seamus dubhghaill

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Death of Arthur Armstrong, Northern Irish Painter

Arthur Armstrong, painter who often works in a Cubist style and produces landscape and still life works, dies in Dublin on January 13, 1996.

Armstrong is born on January 12, 1924, at Carrickfergus, County Antrim, Northern Ireland, one of three sons among six children of James Charlton Armstrong, housepainter and decorator, and his wife Margaret (née Howard). Soon after his birth the family moves to Belfast. He attends Strandtown Primary School. He attends Queen’s University Belfast (QUB) in the early 1940s, where he initially studies political science and later architecture. Having an interest in art, which had been fostered by his father, he takes classes for a short time in the early 1940s at the Belfast School of Art. It is there he meets Gerard Dillon, who introduces him to George Campbell and Daniel O’Neill. He is largely self-taught as an artist. It is his close association with Dillon and Campbell, both some years his senior, that proves to be the most important factor in his development. In Belfast in the early 1940s they associate with the Russian artist Daniel Nietzche, who emphasises to them the importance of personal expression.

After leaving university Armstrong works at the Belfast Gas Office. At this point he is the main support for his widowed mother. Having saved some money, he leaves his job in 1946 to attempt to fulfil his ambition to paint full-time, producing a set of etchings with George Campbell, which are published by Walsh Studios. The following year he takes work as a designer for Ulster Laces in Portadown, County Armagh. In 1957, he leaves for London in the hopes of finding greater opportunities as an artist. His friends Campbell and Dillon are already living there, and he takes lodgings with Dillon’s sister at Abbey Road, north London. Though he continues to paint, he is unable to earn a living and so again has to take other work, this time in a Labour Exchange office. However, he is beginning to gain recognition. In 1957, he is awarded a traveling scholarship by the Council for the Encouragement of Music and the Arts (CEMA), which enables him to travel to Spain. He continues to visit Spain throughout the 1960s, often to see Campbell, who spends much time there.

In 1961 he has his first solo exhibition at the CEMA gallery in Belfast. He comes to live in Dublin in 1962, his work having already been exhibited there at the Irish Exhibition of Living Art in 1957 and 1958. He continues to exhibit there annually from 1961 to 1965. During the 1960s and early 1970s his work is regularly included in the Oireachtas exhibition, at which he is awarded the Douglas Hyde Gold Medal in 1968. He also shows his work with the Ritchie Hendriks Gallery and the Tom Caldwell Gallery in Dublin. Ultimately, he is to have over seventy solo exhibitions throughout his career. By 1969, when he is elected an associate member of the Royal Hibernian Academy (RHA), he has established himself as one of the leading landscape painters in Ireland. In 1972 he becomes a full member of the RHA. He exhibits there regularly until 1977.

It is during this period that some of Armstrong’s best work is produced. While landscape is his predominant theme, he never sees himself as a painter of particular views, rather he responds to the abstract qualities of a scene. He sees elements such as the sea, rocks or sky as a series of interlocking textures to be rendered expressively in oil paint. The western coastline of Ireland is a vital source of inspiration for him. Roundstone, County Galway, is a favoured base for painting trips in the company of Dillon and Campbell, who by this time are also living in Dublin.

In 1981, a retrospective exhibition of Armstrong’s work is organised by the Arts Council of Northern Ireland. He is represented in many major public and corporate collections in Ireland. From 1971 he lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon.

Armstrong dies unmarried on January 13, 1996, in Dublin. The contents of his studio are sold on February 3, 1998.

(From: “Armstrong, Arthur” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised November 2013 | Pictured: “Near Ballyhubbock,” oil on board by Arthur Armstrong RHA)


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Death of Gerard Dillon, Painter and Artist

Gerard Dillon, Irish painter and artist, dies following a second stroke on June 14, 1971.

Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.

Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.

In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.

Dillon travels widely in Europe and teaches for brief periods in the London art schools.

In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.

In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.

Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.

In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.

(Pictured: “Washing Day” by Gerard Dillon)


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Death of Thomas Falcon Hazell, World War I Fighter Pilot

Thomas Falcon Hazell, fighter pilot with the Royal Flying Corps and later the Royal Air Force during World War I, dies in Newport, County Mayo, on September 4, 1946. He scores 43 victories in 1917–18 making him the fifth most successful British “flying ace” of the war, the third most successful Irish-born pilot behind Edward Mannock and George McElroy, and the only pilot to survive the war from both groups.

Hazell is born in Roundstone, County Galway, on August 7, 1892. Upon the outbreak of the war in August 1914, he volunteers for service as a private with the South Irish Horse. On October 10 he is commissioned as second lieutenant in the 7th Battalion, Royal Inniskilling Fusiliers. As part of the 49th Brigade in the 16th (Irish) Division, the 7th Inniskillings are initially based at Tipperary, where he is promoted to lieutenant on June 4, 1915. The regiment lands in France in February 1916.

Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5 and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.

After serving as an instructor at the Central Flying School in 1918, Hazell takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, he shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). He is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927, at his own request.

In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.

Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the Burrishoole Church of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I


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Birth of Flying Ace Thomas Falcon Hazell

thomas-falcon-hazell

Thomas Falcon Hazell, fighter pilot with the Royal Flying Corps and later the Royal Air Force during World War I, is born in Roundstone, County Galway, on August 7, 1892. Hazell scores 43 victories in 1917–1918 making him the fifth most successful British “flying ace” of the war, the third most successful Irish-born pilot behind Edward Mannock and George McElroy, and the only pilot to survive the war from both groups.

Upon the outbreak of the war in August 1914, Hazell volunteers for service as a private with the South Irish Horse. On October 10 he is commissioned as second lieutenant in the 7th Battalion, Royal Inniskilling Fusiliers. As part of the 49th Brigade in the 16th (Irish) Division, the 7th Inniskillings are initially based at Tipperary, where Hazell is promoted to lieutenant on June 4, 1915. The regiment lands in France in February 1916.

Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5 and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.

After serving as an instructor at the Central Flying School in 1918, he takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, Hazell shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). Hazell is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927, at his own request.

In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.

Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the Burrishoole Church of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I.