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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Leslie Mary de Barra, Irish Nationalist & Republican

Leslie Mary de Barra (née Price), Irish nationalist and republican active during the Easter Rising of 1916, the Irish War of Independence and the Irish Civil War, dies in Cork, County Cork, on April 9, 1984. She becomes Director of Cumann na mBan and goes on to be chairman and President of the Irish Red Cross.

She is born Leslie Mary Price in Dublin on January 9, 1893, to Michael and Mary Price. Her father is a blacksmith, and she is one of six children. She wants to be a teacher and by 1911 has become a Monitress, a common way for girls to get into the teaching profession. Two of her brothers are involved in the Irish Volunteers and she is a member of Cumann na mBan. In advance of the Easter Rising, with the confusion over orders and lack of information, she states that she “did not question anything” as, with all that was happening, there are often odd events in her house. But they all wait for the mobilisation orders for the Rising.

De Barra’s role during the republican rebellion in Ireland, Easter 1916, is to act as a courier carrying messages and ammunition between the main headquarters in the General Post Office (GPO) and other posts. She does her role well during the Rising and gains the respect of many Irish Republicans. On the orders of Seán Mac Diarmada, one of the principal leaders of the rising, she and fellow Cumann na mBan member Bríd Dixon are promoted in the field and treated as officers. She later admits that the job was stressful. She is stationed both in the GPO and in the Hibernian Bank. It is while she is in the bank that she comes closest to death, standing beside Captain Thomas Weafer while he is shot. Another soldier who goes to his aid is also shot. She barely has time to grab Captain Weafer before he dies. She is the person sent to fetch a priest for the dying and wounded soldiers on the Thursday. By Friday evening, she is in the GPO and is with the group evacuated with Louise Gavan Duffy. Once they reach the hospital on Jervis Street, she parts company from Duffy and heads to Jacob’s factory to see how the rebels are getting on there. She is also arrested and held in Broadstone Station but quickly released.

By 1918, de Barra represents West Cork in the Cumann na mBan convention and becomes a member of the executive committee. She leaves her teaching career to focus fully on the organisation required by the republican movement in 1918. She travels the country by train and by bicycle to get women to join the local branches of the Cumann and take part in the activities needed by the movement. She is tasked by the Irish Republican Army’s (IRA) General Headquarters to set up specific lines of communication between Dublin and the Provincial commands. Within the year the organisation has grown from 17 to over 600 branches. She is Director of the organisation during the period up to the end of the war.

De Barra marries Tom Barry on August 22, 1921, in Cork during the Truce period in the lead up to the Anglo-Irish Treaty. At the wedding are men who later end up on opposite sides. Both Éamon de Valera and Michael Collins are guests. Her husband is staunchly Anti-Treaty even though he has been friends with Collins. Although her husband is a staunch republican and a major figure in the Irish War of Independence and the Irish Civil War, while she is serving in the GPO in Dublin during the rising, he is in Mesopotamia serving in the British Army in World War I.

In later years de Barra is central to the Irish Red Cross. Initially she gets involved by organising the care of children orphaned by World War II. She represents the Irish Red Cross at conferences in Toronto, Oslo, Monaco, New Delhi, Geneva, Vienna, The Hague, Athens, Istanbul and Prague. She and her husband handle refugees from Czechoslovakia and Poland. Through the Red Cross she is able to ascertain the status of Irish held by the Spanish during the Spanish Civil War, as officially Ireland remains neutral and cannot get involved. She is Chairman of the Irish Red Cross from 1950 to 1973.

De Barra is instrumental in the setting up of the Voluntary Health Insurance organisation in the late 1950s. In 1962, with the Red Cross she launches the “Freedom from hunger” campaign in Ireland which later becomes the organisation Gorta. She serves as chairman of Gorta also.

In 1956, a memorial to 1916 is unveiled in Limerick. It is designed by Albert Power and the commemoration of the Rising is held in May 1956 and the monument is unveiled by de Barra. In 1963 she is awarded an honorary degree from University College Dublin (UCD) along with Éamon de Valera and others.

In 1971, de Barra is part of a series to look back on the events leading to Irish Independence and her story is broadcast by Raidió Teilifís Eireann. In 1979 she wins the Henry Dunant Medal which is the highest award of the Red Cross Movement.

De Barra and her husband live on St. Patrick’s Street in Cork from the 1940s until his death in 1980. She dies in Cork on April 9, 1984, and is buried with her husband in St. Finbarr’s Cemetery. She is remembered today in the Leslie Bean de Barra Trophy awarded for the Cork Area Carer of the Year.


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Birth of Sir Alfred Chester Beatty, First Honorary Citizen of Ireland

Sir Alfred Chester Beatty, mining engineer, philanthropist, art collector, and the first honorary citizen of Ireland (1957), is born in New York, New York, United States on February 7, 1875, on the site of what is now Rockefeller Center. He plays an important role in the development of copper deposits in Central Africa.

Beatty is the youngest of three sons born to Hetty and John Beatty, a banker and stockbroker. After studying engineering at the Columbia School of Mines and Princeton University, he helps to develop porphyry copper ores in the United States, first as a consulting engineer and later as a director on the boards of several copper-mining firms. In 1913 he relinquishes his mining interests in the United States and settles in Great Britain, becoming a naturalized British subject in 1933. In 1921 he forms a prospecting company that initiates the development of the Copperbelt region of Northern Rhodesia (now Zambia). For this, he becomes known as the “King of Copper.”

An early family anecdote recalls that, as a young boy, Beatty catches the collection bug, bidding at auction for mining samples. In 1931 an announcement in London‘s The Times casts him as a great collector. Between 1939 and 1949 he acquires over 140 nineteenth-century paintings to display in the Picture Gallery of his London home. These are now part of the collection of the National Gallery of Ireland.

Beatty supports the war effort, contributing a large number of raw materials to the Allies. He receives a belated knighthood by Queen Elizabeth II in the 1954 Birthday Honours list for his contribution to the wartime effort. By the late 1940s, however, he has become disillusioned with Britain. Political deviations from his free-market values, coupled with increased foreign exchange restrictions impacted both his personal and collecting interests in Britain.

In 1950, at the age of 75, Beattys over the reins of Selection Trust to his son Chester Jr. and relocates to Dublin. He purchases a large townhouse for himself on Ailesbury Road, in the Ballsbridge area of Dublin and a site on Shrewsbury Road for the construction of the Chester Beatty Library, which houses the collection, opening on August 8, 1953. The library is moved to its current location at Dublin Castle in 2000.

Beatty spends the remainder of his life between Dublin and the south of France. He is made a Freeman of the City of Dublin in 1954 and is the first person granted honorary citizenship of Ireland in 1957. He continues to collect in the 1950s and 1960s, acquiring important Ethiopian manuscripts and Japanese printed material during that period.

Beatty dies in Monte Carlo in Monaco on January 19, 1968. His Irish estate is valued at £7 million. He is accorded a state funeral by the Irish government, the first private citizen in Irish history to receive such an honour. He is buried in Glasnevin Cemetery in Dublin.


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Birth of Chauncey Olcott, Actor, Singer & Songwriter

chauncey-olcott

John Chancellor “Chauncey” Olcott, American stage actor, songwriter and singer of Irish descent, is born in Buffalo, New York on July 21, 1858. His mother, Margaret (née Doyle), is a native of Killeagh, County Cork.

In the early years of his career Olcott sings in minstrel shows, before studying singing in London during the 1880s. Lillian Russell plays a major role in helping make him a Broadway star. When the producer Augustus Pitou approaches him in 1893 to succeed William J. Scanlan as the leading tenor in sentimental operettas on Irish themes, Olcott accepts and performs pseudo-Irish roles for the remainder of his career.

Olcott combines the roles of tenor, actor, lyricist and composer in many productions. He writes the complete scores to Irish musicals such as Sweet Inniscara (1897), A Romance of Athlone (1899), Garrett O’Magh (1901), and Old Limerick Town (1902). For other productions he collaborates with Ernest Ball and George Graff, Jr. in works such as The Irish Artist (1894), Barry of Ballymore (1910), Macushla (1912), and The Isle o’ Dreams (1913). There are some twenty such works between 1894 and 1920.

Olcott is a good songwriter who captures the mood of his Irish American audience by combining melodic and rhythmic phrases from traditional Irish music with melancholy sentiment. Some numbers from his musicals become very popular, such as “My Wild Irish Rose” from A Romance of Athlone, “Mother Machree” from Barry of Ballymore, and “When Irish Eyes Are Smiling” from The Isle o’ Dreams. Sometimes he uses tunes from others, such as that of the title song from Macushla from Irish composer Dermot Macmurrough (pseudonym of Harold R. White) or Too Ra Loo Ra Loo Ral (Irish Lullaby) by James Royce Shannon for his production Shameen Dhu (1914).

In 1925, a serious illness forces Olcott to retire, and he moves to Monte Carlo, Monaco where he dies of pernicious anemia on March 18, 1932. His body is brought home and interred in the Woodlawn Cemetery in The Bronx, New York City.

Olcott’s life story is told in the 1947 Warner Bros. motion picture My Wild Irish Rose starring Dennis Morgan as Olcott. The film’s plot is based on the biography by Olcott’s widow, Rita Olcott, Song in His Heart (1939).

In 1970, Olcott is posthumously inducted into the Songwriters Hall of Fame.


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Lord Killanin Becomes President of the International Olympic Committee

Michael Morris, 3rd Baron Killanin, journalist, author, and sports official, becomes the first Irish president of the International Olympic Committee (IOC) on August 23, 1972.

Morris is born in London on July 30, 1914, the son of Irish Catholic Lt. Col. George Henry Morris who is from Spiddal in County Galway. The Morrises are one of the fourteen families making up the “Tribes of Galway.”

Morris is educated at Summerfields, St. Leonards-on-Sea, Eton College, the Sorbonne in Paris and then Magdalene College, Cambridge, where he is President of the renowned Footlights dramatic club. He succeeds his uncle as Baron Killanin in the Peerage of the United Kingdom in 1927, which allows him to sit in the House of Lords at the Palace of Westminster as Lord Killanin upon turning 21. In the mid-1930s, he begins his career as a journalist on Fleet Street, working for the Daily Express, the Daily Sketch and subsequently the Daily Mail.

In November 1938, Lord Killanin is commissioned into the Queen’s Westminsters, a territorial regiment of the British Army, where he is responsible for recruiting fellow journalists, including future The Daily Telegraph editor Bill Deedes, and friends who are musicians and actors. He reaches the rank of major and takes part in the planning of D-Day and the Invasion of Normandy in 1944, acting as brigade major for the 30th Armoured Brigade, part of the 79th Armoured Division. He is appointed, due to the course of operations, a Member of the Order of the British Empire (MBE). After being demobilised, he goes to Ireland. He resigns his TA commission in 1951.

In 1950, Lord Killanin becomes the head of the Olympic Council of Ireland (OCI) and becomes his country’s representative in the IOC in 1952. He becomes senior vice-president in 1968, and succeeds Avery Brundage, becoming President-elect at the 73rd IOC Session (August 21–24) held in Munich prior to the 1972 Summer Olympics. He takes office soon after the Games.

During Lord Killanin’s presidency, the Olympic movement experiences a difficult period, dealing with the financial flop of the 1976 Summer Olympics in Montreal and the boycotts of the 1980 Summer Olympics in Moscow. Denver, originally selected to host the 1976 Winter Olympics, withdraws and has to be replaced by Innsbruck. The cities of Lake Placid, New York and Los Angeles are chosen for 1980 Winter Olympics and 1984 Summer Olympics by default due to a lack of competing bids. He resigns just before the Moscow Olympics in 1980, and his position is taken over by Juan Antonio Samaranch. He is later unanimously elected Honorary Life President.

Lord Killanin serves as Honorary Consul-General of Monaco in Ireland from 1961 to 1984 and as Chairman of the Race Committee for Galway Racecourse from 1970 to 1985. A keen horse racing enthusiast, he also serves as a steward of the Irish Turf Club on two occasions and on the National Hunt Steeplechase Committee. In his business life Lord Killanin is a director of many companies including Irish Shell, Ulster Bank, Beamish & Crawford and Chubb Ireland. He is a founder member of An Taisce (The National Trust for Ireland) and is chairman of the National Monuments Advisory Council until his death.

Lord Killanin dies at his home in Dublin on April 25, 1999, at the age of 84 and, following a bilingual funeral Mass at St. Enda’s Church in Spiddal, County Galway, he is buried in the family vault in the New Cemetery, Galway.

(Pictured: Lord Killanin by Bert Verhoeff / Anefo (Nationaal Archief) [CC BY-SA 3.0 nl (http://creativecommons.org/licenses/by-sa/3.0/nl/deed.en)%5D, via Wikimedia Commons)