seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Limestone


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Birth of Irish Sculptor Albert Power

Albert George Power, Irish sculptor in the academic realist style, is born at 8 Barrack Street (now Benburb Street) in Dublin on November 16, 1881. He is particularly known for his iconic statue of the Irish writer Pádraic Ó Conaire.

Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothers national school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.

Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.

Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.

Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.

On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.

Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.


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Birth of Patrick “Patsy” Touhey

Patrick “Patsy” J. Touhey, a celebrated player of the uilleann pipes, is born on February 26, 1865, in Cahertinny, Bullaun, Loughrea, County Galway. His innovative technique and phrasing, his travels back and forth across the United States to play on the variety and vaudeville stage, and his recordings make his style influential among Irish American pipers. He can be seen as the greatest contributor to a distinctive American piping style.

According to Chief Francis O’Neill of the Chicago Police Department, in his seminal work O’Neill’s Irish Minstrels and Musicians, Touhey is the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James and his uncle Martin, who are considered accomplished players. The family arrives in Boston around 1868, and his father arranges for his instruction from Bartley Murphy of County Mayo. However, at the age of ten Patsy loses his father and later lays the pipes aside.

In his late teens Touhey strays into a Bowery music hall where John Eagan, the “White Piper” of Galway, is engaged. Enthralled by Eagan’s virtuosity, he takes up the pipes again, and under the instruction of Eagan and Billy Taylor of Philadelphia soon becomes a master.

Touhey and Eagan tour the northeastern United States with “Harrigan’s Double Hibernian Co., Irish and American Tourists” in 1885 and 1886. This is his apparent introduction to theatrical life. Harrigan’s company stars Jeremiah “Jere” Cohan, the father of George M. Cohan, later a famous songwriter and showman. Despite a persistent legend, there is no evidence that Touhey plays publicly for the step-dancing of George M. Cohan, who is seven or eight years old at the time. Between 1886 and 1895 he appears in several theatre productions including “Inshavogue” and “The Ivy Leaf.” At the 1893 World’s Columbian Exposition in Chicago, he plays at the Irish Village, one of two rival Irish pavilions, and is later engaged for the 1904 World’s Fair in St. Louis (Louisiana Purchase Exposition). From about 1896 until 1921 he plays in vaudeville skits, trading jokes with his wife, Mary, and their on and off partner Charles Henry Burke. The shows include slapstick, low-brow gags, Irish nostalgia, and a piping finale to which Mary Touhey dances.

Chicago Police Chief Francis O’Neill, a prominent compiler of Irish dance tunes, calls Touhey “the genial wizard of the Irish pipers . . . A stranger to jealousy, his comments are never sarcastic or unkind, neither does he display any tendency to monopolize attention in company when other musicians are present.”

Touhey lives on Bristow Street in the Bronx, New York City, from at least 1900 until 1908. He and Mary live in rural East Haddam, Connecticut from 1908 to 1919, then in Freeport, New York from 1919 to 1922. In 1922 he moves back to the Bronx. He dies suddenly in his home at 1175 Concourse, New York, on January 10, 1923. He is buried in Saint Raymond’s Cemetery in the Bronx.

A statue of Patsy Touhey is unveiled in 2008 in Loughrea, near the place where he was born. It is a bronze sculpture by James MacCarthy that shows Touhey sitting on a limestone block and playing his pipes. Behind him, on the wall, there are three plaques with portraits of Peter and Vincent Broderick, two other local musicians, and Touhey himself. The statue is a tribute to the musical heritage of Loughrea and Galway, and a reminder of the connection between Ireland and its diaspora.

Recordings made of Tuohy in the 1900s have been digitised and made available on the website of the Irish Traditional Music Archive (ITMA), Dublin.


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Dedication of the Fusiliers’ Arch in Dublin

The Fusiliers’ Arch, a monument which forms part of the Grafton Street entrance to St. Stephen’s Green in Dublin, is dedicated on August 19, 1907, to the officers, non-commissioned officers and enlisted men of the Royal Dublin Fusiliers who fought and died for “King and country” in the Second Boer War (1899–1902).

Funded by public subscription, the arch is designed by John Howard Pentland and built by Henry Laverty and Sons. Thomas Drew consults on the design and construction.

The proportions of the structure are said to be modelled on the Arch of Titus in Rome. It is approximately 8.5 m (28 ft.) wide and 10 m (33 ft.) high. The internal dimensions of the arch are 5.6 m high and approximately 3.7 m wide (18 by 12 ft.). The main structure of the arch is granite, with the inscriptions carried out in limestone and a bronze adornment on the front of the arch.

The arch is commissioned to commemorate the four battalions (two regular and two militia) of the Royal Dublin Fusiliers that served in the Second Boer War. The names of 222 dead are inscribed on the underside of the arch.

The construction of the arch coincides with a time of political and social change in Ireland, and the colonial and imperial background to the dedication are anathema to a burgeoning nationalist movement – who label the structure “Traitor’s Gate.” Though damaged in a crossfire between the Irish Citizen Army and British forces during the 1916 Easter Rising, the arch remains “one of the few colonialist monuments in Dublin not blown up” in Ireland’s post-independence history.

Engraved on the western face of the monument is the Latin text, Fortissimis suis militibus hoc monumentum Eblana dedicavit MCMVII, “To its strongest soldiers, Dublin dedicates this monument, 1907.” (Eblana is a name that appears on Ptolemy‘s 2nd century AD map of Ireland, traditionally taken as a Latin name for Dublin, although it more likely refers to a site further north, around Loughshinny.) Six battlefields are inscribed on the arch:


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The Poulnabrone Dolmen Purchased by the State

The Poulnabrone dolmen in the Burren, County Clare is bought for £300,000 by the State on November 8, 2001 to protect it from vandalism.

Poulnabrone dolmen is an unusually large dolmen or portal tomb. Situated in a rocky and unblemished field in the remote and high altitude townland of Poulnabrone, Kilcorney, it comprises three standing portal stones supporting a heavy horizontal capstone, and dates to the Neolithic period, probably between 4200 BC and 2900 BC. Contrary to some information sources, it is well outside the boundaries of the Burren National Park. It is the best known and most widely photographed of the approximately 172 dolmens in Ireland.

The karst setting has been formed from limestone laid down around 350 million years ago. The dolmen was built by Neolithic farmers, who chose the location either for ritual, as a territorial marker, or as a collective burial site. What remains today is only the “stone skeleton” of the original monument. Originally it would have been covered with soil, and its flagstone capped by a cairn.

When the site is excavated in 1986 and again in 1988, approximately 33 human remains, including those of adults, children (and the remains of a much later Bronze Age infant) are found buried underneath it, along with various stone and bone objects that would have been placed with them at the time of interment. Both the human remains and the burial objects date to between 3800 BC and 3200 BC.

The site is relatively unblemished, despite being a popular tourist attraction. A rope provides a barrier between tourists and the dolmen in order to preserve the ancient stone, and it is requested that tourists do not go beyond this barrier or touch the dolmen.

A large car park is opened in 2007 by the Clare County Council to deal with traffic problems caused by cars or coaches parking in the narrow road, guided by a 2005 estimate that put the number of annual visitors at 200,000. In 2007, tension arises when Dr. Ann Lynch, the archaeologist who led the excavation of the site, requests that visitor facilities be reduced in order to preserve “the spiritual quality of the landscape surrounding the tomb.”

(Pictured: The Poulnabrone dolmen with karst limestone pavement in the foreground)


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Treaty of Limerick Ratified by William III of England

The Treaty of Limerick, which actually consists of two treaties, is ratified by William III of England, widely known as William of Orange, on February 24, 1692.

The Treaty is signed on October 3, 1691 ending the Williamite War in Ireland between the Jacobites and the supporters of William of Orange. Reputedly they are signed on the Treaty Stone, an irregular block of limestone which once served as a mounting block for horses. This stone is now displayed on a pedestal in Limerick, County Limerick, put there to prevent souvenir hunters from taking pieces of it. Because of the treaty, Limerick is sometimes known as the Treaty City.

After his victory at the Battle of the Boyne in July 1690, William III issues the Declaration of Finglas which offers a pardon to Jacobite soldiers but excludes their senior officers from its provisions. This encourages the Jacobite leaders to continue fighting and they win a major victory during the 1691 Siege of Limerick. However, defeats the following year at the Battle of Aughrim and the second siege of Limerick leave the Williamites victorious. Nonetheless the terms they offer to Jacobite leaders at Limerick are considerably more generous than those a year earlier at Finglas.

One treaty, the Military Articles, deals with the treatment of the disbanded Jacobite army. This treaty contains twenty-nine articles. Under the treaty, Jacobite soldiers in formed regiments have the option to leave with their arms and flags for France to continue serving under James II of England in the Irish Brigade. Some 14,000 Jacobites choose this option. Individual soldiers wanting to join the French, Spanish or Austrian armies also emigrate in what becomes known as the Flight of the Wild Geese. The Jacobite soldiers also have the option of joining the Williamite army. One thousand soldiers chose this option. The Jacobite soldiers thirdly have the option of returning home which some 2,000 soldiers choose.

The second treaty, the Civil Articles, which contains thirteen articles, protects the rights of the defeated Jacobite landed gentry who choose to remain in Ireland, most of whom are Catholics. Their property is not to be confiscated so long as they swear allegiance to William III and Mary II, and Catholic noblemen are to be allowed to bear arms. William requires peace in Ireland and is allied to the Papacy in 1691 within the League of Augsburg.

It is often thought that the Treaty of Limerick is the only treaty between Jacobites and Williamites. A similar treaty had been signed on the surrender of Galway on July 22, 1691, but without the strict loyalty oath required under the Treaty of Limerick. The Galway garrison had been organised by the mostly-Catholic landed gentry of counties Galway and Mayo, who benefited from their property guarantees in the following century.

(Pictured: The Treaty Stone on which the Treaty of Limerick may have been signed)


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The Treaty of Limerick

treaty-stone-limerick

The Treaty of Limerick, which actually consists of two treaties, is signed on October 3, 1691, ending the Williamite War in Ireland between the Jacobites and the supporters of William III of England, widely known as William of Orange. Reputedly they are signed on the Treaty Stone, an irregular block of limestone which once served as a mounting block for horses. This stone is now displayed on a pedestal in Limerick, put there to prevent souvenir hunters from taking pieces of it. Because of the treaty, Limerick is sometimes known as the Treaty City.

After his victory at the Battle of the Boyne in July 1690, William III issues the Declaration of Finglas which offers a pardon to Jacobite soldiers but excludes their senior officers from its provisions. This encourages the Jacobite leaders to continue fighting and they win a major victory during the 1691 Siege of Limerick. However, defeats the following year at the Battle of Aughrim and the second siege of Limerick leave the Williamites victorious. Nonetheless the terms they offer to Jacobite leaders at Limerick are considerably more generous than those a year earlier at Finglas.

One treaty, the Military Articles, deals with the treatment of the disbanded Jacobite army. This treaty contains twenty-nine articles. Under the treaty, Jacobite soldiers in formed regiments have the option to leave with their arms and flags for France to continue serving under James II of England in the Irish Brigade. Some 14,000 Jacobites choose this option. Individual soldiers wanting to join the French, Spanish or Austrian armies also emigrate in what becomes known as the Flight of the Wild Geese. The Jacobite soldiers also have the option of joining the Williamite army. One thousand soldiers chose this option. The Jacobite soldiers thirdly have the option of returning home which some 2,000 soldiers choose.

The second treaty, the Civil Articles, which contains thirteen articles, protects the rights of the defeated Jacobite landed gentry who choose to remain in Ireland, most of whom are Catholics. Their property is not to be confiscated so long as they swear allegiance to William III and Mary II, and Catholic noblemen are to be allowed to bear arms. William requires peace in Ireland and is allied to the Papacy in 1691 within the League of Augsburg.

It is often thought that the Treaty of Limerick is the only treaty between Jacobites and Williamites. A similar treaty had been signed on the surrender of Galway on July 22, 1691, but without the strict loyalty oath required under the Treaty of Limerick. The Galway garrison had been organised by the mostly Catholic landed gentry of counties Galway and Mayo, who benefited from their property guarantees in the following century.

(Pictured: The Treaty Stone on which the Treaty of Limerick may have been signed)


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Birth of American Folk Hero Davy Crockett

david-crockett

David “Davy” Crockett, 19th-century American folk hero, frontiersman, soldier, and politician, is born in Limestone, Greene County, North Carolina on August 17, 1786. He is commonly referred to in popular culture by the epithet “King of the Wild Frontier.” He represents Tennessee in the U.S. House of Representatives and serves in the Texas Revolution.

The Crockett family is of mostly French–Huguenot ancestry, although the family settles in Ireland before migrating to the Americas. Crockett is born in what is now Greene County, Tennessee (at the time part of North Carolina), close to the Nolichucky River and near the community of Limestone. He grows up in East Tennessee, where he gains a reputation for hunting and storytelling.

Crockett is made a colonel in the militia of Lawrence County, Tennessee and is elected to the Tennessee state legislature in 1821. In 1827, he is elected to the United States Congress where he vehemently opposes many of the policies of President Andrew Jackson, especially the Indian Removal Act. His opposition to Jackson’s policies leads to his defeat in the 1831 elections. He is re-elected in 1833, then narrowly loses in 1835, prompting his angry departure shortly thereafter to Texas, then the Mexican state of Tejas.

All that is certain about the fate of Crockett is that he dies fighting in the Battle of the Alamo in the Texas Revolution on the morning of March 6, 1836. According to many accounts, between five and seven Texans surrender during the battle, possibly to General Manuel Fernández Castrillón. General Antonio López de Santa Anna has ordered the Mexicans to take no prisoners, and he is incensed that those orders have been ignored. He demands the immediate execution of the survivors, but Castrillon and several other officers refuse to do so. Staff officers who had not participated in the fighting draw their swords and kill the unarmed Texians.

Crockett becomes famous during his lifetime for larger-than-life exploits popularized by stage plays and almanacs. After his death, he continues to be credited with acts of mythical proportion. In the 20th century these lead to television and movie portrayals, and he becomes one of the best-known American folk heroes.


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Annie Moore Departs Queenstown for the United States

annie-moore

Fifteen-year-old Annie Moore departs Queenstown, now Cobh, County Cork, on December 20, 1891, and becomes the first immigrant to the United States to pass through the Ellis Island facility in New York Harbor.

Her parents, Matthew and Julia Moore, had come to the United States in 1888 and are living at 32 Monroe Street in Manhattan. Moore departs from Queenstown aboard the S.S. Nevada, one of 148 steerage passengers. Accompanied by her brothers, Anthony and Philip, she spends twelve days at sea, including Christmas Day, arriving in New York City on Thursday evening, December 31. It is reported that her arrival is on her 15th birthday, but records in Ireland reveal that her birthday is in May, and she is actually seventeen.

Ellis Island officially opens on January 1, 1892, and, as the first person to be processed at the newly opened facility, Moore is presented with an American $10 gold piece from an American official. All three children are soon reunited with their parents in New York. From 1820 to 1920, more than 4 million people leave their native shores of Ireland bound for the Port of New York and a new life in America.

Moore marries a son of German immigrants, Joseph Augustus Schayer, an employee at Manhattan’s Fulton Fish Market, with whom she has at least eleven children. She dies of heart failure on December 6, 1924, and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish Blue Limestone.

The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” Moore’s story is told in the song “Isle of Hope, Isle of Tears,” written by Brendan Graham. The song has been performed by Ronan Tynan and by The Irish Tenors, of which Tynan was formerly a member. Other artists performing the song include Seán Keane, Sean & Dolores Keane, Daniel O’Donnell, Celtic Thunder, Irish tenor Brian Dunphy, Celtic Woman, and Tommy Fleming.

A woman named “Annie Moore” who died near Fort Worth, Texas in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, established that the Annie Moore in Texas was born in Illinois.