a shallow-draft barge. There she is fitted with masts and sails, and on May 4 is transported to Fenit, a short distance away. On May 6 the barge is submerged and the Jeanie Johnston takes to the water for the first time. The next day she is officially christened by President Mary McAleese.
In 2003, the replica Jeanie Johnston sails from Tralee to Canada and the United States visiting 32 U.S. and Canadian cities and attracting over 100,000 visitors.
The replica is currently owned by the Dublin Docklands Development Authority who bought it in 2005 for a reported 2.7 million Euro, which were used to clear outstanding loans on the vessel guaranteed by Tralee Town Council and Kerry County Council. It is docked at Custom House Quay in the centre of Dublin.
After a successful juvenile boxing career, McGuigan begins his professional boxing career on May 10, 1981, beating Selwyn Bell by knockout in two rounds in Dublin. He wins four out of five additional bouts in 1981. In 1982, McGuigan wins eight fights, seven by knockout, although one of these almost destroys his career and his life. Opposed by Young Ali, on June 14, 1982, McGuigan wins by a knockout in six rounds. Ali falls into a coma and dies five months later.
In 1985, McGuigan meets former world featherweight champion Juan Laporte and wins a 10-round decision. Following one more win, he finally gets his world title attempt when the long reigning WBA featherweight champion, Eusebio Pedroza of Panama, comes to London to put his title on the line at Loftus Road soccer stadium. McGuigan becomes the champion by dropping Pedroza in the seventh round and winning a unanimous fifteen-round decision in a fight refereed by hall of fame referee Stanley Christodoulou. McGuigan and his wife are feted in a public reception through the streets of Belfast that attracts several hundred thousand spectators. Later that year, he is named BBC Sports Personality of the Year, becoming the first person not born in the United Kingdom to win the award.
McGuigan twice successfully defends his title, first against American Bernard Taylor, who is stopped in nine rounds, and then against Dominican Danilo Cabrera in a controversial knock out in fourteen rounds. The fight is stopped after Cabrera bends over to pick up his mouthpiece after losing it, a practice that is allowed in many countries but not in Ireland. Cabrera is not aware of this, and the fight is stopped.
McGuigan’s next defence takes place in Las Vegas in June 1986, where he faces the relatively unknown Steve Cruz of Texas, in a gruelling 15-round title bout under a blazing sun. McGuigan holds a lead halfway through, but suffers dehydration due to the extreme heat and wilts near the end, being dropped in the tenth and fifteenth rounds. He eventually loses the world title, which he never reclaims, in a close decision. After the fight McGuigan requires hospitalisation because of his dehydrated state.
McGuigan retires after the fight but returns to the ring between 1988 and 1989, beating former world title challengers Nicky Perez and Francisco Tomas da Cruz, as well as contender Julio César Miranda, before losing to former EBU featherweight champ and future WBC and WBA super featherweight challenger Jim McDonnell by a technical knockout. After the McDonnell fight he permanently retires from boxing. His record is 32 wins and 3 losses, with 28 knockouts. In January 2005, McGuigan is elected into the International Boxing Hall of Fame.
McGuigan founds and is the current President of the Professional Boxing Association (PBA). He is also the CEO and founder of Cyclone Promotions.
Christy Brown, writer and painter who has cerebral palsy and is able to write or type only with the toes of one foot, is born into a working-class Irish family at the Rotunda Hospital in Dublin on June 5, 1932. His most recognized work is his autobiography, My Left Foot, which is later made into a 1989 Academy Award-winning film of the same name, starring Daniel-Day Lewis as Brown.
After his birth, doctors discovered that he has severe cerebral palsy, a neurological disorder which leaves him almost entirely spastic in his limbs. Though urged to commit him to a hospital, Brown’s parents are unswayed and subsequently determined to raise him at home with their other children. During Brown’s adolescence, social worker Katriona Delahunt becomes aware of his story and begins to visit the Brown family regularly. She brings Christy books and painting materials as, over the years, he has shown a keen interest in the arts and literature. He has also demonstrated extremely impressive physical dexterity since, soon after discovering several household books, Christy learns to both write and draw himself using his left leg, the only limb over which he had unequivocal control.
Brown quickly matures into a serious artist. Although Brown famously receives almost no formal schooling during his youth, he does attend St. Brendan’s School-Clinic in Sandymount intermittently. At St. Brendan’s he comes in contact with Dr. Robert Collis, a noted author. Collis discovers that Brown is also a natural novelist and later uses his own connections to publish My Left Foot, by then a long-gestating autobiographical account of Brown’s struggle with everyday life amidst the vibrant culture of Dublin.
In 1965, after My Left Foot has become a literary sensation, Brown meets and begins corresponding with Beth Moore, a married American woman, and they begin an affair. She helps push Brown to complete his book Down All the Days, which is published in 1970 and includes a dedication to Moore.
During this time, Brown’s fame continues to spread internationally, and he becomes a prominent celebrity. Upon his return to Ireland, he is able to use proceeds from the sales of his books to design and move into a specially constructed home outside Dublin with his sister’s family. It is around this time that Brown begins an affair with Englishwoman Mary Carr, whom he marries in 1972 at the Registry Office in Dublin. He continues to paint, write novels, poetry, and plays. His 1974 novel, A Shadow on Summer, is based on his relationship with Moore, whom he still considers a friend.
Brown’s health deteriorates after marrying Carr. He becomes a recluse in his final years, which is thought to be a direct result of Carr’s influence and perhaps abusive nature. Brown dies in Parbrook, Somerset, England on September 7, 1981, at the age of 49 after choking during a lamb chop dinner. His body is found to have significant bruising, which leads many to believe that Carr has physically abused him. Further suspicions arise after Georgina Hambleton’s biography, The Life That Inspired My Left Foot, reveals a supposedly more accurate and unhealthier version of their relationship. The book portrays Carr as an abusive alcoholic and habitually unfaithful. Brown is buried in Dublin’s Glasnevin Cemetery.
Four German bombs are dropped on north Dublin at approximately 2:00 AM on May 31, 1941. One bomb falls in the Ballybough area, demolishing the two houses at 43 and 44 Summerhill Park, injuring many but with no loss of life. A second bomb falls at the Dog Pond pumping works near the zoo in Phoenix Park, again with no casualties but damaging Áras an Uachtaráin, the official residence of the Irish President. A third bomb makes a large crater in the North Circular Road near Summerhill, again causing no injuries. A fourth bomb falls in North Strand destroying seventeen houses and severely damaging about fifty others, the worst damage occurring in the area between Seville Place and Newcomen Bridge. The raid claims the lives of 28 people, injures 90, destroys or damages approximately 300 houses, and leaves 400 people homeless.
The first bombing of Dublin during World War II occurs early on the morning of January 2, 1941, when German bombs are dropped on the Terenure area of south Dublin. This is followed, early on the following morning of January 3, 1941, by further German bombing of houses on Donore Terrace in the South Circular Road area of south Dublin. A number of people are injured, but no one is killed in these bombings.
After the war, what becomes West Germany accepts responsibility for the raid, and by 1958 it has paid compensation of £327,000. Over 2,000 claims for compensation are processed by the Irish government, eventually costing £344,000. East Germany and Austria, which are both part of Nazi Germany in 1941, make no contribution. The amounts are fixed after the 1953 London Agreement on German External Debts, allowing maximum compensation.
Several reasons for the raid have been asserted over time. German Radio, operated by the Ministry of Public Enlightenment and Propaganda, broadcasts that “it is impossible that the Germans bombed Dublin intentionally.” Irish airspace has been violated repeatedly, and both Allied and German airmen are being interned at the Curragh Camp. A possible cause is a navigational error or a mistaken target, as one of the pathfinders on the raid later recounts. Numerous large cities in the United Kingdom are targeted for bombing, including Belfast, which like Dublin, is across the Irish Sea from Great Britain. War-time Germany’s acceptance of responsibility and post-war Germany’s payment of compensation are cited as further indications that the causation is error on the part of the Luftwaffe pilots.
Another possible reason is that in April 1941, Germany has launched the Belfast blitz, which results in Belfast being heavily bombed. In response, Ireland sends rescue, fire, and emergency personnel to Belfast to assist the city. Éamon de Valera, the Taoiseach, formally protests the bombing to the German government, as well as making his famous “they are our people” speech. Some contend that the raid serves as a warning to Ireland to keep out of the war. This contention is given added credibility when Colonel Edward Flynn, second cousin of Ireland’s Minister for Coordination of Defensive Measures, recalls that Lord Haw Haw has warned Ireland that Dublin’s Amiens Street Railway Station, where a stream of refugees from Belfast is arriving, will be bombed. The station, now called Connolly Station, stands a few hundred metres from North Strand Road, where the bombing damage is heaviest. Flynn similarly contends that the German bombing of Dundalk on July 4 is also a pre-warning by Lord Haw Haw as a punishment for Dundalk being the point of shipment of Irish cattle sold to the United Kingdom.
Aer Lingus, the flag carrier airline of Ireland and the second-largest airline in Ireland, is founded on April 15, 1936, with a capital of £100,000. Its first chairman is Seán Ó hUadhaigh. Pending legislation for Government investment through a parent company, Aer Lingus is associated with Blackpool and West Coast Air Services which advance the money for the first aircraft, and operate with Aer Lingus under the common title Irish Sea Airways. Aer Lingus Teoranta is registered as an airline on May 22, 1936. The name Aer Lingus is an anglicisation of the Irish form Aer Loingeas, which means Air Fleet. The name is proposed by Richard F. O’Connor, who is County Cork Surveyor, as well as an aviation enthusiast.
Later that year, the airline acquires its second aircraft, a four-engined biplane De Havilland 86 Express named “Éire”, with a capacity of 14 passengers. This aircraft provides the first air link between Dublin and London by extending the Bristol service to Croydon. At the same time, the DH84 Dragon is used to inaugurate an Aer Lingus service on the Dublin-Liverpool route.
Aer Lingus currently operates an all-Airbus aircraft fleet serving Europe, North Africa, Turkey, and North America. The airline’s head office is on the grounds of Dublin Airport in Collinstown, County Fingal, Ireland.
The Gothic horror novel Dracula, written by Bram Stoker of Dublin, is first published on May 26, 1897. The novel tells the story of Dracula’s attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Between 1879 and 1898, Stoker is a business manager for the world-famous Lyceum Theatre in London, where he supplements his income by writing a large number of sensational novels, including the vampire tale Dracula. Parts of the novel are set around the town of Whitby, where he spends summer holidays.
Throughout the 1880s and 1890s, authors such as H. Rider Haggard, Rudyard Kipling, Robert Louis Stevenson, Arthur Conan Doyle, and H. G. Wells write many tales in which fantastic creatures threaten the British Empire. Invasion literature is at a peak, and Stoker’s formula of an invasion of England by continental European influences is very familiar by 1897 to readers of fantastic adventure stories. Victorian readers enjoy Dracula as a good adventure story like many others, but it does not reach its iconic legendary status until later in the 20th century when film versions begin to appear.
Before writing Dracula, Stoker spends seven years researching European folklore and stories of vampires, being most influenced by Emily Gerard‘s 1885 essay Transylvania Superstitions. Later he also claims that he has a nightmare, caused by eating too much crab meat covered with mayonnaise sauce, about a “vampire king” rising from his grave.
Despite being the most widely known vampire novel, Dracula is not the first. It is preceded and partly inspired by Sheridan Le Fanu‘s 1871 Carmilla, about a lesbian vampire who preys on a lonely young woman, and by Varney the Vampire, a lengthy penny dreadful serial from the mid-Victorian period by James Malcolm Rymer. John Polidori creates the image of a vampire portrayed as an aristocratic man, like the character of Dracula, in his tale The Vampyre in 1819.
The Lyceum Theatre where Stoker works between 1878 and 1898 is headed by actor-manager Henry Irving, who is Stoker’s real-life inspiration for Dracula’s mannerisms and who Stoker hopes would play Dracula in a stage version. Irving never does agree to do a stage version, but Dracula’s dramatic sweeping gestures and gentlemanly mannerisms draw their living embodiment from Irving.
The Dead Un-Dead is one of Stoker’s original titles for Dracula, and the manuscript is entitled simply The Un-Dead up until a few weeks before publication. Stoker’s notes for Dracula show that the name of the count is originally “Count Wampyr”, but Stoker becomes intrigued by the name “Dracula” while doing research, after reading William Wilkinson‘s book An Account of the Principalities of Wallachia and Moldavia with Political Observations Relative to Them (London 1820), which he finds in the Whitby Library and consults a number of times during visits to Whitby in the 1890s. The name Dracula is the patronym of the descendants of Vlad II of Wallachia, who takes the name “Dracul” after being invested in the Order of the Dragon in 1431. In the Romanian language, the word dracul can mean either “the dragon” or, especially in the present day, “the devil.”
Dracula is copyrighted in the United States in 1899 with the publication by Doubleday & McClure of New York. However, when Universal Studios purchases the rights, it comes to light that Bram Stoker has not complied with a portion of U.S. copyright law, placing the novel into the public domain. In the United Kingdom and other countries following the Berne Convention on copyrights, the novel is under copyright until April 1962, fifty years after Stoker’s death.
F. W. Murnau‘s unauthorized film adaptation Nosferatu is released in 1922, and the popularity of the novel increases considerably, owing to the controversy caused when Stoker’s widow tries to have the film removed from public circulation. Florence Stoker sues the film company and wins; however, the company is bankrupt, and Stoker only recovers her legal fees and an order by the court for all copies of the film to be destroyed. Some copies survive and find their way into theatres. Eventually, Florence Stoker simply gives up the fight against public displays of the film.
Dracula has been assigned to many literary genres including vampire literature, horror fiction, gothic fiction, and invasion literature. Stoker does not invent the vampire, but he defines its modern form, and the novel has spawned numerous theatrical, film, and television interpretations.
Sheehy is educated at the Dominican Convent on Eccles Street, where she is a prize-winning pupil. She then enrolls at St. Mary’s University College, a third level college for women established by the Dominicans in 1893, to study modern French and German. She sits for examinations at Royal University of Ireland and receives a Bachelor of Arts degree in 1899, and a Master of Arts Degree with first-class honours in 1902. This leads to a career as a teacher in Eccles Street and an examiner in the Intermediate Certificate examination.
Sheehy marries Francis Skeffington in 1903, and they both take the surname Sheehy Skeffington, which they do not hyphenate but use as a double name. In 1908, they found the Irish Women’s Franchise League, a group aiming for women’s voting rights.
Sheehy-Skeffington gets into numerous scuffles with the law. She is jailed in 1912 for breaking windows of government buildings in support of suffrage as part of an IWFL campaign. That same year she also throws a hatchet at visiting British Prime Minister Herbert Asquith. She loses her teaching job in 1913 when she is arrested and imprisoned for three months after throwing stones at Dublin Castle and assaulting a police officer in a feminist action. While in jail she goes on hunger strike and is released under the Prisoner’s Temporary Discharge of Ill Health Act but is soon rearrested.
Being free from her teaching job enables Sheehy-Skeffington to devote more time to the fight for suffrage. She is influenced by James Connolly and during the 1913 lock-out works with other suffragists in Liberty Hall, providing food for the families of the strikers.
She strongly opposes participation in World War I which breaks out in August 1914 and is prevented by the British government from attending the International Congress of Women held in The Hague in April 1915. The following June her husband is imprisoned for anti-recruiting activities. He is later shot dead during the 1916 Easter Rising after having been arrested by British soldiers.
Sheehy-Skeffington refuses compensation for her husband’s death, which is offered on condition of her ceasing to speak and write about the murder. Rather, she travels to the United States to publicise the political situation in Ireland. In October 1917, she is the sole Irish representative to League for Small and Subject Nationalities where, along with several other contributors, she is accused of pro-German sympathies. She publishes British Militarism as I Have Known It, which is banned in the United Kingdom until after the World War I. Upon her return to Britain she is once again imprisoned, this time in Holloway prison. After release, Sheehy-Skeffington attends the 1918 Irish Race Convention in New York City and later supports the anti-Treaty Irish Republican Army (IRA) during the Irish Civil War.
In 1926, Sheehy-Skeffington becomes a founding member of Fianna Fáil and is elected to the party’s Ard Comhairle. During the 1930s, she is assistant editor of An Phoblacht. In January 1933, she is arrested in Newry for breaching an exclusion order banning her from Northern Ireland. At her trial she says, “I recognize no partition. I recognize it as no crime to be in my own country. I would be ashamed of my own name and my murdered husband’s name if I did…Long live the Republic!” She is sentenced to a month’s imprisonment.