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Birth of Charles Kickham, Novelist, Poet, Journalist & Revolutionary

Charles Joseph Kickham, Irish revolutionary, novelist, poet, journalist and one of the most prominent members of the Irish Republican Brotherhood (IRB), is born at Mullinahone, County Tipperary, on May 9, 1828.

Kickham’s father, John Kickham, is the proprietor of the principal drapery in the locality and is held in high esteem for his patriotic spirit. His mother, Anne O’Mahony, is related to the Fenian leader John O’Mahony. He grows up largely deaf and almost blind, the result of an explosion with a powder flask when he is thirteen. He is educated locally, where it is intended that he study for the medical profession. During his boyhood the campaign for a repeal of the Acts of Union 1800 between Great Britain and Ireland is at its height, and he soon becomes versed in its arguments and is inspired by its principles. He often hears the issues discussed in his father’s shop and at home amongst all his friends and acquaintances.

From a young age Kickham is imbued with these patriotic ideals. He becomes acquainted with the teaching of the Young Irelanders through their newspaper The Nation from its foundation in October 1842. His father read the paper aloud every week for the family. Like all the young people of the time, and a great many of the old ones, his sympathies are with the Young Irelanders on their secession from the Repeal Association.

When he is 22 years old, Kickham contributes The Harvest Moon sung to the air of “The Young May Moon,” to The Nation on August 17, 1850. Other verses are to follow, but the finest of his poems according to A. M. O’Sullivan, appear in other journals. Rory of the Hill, The Irish Peasant Girl, and Home Longings, better known as Slievenamon, are published in the Celt. The First Felon appears in the Irishman. Patrick Sheehan, the story of an old soldier, is published in the Kilkenny Journal, and becomes very popular as an anti-recruiting song.

Kickham begins to write for a number of papers, including The Nation, but also the Celt, the Irishman, the Shamrock, and becomes one of the leading writers of The Irish People, the Fenian newspaper, in which many of his poems appear. His writings are signed using his initials, his full name, or the pseudonyms, “Slievenamon” and “Momonia.”

Kickham is the leading member of the Confederation Club in Mullinahone, which he is instrumental in founding. When the revolutionary spirit begins to grip the people in 1848, he turns out with a freshly made pike to join William Smith O’Brien and John Blake Dillon when they arrive in Mullinahone in July 1848. On hearing of the progress of O’Brien through the country, he sets to work manufacturing pikes and is in the forge when news reaches him that the leaders are looking for him. It is here that he meets James Stephens for the first time. At O’Brien’s request, he rings the chapel bell to summon the people and before midnight a Brigade has answered the summons. He later writes a detailed account about this period which brings his connection with the attempted Rising of 1848 to a close.

After the failed 1848 uprising at Ballingarry, Kickham has to hide for some time, as a result of the part he had played in rousing the people of his native village to action. When the excitement has subsided, he returns to his father’s house and resumes his interests in the sports of fishing and fowling and spends much of his time in literary pursuits. Some of the authors in which he is well versed are Alfred Tennyson and Charles Dickens and he greatly admires George Eliot, and after William Shakespeare, is Robert Burns.

In the autumn of 1857, a messenger arrives from New York with a message for James Stephens from members of the Emmet Monument Association, calling on him to get up an organization in Ireland. On December 23, Stephens dispatches Joseph Denieffe to the United States with his reply and outlines his conditions and his requirements from the organisation in America. Denieffe returnd on March 17, 1858, with the acceptance of Stephens’ terms and £80. That evening the Irish Republican Brotherhood commences. Those present in Langan’s, lathe-maker and timber merchant, 16 Lombard Street, for that first meeting are Stephens, Kickham, Thomas Clarke Luby, Peter Langan, Denieffe and Garrett O’Shaughnessy. Later it includes members of the Phoenix National and Literary Society, which is formed in 1856 by Jeremiah O’Donovan Rossa in Skibbereen, County Cork.

In mid-1863, Stephens informs his colleagues that he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of The Irish People appears on November 28, 1863. The staff of the paper along with Kickham are Luby and Denis Dowling Mulcahy as the editorial staff, O’Donovan Rossa and James O’Connor in charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor. Shortly after the establishment of the paper, Stephens departs on an America tour, and to attend to organizational matters. Before leaving, he entrusts to Luby a document containing secret resolutions on the Committee of Organization or Executive of the IRB. Though Luby intimates its existence to O’Leary, he does not inform Kickham as there seems no necessity. This document later forms the basis of the prosecution against the staff of The Irish People.

Kickham’s first contribution to The Irish People, entitled Leaves from a Journal, appears in the third issue and is based on a journal he kept on his way to America in 1863. This article leaves no doubt as to his literary capacity according to O’Leary. It falls to Kickham, as a good Catholic, to tackle the priests, though not exclusively with articles such as “Two Sets of Principles,” a rebuff to the doctrines laid down by Lord Carlisle, and “A Retrospect,” dealing with the tenant-right movement chiefly but also the events of the recent past and their bearing on the present. Kickham articulates the attitude held by the IRB in relation to priests, or more particularly in politics.

On July 15, 1865, American-made plans for a rising in Ireland are discovered when the emissary loses them at Kingstown railway station. They find their way to Dublin Castle and to Superintendent Daniel Ryan, head of G Division. Ryan has an informer within the offices of The Irish People named Pierce Nagle. He supplies Ryan with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of The Irish People on September 15, followed by the arrests of O’Leary, Luby, and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught but with the support of Fenian prison warders John J. Breslin and Daniel Byrne is less than a fortnight in Richmond Bridewell when he vanishes and escapes to France. The last issue of The Irish People is dated September 16, 1865.

On November 11, 1865, Kickham is convicted of treason. Judge William Keogh, with many expressions of sympathy for the prisoner, and many compliments in reference to his intellectual attainments, sentences him to fourteen years’ penal servitude. The prisoners’ refusal to disown their opposition to British rule in any way, even when facing charges of life-imprisonment, earn them the nickname of “the bold Fenian men.” Kickham spends time from 1866 until his release in the Woking Convict Invalid Prison.

Kickham is given a free pardon from Queen Victoria on February 24, 1869, because of ill-health, and upon his release he is made Chairman of the Supreme Council of the IRB and the unchallenged leader of the reorganized movement. He is an effective orator and chairman of meetings despite his physical handicaps. He wears an ear trumpet and can only read when he holds books or papers within a few inches of his eyes. For many years he carries on conversations by means of the deaf and dumb alphabet.

Kickham is the author of three well-known stories, dealing sympathetically with Irish life and manners and the simple faith, the joys and sorrows, the quaint customs and the insuppressible humour of the peasantry. Knocknagow is deemed one of the finest tales of peasant life ever written. Sally Cavanagh is a touching story illustrating the evils of landlordism and emigration. For the Old Land deals with the fortunes of a small farmer’s family.

Kickham dies on August 22, 1882, at the house of James O’Connor, a former member of the IRB and afterward MP for West Wicklow, 2 Montpelier Place, Blackrock, Dublin, where he had been living for many years, and had been cared for by the poet Rose Kavanagh. He is buried in Mullinahone, County Tipperary.


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Death of James Orr, Weaver, Radical & Poet

James Orr, weaver, radical, and poet, dies on April 24, 1816.

Orr is the son of James Orr, who farms a few acres and is a linen weaver. His mother’s name is unknown. They live in the small village of Ballycarry, in the parish of Broadisland, County Antrim. He is an only child, born when his parents are middle-aged. They are unwilling to risk sending him to school, so they carefully educate him at home, his father having been very well educated. A near-contemporary source George Pepper (1829), claims that the youngster is something of a prodigy, able to read Spectator essays at the age of six. Later in life, partly thanks to membership of a local reading society, he is remarkably well read. Handloom weavers are reputedly one of the most literate and politically radical groups in the period, and he certainly fits the stereotype. Pepper also claims that William Orr is James Orr’s uncle, and that the younger man lives for three years with William Orr and his family, where his literary talents are nurtured and where he develops an interest in radical politics. Other sources do not support this account, but if there is a relationship it might explain an almost morbid interest in assizes, executions, and gallows, evident in several poems. This also might have been prompted by witnessing William Orr’s trial and execution.

Pepper “heard from good authority” that Orr in 1797 is secretary to the Antrim Association, of which William Orr is president; presumably this means the Society of United Irishmen. He sings a patriotic song called “The Irishman,” one of his most celebrated compositions, at a meeting of that body. The earliest publications traced are poems published pseudonymously (1796–97) in the Northern Star newspaper. This paper, edited by Samuel Neilson, is sympathetic to United Irish views, and it is clear that Orr, like many of his neighbours, is actively involved in the 1798 rebellion. Several poems dealing with the events of June 1798, provide a rare participant’s perspective. He takes part in the skirmish at Donegore, and flees after the defeat at the Battle of Antrim. Local sources record his successful efforts to prevent cruelty and looting by his colleagues. He goes into hiding in an Irish-speaking area, perhaps in the Glens of Antrim or in the Sperrin Mountains. After a short time, he escapes to the United States, but unlike many of his former comrades he finds himself unable to settle there, and very soon returns home to Ballycarry, and thenceforth makes his living as a weaver. In 1800, he seeks to join the militia set up to counter a feared Napoleonic invasion, but the local gentry in command rejects his application because of his United Irish associations.

Orr’s first verses are composed at meetings of a local singing school, where rival versifiers produce impromptu verses for the company to sing to the psalm tunes being practised, and he later writes songs for masonic meetings. He publishes poems in the Belfast newspapers. A few carefully written essays on morality and education, signed “Censor, Ballycarry,” are apparently also his work. A collection of poems is published in 1804, with almost 400 subscribers, and another selection is published in 1817 after his death by his friend Archibald McDowell. Orr had requested that the proceeds should go to help the poor of Ballycarry. His poems are an excellent source of information about the life and concerns of a fairly humble stratum of late eighteenth-century Ulster society.

Many of Orr’s best poems deal with subjects of interest to his community – weaving, social life, and farming – and are written in the Scots language still widely spoken in the area. He expertly uses Scots stanza forms, and joyously participates in the almost competitive composition of verse typical of the Scots tradition. Several of his poems rework themes found in Robert Burns or other earlier writers. His An Irish Cottier’s Death and Burial is derived from a Burns poem, The Cottier’s Saturday Night, but later critics acknowledge that the Orr poem is much more successful. He and his friend Samuel Thomson are pioneers in the use of written Scots in Ulster and are regarded as the two most skillful Scots poets in Ulster. Both are celebrated in their day, and their work in Scots has been rediscovered in the twentieth-century revival of interest in the traditional literature and history of the north of Ireland.

Orr’s verse in standard English is equally competent, even more ambitious and almost as interesting. The best of his work, particularly in Scots, is characterised by pleasing cadences and assured control of tone and technique. His novel and generally impressive experiments with soliloquies, verse epistles, and versified direct speech, in English and Scots, parallel his interest in extending the registers in which he could use the vernacular Scots language. He seems not to have known of William Wordsworth‘s poetry, but, apparently independently and arguably more successfully, produces verse written in “the language really used by men” (Wordsworth, preface to Lyrical Ballads (1798)). As well as fascinating foreshadowings of romanticism, his work more often reveals the influence of the enlightenment and of New Light presbyterianism. He is a member of the congregation of the Rev. John Bankhead, whose theological views are decidedly liberal, tending even towards unitarianism. His poems provide a great deal of evidence on his reading, interests, radical aspirations and convictions; and in them and in the prose essays, the reader encounters a humane and generous personality. Like many other United Irishmen, he is an enthusiastic freemason, and believes that freemasonry and education will help to usher in a peaceful millennium. His poetry reveals humanitarian concerns, not yet common in the period. He opposess slavery and cruelty to animals and children and expresses support for a contemporary popular rising in Haiti. In 1812, he signs a petition in favour of Catholic emancipation.

Orr never marries. His friend McDowell believes that the resulting lack of domestic comforts drives the poet to socialise in taverns, and it is said that local fame and popularity encourages his excessive drinking. He suffers from ill health in later life. A neglected cold in 1815 leads to tuberculosis. He dies on April 24, 1816, and is buried in the old Templecorran graveyard at Ballycarry. Some years later, freemasons erect an impressive monument over the grave.

Orr’s poems are republished by a group of local enthusiasts in 1935. Another selection appears in 1992. A plaque put up by the local district council commemorates “the bard of Ballycarry,” probably the most significant eighteenth-century English-language poet in Ulster.

(From: “Orr, James” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)