King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.
King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)
By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.
King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.
King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.
(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)
Ryan is Professor of Oriental Languages at University College Dublin before his appointment by Pope Paul VI as Archbishop of Dublin and Primate of Ireland on December 29, 1971. Maintaining his connection and interest in oriental studies, he serves as chairman of the trustees of the Chester Beatty Library from 1978 to 1984.
During his term, Ryan consolidates much of the expansion of the archdiocese which had taken place during the term of his predecessor. He also oversees the fuller implementation of the reforms of Vatican II. He is particularly interested in liturgical reform.
Ryan also takes a traditional stand on social issues, including poverty, family life and opposition to abortion. He strongly promotes the Eighth Amendment of the Constitution of Ireland in 1983, granting the equal right to life to mother and unborn.
As Archbishop, Ryan gives the people of Dublin a public park on a site earmarked by his predecessors for a proposed cathedral. It is named “Archbishop Ryan Park” in his honour. The land, at Merrion Square, is a gift from the archbishop to the city of Dublin.
Ryan is named in the Murphy Report, released in 2009, on sexual abuse of children in Dublin. His actions in respect of complaints against priest Fr. McNamee are described in the report as “an example of how, throughout the 1970s, the church authorities were more concerned with the scandal that would be created by revealing Fr. McNamee’s abuse rather than any concern for the abused.” He also does not act on complaints against other priests who are also subsequently confirmed to be abusers.
In January 2010, after Ryan has been criticised in the Murphy Report the previous year, Dublin City Council seeks public views on renaming “Archbishop Ryan Park.” Later that same year it is renamed “Merrion Square Park” by the City Council.
Beere joins the Civil Service of the Republic of Ireland in 1924 and works initially in the Statistics Branch. In 1925, she wins a Rockefeller Foundation scholarship and travels extensively in the United States before resuming her Civil Service career. From 1939, she works in the Department of Industry and Commerce where during The Emergency, as World War II is known in Ireland, she works in the area of supply with Minister Seán Lemass. She becomes Assistant Secretary of that Department in 1953. She is the first woman to achieve the rank of Department Secretary, the highest-ranking post in a government department, doing so at the Department of Transport and Power in 1959. PresidentMary McAleese calls her the “ultimate civil servant.”
Trinity College Dublin confers an honorary doctorate of Doctor of Laws upon her in 1960. After her retirement in 1967 she is active in public life, serving as a governor of Alexandra College and as a director of The Irish Times. She is requested by the Government to chair the Commission on the Status of Women in 1970, and the Beere Report is presented to the Minister for Finance in December 1972. The report provides a model for change in equal pay, the Civil Service marriage bar (which requires female civil servants to resign from their position upon marriage) and the widow’s pension. Her name is mentioned as a possible candidate for the Irish presidency in 1976.
Beere has a lifelong interest in the proceedings of the Statistical and Social Inquiry Society of Ireland and serves as its President. She is a Governor of The Irish Times Trust and chairwoman of the International Labour Organization office in Geneva, Switzerland. She is a member of the organising committee, which on May 7, 1931, sets up An Óige (the Irish Youth Hostel Association), of which she is President from 1968 to 1974. She also has an extensive interest in the arts, in particular the paintings of Cecil King.
Beere dies on February 19, 1991, in Killiney, County Dublin. She never marries but has a 40-year companionship with businessman JJ O’Leary.
Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.
Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.
Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.
Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.
When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.
Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.
Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to TheSaturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.
Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.
Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.
Christian is considered one of the best Irish lawyers of his time, but as a judge, he regularly courts controversy. His bitter and sarcastic temper and open contempt for most of his colleagues leads to frequent clashes both in Court and in the Press. Though he is rebuked for misconduct several times by the House of Commons, no serious thought seems to be given to removing him from office.
Christian is the third son of George Christian, a solicitor, and his wife Margaret Cormack. He is educated at the Trinity College Dublin, enters Gray’s Inn in 1831 and is called to the Bar of Ireland in 1834. He marries Mary Thomas in 1859 and they have four sons and four daughters. He lives at Ravenswell, Bray, County Wicklow.
Christian’s early years at the Bar are not successful, and he admits to being near to despair at times about his prospects. His practice lays in the Court of Chancery (Ireland). Chancery procedures are extremely complex, and he finds them at first almost unintelligible. Gradually he masters the intricacies of Chancery practice and becomes a leader of the Bar, taking silk in 1841. It is said that his expertise in Chancery procedures leaves even the Lord Chancellor himself quite unable to argue with him.
Christian is appointed Law Adviser to the Lord Lieutenant of Ireland, an influential post which involves assisting the Attorney General and Solicitor General in advising the Crown in 1850, but resigns after only a few months, on the ground that it interferes with his private practice. He is appointed Third Sergeant later the same year but resigns in 1855, allegedly because he is disappointed at not receiving further promotion. Promotion does in time come his way. He is appointed Solicitor General the following year and a judge of the Court of Common Pleas in 1858. He is unusual in having no strong political loyalty. It is said that his political allegiance is known only to himself.
As a judge of the Court of Common Pleas, Christian gets on well with his colleagues, and any dissenting judgements he writes are short and courteous. It is after his appointment as a Lord Justice of Appeal in Chancery in 1867 that his behaviour begins to attract unfavourable comment, as he goes out of his way to court controversy on a wide variety of topics.
Christian develops a deep contempt for the Irish Reports, castigating them in open Court as “nonsense,” “worthless rubbish” and “disjointed twaddle.” All attempts by colleagues to get him to moderate his language fail. He threatens to refuse to let his judgements be reported, and in his last years, his relations with the law reporters are so bad that they simply publish their uncorrected notes of his decisions rather than sending them to the judge for revision.
In 1867 a new office of Vice-Chancellor for Ireland is created. It is filled throughout its existence by one man, Hedges Eyre Chatterton, who retires in 1904. Despite his length of service, he is not considered a judge of the first rank, and Christian evidently combines feelings of professional contempt with a personal dislike for him. Christian usually votes on appeals to overturn his judgments, and frequently adds personal attacks on Chatterton, despite protests from his colleagues. The feud between the two judges reaches the Press in 1870 when The Irish Times, without naming them, quotes one judge’s opinion that another is “lazy, stupid, conceited and dogmatic.” Although Christian denies it, it is universally believed that he is the author of the remarks, which are aimed at Chatterton. Chatterton is fortunate in enjoying the support of the Lord Chancellor of Ireland, Thomas O’Hagan, 1st Baron O’Hagan, who is also on bad terms with Christian.
Christian had worked well with Abraham Brewster, O’Hagan’s predecessor, whom he respected. For O’Hagan on the other hand, he feels the same dislike and contempt which he felt for Chatterton. Although they served together in the Court of Common Pleas without any obvious conflict, Christian considers O’Hagan’s appointment as Lord Chancellor to be a purely political act, and that he is unfit to be either head of the judiciary or an appeal judge in Chancery. He also complains of what he sees as O’Hagan’s laziness, which puts an extra burden on him. During O’Hagan’s first term as Chancellor, Christian subjects him to constant criticism. Unwisely he does not confine these attacks to the Courtroom but publishes numerous pamphlets, which is widely seen as improper conduct in a judge. When O’Hagan becomes Chancellor for the second time, a friend congratulates him on escaping from “the misnamed Christian” who had retired two years earlier.
It is probably Christian’s feud with O’Hagan which leads to his extraordinary decision to publicly attack the House of Lords for reversing, by a majority including O’Hagan, his judgment in O’Rorke v Bolingbroke. In a letter to The Times in 1877, whose content has been described as “astounding,” he questions the Law Lords knowledge of equity. While he singles out Lord Blackburn for criticism, it is likely that he also intends to harm O’Hagan’s reputation.
A major source of contention between Christian and O’Hagan is the Landlord and Tenant (Ireland) Act 1870, which O’Hagan steers through Parliament. The Act provides for compensation for tenants in the event of eviction. Christian, though he is not a landowner and is not as a rule much interested in politics, objects strongly to the policy of the Act, which he believes to be most unjust to landlords. His attacks from the Bench on the Act lead to serious rebukes both from the House of Commons and from the Press, which comment on the impropriety of a judge attacking an Act of Parliament, which it is his duty to enforce.
O’Hagan’s retirement does nothing to lessen Christian’s ill-temper. Other judges come in for attack, including Lord Chief Justice of IrelandJames Whiteside, whom he accuses of speaking constantly on matters of which he is ignorant. In his later years, he seems to be a lonely and isolated figure. His vigorous opposition to the Supreme Court of Judicature (Ireland) Act 1877 is entirely unsuccessful. A feeling of isolation may partly explain his decision to retire, though certainly his increasing deafness also plays a part.
V.T.H. Delaney praises Christian as a great master of equity, a man of great learning and a judge with a great desire to see justice done, but he does not deny that Christian loved controversy. Even his supporters spoke of “arrows too sharply pointed.” Critics spoke of his “spirit of personal sarcasm, cold, keen and cynical.” No doubt Christian was genuinely concerned to uphold high standards of judicial conduct, but as Daire Hogan points out, his own conduct struck most observers as far more improper than anything he complained of in others.
In his early years, Devlin is active in various local debating societies, where his associates include Cathal O’Byrne, who he retains a personal friendship despite later political differences. A committee member of the Belfast branch of the Irish National League (INL) in 1890, he joins the anti-Parnellite faction during the O’Shea divorce scandal (1891), becoming local secretary of the Irish National Federation (INF). His political model at this time is Thomas Sexton, MP for Belfast West, whose campaign he organises at the 1892 United Kingdom general election.
Although Healyism is strong in CatholicUlster, Devlin aligns himself with the faction led by John Dillon and, from 1899, with the United Irish League (UIL), founded by William O’Brien. From the late 1890s this brings Devlin into conflict with the Belfast Catholic Association of Dr. Henry Henry, bishop of Down and Connor (1895–1908). This organisation, though sometimes regarded as Healyite, is essentially based on the view that mass nationalist political mobilisation in Belfast can only bring trouble and ostracism, and that Catholic interests are best represented by allowing a small group of lay and clerical notables to broker concessions from the unionist majority. After a series of local election contests in Catholic wards and controversies between the pro-Devlin weekly Northern Star and the clerically controlled The Irish News, Devlin succeeds in marginalising the politically maladroit Henry by 1905. In the process, however, he takes on some of the qualities of his “Catholic establishment” opponents. At the same time, he moves onto the national political stage.
Returned unopposed for North Kilkenny (1902–06), Devlin is appointed secretary of the United Irish League of Great Britain in 1903, and of the parent body in Dublin in 1904. A speaking tour of the United States in 1902–03 convinces him of the organisational potential of Catholic fraternal organisations, and in 1905 he takes over the presidency of the Board of Erin faction of the Ancient Order of Hibernians (AOH), a specifically Catholic body which he proceeds to develop as an organisational arm of the Nationalist Party. Under his tutelage the AOH expands from 10,000 members in 1905 to 60,000 in 1909, despite opposition from some Catholic bishops who distrust it because of its close affiliation to Dillonism, its secrecy, and its habit of staging dances and other entertainments without paying what they regard as due deference to local priests. His AOH also faces opposition from a rival separatist body, the Irish-American Alliance AOH. Though far less numerous, this group is able to draw on the support of separatists within the American AOH and hinder Devlin’s attempts to mobilise the American organisation in his support. The AOH expands further after 1910 and is strengthened by becoming an approved society under the National Insurance Act 1911.
Belfast is where Devlin’s political career begins and where it ends. Organisational skill contributes substantially to his hold on the largely working-class seat of Belfast West, which he wins in 1906 on a platform that seeks to transcend religious boundaries by combining labour issues with the home rule demand. A lifelong bachelor, though short in stature, he is apparently highly attractive to women, and takes a special interest in their problems, no doubt mindful of the influence they might have on the political behaviour of their spouses. He founds a holiday home for working-class women. When the scholar Betty Messenger interviews former Belfast linen workers in the late 1960s and early 1970s, she is startled to discover the extent to which Devlin is remembered as a champion of the workers decades after his death. This image persists among Protestant workers as well as Catholics, and he is generally credited with various ameliorations of workplace conditions even when he had not been responsible for them.
Possessed of great oratorical skills and even greater organisational ability, Devlin effectively becomes the key organiser of the Nationalist Party from the early years of the twentieth century, relieving the party leader, John Redmond, of a great deal of the administrative burden of party affairs, and becoming well known abroad through fund-raising trips, especially in North America. His personal geniality makes him a great favourite at Westminster, and Irish socialists are dismayed at the willingness of British Labour Party MPs to accept him as an authentic Labour representative. Several MPs elected after 1906 can be identified as his protégés, and groups of Hibernian strong-arm men uphold the party leadership in such contests as the 1907 North Leitrimby-election and the 1909 “baton convention” which witnesses the final departure of William O’Brien and his supporters from the UIL. He is the only post-Parnellite MP to be admitted to the tight leadership group around Redmond. In 1913 he is a leading organiser of the National Volunteers.
When William O’Brien embarks on his personal initiative to deal with the Ulster problem through conciliation in the early Edwardian period, he finds a stern critic in Devlin and in turn demonises the “Molly Maguires” as sectarian corruptionists. Personally non-sectarian, Devlin, like other party leaders, endorses the shibboleth that home rule will prove a panacea for Ireland’s problems, including Ulster, and uses his credentials as a labour representative to dismiss popular unionism as a mere product of elite manipulation. In a period when the Vatican‘s Ne Temere decree on religiously mixed marriages is heightening Protestant fears about the “tyranny” of Rome, he seems to be oblivious to how his integration of Hibernianism and nationalism is exacerbating that problem. As the third home rule bill passes through Parliament and the Ulster Volunteer Force (UVF) mobilises, he encourages the Irish party leaders in the view that the Ulster unionist campaign is a gigantic bluff, dismissing contrary opinions even when held by other nationalist MPs. During these years the AOH clashes with the Irish Transport and General Workers’ Union (ITGWU) during the Dublin lock-out, and from late 1913 the AOH spearheads the Redmondite attempt to take over and dominate the Irish Volunteers.
Devlin endorses Redmond’s support for the British war effort and engages in extensive recruiting activity. He seems to be motivated, at least in part, by the belief that after the war nationalist ex-soldiers can be used to overawe the Ulster unionists by the threat of force. According to Stephen Gwynn, Devlin wishes to apply for an officer’s commission but is asked not to do so by Redmond on the grounds that the party needs his organisational skills.
Devlin’s career is decisively shaped by his decision to use his influence to persuade northern nationalists to accept temporary partition, in fulfilment of the flawed agreement arrived at between David Lloyd George, Sir Edward Carson, and Redmond in the aftermath of the 1916 Easter Rising. He later claims he has been decisively influenced by the prospect that under this agreement the excluded area would be governed directly from Westminster, rather than by a local, Orange-dominated parliament. He forces the agreement through a Belfast-based convention despite protests from west Ulster nationalists, but the proposal collapses after it transpires that Lloyd George has made incompatible commitments to nationalists and unionists. Northern nationalism immediately splits between west and south Ulster dissidents and Devlin’s loyalists predominant in Belfast and east Ulster, and the next year sees massive secessions of AOH members outside Ulster to Sinn Féin. Although he retains a core of loyal supporters, he is reduced from a national to a sectional leader. As a member of the Irish convention (1917–18) he sides with Bishop Patrick O’Donnell against Redmond on the issue of seeking a compromise settlement with southern unionists on the basis of home rule without fiscal autonomy. He is offered the leadership of the Nationalist Party on Redmond’s death in 1918, but concedes the honour to his long-standing mentor, John Dillon.
Devlin holds Belfast West until 1918 and easily sweeps aside an attempt by Éamon de Valera to displace him from the Falls division of Belfast at the general election of that year, though the electoral decimation of the Nationalist Party elsewhere leaves him leading a rump of only seven MPs. In the ensuing parliament he is an outspoken critic of government policy towards Ireland and highlights sectarian violence against northern nationalists. Clearly discouraged and with boundary changes militating against retention of the Falls seat, he unsuccessfully contests the Liverpool Exchange constituency as an Independent Labour candidate in 1922. Elected for Antrim and Belfast West to the Parliament of Northern Ireland in 1921, he eventually takes his seat in 1925, holding it until 1929, when he combines representation for Belfast Central with that for Fermanagh and South Tyrone at Westminster.
Only after the boundary commission ends the border nationalists’ hopes of speedy incorporation in the Irish Free State is Devlin able to assert leadership of northern nationalism as a whole on the basis of attendance at the northern parliament. Even then he is considerably handicapped by recriminations over the events of 1916–25. He embarks on his last significant political campaign in 1928, when he seeks to unite minority politics through the agency of the National League of the North (NLN). The initiative, emphasising social reform, is unsuccessful. His own political baggage is a hindrance to the unity of the factions that minority politics had thrown up over the previous ten years, while the minority community itself is politically demoralised by the fate that has overtaken it, and the unionist government shows itself unwilling to make concession to him. The project, moreover, coincides with the onset of the gastric illness, exacerbated by heavy smoking, that takes his life on January 18, 1934. For some time before his death he ceases to attend the Northern Ireland parliament.
Devlin’s political career is one of great promise only partially fulfilled, its ultimate realisation undermined firstly by the fallout from the Easter Rising that destroyed the vehicle of his political ambitions, and secondly by the sequence of events that led to the creation of a constitutional entity so constructed that all nationalist politicians, regardless of talent, were effectively denied a route to power. Only at his death does the unionist regime adequately acknowledge his political stature. His funeral is attended by at least three Northern Ireland cabinet ministers, together with representatives of the government of the Irish Free State. Northern nationalism never again produces a leader of his ability in the Stormont era. His ability to use Westminster to promote the interests of Ulster nationalists is comparable to John Hume‘s use of Europe for the same purpose from the mid 1970s. After his death the nationalist party in Belfast grows increasingly reliant on middle-class leadership and is eventually displaced by nationalist labour splinter groups, some of whose prominent activists, such as Harry Diamond, had begun their careers as election workers for Devlin.
David Kelly, Irish actor who has regular roles in several film and television works from the 1950s onwards, dies on February 12, 2012, in Goatstown, Dublin, following a short illness. One of the most recognisable voices and faces of Irish stage and screen, he is known for his roles as Rashers Tierney in Strumpet City, Cousin Enda in Me Mammy, the builder Mr. O’Reilly in Fawlty Towers, Albert Riddle in Robin’s Nest, and Grandpa Joe in the film Charlie and the Chocolate Factory (2005). Another notable role is as Michael O’Sullivan in Waking Ned.
One of Kelly’s first television appearances is on RTÉ in O’Dea’s Your Man (1964) in which he plays the part of Ignatius opposite Jimmy O’Dea. He goes on to become a familiar face on British television with the BBC comedy Me Mammy, opposite Milo O’Shea and Anna Manahan. He goes on to often-memorable guest roles on such series as Oh, Father! and Never Mind the Quality, Feel the Width, and particularly during the 1970s with a long-running role as the one-armed dishwasher Albert Riddle in the Man About the House spin-off Robin’s Nest. He also has a regular long running role alongside Bruce Forsyth in both series of the comedy Slinger’s Day from 1986 to 1987, and, in 1991, he appears in the first series of the BBC sitcom 2point4 Children as the cafe-owner Paddy.
Kelly gains some of his greatest recognition in 1975, playing inept builder Mr. O’Reilly on the second episode of Fawlty Towers (“The Builders”).
Kelly is in the voice cast of The Light Princess, a partly animated, hour-long family fantasy that airs on the BBC in 1978.
In Ireland, Kelly may be most famous for his portrayal of the character “Rashers” Tierney in the 1980 RTÉ miniseries Strumpet City, which stars Peter O’Toole, Cyril Cusack and Peter Ustinov. He goes on to have starring roles in television shows such as Emmerdale Farm in the 1980s and Glenroe in the 1990s, as well as playing the grandfather in Mike Newell‘s film Into the West (1992).
Following his appearance as Michael O’Sullivan in the 1998 film Waking Ned, Kelly plays roles in such films as Tim Burton‘s Charlie and the Chocolate Factory (2005), in which he plays Grandpa Joe, and Agent Cody Banks 2: Destination London (2004). He plays title character Frank Kovak in the mystery film The Kovak Box, in a rare villainous role. In 2007, he appears in Stardust, which features Robert De Niro and Michelle Pfeiffer, and which is also his final film. He also does extensive radio work, including a guest appearance on the BBC Radio 4 series Baldi.
Kelly is married to actress Laurie Morton, who survives him, along with children David and Miriam. He dies at age 82 after a short illness on February 12, 2012. The Irish Times refers to him as the “grand old man of Irish acting.” A Catholic funeral mass takes place on February 16, 2012, at the Church of the Miraculous Medal, in his hometown of Dublin. He is cremated at Mount Jerome Cemetery and Crematorium.
Mary Lou McDonald is ratified as the new president of Sinn Féin at a special party Ardfheis on February 10, 2018. Approximately 2,000 party delegates gather for the meeting in Dublin. After almost 35 years, Gerry Adams officially steps down as party leader, a role he has held since November 1983.
McDonald takes the helm with a sweeping speech that touches on everything from abortion to Brexit and promises a united Ireland “in our time.”
McDonald, 48, is the first woman to lead the party, and the first Sinn Féin leader with no direct connection to Ireland’s period of violence known as the Troubles. “We must only agree that the past is never again repeated,” she says. “On other things, we can agree to disagree. The poet Maya Angelou put it well: ‘History, despite its wrenching pain, cannot be unlived. But if faced with courage, need not be lived again.’”
McDonald takes over for Adams, a divisive politician who was the face of the Irish republican movement as it shifted from violence to peace. The end of Adams’ tenure marks a new era for the party, which wants to unite the United Kingdom’s Northern Ireland with the Republic of Ireland to the south.
Adams, who announced in November 2017 he was stepping down after almost 35 years, was the key figure in the peace process that saw the signing of the 1998 Good Friday Agreement and the formation of a power sharing government between Northern Ireland’s pro-British and republican factions. But many believe Sinn Féin’s popularity among voters has been hindered by the presence of leaders linked to the Troubles, which killed over 3,600 people.
McDonald immediately puts her own stamp on the future, trying to infuse new energy into the movement that has lawmakers on both sides of the Irish border. But she also focuses on Sinn Féin’s founding principle: a united Ireland. “We are the generation of republicans who will see the rising of the moon,” she says. “Sinn Féin in government, both North and South. Irish unity in our time.”
McDonald also lays out her positions on the key issues of the day.
On the United Kingdom’s upcoming departure from the European Union, or Brexit, she says Sinn Féin will not accept any deal that reinstates border controls between Northern Ireland and the Republic. Brexit represents a threat to the prosperity of Ireland as a whole.
McDonald also says the party will campaign for women’s right to an abortion in Ireland’s upcoming referendum on the issue and says she is committed to reaching an agreement that will restore Northern Ireland’s power sharing government on the basis of “respect and integrity for all.”
Northern Ireland’s last government collapsed more than a year earlier amid a corruption scandal.
(From: “Mary Lou McDonald takes over as Sinn Féin party leader” by Danica Kirka, AP News, apnews.com, February 10, 2018)
FitzGerald joins Fine Gael, attaching himself to the liberal wing of the party. and in 1969 is elected to Dáil Éireann, the lower house of the Oireachtas, the Irish parliament. He later gives up his university lectureship to become Minister for Foreign Affairs in the coalition government of Liam Cosgrave (1973–1977). When the coalition government is resoundingly defeated in the 1977 Irish general election, Cosgrave yields leadership of Fine Gael to FitzGerald. In his new role as Leader of the Opposition and party leader, he proceeds to modernize and strengthen the party at the grass roots. He briefly loses power in 1982 when political instability triggers two snap elections.
By the time of the 1981 Irish general election, Fine Gael has a party machine that can easily match Fianna Fáil. The party wins 65 seats and forms a minority coalition government with the Labour Party and the support of a number of Independent TDs. FitzGerald is elected Taoiseach on June 30, 1981. To the surprise of many FitzGerald excludes Richie Ryan, Richard Burke and Tom O’Donnell, former Fine Gael stalwarts, from the cabinet.
On May 5, 2011, it is reported that FitzGerald is seriously ill in a Dublin hospital. Newly elected Fine Gael Taoiseach Enda Kenny sends his regards and calls him an “institution.” On May 6 he is put on a ventilator. On May 19, after suffering from pneumonia, he dies at the Mater Private Hospital in Dublin at the age of 85.
In a statement, Irish PresidentMary McAleese hails FitzGerald as “a man steeped in the history of the State who constantly strove to make Ireland a better place for all its people.” Taoiseach Enda Kenny pays homage to “a truly remarkable man who made a truly remarkable contribution to Ireland.” Henry Kissinger, the former United States Secretary of State, who serves as an opposite number to FitzGerald in the 1970s, recalls “an intelligent and amusing man who was dedicated to his country.”
FitzGerald’s death occurs on the third day of Queen Elizabeth II‘s state visit to the Republic of Ireland, an event designed to mark the completion of the Northern Ireland peace process that had been “built on the foundations” of FitzGerald’s Anglo-Irish Agreement with Margaret Thatcher in 1985. In a personal message, the Queen offers her sympathies and says she is “saddened” to learn of FitzGerald’s death.
On his visit to Dublin, United States PresidentBarack Obama offers condolences on FitzGerald’s death. He speaks of him as “someone who believed in the power of education; someone who believed in the potential of youth; most of all, someone who believed in the potential of peace and who lived to see that peace realised.”
FitzGerald is the author of a number of books, including Planning in Ireland (1968), Towards a New Ireland (1972), Unequal Partners (1979), All in a Life: An Autobiography (1991), and Reflections on the Irish State (2003).
A party of eighteen armed B-Specials, a part-time auxiliary police force which is almost 100% Protestant, when traveling by train to Enniskillen, are stopped at Clones railway station in County Monaghan by an IRA group. The B-Specials react immediately by shooting Commander Fitzpatrick. His colleagues retaliate by fatally shooting four Specials and arresting the survivors. Trouble in the North is at a boiling point and in the three days after the Clones incident thirty people are murdered in Belfast.
Collins and James Craig, Prime Minister of Northern Ireland, have further discussions in Dublin in early February 1922 but the meeting breaks down over the question of the boundary revision. Craig informs reporters that he has the assurance of the British Government that the Boundary Commission will make only slight changes. He complains that the maps which Collins had produced led him to the assumption that Collins had already been promised almost half of Northern Ireland. Craig agrees to minor changes but if North and South fail to agree, there will be no change at all. Collins issues a statement which refuses to admit any ambiguity and says that majorities must rule.
The British and the Provisional Government finally agreed that an Irish Free State Agreement Bill will legalise the Treaty and the transfer of power to the Provisional Government and will authorise the election of a Provisional Parliament to enact the Free State Constitution. Final ratification of the Treaty is deferred until the British confirm the Free State Constitution. Only then will Northern Ireland be allowed to exclude itself formally from the Free State.
(From: “OTD in 1922 – The IRA Kidnaps More Than Forty Loyalists Activists and ‘B’ Specials,” Stair na hÉireann | History of Ireland, https://stairnaheireann.net | Picture: Colour image of the IRA patrolling Grafton Street, Dublin, during the Irish Civil War in 1922, 1916 Easter Revolution in Colour)
