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Formal Establishment of the Irish Republican Brotherhood

James Stephens formally establishes the Irish Republican Brotherhood (IRB) in Peter Lanigan’s timber yard, Lombard Street, Dublin, on Saint Patrick’s Day, March 17, 1858. It is originally named the Irish Revolutionary Brotherhood, but soon comes to be known as the Irish Republican Brotherhood. At the same time, John O’Mahoney is founding the American branch of the revolutionary group. O’Mahoney gives the organization the better-known name Fenians, in honor of the Fianna, the soldiers led by Fionn mac Cumhaill, the heroic warrior of Irish legend.

The IRB is a small, secret, revolutionary body whose sole object is to “establish and maintain a free and independent Republican Government in Ireland.” Stephens is a Young Irelander and is a lieutenant to William Smith O’Brien at the Battle of Widow McCormack’s Cabbage Patch in Ballingary, County Tipperary, in August 1848. He is wounded three times and is smuggled onto a ship to England and then to France, where he spends the next eight years. Upon his return to Dublin in 1856, he determines to organise a revolutionary movement and that leads to the founding of the IRB.

The IRB becomes known as the Fenian movement in the 1850s and 1860s and is committed to the use of force to establish an independent Irish republic. After organising an abortive rising in March 1867, it suffers deep internal divisions over its leadership and strategy in both the United States and Ireland—whether it is best to strike at England, in Ireland or in Canada. The issue is resolved after a series of failed interventions in Canada in 1866, 1867 and 1871, and after bombings in England that do not lead Ireland closer to independence. The IRB is unable to exploit the weaknesses and divisions in the constitutional movement following Charles Stewart Parnell’s divorce scandal (1890–91).

The IRB is eventually rejuvenated in Ireland about 1907, led by Bulmer Hobson and Tom Clarke, thus preparing the way for all that follows.The governing body is the Supreme Council. Before 1916 this consists of eleven members, and after the 1917 reorganisation it contains fifteen members. When not in session, all powers of the Supreme Council, except for declaring war, devolve onto an executive of three: the president, secretary and treasurer.

The constitution provides for the establishment of a military council, subordinate to the Supreme Council. The seven signatories of the 1916 Proclamation of the Irish Republic constitute the entire military council at the time. The constitution is dedicated to the use of force against England at any favourable opportunity, but this is to be a democratic decision: “The IRB shall await the decision of the Irish Nation as expressed by a majority of the Irish people as to the fit hour of inaugurating a war against England and shall, pending such an emergency, lend its support to every movement calculated to advance the cause of Irish independence, consistent with the preservation of its own integrity,” a clause adopted in 1873 in response to the controversies arising from the 1867 Fenian Rising.

The IRB plans the 1916 Easter Rising but the Irish Volunteers and the Irish Citizen Army make it possible. The establishment of the Irish Volunteers gives the IRB the great opportunity to train and equip its members as a military body for the purpose of securing independence for Ireland by force of arms and securing the cooperation of all Irish military bodies in the accomplishment of its objectives. Numerically the IRB probably never exceeds 2,000 members, but they are all extremely loyal and well trained, and there is very tight security. The executions of 1916 just about wipe out the Supreme Council, and after the prisoners are released, the IRB has to reconstitute itself.

Following the Easter Rising some republicans—notably Éamon de Valera and Cathal Brugha—leave the organization, which they view as no longer necessary, since the Irish Volunteers now perform its function. The IRB, during the Irish War of Independence (1919-21), is under the control of Michael Collins, who is secretary, and subsequently president, of the Supreme Council. Volunteers such as Séumas Robinson say afterwards that the IRB by then is “moribund where not already dead,” but there is evidence that it is an important force during the war.

When the Anglo-Irish Treaty is signed on December 6, 1921, it is debated by the Supreme Council, which votes to accept it by eleven votes to four. Those on the Supreme Council who oppose the Treaty include former leader Harry Boland, Austin Stack and Liam Lynch. Anti-Treaty republicans like Ernie O’Malley, who fought during the Irish Civil War against the Treaty, sees the IRB as being used to undermine the Irish Republic. The IRB becomes quiescent during the Irish Civil War, which ends in May 1923, but it emerges again later that year as a faction within the National Army that supports Minister for Defence Richard Mulcahy against the “Old IRA,” which fought against the recruitment of ex-British Army personnel and the demobilization of old IRA men. This comes to a head with the Irish Army Mutiny of 1924, in the wake of which Mulcahy resigns and other IRB members of the army are dismissed by acting President of the Executive Council Kevin O’Higgins. The IRB subsequently dissolves itself, although it is not known whether a formal decision is taken, or it simply ceases to function.


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Birth of Novelist Pamela Hinkson

Pamela Hinkson, novelist, is born on November 19, 1900, in Ealing, London, England, the only daughter among five children of Katharine Tynan Hinkson, novelist and poet, and Henry Albert Hinkson, a novelist, barrister, and classical scholar.

Married in 1893, Hinkson’s parents initially settle in England, where he studies law and is called to the Inner Temple in 1902. After suffering the loss of their first two sons in infancy, they have two more sons in addition to their daughter, Pamela. During this time her mother earns the main family income, and it is likely that she determines their return to Ireland in 1911. The Hinksons initially settle in Dalkey, County Dublin, before moving to a house called Clarebeg in Shankill. When Henry Hinkson is appointed resident magistrate for south Mayo (Castlebar) in October 1914, the family moves to Claremorris, County Mayo.

Hinkson is educated privately in England and on the Continent, and in Ireland attends a local convent day-school. She is exposed to her mother’s literary milieu which includes prominent writers of the Irish revival, including George William Russell, James Stephens, and Padraic Colum. Her mother’s memoir, The Years of the Shadow (1919), recalls Pamela’s developing talent for writing poetry and her predilection for war themes, as evidenced by The Blind Soldier, one of her first published poems. By the time she turns her hand to short stories, her earnings from writing enable her to buy the latest fashions.

Two key events that consumed Hinkson’s life and later spark her creativity are World War I and the Easter Rising. H. G. Wells describes in the foreword to his war novel Mr. Britling Sees It Through (1916) a conversation he had with her when she was 12, recalling how she had boldly set him straight on the “Irish question.” Her parents send her away to boarding school in County Wicklow in the hope that she will be distracted from her gloomy preoccupations, which are accentuated by the absence of her brothers, serving in the British Army. After the war she is deeply concerned by the redundancy experienced by demobilised and often maimed soldiers and contributes to the welfare work of the Irish servicemen’s Shamrock Club in London. These issues inform two early novels, The Victors (1925) and Harvest (1926), both written in the guise of an ex-serviceman under the pseudonym “Peter Deane.” By masking her identity, she avoids the possibility of her works being discredited because of her gender and lack of first-hand experience of war. Subsequently she writes under her own name for thirty years.

In contrast to her close relationship with her mother, Hinkson deeply dislikes her father. With the exception of her beloved brother Giles A. Hinckson, a correspondent for The Times in Buenos Aires and Santiago, she never meets a man who matches her high ideals. Though briefly engaged to be married, she is ultimately disillusioned by all men, dismissing them as she had her father. After his death early in 1919, she and her mother are left in financial difficulties, and have to resort to friends and boarding houses for accommodation. Without the financial means to embark on a university degree, she remains at her mother’s side. Though she continues to write, she leads a somewhat stifled life. From 1922 onwards they spend several years on the Continent.

Hinkson’s first novel, The End of All Dreams (1923), addresses the decline of the “big house” amid the revolutionary upheavals of recent Irish history, a theme to which she returns in later works, such as The Deeply Rooted (1935) and her last book, The Lonely Bride (1951). During the 1920s she writes much girls’ school fiction, while her novel Wind from the West (1930) is informed by a period spent in France, where she works as a governess. Her transcription of the memoirs of Lady Fingall (Elizabeth Burke-Plunkett), published under the title Seventy Years Young (1937), illustrates the decline of the Anglo-Irish ascendancy. Informed by war and the Irish troubles, her novels characteristically are solemn, and reflect her ambivalent relationship with Ireland. Inspired by the Irish landscape, but never an ardent supporter of Irish independence, she maintains an abiding attachment to England.

The death of Hinkson’s mother in 1931 is a devastating blow that triggers her most forceful and first truly successful novel, The Ladies’ Road (1932). Documenting the lives of the Irish and English ascendancies before, during, and after World War I, this novel, without being explicitly autobiographical, contains many motifs that resonate with her own life story. When published in the United States in 1946 it proves a massive success, selling 100,000 copies in the Penguin Books edition, a rare feat for a World War I novel appearing immediately after World War II. Other notable works are The Light on Ireland (1935) and her sketches of Irish life, Irish Gold (1939), written while she lodges with friends near Lough Derg, County Tipperary.

Hinkson’s visit to India in the late 1930s as a guest of the viceroy, which she recounts in Indian Harvest (1941), results in her appointment to the Ministry of Information in London (1939–45). She lectures on India in the United States during World War II, and also lectures to British troops and local audiences in Germany (1946–47), broadcasts on radio, and contributes to The Observer, The Spectator, New Statesman, The Manchester Guardian, and Time and Tide. Her novel Golden Rose (1944), written in London during The Blitz, romanticises the British colonial presence in India. Forthright in the expression of her numerous strongly held opinions, she argues ardently and controversially for women’s rights, animal welfare, and retention of Northern Ireland in the UK. Devout in her Catholicism, she is none the less critical of certain Catholic precepts.

Hinkson returns to Ireland in 1959 where she suffers poor health for twenty years until her death in Dublin on May 26, 1982.

(From: “Hinkson, Pamela” by Jessica March, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Seumas O’Kelly, Journalist, Writer & Playwright

Seumas O’Kelly, journalist, fiction writer, and playwright, dies in Dublin on November 14, 1918, following a cerebral haemorrhage.

O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.

Loughrea is at the centre of the bitterly-fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.

While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.

O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.

O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.

Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.

When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.

When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.

O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).

(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of James Stephens, Novelist & Poet

James Stephens, Irish novelist and poet, dies in London, England on December 26, 1950, Saint Stephen’s Day.

Stephens’ birth is somewhat shrouded in mystery. He claims to have been born on the same day and same year as James Joyce, February 2, 1882, whereas he is in fact probably the same James Stephens who is on record as being born at the Rotunda Hospital in Dublin, on February 9 1880, the son of Francis Stephens of 5 Thomas’s Court, Dublin, a vanman and a messenger for a stationer’s office, and his wife, Charlotte Collins. His father dies when he is two years old and, when he was six years old, his mother remarries. He is committed to the Meath Protestant Industrial School for boys in Blackrock for begging on the streets, where he spends much of the rest of his childhood. He attends school with his adoptive brothers Thomas and Richard Collins before graduating as a solicitor‘s clerk. They compete and win several athletic competitions despite James’ tiny 4’10” stature. He is known affectionately as “Tiny Tim.” He is much enthralled by the tales of military valour of his adoptive family and would have become a soldier except for his height.

By the early 1900s Stephens is increasingly inclined to socialism and the Irish language and by 1912 is a dedicated Irish Republican. He is a close friend of the 1916 leader Thomas MacDonagh, who is then editor of The Irish Review and deputy headmaster in St. Enda’s School, the radical bilingual Montessori school run by Patrick Pearse and later manager of the Irish Theatre. He spends much time with MacDonagh in 1911. His growing nationalism brings a schism with his adoptive family, but probably wins him his job as registrar in the National Gallery of Ireland, where he works between 1915 and 1925, having previously had an ill-paid job with the Mecredy firm of solicitors.

Stephens produces many retellings of Irish myths. His retellings are marked by a rare combination of humour and lyricism, with Deirdre and Irish Fairy Tales especially often praised. He also writes several original novels, including The Crock of Gold, Etched in Moonlight and Demi-Gods, based loosely on Irish wonder tales. The Crock of Gold in particular has achieved enduring popularity and has often been reprinted.

Stephens begins his career as a poet under the tutelage of poet and painter Æ (George William Russell). His first book of poems, Insurrections, is published in 1909. His last book, Kings and the Moon (1938), is also a volume of verse. His influential account of the 1916 Easter Rising, Insurrection in Dublin, describes the effect of the deaths by execution of his friend Thomas MacDonagh and others as being “like watching blood oozing from under a door.”

Stephens later lives between Paris, London and Dublin. During the 1930s he is a friend of James Joyce, and they wrongly believe that they share a birthday. Joyce, who is concerned about his ability to finish what later becomes Finnegans Wake, proposes that Stephens assist him, with the authorship credited to JJ & S (for “Jameses Joyce & Stephens”, but also a pun on the popular Jameson Irish Whiskey, made by John Jameson & Sons). The plan is never implemented, as Joyce is able to complete the work on his own.

During the last decade of his life Stephens finds a new audience through a series of broadcasts on the BBC.


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First Issue of “The Irish People” Printed in Dublin

The Irish People, a nationalist weekly newspaper supportive of the Fenian movement, is first printed in Dublin on November 28, 1863. It is suppressed by the British Government in 1865.

Other republican newspapers namely, the United Irishman, The Irish Tribune, The Irish Felon, and then the Repeal Association-supporting paper, The Nation, are suppressed in 1848 after their writers, Young Irelanders and members of the Irish Confederation, are accused of promoting sedition. James Stephens is a Young Irelander and part of the Young Ireland rebellion of 1848 that follows the closures of these newspapers. He flees to France after the rebellion’s failure. In 1856, he returns to Ireland and makes connections with former rebels. Two years later, he founds the Irish Republican Brotherhood (IRB).

In 1863, Stephens tells friends he is to start a newspaper. With funds through John O’Mahony, founder of the Fenian Brotherhood in the United States, he sets up an office at 12 Parliament Street. John O’Leary becomes the editor, with Thomas Luby, Charles Kickham, and Denis Mulcahy as editorial staff and Luby as a proprietor. Jeremiah O’Donovan Rossa is the business manager and James O’Connor his assistant and bookkeeper. The newspaper is printed by John Haltigan. Most of the articles are written by O’Leary and Kickham. The first issue comes out on Saturday, November 28, 1863. Its sympathies are clear. A front-page advertisement offers to ship old copies of the United Irishman and The Irish Felon to any address in the UK and editorial content is critical of the political status quo. Superintendent Daniel Ryan of G Division of the Dublin Metropolitan Police, which is largely concerned with Fenianism, notes the new publication’s birth and comments on its low circulation.

Plans for a rising in Ireland, hatched in the United States, are found at Kingstown station in July 1865 in an envelope containing a £500 New York bankers’ draft payable to Stephens’ brother-in-law. This is handed over to Dublin Castle and the link proves to be decisive for what follows. Later, a letter to the Tipperary IRB calling for a nationalist uprising is found by Pierce Nagle, a police informer working for The Irish People. Nagle had visited British officials while in New York in 1864 and offers his services after being upset by Stephens’ manner. After Nagle provides the information, the offices of The Irish People are raided on September 15. The last issue comes out the following day.

The paper is suppressed by the Lord Lieutenant of Ireland, John Wodehouse. Luby, O’Leary, O’Donovan Rossa and O’Connor are arrested and held at Richmond Bridewell prison. Stephens and Kickham join them a month later. Stephens escapes from prison on November 24. A Special Commission is opened on November 27 and forty-one people are charged are ultimately charged. Luby, O’Leary, O’Connor, O’Donovan Rossa and Kickham are charged with the most serious crime of treason felony, first used against the republicans of 1848. Evidence used for the prosecution includes the letter found by Nagel and his testimony about Fenian connections, articles from The Irish People as far back as the first issue, in which Irish Catholic judges including one of the presiding judges, the current Attorney-General for Ireland and Privy Councillor William Keogh, had been strongly criticised, and a devastating secret document from 1864 written by Stephens and entrusted to Luby granting Luby, O’Leary and Kickham executive powers over the IRB. Kickham is unaware of the document. The conflicts of interest, also with the other judge, John David FitzGerald, who is involved in the defendants’ arrest, are highlighted by the defending counsel, former Tory MP Isaac Butt. Also noted is the striking, if not unusual, jury packing, an act where in a mostly-Catholic land, some of the juries involved are entirely Protestant.

Luby, O’Leary and O’Connor receive sentences of twenty years. O’Donovan Rossa is sentenced to life imprisonment because of his previous convictions. The frail Kickham, lifelong near-blind and deaf, gets twelve years. Judge Keogh praises his intellect and expresses sympathy with his plight, despite having refused his request for a writ of corpus to bring Luby and Charles Underwood O’Connell to his trial concerning his ignorance of the “executive document,” as Luby had already begun his sentence in Pentonville Prison.

(Pictured: The masthead of the first issue of The Irish People | This file is licensed under the Creative Commons Attribution 4.0 International license)


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Founding of Clan na Gael in New York City

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 90The Clan na Gael, an Irish republican organization in the United States in the late 19th and 20th centuries, is founded by John Devoy, Daniel Cohalan, and Joseph McGarrity in New York City on June 20, 1867. It is the successor to the Fenian Brotherhood and a sister organization to the Irish Republican Brotherhood (IRB). It has shrunk to a small fraction of its former size in the 21st century.

As Irish immigration to the United States begins to increase in the 18th century many Irish organizations are formed. In the later part of the 1780s, a strong Irish patriot character begins to grow in these organizations and amongst recently arrived Irish immigrants.

In 1858, the IRB is founded in Dublin by James Stephens. In response to the establishment of the IRB in Dublin, a sister organization is founded in New York City, the Fenian Brotherhood, led by John O’Mahony. This arm of Fenian activity in America produces a surge in radicalism among groups of Irish immigrants, many of whom had recently emigrated from Ireland during and after the Great Famine.

In October 1865, the Fenian Philadelphia Congress meets and appoints the Irish Republican Government in the United States. Meanwhile in Ireland, the IRB newspaper The Irish People is raided by the police and the IRB leadership is imprisoned. Another abortive uprising occurs in 1867, but the British remain in control.

After the 1865 crackdown in Ireland, the American organization begins to fracture over what to do next. Made up of veterans of the American Civil War, a Fenian army is formed. While O’Mahony and his supporters want to remain focused on supporting rebellions in Ireland, a competing faction, called the Roberts, or senate wing, wants this Fenian Army to attack British bases in Canada. The resulting Fenian raids strain U.S.–British relations. The level of American support for the Fenian cause begins to diminish as the Fenians are seen as a threat to stability in the region.

After 1867, the Irish Republican Brotherhood headquarters in Manchester chooses to support neither of the existing feuding factions, but instead promotes a renewed Irish republican organization in America, to be named Clan na Gael.

According to John Devoy in 1924, Jerome James Collins founds what is then called the Napper Tandy Club in New York on June 20, 1867, Wolfe Tone‘s birthday. This club expands into others and at one point at a picnic in 1870 is named the Clan na Gael by Sam Cavanagh. This is the same Cavanagh who killed the informer George Clark, who had exposed a Fenian pike-making operation in Dublin to the police.

Collins, who dies in 1881 on the disastrous Jeannette Expedition to the North Pole, is a science editor on the New York Herald, who had left England in 1866 when a plot he was involved in to free the Fenian prisoners at Pentonville Prison was uncovered by the police. Collins believes at the time of the founding in 1867 that the two feuding Fenians branches should patch things up.

The objective of Clan na Gael is to secure an independent Ireland and to assist the Irish Republican Brotherhood in achieving this aim. It becomes the largest single financier of both the Easter Rising and the Irish War of Independence.

Clan na Gael continues to provide support and aid to the Irish Republican Army (IRA) after it is outlawed in Ireland by Éamon de Valera in 1936 but becomes less active in the 1940s and 1950s. However the organization grows in the 1970s. The organization plays a key part in NORAID and is a prominent source of finance and weapons for the Provisional Irish Republican Army during the Troubles in Northern Ireland in 1969–1998.

The Clan na Gael still exists today, much changed from the days of the Catalpa rescue. In 1987 the policy of abstentionism is abandoned. As recently as 1997 another internal split occurs as a result of the IRA shift away from the use of physical force as a result of the 1998 Good Friday Agreement. The two factions are known to insiders as Provisional Clan na Gael (allied to Provisional Sinn Féin/IRA) and Republican Clan na Gael (associated with both Republican Sinn Féin/Continuity IRA and 32 County Sovereignty Movement/Real IRA, though primarily the former). These have been listed as terrorist organizations at various times by the UK Government.

(Pictured: Clan na Gael marching in the 1970 St. Patrick’s Day Parade in Philadelphia, photograph by John Hamilton)


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Birth of Robert Wilson Lynd, Writer & Irish Nationalist

robert-wilson-lyndRobert Wilson Lynd, Irish writer, editor of poetry, urbane literary essayist and strong Irish nationalist, is born in Belfast on April 20, 1879.

Lynd is born to Robert John Lynd, a Presbyterian minister, and Sarah Rentoul Lynd, the second of seven children. His paternal great-grandfather emigrated from Scotland to Ireland. He is educated at Royal Belfast Academical Institution and Queen’s University Belfast. His father serves a term as Presbyterian Church Moderator but he is just one of a long line of Presbyterian clergy in the family.

Lynd begins as a journalist with The Northern Whig in Belfast. He moves to London in 1901, via Manchester, sharing accommodation with his friend the artist Paul Henry. Initially he writes drama criticism for Today, edited by Jerome K. Jerome. He also writes for The Daily News (later the News Chronicle), being its literary editor from 1912 until 1947.

Lynd marries the writer Sylvia Dryhurst on April 21, 1909. They meet at Gaelic League meetings in London. Their daughters Máire and Sigle become close friends of Isaiah Berlin. Sigle’s son, born in 1941, is artist Tim Wheeler. In March 1924, they move to what is to be their long-term married home, the elegant Regency house of 5 Keats Grove in the leafy suburb of Hampstead in northwest London. The house had been lived in by various members of Sylvia’s family.

The Lynds are literary hosts, in the group including J. B. Priestley. They are on good terms also with Hugh Walpole. Priestley, Walpole and Sylvia Lynd are founding committee members of the Book Society. Irish guests include James Joyce and James Stephens. On one occasion reported by Victor Gollancz in Reminiscences of Affection, Joyce intones Anna Livia Plurabelle to his own piano accompaniment. Joyce and his wife Nora Barnacle hold their wedding lunch at the Lynds’ house after getting married at Hampstead Town Hall on July 4, 1931.

Lynd uses the pseudonym Y.Y. in writing for the New Statesman. According to C. H. Rolph‘s Kingsley, Lynd’s weekly essay, which runs from 1913 to 1945, is “irreplaceable.” In 1941, editor Kingsley Martin decides to alternate it with pieces by James Bridie on Ireland, but the experiment is not at all a success.

Lynd’s political views are at a certain point radicalised by his experience of how Ulster and Home Rule develops in the 1912–1914 period. He is appalled at the threat of the use of violence to deliver Ulster from Home Rule and the later decision to postpone the implementation of the Third Home Rule Bill. He later writes, “Then came August 1914 and England began a war for the freedom of small nations by postponing the freedom of the only small nation in Europe which it was within her power to liberate with the stroke of a pen.”

Lynd becomes fluent in the Irish language and is a Gaelic League member. As a Sinn Féin activist, he uses the name Robiard Ó Flionn/Roibeard Ua Flionn. He dies in Hampstead, London on October 6, 1949. He is buried in Belfast City Cemetery.


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Death of Helena Moloney, Feminist & Labour Activist

helena-moloneyHelena Mary Molony, prominent Irish republican, feminist and labour activist, dies in Dublin on January 28, 1967. She fights in the 1916 Easter Rising and later becomes the second woman president of the Irish Trades Union Congress (ITUC).

Molony is born in Dublin on January 15, 1883, to Michael Molony, a grocer, and Catherine McGrath. Her mother dies early in her life. Her father later remarries, but both became alcoholics, something which influences her years later.

In 1903, inspired by a pro-nationalist speech given by Maud Gonne, Molony joins Inghinidhe na hÉireann and begins a lifelong commitment to the nationalist cause. In 1908 she becomes the editor of the organisation’s monthly newspaper, Bean na hÉireann (Woman of Ireland). The newspaper brings together a nationalist group – Constance Markievicz designs the title page and writes the gardening column, Sydney Gifford writes for the paper and is on its production team and contributors include Eva Gore-Booth, Susan L. Mitchell, and Katharine Tynan, as well as Patrick Pearse, Thomas MacDonagh, George William Russell, Roger Casement, Arthur Griffith and James Stephens.

Molony is central to the school meals activism of the movement. With Maud Gonne, Marie Perolz and others, she organises the supply of daily school meals to children in impoverished areas, and pressures Dublin Corporation and other bodies to provide proper meals to the starved children of Dublin city.

Molony also has a career as an actress, and is a member of the Abbey Theatre. However her primary commitment is to her political work. She is a strong political influence, credited with bringing many into the movement, including Constance Markievicz and Dr. Kathleen Lynn.

As a labour activist, Molony is a close colleague of Markievicz and of James Connolly. In November 1915 Connolly appoints her secretary of the Irish Women Workers’ Union, in succession to Delia Larkin. This union had been formed during the strike at Jacob’s Biscuit Factory that was part of the 1913 Dublin lock-out. She manages the union’s shirt factory in Liberty Hall, founded to give employment to the strikers put out of work and blacklisted after the strike. She is friendly with the family of Thomas MacDonagh and his wife, Muriel, and is the godmother of their daughter Barbara, whose godfather is Patrick Pearse.

Fianna Éireann, the cadet body of the Irish Volunteers, is founded by Constance Markievicz in Molony’s home at 34 Lower Camden Street, Dublin, on August 16, 1909. Markievicz works closely with Molony and Bulmer Hobson in organising the fledgling Fianna. It is during this period of working together in building the Fianna that Molony and Hobson grow close and became romantically linked. However, the relationship does not last.

Molony is a prominent member of Cumann na mBan, the republican women’s paramilitary organisation formed in April 1914 as an auxiliary of the Irish Volunteers. Members of Cumann na mBan train alongside the men of the Irish Volunteers in preparation for the armed rebellion against the English forces in Ireland.

During the 1916 Easter Rising, Molony is one of the Citizen Army soldiers who attacks Dublin Castle. During the defence of City Hall, her commanding officer, Sean Connolly, is killed and she is captured and imprisoned until December 1916.

After the Irish Civil War, Molony becomes the second female president of the Irish Trades Union Congress. She remains active in the republican cause during the 1930s, particularly with the Women’s Prisoner’s Defense League and the People’s Rights Association.

Molony retires from public life in 1946, but continued to work for women’s labour rights. She dies in Dublin on January 28, 1967.


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Birth of Fenian John O’Leary

john-o-learyJohn O’Leary, Irish republican and a leading Fenian, is born on July 23, 1830 in Tipperary, County Tipperary. He is imprisoned in England during the nineteenth century for his involvement in the Irish Republican Brotherhood.

O’Leary, born a Catholic, is educated at the local Protestant grammar school, The Abbey School, and later the Catholic Carlow College. He identifies with the views advocated by Thomas Davis and meets James Stephens in 1846.

He begins his studies in law at Trinity College, Dublin, in 1847, where, through the Grattan Club, he associates with Charles Gavan Duffy, James Fintan Lalor and Thomas Francis Meagher.

After the failure of the Young Irelander Rebellion of 1848, O’Leary attempts to rescue the Young Ireland leaders from Clonmel Gaol, and is himself imprisoned for a week from September 8, 1849. He takes part in a further attempted uprising in Cashel on September 16, 1849, but this proves abortive.

O’Leary abandons his study of law at Trinity College because he is unwilling to take the oath of allegiance required of a barrister. He enrolls at Queen’s College, Cork in 1850, to study medicine, later moving to Queen’s College, Galway, then on to further studies at Meath Hospital in Dublin, in Paris and in London. In 1855, he visits Paris, where he becomes acquainted with Kevin Izod O’Doherty, John Martin and the American painter, James Abbott McNeill Whistler. He subsequently becomes financial manager of the newly formed Irish Republican Brotherhood (IRB), and is joint editor of the IRB paper The Irish People.

On September 16, 1865, O’Leary is arrested and later tried on charges of high treason, eventually reduced to “treason felony.” He is sentenced to twenty years of penal servitude, of which five years are spent in English prisons, prior to his release and exile in January 1871. During his exile, he lives mainly in Paris, also visiting the United States, remains active in the IRB and its associated organisations, and writes many letters to newspapers and journals.

On the expiration of his 20-year prison term and therefore of the conditions associated with his release in 1885, O’Leary returns to Ireland. He and his sister, the poet Ellen O’Leary, both become important figures within Dublin cultural and nationalist circles, which include William Butler Yeats, Maud Gonne, Rose Kavanagh, Rosa Mulholland, George Sigerson, and Katharine Tynan. He also functions as an elder statesman of the separatist movement, being active in the Young Ireland Society, and acts as president of the Irish Transvaal Committee, which supports the Boer side in the Second Boer War.

John O’Leary dies at his residence in Dublin on the evening of March 16, 1907. He is referred to famously by W.B. Yeats in his poem September 1913: “Romantic Ireland’s dead and gone/It’s with O’Leary in the grave.”

(Pictured: Painting of John O’Leary, a favorite subject of John Butler Yeats (1904). The National Gallery of Ireland owns three oil portraits of O’Leary.)


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Birth of Seumas O’Sullivan, Poet & Editor

seamus-o-sullivanSeumas O’Sullivan, Irish poet and editor of The Dublin Magazine born James Sullivan Starkey, is born in Dublin on July 17, 1879.

O’Sullivan spends his adult life in the Dublin suburb of Rathgar. In 1926 he marries the artist Estella Solomons, sister of Bethel Solomons. Her parents are opposed to the marriage as Seumas is not Jewish.

O’Sullivan’s books include Twilight People (1905), Verses Sacred and Profane (1908), The Earth Lover (1909), Selected Lyrics (1910), Collected Poems (1912), Requiem (1917), Common Adventures (1926), The Lamplighter (1929), Personal Talk (1936), Poems (1938), Collected Poems (1940), and Dublin Poems (1946). Terence de Vere White praises him as “a true poet,” and is critical of William Butler Yeats for leaving him out of his anthology of Irish poets, which he thinks a particularly strange decision since Yeats and O’Sullivan are friends, although they quarrel from time to time. In 1936 a version of a play by Irish playwright Teresa Deevy called The King of Spain’s Daughter is included in The Dublin Magazine which is edited by Seumas O’Sullivan.

O’Sullivan and B.J. Brimmer Company are accredited within the ‘Acknowledgments’ of People and Music by Thomasine C. McGehee, published via Allyn & Bacon within the Junior High School Series and edited by James M. Glass, 1929 and 1931 respectively, for both the frontispiece In Mercer Street and the excerpt from Ballad of a Fiddler on page 93.

O’Sullivan has a great admiration for Patrick Kavanagh, and in the 1940s he is one of the very few Irish editors who is prepared to publish his poetry.

O’Sullivan’s father, William Starkey (1836-1918), a physician, is also a poet and a friend of George Sigerson.

O’Sullivan is a friend of most of the leading literary figures in Dublin, including William Butler Yeats, James Stephens and George William Russell. His “at homes” on Sunday afternoons are a leading feature of Dublin literary life, as are Russell’s Sunday evenings and Yeats’s Monday evenings. He is inclined to be quarrelsome due to his heavy drinking and on one occasion he insults James Stephens publicly at a literary dinner. Even the kind-hearted Russell admits that “Seumas drinks too much.” Yeats’ verdict is that “the trouble with Seumas is that when he’s not drunk, he’s sober.”

Seumas O’Sullivan dies on March 24, 1958.

(Pictured: Portrait of Seumas O’Sullivan by Estella Frances Solomons)