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Tag Archives: Korean War


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Death of R. M. “Bertie” Smyllie, Editor of “The Irish Times”

Robert Maire Smyllie, known as Bertie Smyllie, editor of The Irish Times for twenty years, dies on September 11, 1954.

Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionist Sligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.

After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with The Irish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.

Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna Fáil TDs, signaling the volatile politics of the early state years.

Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.

When Healy dies in 1934, Smyllie becomes editor of The Irish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.

One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures The Irish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.

During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.

Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on The Irish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for Health Noël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.

Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, The Irish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.

In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.

In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.

Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.


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Birth of Frank McCourt, Teacher & Writer

frank-mccourt

Francis “Frank” McCourt, Irish American teacher and writer, is born in New York City‘s Brooklyn borough on August 19, 1930.

McCourt is born to Malachy McCourt, Sr., who falsely claims to have been in the Irish Republican Army (IRA) during the Irish War of Independence, and Irish Catholic mother Angela Sheehan from Limerick. In the midst of the Great Depression, the family moves back to Ireland. Unable to find steady work in Belfast or Dublin and beset by his father’s alcoholism, the family returns to their mother’s native Limerick, where they sink even deeper into poverty.

In October 1949, at the age of 19, McCourt leaves Ireland, taking a boat from Cork to New York City. In 1951, he is drafted during the Korean War and sent to Bavaria for two years initially training dogs, then as a clerk. Upon his discharge from the US Army, he returned to New York City, where he held a series of jobs on docks, in warehouses, and in banks. Using his G.I. Bill education benefits, he talks his way into New York University by claiming he is intelligent and reads a great deal. He is admitted on one year’s probation provided he maintains a B average. He graduates in 1957 from NYU with a bachelor’s degree in English.

A New York city schoolteacher for more than thirty years, McCourt achieves literary fame later in life with his best-selling childhood memoir of the misery and squalor of his childhood, Angela’s Ashes. With a first printing of just 25,000 copies, the book becomes an instant favourite with critics and readers and is perhaps the ultimate case of the non-celebrity memoir, the extraordinary life of an ordinary man.

McCourt wins the annual Pulitzer Prize for Biography or Autobiography in 1997 and one of the annual National Book Critics Circle Awards for the book, which is eventually published in 25 languages and 30 countries. It is a bestseller and makes him a millionaire. Three years later, a movie version of Angela’s Ashes opens to mixed reviews with Northern Irish actor Michael Legge playing McCourt as a teenager.

McCourt is also the author of ‘Tis (1999), which continues the narrative of his life, picking up from the end of Angela’s Ashes and focusing on his life after returning to New York. He subsequently writes Teacher Man (2005) which details his teaching experiences and the challenges of being a teacher.

McCourt writes the book for a 1997 musical entitled The Irish…and How They Got That Way, which features an eclectic mix of Irish music – everything from the traditional Danny Boy to U2‘s I Still Haven’t Found What I’m Looking For.

It is announced in May 2009 that McCourt has been treated for melanoma and that he is in remission, undergoing home chemotherapy. On July 19, 2009, he dies from the cancer, with meningeal complications, at a hospice in Manhattan, New York City.


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“Picture Post” Magazine Banned in Ireland

picture-post

Picture Post, a photojournalistic magazine published in the United Kingdom from 1938 to 1957, is banned in Ireland on July 24, 1940, after a campaign by Irish Catholics who object to the “vulgarity and suggestiveness of the illustrations.” The editorial stance of the magazine is liberal, anti-Fascist and populist.

In January 1941 Picture Post publishes their “Plan for Britain.” This includes minimum wages throughout industry, full employment, child allowances, a national health service, the planned use of land and a complete overhaul of education. This document leads to discussions about post-war Britain and is a populist forerunner of William Beveridge‘s November 1942 Social Insurance and Allied Services (known as the Beveridge Report).

Sales of Picture Post increase further during World War II and by December 1943 the magazine is selling 1,950,000 copies a week. By the end of 1949 circulation declines to 1,422,000.

Founding editor Stefan Lorant, who has some Jewish ancestry, had been imprisoned by Adolf Hitler in the early 1930s, and wrote a best-selling book thereafter, I Was Hitler’s Prisoner. By 1940, he fears he will be captured in a Nazi invasion of Britain and flees to Massachusetts in the United States, where he writes important illustrated U.S. histories and biographies. He is succeeded by Sir Tom Hopkinson following his departure in 1940.

During World War II, the art editor of the magazine, Edgar Ainsworth, serves as a war correspondent and accompanies the United States 7th Army on their advance across Europe in 1945. He visits the Bergen-Belsen concentration camp three times after the British army liberates the complex in April 1945. Several of his sketches and drawings from the camp are published in a September 1945 article, Victim and Prisoner. Ainsworth also commissions the artist Mervyn Peake to visit France and Germany at the end of the war, and he too reports from Bergen-Belsen.

On June 17, 1950, Leader Magazine is incorporated in Picture Post. Hopkinson is often in conflict with Sir Edward George Warris Hulton, the owner of Picture Post. Hulton mainly supports the Conservative Party and objects to Hopkinson’s socialist views. This conflict leads to Hopkinson’s dismissal in 1950 following the publication of James Cameron‘s article about South Korea‘s treatment of political prisoners in the Korean War.

By June 1952, circulation has fallen to 935,000. Sales continue to decline in the face of competition from television and a revolving door of new editors. By the time the magazine closes in July 1957, circulation is less than 600,000 copies a week.

Picture Post has been digitised as The Picture Post Historical Archive, 1938-1957 and consists of the complete, fully searchable facsimile archive of Picture Post. It is made available in 2011 to libraries and institutions.

(Pictured: Cover of the Picture Post Vol. 8, No. 12, dated September 21, 1940)


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Commissioning of the USS The Sullivans

The United States Navy commissions the Fletcher-class destroyer USS The Sullivans (DD-537), on September 30, 1943. The ship commemorates the tragedy of the five Sullivan brothers (George, Francis, Joseph, Madison, and Albert), descendants of an Irish immigrant, who are killed November 13, 1942, after their ship, USS Juneau (CL-52), is hit by a Japanese torpedo at the Naval Battle of Guadalcanal. Only ten of the almost 700 crew survive. This is the greatest military loss by any one American family during World War II. The ship is also the first ship commissioned in the Navy that honors more than one person.

The Sullivans is originally laid down as Putnam on October 10, 1942, at San Francisco by the Bethlehem Shipbuilding Corporation. She is initially renamed Sullivan until President Franklin D. Roosevelt changes the name to The Sullivans to clarify that the name honors all five Sullivan brothers. The name is made official on February 6, 1943, and launches on April 4, 1943. The ship is sponsored by Mrs. Thomas F. Sullivan, the mother of the five Sullivan brothers. The Sullivans is commissioned on September 30, 1943, with Commander Kenneth M. Gentry in command.

Following a shakedown cruise, The Sullivans gets underway with USS Dortch (DD-670) and USS Gatling (DD-671) on December 23, 1943, arriving at Pearl Harbor five days later. After service in both World War II and the Korean War, USS The Sullivans is assigned to the United States 6th Fleet and is a training ship until she is decommissioned in 1965.

The Sullivans receives nine service stars for World War II service and two for Korean service. On January 7, 1965, The Sullivans is decommissioned at the Philadelphia Naval Shipyard, and she remains in reserve into the 1970s. In 1977, she and cruiser USS Little Rock (CL-92) are processed for donation to the Buffalo and Erie County Naval & Military Park in Buffalo, New York. The ship now serves as a memorial and is open for public tours. The ship is declared a National Historic Landmark in 1986.